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DxO Nik Collection 4 review: Viveza and Silver Efex rebooted

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DxO Nik Collection 4 review: Viveza and Silver Efex rebooted

Every year around the start of June, French software company DxO releases a new version of Nik Collection, a suite of eight image processing tools that can be used either as standalone apps or plug-ins for third-party software like Adobe Photoshop and Lightroom Classic. And 2021 is no different, with Nik Collection 4 now making its debut.

The Nik Collection first appeared over a decade ago, and some of its component plug-ins can be traced back as far as late 1999, when the first version of Nik Color Efex was released.

Initially developed by Nik Software and later purchased by Google, the Nik Collection was acquired by DxO in late 2017. Since then, the French software company has been steadily adding new features and some its own algorithms to the Nik Collection toolbox.

Available immediately, Nik Collection 4 is priced at $149 for new customers, with upgrades available to existing customers for $79. You can save some money if you order soon, though – through June 30, 2021, DxO is offering discounted pricing of $99.99 for new customers, and $59.99 for upgrades.

Correcting the color of an overexposed reflector lens using grouped control points in Viveza 3. The image is split vertically for comparison against the original, unedited image.

What’s new and included in Nik Collection 4?

With the introduction of Perspective Efex in the previous release, the Nik Collection has a total of eight plug-ins. Silver Efex Pro 3 and Viveza 3 are both updated with modernized UI’s and some new tools; suite-wide, ‘U-Point’ controls are more versatile (more on this later) and ‘Meta presets’ in the selective tool allow for multiple plug-ins to run sequentially with one click.

In full, the list of plug-ins is as follows:

  • Analog Efex Pro 2 – replicates the look of images shot using analog film cameras
  • Color Efex Pro 4 – a wide range of color image presets in architecture, film, nature, portrait, travel and wedding categories
  • Dfine 2 – reduces noise levels in high-sensitivity and/or small-sensor images
  • HDR Efex Pro 2 – combines multiple identically-framed images for higher dynamic range, or simulates an HDR look from a single image
  • Sharpener Pro 3 – pre-sharpens raw data and applies secondary sharpening immediately prior to output
  • Silver Efex Pro 3 (updated) – converts images to black and white, with a healthy selection of presets, haze reduction, color filtering, film simulation and more
  • Viveza 3 (updated) – tools for adjusting color, light and tonality, along with a small number of presets
  • Perspective Efex – corrects for lens and perspective-based distortions, and allows for a tilt/shift-like miniature effect plus cropping

Last year’s iteration of the suite, Nik Collection 3, debuted a new Perspective Efex tool, improved the Selective Tool menu from which plug-ins can be launched, and added support for non-destructive multipage TIFF editing in Lightroom Classic. This year, it’s Silver Efex Pro and Viveza which have received most of the love, with major version increments and a brand-new user interface for both.

DxO has also made it possible for Lightroom Classic users to copy and paste Nik processing settings between images without reopening a plug-in, or to quickly recall the last-used settings if you forgot to save them as a preset and want to tweak them further. And a new Meta Presets function has been added to the Selective Tool which can combine the actions of multiple plug-ins in a single click.

The Nik Collection by DxO Selective Tool serves as a launcher for all of the individual plug-ins in the suite. The Meta-presets section is a new addition which allows multiple plug-ins to run sequentially with a single click.

A modern UI for some tools, but others still feel dated

The most obvious change from Nik Collection 3 is in the Silver Efex Pro 3 and Viveza 3 plug-ins, both of which sport an updated UI. The change is significant for both apps, as neither had been visually tweaked in more than a decade, but it’s most noticeable for Viveza, which until now couldn’t even be resized to fit your screen.

The Viveza and Silver Efex Pro plug-ins both sport shiny new, modernized user interfaces. The new Silver Efex Pro 3 and the prior version 2 can compared above.

Unfortunately, while these two plug-ins now look much better, some others still feel very dated, and there are inconsistencies even among the more recently-updated plug-ins. Dfine 2 and Sharpener Pro 3 still have a geriatric, non-resizable UI like that just replaced in Viveza 3, while Perspective Efex’s various sliders, buttons and controls seem to have been lifted straight from DxO ViewPoint 3, and don’t visually match any of the other plug-ins in the suite.

The Nik Collection’s tools come in several vintages with radically differing interfaces. The Dfine 2 (shown above) and Sharpener Pro 3 plug-ins have the oldest UI, and can’t even be resized to fit your screen.

Analog Efex Pro 2, Color Efex Pro 4 and HDR Efex Pro 2, meanwhile, sit somewhere between the rest, with a resizable UI but a noticeably different aesthetic to Silver Efex Pro, Viveza and especially Perspective Efex. As a result the overall suite feels less coherent than it should be, and is something we’d like to see DxO address.

U-Point gives more control with less clutter

DxO has also updated the popular U-Point technology underlying both Silver Efex Pro and Viveza, simultaneously making it more powerful and easily-targeted, and yet also less visually cluttered.

Previously, U-Point’s array of control sliders appeared adjacent to the control point over your image when it was selected. Now, almost all of them are instead located in the right-hand adjustment panel, and only the control point area is adjusted directly on the image itself. (You can either drag a slider or the outer periphery of the selection circle.)

Selecting the sky with three U-Point control points. Note that the control points have been grouped together, the group renamed, and that all but one of the control point’s sliders now sit in the right-hand control panel rather than atop the image as in older Nik Collection versions.

You can now also tune the luminance and chrominance values for each control point, making it easier to adjust its coverage area appropriately, and likely reducing the number of control points you’ll need to use in the first place. Alternatively, you can zero out both of these new sliders, and get a graduated radial filter around a given control point, instead.

If you find yourself needing to use a significant number of control points, you can now individually rename them so they’re easier to keep tabs on. You can also still group them, just as in the past. And helpfully, the control points and their locations can now be saved in your presets.

Even more new features for Silver Efex and Viveza

As well as their overhauled UI and U-Point tech, Silver Efex and Viveza have both received some other new features. For Viveza, there are ten new preset looks to choose from, and you can also save and share your own presets. And Silver Efex now boasts both the haze-busting ClearView slider from DxO PhotoLab, as well as the ability to add one of 39 B&W film grain types from DxO FilmPack.

Better integration with Lightroom Classic

DxO has also improved Nik Collection 4’s integration with Adobe Photoshop Lightroom Classic. You can now access a new Copy and Apply Parameters dialog as an export preset, and from there you can copy and paste settings for each plug-in between images without needing to reopen the plug-in itself.

And for the Dfine, Viveza, Silver Efex and Sharpener plug-ins, you can also recall the last edits made after reopening the plug-in, making it simple to recover your settings if you want to further adjust them or save them as a preset.

Nik Collection now better integrates with Lightroom Classic, allowing you to copy settings between images and quickly restore your last-used settings.

Meta-Presets combine plug-ins, but with limitations

Speaking of presets, there’s one more change of note in this regard, and it can be found in the floating Selective Tool panel from which the individual plug-ins can be launched. As well as the eight existing plug-ins, it now includes an additional option: Meta-presets.

As the name would suggest, these are presets which combine the results from multiple plug-ins in one click, making them extremely quick and easy to apply. The downside is that other than a brief text description which comes up if you click the question mark icon next to the Meta-preset name, you have no way to preview results of the preset. Nor can you alter it, or make your own presets to match your workflow.

Preview performance remains a weak spot

In most other respects, Nik Collection 4 is similar to the previous version. The Analog Efex, Color Efex, HDR Efex and Perspective Efex plug-ins are all functionally identical to their predecessors.

A handful of Nik Collection 4’s Meta-presets, clockwise from top left: Adoxical, Dry Plate, False-color Infrared and Expired Film.

And that’s true of performance, too. Like its predecessor, Nik Collection 4’s previews tend to lag behind your adjustments by a good second or so. We’d like to see DxO work on that in a future release, as not only does greater performance mean less time spent editing, it also helps to make it easier and more intuitive to fine-tune the adjustments you’re making.

Final thoughts

What we like What we don’t
  • Updated UI in Silver Efex and Viveza bring them to a modern standard
  • Incredibly wide range of possible adjustments and tons of presets
  • Improved Lightroom integration is always nice to see
  • Inconsistent user interface among the separate plug-ins
  • Not the most responsive experience
  • No option to purchase individual plug-ins

The Nik Collection has long been a fan favorite that can deliver impressive results, and not just in the hands of experienced photographers, but thanks to a wide selection of presets, less experienced ones as well. It still suffers from a fairly inconsistent UI that varies widely from app to app, but the individual apps themselves are reasonably intuitive to use, if perhaps not quite as fast as we’d like.

That said, it’s encouraging to be getting regular yearly updates from DxO, and we’re hopeful that further UI and performance enhancements are on the way.

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Ulanzi’s 52mm MagFilter Magnetic Filters offers interchangeable filters for smartphones

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Ulanzi’s 52mm MagFilter Magnetic Filters offers interchangeable filters for smartphones


Image: Ulanzi

Lens filters for smartphones are not a new concept. Designed to give photographers more creative and technical control over their images, there are several types on the market today that can control how much light comes into the camera, reduce reflections and flare or add more vibrancy to your images with different color tones.

Up until a few years ago, photographers wanting to add a physical filter to a smartphone would need to attach a clamped filter that sits at the top of the phone’s camera lenses or use a third-party smartphone lens with filters.

Although useful, clamps tend to be bulky and aren’t always the easiest to align with your camera. Third party lenses offer more accuracy, but good-quality options can cost in excess of $100, without the inclusion of filters.

Ulanzi aims to be different by offering a lightweight foldable adapter ring that snaps on to the center of your MagSafe compatible device or case, which the manufacture says leads to a quicker workflow and more accurate alignment of the filter to the camera lens on the back of the phone. On an iPhone 14 or 15 it works by magnetically attaching to the rear using Apple’s MagSafe attachment system.

For users without an iPhone, there are workarounds through the use of third-party smartphone cases with magnetic ring plates that emulating MagSafe. WIth such a case, you can attach Ulanzi’s adapter to the ring plate and use the filters as normal.

As we reported last week, the concept isn’t new. Tiffen recently released a similar product with its MagSafe 58mm Filter Mount. Both products approach a solution to adding filters in a similar manner but differ in design. The Ulanzi opts for compactness with a foldable design.

The Tiffen comes with one polarizing filter (you can buy other filters separately) at around $40. In contrast, the Ulanzi’s version comes as a kit for $219 with an ND filter, a polarizing filter, one soft focus filter and a selection of color effect filters. There’s a storage case as well. Having multiple filters packed in may be enticing to users seeking to experiment with different filters and want the simplicity of having them all packaged together.


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Tamron announces 28-75mm F2.8 Di III VXD G2 for Nikon Z mount

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Tamron announces 28-75mm F2.8 Di III VXD G2 for Nikon Z mount


Image: Tamron

Tamron has announced it will release its popular 28-75mm F2.8 Di III VXD G2 fast standard zoom for Nikon’s Z-mount.

Nikon already sells a 28-75mm F2.8 with an optical formula and calculated MTF charts that are a match for Tamron’s original, stepper-motor driven 28-75mm F2.8 Di III RXD. The newer, linear-motor-driven G2 model features improved optical performance.


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The G2 uses a more complex 17 element / 15 group design and has a fractionally shorter minimum focus distance (18cm/7.1″ vs 19cm/7.5″) to deliver very slightly increased maximum magnification. The G2 is also a fraction lighter than the Nikon-branded 28-75mm, weighing 550g (19.4oz), rather than 565g (19.9oz). On the E-mount versions, Tamron claimed the VXD linear motor design was twice as fast as the RXD version.

The focal length range makes the 28-75mm a wide to short-telephoto lens for Nikon’s full-frame Z-mount cameras but could, in principle, be used as a 42-113mm equivalent on DX APS-C bodies, if you wished.

Click here to see the Tamron 28-75mm F2.8 G2 gallery shot on Sony E-mount

The announcement adds a more affordable option for Nikon’s Z-mount users, but the hope has to be that, letting Tamron compete against its own-brand lenses, might also indicate some relaxation of Nikon’s restrictions around the mount. As the footnotes make clear, this lens is “developed, manufactured and sold under the license agreement with Nikon Corporation.”

The Tamron 28-75mm F2.8 Di III VXD will be available from April 18th at an MSRP of $999. This is $100 more than the E-mount version and a match for the current price of the Nikkor Z 28-75mm F2.8. It’s $200 below Nikon’s launch price for the Nikkor version.

TAMRON announces the launch of fast-aperture standard zoom lens for “Nikon Z mount system”

28-75mm F/2.8 Di III VXD G2 (Model A063) for Nikon Z mount

March 27, 2024, 11pm ET / 8PM PT, Commack, NY – Tamron announces the launch of the 28-75mm F/2.8 Di III VXD G2 (Model A063), a fast-aperture standard zoom lens, for Nikon Z mount full-frame mirrorless cameras1. The lens will be available April 18, 2024, at $999 USD / $1399 CAD.

The 28-75mm F2.8 G2 is compact and easy to use yet has excellent optical performance and is compatible with the latest digital cameras with increasingly high pixel resolution. The AF drive uses a linear motor focus mechanism VXD (Voice-coil eXtreme-torque Drive) that is fast, highly accurate and quiet. The lens also excels at close-up shooting, achieving an MOD (Minimum Object Distance) of 7.1” (0.18m) at the wide end and a maximum magnification ratio of 1:2.7. Additionally, the lens design takes operability into consideration by including a coating with excellent scratch resistance on the barrel of the lens and a rubber focusing ring for a comfortable, secure grip among other features.

TAMRON pioneered the category of compact fast-aperture standard zoom lenses for mirrorless models. Now the 28-75mm F2.8 G2 will be available for Nikon Z mount as the ideal everyday lens for Nikon full-frame mirrorless camera users.

Product highlights

1. Best image quality in the standard zoom lens class

The new zoom leverages the latest design expertise and comprises an optical construction with 17 elements in 15 groups. Two optimally arranged LD (Low Dispersion) and GM (Glass Molded Aspherical) lens elements control optical aberrations to the highest degree. The lens provides high-resolution performance from edge-to-edge and corner-to-corner over the entire zoom range, even at wide open aperture. In addition, the soft, beautiful, round bokeh that can be achieved with a fast-aperture lens adds a distinctive dimension, especially to portraits. The overall compact size and high performance can be used advantageously with top-class, ultra-high-resolution mirrorless cameras.

2. Fast, quiet VXD linear motor for high-speed and high precision autofocus

The AF drive system employs TAMRON’s VXD linear motor focus mechanism. The high-speed, high-precision AF is exceedingly responsive and provides dependable and accurate focusing performance from MOD to infinity, despite the fast F2.8 aperture. The lens delivers excellent focus tracking of moving objects, so you are always ready for fast action. Additionally, the focus motor is quiet, so it’s ideal for shooting both still images and video in situations that demand low noise.

3. Lightweight and compact

The 28-75mm F2.8 G2 is a fast-aperture standard zoom lens with a remarkably compact and lightweight design, just 4.7” (119.8mm) long. The maximum diameter is 75.8mm and it weighs only 19.4 oz. (550g). Filter size is 67mm. With a size that’s easy to carry and a light weight that’s well-suited for handheld shooting for extended periods, the 28-75mm F2.8 G2 will surely become your favorite zoom for travel, street shooting, everyday carry, and spontaneous photo opportunities.

4. MOD of 7.1” (0.18m) at the wide end and a maximum magnification ratio of 1:2.7 for creative close-ups

The 28-75mm F2.8 G2 features an MOD of 7.1” (0.18m) at the wide end. The working distance shrinks to around 1.7” (4.4cm) when used at MOD. Because the maximum magnification ratio is 1:2.7, you can get close to your subject for wide macro photography, enabling powerful visual impact with the subject positioned large in the frame while keeping a wide view of the background.

5. TAMRON Lens Utility™ expands the possibilities of still photography and video shooting

The 28-75mm F2.8 G2 is compatible with the dedicated TAMRON Lens Utility software developed in-house by TAMRON that empowers users to easily update the lens to the latest firmware without going through the camera2 and includes functions to support focusing operations and other actions when shooting still images or video. By utilizing a wide range of functions3, users can expand the breadth of expression in still images and video. For example, A-B Focus allows users to limit focusing to two pre-selected focus points, shifting focus from one subject to the other with just a click of the Focus Set Button. Users can also choose between Linear and Non-Linear, which affects how the focus shifts during manual focusing.

6. Enhanced overall lens design for user-friendly operation

Every individual part of the lens has been carefully scrutinized, right down to the fine details, resulting in an enhanced design that optimizes both operability and ergonomics. The surface of the lens exterior is glossy black. Improved abrasion resistance makes the lens barrel harder to scratch and resists fingerprints. Additionally, the grip performance has been improved. The smoothly curved, elegant surface of the brand ring creates a dignified appearance with a design that signifies functional beauty and high quality.

7. Moisture-Resistant Construction and Fluorine Coating provide extra protection

1. The lens for Sony E-mount previously launched on October 28, 2021.

2. To connect your PC and lens, use the TAMRON Connection Cable (USB Type-A to Type-C/ Model CC-150, or USB Type-C to Type-C/ Model CC-350) sold separately. To connect your smartphone and lens, use the TAMRON Connection Cable (USB Type-C to Type-C/ Model CC-350) sold separately. Lens firmware updates are not supported with the Mobile version. Performing firmware updates requires the TAMRON Lens Utility for PC and a computer.

3. The ring function (Focus/Aperture) is not supported for Nikon Z mount.

Tamron 28-75mm F2.8 Di III VXD G2 specifications

(Length and weight refer to E-mount version)



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Sony announces major firmware upgrades for a1, a9 III, a7S III and a7 IV

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Sony announces major firmware upgrades for a1, a9 III, a7S III and a7 IV


Photo: Dan Bracaglia

Sony has announced major firmware updates for four of its current full-frame range, bringing many features and behaviors up to its latest standards and adding C2PA authenticity verification capabilities.

Sony a1 f/w v2.00

Firmware v2.00 for the Sony a1 is perhaps the most extensive, adding features that have appeared in other models in the three-and-a-bit years since it was launched, such as the lens breathing compensation function. It also adds a handful of new features and modifications of behavior, including an option to ensure the EVF remains on, regardless of the LCD position, and relay playback of images across multiple media. Among the extensive list of additions an updates are features such as Timecode Sync, previously only available in Sony’s Cinema Line cameras.

A series of FTP options, including SFTP support are also added.

The firmware doesn’t activate the C2PA function – which not only authenticates the camera and date/time but also that the photo is of a 3D subject, not a photo of a photo – but instead adds the capability to the camera. Once installed, users need to activate a separate license via the Creators’ App to use the function.

Sony a7S III f/w v3.00

Firmware v3.00 brings many of the updates seen in the a1, including Timecode Sync, breathing compensation and relay playback. It also adds the ability to close the mechanical shutter when the camera is turned off, to mitigate dust ingress, and the ability to transfer Raw files to smartphones.

In addition to the C2PA capability, firmware v3.00 includes the ability to add DCI 4K 24p shooting. Again a license needs to be downloaded to a camera running the new firmware to actually activate the function.

Sony a7 IV f/w v3.00

As one of the most recently updated cameras on this list, the a7 IV gains fewer features than the other cameras here. But in addition to C2PA capability, it adds network streaming, direct cloud upload support and an expansion of the features accessible via software development kit (SDK).

Sony a9 III f/w v2.00 [Expected April 9th]

As the newest of the cameras here, the a9 III receives fewer additions and updates than the a1 and a7S III, as in many instances they are gaining the features that the latest a9 introduced. However, in addition to details such as outputting lens names in video file metadata, the a9 III gains the promised ability to use the camera’s full shutter speed range when continuous shooting. But beyond this, the a9 III gains a small array of feature expansions and refinements being added across the four cameras, including the ability to extract stills from video capture, to take advantage of its lack of rolling shutter.

{PressRelease}

Sony Electronics Delivers Firmware Updates including C2PA Compliancy as a Next Step to Ensure Authenticity of Images

SAN DIEGO, March 27, 2024 – Today, Sony Electronics delivers the highly anticipated firmware updates for the Alpha 1 (Ver. 2.00), Alpha 7S III (Ver. 3.00), Alpha 7 IV (Ver. 3.00), and after April 2024, the Alpha 9 III (Ver.2.00). The update contains some of Sony’s most impactful technology, including Camera Authenticity Solution, the proprietary in-camera digital signature and C2PA (Coalition for Content Provenance and Authenticity) format support1. Together, these tools will make it possible for news agencies to ensure the authenticity of images, contributing to industry efforts to protect creators, and society from fake imagery.

Additionally, the firmware updates include many requested features to improve everyday use. The update evolves shooting functions and post-shooting workflow and brings advanced movie features like breathing compensation. It also includes new remote-control capabilities, new features for professional applications, and expanded access to cloud services applications.

“There is nothing more core to our mission than listening to the voices of the photographers, videographers, and filmmakers who shoot with Sony Alpha cameras. We know this community has been asking for these updates, and we’re happy to deliver. Each of these updates are designed to promote ease of use for our creators and allow them to maximize the strengths of their cameras,” says Yang Cheng, Vice President, Imaging Solutions, Sony Electronics Inc. “We’re especially pleased to deliver C2PA compliancy with this update. This compliancy paired with our unique digital signature technology, allows us to offer the most secure and comprehensive solution to protect professional photographers, news agencies, and society from manipulated imagery.”

Camera Authenticity Solution

Last year, Sony announced its commitment to developing technology in its cameras to aid in the fight against manipulated imagery and AI-generated fakes. The severity of this issue is only increasing and it’s a complex problem that requires the focus and attention of our entire industry.

One critical part of the solution is making more Sony cameras C2PA compliant. C2PA is a Joint Development Foundation project, where Sony is a steering committee member. C2PA aims to develop an end-to-end open technical standard to provide publishers, creators and consumers with opt-in, flexible ways to understand the authenticity, and provenance of different types of media. The C2PA is a standards-setting body that will develop technical specifications on content provenance and authentication by certifying the source and history of media content. With this firmware update, the authenticity information embedded on images from Alpha 1, Alpha 9 III, Alpha 7S III, and Alpha 7 IV can be maintained from capture through publication. This provides professional photographers with the ability to preserve their digital signature from the camera, while tracking the editing history throughout revisions.

Another critical component of the solution is Sony’s in-camera digital signature technology2 that signs images in real-time. This new feature certifies the authenticity of an image at the point of capture and creates a ‘digital birth certificate’ that is retained throughout revisions. The signature contains metadata including 3D-depth information captured through the proprietary technology in the image sensor developed by Sony. This depth information can show if the image captured was of an actual 3D object, vs a photograph of an image or video, providing an extra level of protection and even more assurance of the content’s authenticity, and making Sony’s solution especially unique for photojournalists and news agencies.

Sony’s solution also helps protect the authenticity of content by including an Image Validation Site, which verifies the image even after edits have been made by C2PA-compliant editing software. This service confirms the authenticity of the photo was taken by a specific camera and that the object of the photo is 3D. This service will initially be offered to select news media agencies, expanding to other agencies at a later date.

Sony’s Camera Authenticity Solution overview diagram
Example image of 3D Image verification

Shooting and Playback Updates

The firmware updates include over 10 new features, as well as improvements to existing features, designed to improve the user’s overall shooting experience. These improved capabilities showcase Sony’s commitment to continuing to evolve the functionality of Sony’s existing camera models. A few highlights of the firmware update functions include:

  • Relay Playback: Enables seamless sequential playback from one memory card slot to another on the Alpha 1, Alpha 7S III, and Alpha 9 III.
  • Playback Filter Condition: Lets users categorize image playback based on select criteria including date, folder, file format, and more on the Alpha 1 and Alpha 7S III
  • Breathing Compensation: The highly requested Breathing Compensation function3 is now available on the Alpha 1 and Alpha 7S III.
  • Upgrade DCI 4K / 24.00p Upgrade License on Alpha 7S III: via a free downloadable license through Creators’ Cloud4.
  • Sync Release function: Enables simultaneous shutter release with two or more multiple cameras connected to the main camera5 on the Alpha 1 and Alpha 9 III.
  • Focus frame display: Focus frame will be displayed on the Remote Camera Tool screeniii on the Alpha 1 and Alpha 9 III.
  • Enhanced image stabilization: The camera body and lens effectively work together to correct larger blurs6 on the Alpha 1.
  • Increased upper limit of recordable images in a folder from 4,000 to 9,999 on the Alpha 1, Alpha 7S III, A7 IV, and Alpha 9 III.
  • Matching the time code with other devices is now possible with a dedicated adapter cable (sold separately)7 on the Alpha 1 and Alpha 7S III.
  • Up to 20 IPTC presets can be on the Alpha 1 and Alpha 7S III.
  • Custom Grid Line is available as a paid license basis for some models8.

File Transfer and Network Connectivity

Additional updates aimed to optimize the post-production workflow efficiency include improvements to International Press Telecommunications Council (IPTC) preset and File Transfer Protocol (FTP) transfer operability. To streamline processes for users, expanded cloud upload and application services will be available. Key updates include:

  • Cloud upload (camera direct) function allows users to upload images directly to the Sony’s Creators’ Cloud9. Key additional features include simplified camera software updates, direct camera registration to the Creators’ Cloud, and a flexible system for uploading, storing, and sharing content. Additionally, the capability to manage video and LUT files via mobile apps, along with the transfer of RAW files to smartphones, optimizes the creative process in fast-paced environments.
  • FTP Transfer Improvements: A “Protected Images Only” option for the Auto FTP Transfer and a “Protect Image in FTP Transfer” option for the FTP transfer function have been added. Available on the Alpha 1, Alpha 7S III, and Alpha 9 III.
  • Support for USB streaming10 on the Alpha 1.
  • Secure File Transfer Protocol (SFTP) has been added to secure protocol on the Alpha 1, Alpha 7S III, and Alpha 9 III and WPA3-SAE is now supported for wireless LAN on the Alpha 1 and Alpha 7S III.
  • Network streaming enables direct live streaming from the Alpha 7 IV to a streaming sitevii.
  • Expansion of app support with Creators’ App and Monitor & Control app now supported with the Alpha 1 and Alpha 7S III.

Many of these updates are applicable to multiple cameras, however for a list of each body’s specific update please check the Sony website.

Exclusive stories and exciting new content shot with Sony’s imaging products can be found at www.alphauniverse.com, a site created to educate and inspire all fans and customers of Sony α – Alpha brand.

1. This feature is available to some news organizations at the press release timing.
2. Both Sony’s in-camera digital signature technology and C2PA compliancy are currently available through a separate upgrade license.
3. For compatible lens information, please refer to the support page (https://www.sony.net/dics/breathing/)
4. For regional app/service availability, check here. To use this service, it is necessary to download and install the upgrade license.
5. Remote Camera Tool Version 4.1.0 is required to activate the function.
6. For compatible lens information, please refer to the support page (https://www.sony.net/dics/func1002/)
7. A dedicated adapter cable, which is sold separately, is required to connect to the timecode source equipment.
8. Availability varies depending on country and region. Available through the Upgrade and License Management Suite at https://ulms.sony.net.
9. For regional app/service availability, check here. Creators’ App Ver.2.3.1 or later is necessary. Settings must be made in the Creators’ App in advance. For more information, please visit the Creators’ App support website (https://www.sony.net/ca/help/opr/)

10. When connecting to a device with a USB Type-C port, please use a commercially available USB cable or a conversion adapter.

{/PressRelease}



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