Camera
Canon announces the EOS C80, a cinema camera in a mirrorless-type body
Image: Canon |
Canon has announced the EOS C80, a dedicated cinema camera in a mirrorless-style body. It’s built around a 26MP full-frame stacked CMOS sensor and uses the RF lens mount. According to Canon, the C80’s internals closely resemble the Cinema EOS C400, its newest professional cinema camera, including an almost identical sensor, though it lacks some features found on the C400.
The C80 replaces the EOS C70, a camera that proved very popular with independent video producers and small production houses but which used a smaller Super 35mm sensor and included an EF-to-RF 0.71x optical adapter that essentially worked as a speed booster.
The EOS C80’s stacked CMOS sensor can capture video up to 6K resolution and features a triple-base ISO design, with bases at ISO 800, 3200, and 12,800. Dual gain systems work by switching between two different readout paths with different levels of capacitance, giving a tradeoff between a mode that can accommodate a large signal (higher peak dynamic range) and one with less tolerance for light but lower readout noise, better suited to shooting in low light. The implication is that Canon has a third readout option that takes this trade-off further. We’ve contacted Canon for further technical details and will follow up as we learn more.
Image: Canon |
In addition to triple-base ISO, the updated sensor supports the newest version of Canon’s dual-pixel autofocus, Dual Pixel AF II. It significantly enlarges the area of the sensor that can be used for autofocus and includes the same AF zones found on the Cinema EOS C400. The new system supports people and animal tracking, and the faster readout speed of the sensor allows the AF system to be quicker and more responsive.
The AF system also introduces a new feature intended to make it easier to rack between subjects. If the AF system is tracking a person, using the manual focus ring on the lens will take over focus control; when the AF system detects that it’s close to focusing on a different subject, it will identify and take over focus tracking on that new subject once the focus ring is released.
Other new features include 12G-SDI terminals to allow for output of uncompressed video signals, Canon’s multi-function shoe, a new lightweight handle accessory for attaching multi-function accessories, a third 1/4″-20 tripod thread on the base of the camera and another on top, and an ethernet terminal. Connections include full-sized HDMI-out, two mini XLR audio inputs, a 3.5mm microphone jack, 4-channel audio support, and a Time Code terminal. There are 13 custom buttons.
Image: Canon |
The camera includes the same ND filter system as the EOS C400, with five settings ranging from ND2 to ND10, and there’s a helpful tape measure hook on the top of the camera for planning focus and focus pulls.
The C80 supports three sets of video codecs, notably, the same ones found on the Cinema EOS C400 and the recently announced EOS R1 and EOS R5 II. This common use of codecs across all EOS models, including mirrorless and cinema products, suggests Canon is trying to better align video capabilities across the entire EOS line.
The C80 can capture up to 6K/30p video using the width of its sensor or up to 4K/60p using a Super 35mm crop when using Canon’s Cinema RAW LT (‘light’) codec. It doesn’t support Canon’s higher bit rate Cinema RAW formats, HQ and ST, which require write speeds beyond the ability of the C80’s dual-SD (UHS-II) memory cards.
Image: Canon |
The camera also supports compressed codecs, including Canon’s XF-AVC, XF-HEVC S, and XF-AVC S codecs, all of which support video capture up to 4K/60p (downsampled from 6K) in 4:2:2 10-bit color, using either All-I or Long-GOP formats. There’s also slow motion support for frame rates up to 4K/120p and 2K/180p, with autofocus support up to 120p. The camera includes both C-Log2 and C-Log3 gamma curves and supports proxy files.
In addition to standard video, the EOS C80 provides anamorphic lens support with 2.0x, 1.8x and 1.3x de-squeeze. A new vertical interface is available when shooting vertical video.
The C80 also supports two new batteries: the BP-A30N, which ships with the camera and provides up to 170 minutes of continuous recording, and the BP-A60N, which Canon says will provide up to 335 minutes of continuous recording. According to Canon, the previous non-N versions of these batteries will continue to work without any feature limitations but will provide shorter operating times.
Price and availability
The Canon EOS C80 has a suggested retail price of $5499. It will be available in November 2024.
Canon Introduces the EOS C80 6K Full-Frame Cinema Camera
New EOS C80 RF-Mount Camera Features a 6K Full-Frame, Back-Illuminated Stacked CMOS
Sensor, Triple-Base ISO, Dual Pixel CMOS AF II and 12G-SDI
MELVILLE, N.Y., September 9, 2024 – Canon U.S.A. Inc., a leader in digital imaging solutions, is pleased to announce the new EOS C80 cinema camera, with a native RF-mount and full-frame, back- illuminated stacked CMOS sensor, designed for filmmakers that require a full-featured camera in a compact body.
6K Full-Frame Back-Illuminated Stacked CMOS Sensor
The Canon EOS C80 camera features a 6K full-frame, back-illuminated CMOS sensor, with triple-base ISO, allowing the camera to deliver stunning imagery in a wide range of lighting conditions. The base ISOs of 800, 3200, and 12,800 maximize the full dynamic range of the camera. The EOS C80 camera also features Canon’s latest Dual Pixel CMOS Autofocus, Dual Pixel AF II. The back-illuminated stacked sensor’s positioning offers superb light-capturing efficiency, which widens the area of the sensor that can be used for autofocusing. The sensor also empowers fast readout speed, as well as amazing 4K image quality from 6K oversampling.
12-G SDI and a Variety of Interfaces
In addition to moving to a full-frame sensor, the EOS C80 camera has also stepped up from its predecessor by adding 12G-SDI output, which enables uncompressed transfer of your video signal with a secure cable connection. The camera’s design includes a variety of other interfaces including HDMI, mini-XLR audio inputs, time code, built-in Wi-Fi® connectivity, and Ethernet. This internet connectivity enables the camera to be controlled remotely via our IP-based XC Protocol using Canon’s Remote Camera Control Application (available for free on the Canon USA Website), or our Multi-Camera Control App for iPhone (available for free on the App Store).
Compact Design
The compact and lightweight EOS C80 camera is suitable on a drone, gimbal, tripod, or in any configuration where compact size and light weight are important. The camera is ergonomically designed with a new, lightweight handle assembly. The Multi-function Shoe is located just above the LCD screen and the joystick controller provides easy control and menu navigation.
Recording Options
The EOS C80 camera can record up to 6K 30P in Cinema RAW Light. Other recording options include our standard XF-AVC codec which can record in 10-bit 4:2:2 with oversampling from the 6K sensor, creating rich detail and smooth imagery without the need for cropping the image from the sensor.Furthermore, autofocus is enabled when recording in slow or fast motion at up to 4K 120P. Additionally, the EOS C80 camera has two more recording codecs, XF-AVC S and XF-HEVC S. These formats were first introduced with the EOS C400 camera and feature an easy-to-manage naming system and folder structure, while recording in the familiar MP4 format and preserving metadata.
Pricing and Availability
The Canon Cinema EOS C80 Full-Frame camera is scheduled to be available in November 2024 for an estimated retail price of $5,499.00. For more information, please visit www.usa.canon.com.
Price | |
---|---|
MSRP | 5,499 |
Body type | |
Body type | SLR-style mirrorless |
Sensor | |
Max resolution | 6008 x 3170 |
Effective pixels | 19 megapixels |
Sensor photo detectors | 27 megapixels |
Sensor size | Full frame (36 x 24 mm) |
Sensor type | Stacked CMOS |
Color space | Rec.709, BT.709 wide DR, HLG, PQ |
Image | |
Boosted ISO (minimum) | 1600 |
Boosted ISO (maximum) | 102400 |
White balance presets | 2 |
Image stabilization | Digital only |
File format |
|
Optics & Focus | |
Autofocus |
|
Lens mount | Canon RF |
Screen / viewfinder | |
Screen size | 3.5″ |
Screen dots | 2,760,000 |
Touch screen | Yes |
Live view | Yes |
Viewfinder type | None |
Photography features | |
Exposure modes |
|
Built-in flash | No |
External flash | No |
Metering modes |
|
Exposure compensation | ±2 (at 1/4 EV steps) |
Videography features | |
Format | XF-AVC, H.264, H.265 |
Microphone | Mono |
Storage | |
Storage types | Dual SD card slots (UHS-II/V90) |
Connectivity | |
USB | USB 3.2 Gen 1 (5 GBit/sec) |
HDMI | Yes (Full-size) |
Microphone port | Yes |
Headphone port | Yes |
Wireless | Built-In |
Wireless notes | 802.11a/b/g/n/ac |
Remote control | Yes |
Physical | |
Battery | Battery Pack |
Battery description | BP-A30N (included), BP-A60N, BP-A60, BP-A30 |
Weight (inc. batteries) | 1310 g (2.89 lb / 46.21 oz) |
Dimensions | 160 x 138 x 116 mm (6.3 x 5.43 x 4.57″) |
Other features | |
Orientation sensor | Yes |
Timelapse recording | Yes |
Camera
Accessory Roundup: the Nikon museum, a digital picture frame, and more
Images: pexar, SmallRig, Nikon |
Welcome to this week’s accessory roundup. If we’re being honest, it’s been a bit of a dry one out there for accessory news; manufacturers have likely been busy getting ready for the upcoming Amazon Prime Day event that starts on October 8th, and the busy sales season that’ll follow the month after. However, we’ve dug deep and found some accessory news for you. Before we get to that though, let’s go back to talking deals for list a moment…
OM Cameras on sale
The OM-5, OM System’s compact Micro Four Third camera, is currently on sale for $1,000, $200 off its MSRP. When we reviewed it, we appreciated its capable stabilization, size, and weather sealing. While it certainly has some drawbacks like using microUSB instead of USB-C and the company’s older menu system, the less expensive price takes the sting out of those a bit.
The company’s high-end camera, the OM-1 II, is also $400 off, bringing its price to right under $2,000, body-only.
Taking a slight – okay, massive – step up in size, weight, and price, the Nikon Z8 is also $400 off. It’s one of the most powerful full-frame cameras we’ve reviewed to date, and won our Gold award last year.
Frame It
It’s easy to understand where the name comes from, but Lexar better hope that a certain animation studio isn’t feeling particularly litigious.
Image: Lexar |
Lexar, a brand probably best known for its memory cards and readers, has launched a new sub-brand to sell digital photo frames called ‘pexar.’ The announcement was made at IFA last month, but it flew under the radar for a bit until sites like Digital Camera World and PetaPixel picked up on it.
The first pexar-branded product is a 28 cm (11″) digital picture frame with a 2000 x 1200 touchscreen display that can go up to 400 nits of brightness, 32GB of built-in storage, a magnetic stand that lets you use it in portrait and landscape, and an anti-glare display. It also has an SD card slot and a USB-A port to let you expand how many pictures it can hold, but the company says you should be able to fit “over 40,000” images on it before you need to do that.
There’s also an app that lets “up to 512 users” connect to the frame and upload images or videos to it. This could be useful for those giving it as a gift to a family member or friend and who want to keep it updated with recent photos, or someone who wants to use it as a way to display their own photography without having to do prints.
At $160, it’s certainly positioned as a premium product, though it’s also not the most expensive option in the category. It also has a higher resolution than The Wirecutter‘s pick for a 38cm (15″) digital photo frame. The company also says that a smaller 25.7cm (10.1″) version is in the works and will launch sometime this month.
Lights, camera, action
Image: SmallRig |
Chip-on-board lights, or COB lights, have become popular tools for both photographers and videographers looking for a continuous light source. Recently, both SmallRig and Lume Cube announced portable COB lights, which could be handy if you find yourself needing a fill light. Both lights can be remotely operated with an app.
As its name implies, the SmallRig RC 100B is a 100W-class light. It uses bi-color LEDs, so you can have it output light at 2700-6500K. There are two different RC 100B kits; the first is the “mobile” version which mounts to a handle and includes an adapter plate that lets you use two NP-F batteries instead of the V-mount ones the light natively takes. The standard version, meanwhile, includes a light stand adapter and USB-C cable for power. Both versions also have a mini XLR input for DC power.
The mobile version retails for $199, and the standard one is $229.
Image: LumeCube |
The Lume Cube XL puts out less light – it’s only a 60W-class source – but adds RGB capabilities that let you output in different colors. Like the SmallRig light, it includes a reflector, and can accept power input via USB-C. It doesn’t include a built-in battery mount, though you can buy a battery handle separately, but does come with a power adapter that lets you plug it into the wall.
The Lume Cube XL is available for $249.
A trip to the museum
Photo: Nikon |
This one is less of an accessory and more of a place you can go to see a ton of camera gear. Nikon has announced that it’ll reopen its museum on October 12, after closing it while relocating its headquarters. There, you’ll be able to see around “1,300 products and technologies” from Nikon’s camera, lens, binocular, and industrial businesses. Perhaps most excitingly, the consumer section has a “touch and try” section, though the company’s map doesn’t have much detail on what types of products you’ll be able to get your hands on.
Admission to the museum is free, but you’ll obviously have to physically be in Tokyo if you want to visit.
Image: Nikon |
If you do want to buy something, the museum has a gift shop that sells “15 types of acrylic keychain” that depict cameras and lenses, which are quite adorable and only 500 yen (around $3.40 US at time of writing).
Click to see last week’s accessory roundup
Camera
Accessory Roundup: the Nikon museum, a digital picture frame, and more
Images: pexar, SmallRig, Nikon |
Welcome to this week’s accessory roundup. If we’re being honest, it’s been a bit of a dry one out there for accessory news; manufacturers have likely been busy getting ready for the upcoming Amazon Prime Day event that starts on October 8th, and the busy sales season that’ll follow the month after. However, we’ve dug deep and found some accessory news for you. Before we get to that though, let’s go back to talking deals for list a moment…
OM Cameras on sale
The OM-5, OM System’s compact Micro Four Third camera, is currently on sale for $1,000, $200 off its MSRP. When we reviewed it, we appreciated its capable stabilization, size, and weather sealing. While it certainly has some drawbacks like using microUSB instead of USB-C and the company’s older menu system, the less expensive price takes the sting out of those a bit.
The company’s high-end camera, the OM-1 II, is also $400 off, bringing its price to right under $2,000, body-only.
Taking a slight – okay, massive – step up in size, weight, and price, the Nikon Z8 is also $400 off. It’s one of the most powerful full-frame cameras we’ve reviewed to date, and won our Gold award last year.
Frame It
It’s easy to understand where the name comes from, but Lexar better hope that a certain animation studio isn’t feeling particularly litigious.
Image: Lexar |
Lexar, a brand probably best known for its memory cards and readers, has launched a new sub-brand to sell digital photo frames called ‘pexar.’ The announcement was made at IFA last month, but it flew under the radar for a bit until sites like Digital Camera World and PetaPixel picked up on it.
The first pexar-branded product is a 28 cm (11″) digital picture frame with a 2000 x 1200 touchscreen display that can go up to 400 nits of brightness, 32GB of built-in storage, a magnetic stand that lets you use it in portrait and landscape, and an anti-glare display. It also has an SD card slot and a USB-A port to let you expand how many pictures it can hold, but the company says you should be able to fit “over 40,000” images on it before you need to do that.
There’s also an app that lets “up to 512 users” connect to the frame and upload images or videos to it. This could be useful for those giving it as a gift to a family member or friend and who want to keep it updated with recent photos, or someone who wants to use it as a way to display their own photography without having to do prints.
At $160, it’s certainly positioned as a premium product, though it’s also not the most expensive option in the category. It also has a higher resolution than The Wirecutter‘s pick for a 38cm (15″) digital photo frame. The company also says that a smaller 25.7cm (10.1″) version is in the works and will launch sometime this month.
Lights, camera, action
Image: SmallRig |
Chip-on-board lights, or COB lights, have become popular tools for both photographers and videographers looking for a continuous light source. Recently, both SmallRig and Lume Cube announced portable COB lights, which could be handy if you find yourself needing a fill light. Both lights can be remotely operated with an app.
As its name implies, the SmallRig RC 100B is a 100W-class light. It uses bi-color LEDs, so you can have it output light at 2700-6500K. There are two different RC 100B kits; the first is the “mobile” version which mounts to a handle and includes an adapter plate that lets you use two NP-F batteries instead of the V-mount ones the light natively takes. The standard version, meanwhile, includes a light stand adapter and USB-C cable for power. Both versions also have a mini XLR input for DC power.
The mobile version retails for $199, and the standard one is $229.
Image: LumeCube |
The Lume Cube XL puts out less light – it’s only a 60W-class source – but adds RGB capabilities that let you output in different colors. Like the SmallRig light, it includes a reflector, and can accept power input via USB-C. It doesn’t include a built-in battery mount, though you can buy a battery handle separately, but does come with a power adapter that lets you plug it into the wall.
The Lume Cube XL is available for $249.
A trip to the museum
Photo: Nikon |
This one is less of an accessory and more of a place you can go to see a ton of camera gear. Nikon has announced that it’ll reopen its museum on October 12, after closing it while relocating its headquarters. There, you’ll be able to see around “1,300 products and technologies” from Nikon’s camera, lens, binocular, and industrial businesses. Perhaps most excitingly, the consumer section has a “touch and try” section, though the company’s map doesn’t have much detail on what types of products you’ll be able to get your hands on.
Admission to the museum is free, but you’ll obviously have to physically be in Tokyo if you want to visit.
Image: Nikon |
If you do want to buy something, the museum has a gift shop that sells “15 types of acrylic keychain” that depict cameras and lenses, which are quite adorable and only 500 yen (around $3.40 US at time of writing).
Click to see last week’s accessory roundup
Camera
How one photographer turned a DIY dream into a full-frame reality
The Sitina S1
Photo: Wenting Zhang |
Here at DPReview, we love DIY photography projects, and one recently came to our attention that we just had to share.
Boston-based engineer and photographer Wenting Zhang has been experimenting with DIY electronics for over a decade and also loves taking photos, so building his own camera was a natural extension of these interests.
“I initially had the idea of building my own camera during middle school. Back then, I wasn’t allowed to use my parents’ camera and couldn’t afford a real camera. I naively thought it would be possible, and cheaper, if I just built one myself,” Zhang told DPReview. His initial attempt didn’t go well, and he eventually saved enough to buy a used Nikon D90, but the itch to build his own camera stayed. Whenever he saw someone posting about a DIY camera project, he thought, “If other people can pull that off, I should be able to as well.”
Zhang says he started the project in 2017, and it’s not finished yet. “Engineers are usually bad at estimating how long things will take. I am probably particularly bad at that. I expected this project to be challenging, so it would take a bit longer, like probably one year. Turned out my estimation was off,” he says.
He makes clear to point out that this is a hobby project, purely for fun, and that his camera isn’t going to achieve the level of image quality found in commercially available products from established companies. Despite that, his project provides a fascinating look into what’s involved in building a camera from the ground up. What’s more, Zhang has open-sourced his entire project on GitLab for anyone else who might want to build upon it.
Zhang took this photo with a monochrome version of the Sitina, which uses the same sensor but without the Bayer color filter array.
Photo: Wenting Zhang |
Although CMOS has become the dominant sensor technology in consumer cameras, owing to factors like speed, lower power consumption and cost, Zhang’s camera is built around a 10MP Kodak KAI-11000CM CCD sensor with a global electronic shutter, which he selected for a rather pragmatic reason: it was easy to source. “Most manufacturers (like Sony) aren’t going to just sell a sensor to a random hobbyist, so I have to buy whatever is available on eBay. This 10MP CCD turned out to be available,” he explains.
Zhang attaches the CCD sensor to his heat sink.
Photo: Wenting Zhang |
The choice of sensor has a useful benefit. As he explains in one of his videos, designing and building a mechanical shutter is complicated and beyond his area of expertise, so his DIY design is based on using an electronic shutter. For similar reasons, he chose to use an LCD screen as a viewfinder rather than a prism-based optical design, resulting in a mirrorless camera.
Photo captured with the Sitina S1.
Photo: Wenting Zhang |
Zhang wanted his design to be compatible with existing lenses. His mirrorless design, with a short flange distance, provided a great deal of flexibility to adapt different lenses to the camera, and he’s currently using E-mount with active electrical contacts.
And that’s just the start. Zhang also needed to integrate a CCD signal processor with an ADC (analog to digital converter), a CPU, battery, an LCD screen and buttons. He also designed and built his own circuit board with a power-only USB port, flash sync terminal, power button and SD card slot, and create the software and user interface to tie it all together.
In order to build his camera, Zhang had to design and print his own circuit boards.
Image: Wenting Zhang |
Finally, everything fits inside a 3D-printed enclosure that, to my eye, looks rather attractive.
As for the camera’s name, the Sitina S1? “I simply put the word ‘silicon’ and ‘retina’ together to form the word ‘sitina’. I don’t have any better ideas of naming the camera model, so I simply call it the ‘Sitina S1’, he explains. “But the name may change in the future if I ever have better ideas.”
Zhang was kind enough to share some photos from his DIY ‘for fun’ camera.
Photos: Wenting Zhang |
Now that he’s built his own camera, Zhang has an appreciation for how much work goes into the design, development and optimization of a modern consumer camera. “I would imagine it would take an army of designers and engineers of various disciplines to build a modern consumer camera,” he says. “There are so many different components but few ‘off the shelf’ parts.”
“On top of the hardware, we still have layers of software. There’s no standard camera operating system (like Android or Windows) so each vendor is developing its own OS. On top of the OS, you have image processing algorithms where each vendor probably has their own secret sauce for better color, lower noise, etc. I think it’s quite incredible that camera vendors are able to do all these things in-house.”
Zhang is still working to address issues in his current prototype. “I think in another year or two it could reach a state where it can be a useable and useful camera. I do wish to sell the camera either as a kit people can put together or as an assembled machine. Not for profit, but so people can play with it, and my effort on this project won’t go to waste.”
If you’re curious to learn more about how a camera is built, I encourage you to watch both of Zhang’s videos in their entirety as he goes into great detail about the process. And, if you have the technical skills and interest to try this type of DIY project yourself, his open source project could be invaluable. I’ll be the first to admit it goes beyond my level of engineering know-how, but I would be first in line to order a Sitina camera DIY kit if the opportunity arose.
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