ACD Systems has launched ACDSee Photo Studio Ultimate 2022. ACD Systems’ new version of its flagship photo editing software includes numerous updates, highlighted by the addition of two new modes: Media mode and People mode. These new modes’ streamline the digital asset management process and introduce AI-powered facial recognition.’
Frank Lin, COO and CTO of ACD Systems, said, ‘ACDSee Photo Studio Ultimate 2022 complements an already robust array of Digital Asset Management and Layer Editing modes. We continue to develop this software year-on-year by adding new updates and services to help photographers through the day-to-day. The two new modes will help photographers identify images in a heartbeat, rather than going through an abundance of images to find the file they’re looking for. Photo Studio Ultimate 2022 is the ticket to a future where Artificial Intelligence will help elevate photographers’ vision.’
In addition to the new Media and People modes, Photo Studio Ultimate 2022 incorporates new selection tools and filters that offer improved precision when making selects. The software adds a color wheel for improved pixel targeting.
Further, noise reduction, which is improved, can now be applied via the develop mode brush in the latest version. ISO settings above 200,000 are now supported in the 2022 release, which is good news for users of newer Canon, Nikon, Pentax and Sony cameras. HDR and Focus Stacking functionality is improved as well.
With People Mode, the software uses machine learning to detect and recognize faces. Users can merge, rename or delete faces to help keep their photo library organized. Photo Studio 2022’s AI assistant offers labeling suggestions for grouping similar unnamed individuals.
Media Mode is a database-driven ‘powerhouse’ for viewing and accessing any folders you’ve browsed in Manage mode or cataloged into the ACDSee database. You can use Media Mode to sort, group and filter in user-selected combinations.
The underlying basis of Photo Studio remains the same, promising non-destructive, layer-based photo editing, batch editing tools and digital asset management functions. If you’d like to learn more about ACDSee Photo Studio’s core functionality, we published a review of ACDSee Photo Studio Ultimate 2021 just this week. While there are some new features in 2022, our review of 2021 remains relevant to any prospective customers.
Photo Studio Ultimate 2022 is available as a subscription for $8.90 per month or $89 per year. It can also be purchased with a lifetime license for $149.99. A free trial is available here. If you don’t require all the features of Ultimate, there are also Professional and Home versions available for $99.99 and $59.99, respectively. The Professional and Home versions are also available as a subscription. For the full breakdown of which features are included in each version, click here. Photo Studio 2022 is available for Windows.
Today, TTArtisan has officially released its new AF 56mm F1.8 autofocus lens for X and E-mount cameras. The APS-C portrait lens is another budget offering from the China-based company.
The 56mm F1.8 lens has ten elements in nine groups and has nine aperture blades. The lens is built with a stepper motor, which TTArtisan claims delivers fast and quiet autofocus. It has a minimum focusing distance of 0.5m (19.6″) and a minimum aperture of F16.
TTArtisan says the lens has a full aluminum build, weighs between 233-245g (8.2-8.8oz), and includes ED (Extra-low Dispersion) glass. This should help reduce the amount of color fringing that may occur in an image.
This is only the company’s fourth autofocus lens, but it’s the second one it has announced in recent weeks, following the TTArtisans AF 35mm F1.8, released early this month for Sony E-mount cameras.
Pricing and availability
The TTArtisan AF 56mm F1.8 ships globally and is available immediately. It has a suggested retail price of $158.
Buy now:
The Panasonic Lumix S5II launched the second generation of Panasonic’s full-frame mirrorless camera system and was the first Panasonic to feature phase detect autofocus. As our review reveals, it’s a heck of an all-around camera for both still and video shooters.
The latest Lumix puts a Four Thirds sensor in a full-frame body with boosted AF and a wealth of stills and video capabilities to create a Swiss Army Knife of a Micro Four Thirds camera.
The fourth camera in Leica’s SL series of full-frame mirrorless cameras sees the 60MP BSI sensor from the Q3 and M11 models arrive with a significant interface redesign.
The Fujifilm X100VI is the sixth iteration of Fujifilm’s classically-styled large sensor compact. A 40MP X-Trans sensor, in-body stabilization and 6.2K video are among the updates.
The Nikon Zf is a 24MP full-frame mirrorless camera with classic looks that brings significant improvements to Nikon’s mid-price cameras. We just shot a sample reel to get a better feel for its video features and have added our impressions to the review.
What’s the best camera for around $2000? This price point gives you access to some of the most all-round capable cameras available. Excellent image quality, powerful autofocus and great looking video are the least you can expect. We’ve picked the models that really stand out.
What’s the best camera for travel? Good travel cameras should be small, versatile, and offer good image quality. In this buying guide we’ve rounded-up several great cameras for travel and recommended the best.
If you want a compact camera that produces great quality photos without the hassle of changing lenses, there are plenty of choices available for every budget. Read on to find out which portable enthusiast compacts are our favorites.
‘What’s the best mirrorless camera?’ We’re glad you asked.
Above $2500 cameras tend to become increasingly specialized, making it difficult to select a ‘best’ option. We case our eye over the options costing more than $2500 but less than $4000, to find the best all-rounder.
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Photo: Shaminder Dulai
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If you haven’t signed up for the free DPReview newsletter, you’re missing out. It’s more than a recap of the website; we regularly share behind-the-scenes information, reader questions of the week, photo challenges and exclusive stories that can only be found in the newsletter.
In the last three months, we have given newsletter readers early sneak peeks at our testing and talked about our studio scene, product studio and what’s going on in the DPReview mail room (you never know what might be dropping by). We also give newsletter readers an exclusive heads-up on what’s happening around our office, complete with candid sharing of what the DPReview editors are thinking about and debating. Sometimes, we even let slip which camera review we’re working on and if it is coming out the following week.
Last month, the newsletter also hosted DPReview Camera Debate Madness of March (and part of April). Readers and editors weighed the choices between primes and zooms, lens-focusing design, viewfinder- or touchscreen-only cameras, and more. After four rounds of debates and voting, we crowned a champion and experience trumped gear lust. Relive every play-by-play to discover who won and how. Join our next event by signing up for the newsletter.
There’s also our ongoing ‘Question of the Week’ segment, where we turn the microphone toward you. Last week, we asked: What’s the perfect portrait lens, and why? Nearly 100 readers wrote in to share their takes, and every week, we share some of our favorite responses in the following newsletter. What did people have to say? Sign up to find out. Join us by answering our next question every week. This week, we’re asking you: If you could update one camera from the past and bring it back to the market, what would it be? Have a hot take to share? Sign up and join the community by sending in your response.
It’s the best photography, camera and gear news, delivered right to your inbox.
And we don’t just stop at the news. Newsletter subscriber benefits include behind-the-scenes articles, letters to the editor, exclusive contests, sneak peeks on what we’re working on, ways to share feedback directly with DPReview editors to help us shape future stories and more! There is no AI here, only real people writing the newsletters and reading your feedback (me!).