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Here’s the Olympus PEN E-P7 and here’s what it means…

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Here’s the Olympus PEN E-P7 and here’s what it means…

OM Digital Solutions has announced the Olympus PEN E-P7 Micro Four Thirds mirrorless camera, its first release since acquiring the Olympus brand at the beginning of the year. The camera will be available in Europe and selected other regions but not, initially, North America.


It’s the first full-sized PEN model since the PEN-F, released in January 2016, but it appears to be more affordable and less prestige-focused than the E-Px models. It still includes a PEN-F-style switch on the front of the camera for selecting color modes and filters but no longer includes a built-in viewfinder, making it more comparable to the original E-P’s 1–5.

At the heart of the Pen E-P7 is a 20MP Live MOS sensor (capable of 4K/30p video), and the TruePic VIII image processor used in the existing E-PL10. The E-P7 offers 5-axis in-body image stabilization (IBIS), which is CIPA rated for 4.5 stops of compensation, a 0.5EV step down from the PEN-F and two whole stops less than is offered by the OM-D E-M5 III.

Like previous PEN models, the autofocus system relies on 121 contrast AF points and includes autofocus options Super Spot, Face and Eye Priority modes, as featured in recent OM-D models.

The Olympus E-P7 will retail for €799 when it ships in mid-June and the kit includes the camera body, a USB cable, a shoulder strap, battery pack and a USB AC adapter for charging the camera. No details of plans for a North American launch have been disclosed.


Editorial observations:

As it’s not being launched in the US or Canada yet, we’ve not been able to get our hands on an E-P7 yet, but there’s a fair amount that can be inferred by looking at what it offers.

The first thing to note is that, while it’s the first camera to be launched under the aegis of OM Digital Solutions, the development of the PEN E-P7 will mainly have been conducted by the previous owners. As such there’s only so much we can learn about the new company’s intentions, beyond them believing the E-P7 is a sensible addition to the lineup.

The development of the PEN E-P7 will mainly have been conducted by the previous management

The removal of the viewfinder and the significantly lower price (€799, body-only is two-thirds the launch price of the lifestyle/prestige PEN-F model and €200 less than the E-P5 that preceded it) hint at an attempt to reposition the PEN as a more mass-market camera. The continued use of the existing TruePic VIII processor, the absence of 5GHz Wi-Fi and the older Micro-B type USB connector suggest a camera that sits below the OM-D E-M5 in the wider lineup. Yet, despite the apparent use of a simpler I.S. system, the price is too high to suggest OM Digital plans to merge the E-P and E-PL lines.

There are, perhaps, interesting parallels to be drawn with Fujifilm’s X-E series of cameras, which started as enthusiast-friendly models with commensurately premium pricing but have become smaller, simpler and more affordable as its become apparent that enthusiasts often prefer their cameras to be SLR-shaped.

The launch of the E-P7 doesn’t completely rule out the prospect of a like-for-like successor to the PEN-F but, when considered alongside the five-year hiatus since the ‘F’s launch, makes it look much less likely. Instead, we have a much more affordable model that continues the classic PEN look and at least appears to maintain Olympus’s photographer-friendly two-dial ergonomics.


PRESS RELEASE

Olympus PEN E-P7

Hamburg, June 9, 2021 – OM Digital Solutions GmbH is pleased to announce the Olympus PEN E-P7 Micro Four Thirds System camera. Conquering creative hearts with its photographic prowess and classic design from the Olympus PEN series of Yoshihisa Maitani. Equipped with an array of powerful photographic features such as Colour Profile Control, a 20 megapixel Live MOS sensor and in-body 5-axis image stabilisation. The PEN E-P7 allows photographers to capture memorable moments in their own style, creating high quality pictures and video that make the most of the performance of the M.Zuiko lenses.

Sophisticated design with great attention to detail

The E-P7 is built faithfully in the distinctive and sophisticated design of the Olympus PEN series. Details such as the aluminum front and rear dials are carefully crafted to achieve an exquisite, refined look. On its own, the body weighs 337 g*, and when combined with the M.Zuiko Digital ED 14-42mm F3.5-5.6 EZ standard zoom lens, it only weighs 430 g. Making it lighter and easier than ever to bring a camera with you to capture the treasured life moments.

20 MP Live MOS sensor and in-body 5-axis image stabilisation

The combination of the 20 Megapixel Live MOS sensor, the high-speed TruePic VIII image processor and the M.Zuiko lens ensure quality beyond a smartphone. The PEN E-P7 is equipped with in-body 5-axis image stabilisation that delivers up to 4.5 steps** of compensation for blur-free, high-quality images every day. Advanced continuous Auto-focus and Face Priority/Eye Priority AF algorithm from the professional OM-D series models is also included for automatic detection and continuous focus on eyes and faces. Ensuring portraits are captured exactly as desired even when the subject is obstructed or in profile.

Profile Control at the tip of your finger

The dedicated Profile Control dial on the front of the E-P7 allows for instant switching between standard photo modes to Colour, Monochrome or filter effect profiles. Ideal for unique and creative image creation with 12 colour 10 step saturation control, Highlight & Shadow adjustment with Colour Profile Control, presets simulating analogue film-looks, colour filter effects and film grain effects in Monochrome Profile Control for stunning black & white images. Olympus Art Filters are also available, allowing your images to become small artworks virtually at the touch of a button. Simply move the slider on the monitor up or down to adjust the level of filter effects with the Fine Tune*** option.

Additional Features

  • In-built WiFi & Bluetooth connectivity

Connect and share easily with in-built WiFi & Bluetooth and the OI.Share smartphone app for automatic photo transfer to iOS and Android phones and tablets. Additionally, the app allows the smart device to become a remote control for the E-P7 allowing even greater creative possibilities.

  • Versatile tilting LCD screen

Greater creativity is possible with the E-P7’s tilting LCD allowing for shooting at various angles and selfies with the flip down screen.

Capture traditionally challenging photographic techniques like Multi Exposure and long exposure modes like Live Composite with ease with the well renown Olympus Advanced Photo.

Beautifully smooth Hand-held high-definition 4K video recording has never been easier thanks to the in-body 5-axis image stabilisation ensuring stunning results in every occasion.

Enjoy the freedom of charging on the go with in-camera USB charging allowing you to explore more and capture more of your adventures.

Available Accessories

  • Perfectly styled with the optional CS-54B genuine leather body jacket

This genuine leather body jacket in black or white fits perfectly on the PEN E-P7. The rear monitor can be opened for selfies without removing the jacket. Pair this accessory with the optional lens jacket and shoulder strap to enjoy a modern leather look.

Match the style and design of the PEN E-P7 with a fashionable camera strap or case from the range of Olympus PEN fashion accessories.

Availability & pricing

The PEN E-P7 will be available from mid-June 2021 in two colour combinations, white & silver or black & silver, as body only from 799€**** or as a kit with the M.Zuiko Digital ED 14-42mm F3.5-5.6 EZ lens for 899€****. When customers register their purchase of the PEN E-P7 via my.olympus-consumer.com and subscribe to our newsletter, a free six-month warranty extension***** is available.

Product specifications are subject to change without notice. Please check the Olympus website at www.olympus-europa.com/site/en/c/cameras for the latest specifications.

* Based on CIPA standards, with a bundled rechargeable battery and memory card. Body size: 118.3 x 68.5 x 38.1 mm (WHD)
** M.Zuiko Digital ED 14-42mm F3.5-5.6 EZ lens at a focal distance of f = 42mm (35mm film equivalent: f = 84mm), 
conforms to CIPA standards, when corrected on 2 axes (yaw and pitch)
*** Fine Tune option is available in Pop Art, Soft Focus, Pin Hole, Cross Process and Instant Film
**** Recommended Retail Price
***** Six months on top of the statutory warranty in the country of purchase.

Olympus PEN E-P7 specifications

Body type
Body type Rangefinder-style mirrorless
Body material Metal, composite
Sensor
Max resolution 5184 x 3888
Image ratio w:h 4:3
Effective pixels 20 megapixels
Sensor photo detectors 22 megapixels
Sensor size Four Thirds (17.4 x 13 mm)
Sensor type CMOS
Processor TruePic VIII
Color space sRGB, Adobe RGB
Color filter array Primary color filter
Image
ISO Auto, 200-25600 (expands to 100-25600)
Boosted ISO (minimum) 100
White balance presets 6
Custom white balance Yes
Image stabilization Sensor-shift
CIPA image stabilization rating 4.5 stop(s)
Uncompressed format RAW
JPEG quality levels Super fine, fine, normal
File format
    • JPEG (Exif v2.31)
    • Raw (Olympus ORF, 12-bit lossless compressed)
Optics & Focus
Autofocus
    • Contrast Detect (sensor)
    • Multi-area
    • Center
    • Selective single-point
    • Tracking
    • Single
    • Continuous
    • Touch
    • Face Detection
    • Live View
Autofocus assist lamp Yes
Digital zoom Yes
Manual focus Yes
Number of focus points 121
Lens mount Micro Four Thirds
Focal length multiplier 2×
Screen / viewfinder
Articulated LCD Tilting
Screen size 3
Screen dots 1,040,000
Touch screen Yes
Screen type TFT LCD
Live view Yes
Viewfinder type None
Photography features
Minimum shutter speed 60 sec
Maximum shutter speed 1/4000 sec
Maximum shutter speed (electronic) 1/16000 sec
Exposure modes
    • Program
    • Aperture priority
    • Shutter priority
    • Manual
Scene modes
    • “People
    • Nightscape
    • Motion
    • Scenery
    • Indoors
    • Close-ups
    • Portrait
    • e-Portrait
    • Portrait + Landscape
    • Portrait + Nightscape
    • Children
    • Nightscape
    • Handheld Starlight
    • Fireworks
    • Light Trails
    • Sport
    • Panning
    • Landscape
    • Sunset
    • Beach & Snow
    • Panorama
    • Backlight HDR
    • Candlelight
    • Silent
    • Macro
    • Nature Macro
    • Documents
    • Multi Focus Shot
Built-in flash Yes
Flash range 5.40 m (at ISO 100)
External flash Yes (via hot shoe)
Flash modes Redeye, Fill-in, Flash off, Red-eye Slow sync. (1st curtain), Slow sync. (1st curtain), Slow sync. (2nd curtain), Manual
Flash X sync speed 1/250 sec
Continuous drive 8.7 fps
Self-timer Yes
Metering modes
Exposure compensation ±5 (at 1/3 EV steps)
AE Bracketing ±5 (3, 5 frames at 2/3 EV, 1 EV steps)
Videography features
Format MPEG-4, H.264
Modes
    • 3840 x 2160 @ 30p / 102 Mbps, MOV, H.264, Linear PCM
    • 3840 x 2160 @ 25p / 102 Mbps, MOV, H.264, Linear PCM
    • 3840 x 2160 @ 24p / 102 Mbps, MOV, H.264, Linear PCM
    • 1920 x 1080 @ 60p / 52 Mbps, MOV, H.264, Linear PCM
    • 1920 x 1080 @ 50p / 52 Mbps, MOV, H.264, Linear PCM
    • 1920 x 1080 @ 30p / 52 Mbps, MOV, H.264, Linear PCM
    • 1920 x 1080 @ 25p / 52 Mbps, MOV, H.264, Linear PCM
    • 1920 x 1080 @ 24p / 52 Mbps, MOV, H.264, Linear PCM
Microphone Stereo
Speaker Mono
Storage
Storage types SD/SDHC/SDXC card (UHS-II supported)
Connectivity
USB USB 2.0 (480 Mbit/sec)
USB charging Yes
HDMI Yes (micro HDMI)
Microphone port No
Headphone port No
Wireless Built-In
Wireless notes 802.11b/g/n + Bluetooth 4.2 LE
Remote control Yes (via smartphone)
Physical
Environmentally sealed No
Battery Battery Pack
Battery description BLS-50 lithium-ion battery & USB charger
Battery Life (CIPA) 360
Weight (inc. batteries) 337 g (0.74 lb / 11.89 oz)
Dimensions 118 x 69 x 38 mm (4.65 x 2.72 x 1.5)
Other features
Orientation sensor Yes
Timelapse recording Yes
GPS None

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Accessory Roundup: A wireless mic, vintage-inspired iPhone case, and more

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Accessory Roundup: A wireless mic, vintage-inspired iPhone case,  and more


Images: Godox, Shure and Fotogear

Happy Saturday, everyone! We’ve made it to the weekend, so it’s time to look at some new accessories that came out this week. Today’s roundup includes a battery pack for lights, a vintage-inspired smartphone case and a new mic. But first, let’s check out what’s on sale.


The sales

Canon EOS R6 II front
Photo: Dale Baskin

Canon’s powerful and versatile R6 Mark II is currently on sale for $200 off. We reviewed it two years ago, and although the camera is due for a refresh, it’s still a very worthy piece of equipment, especially at this price.

fujifilm-instax-mini-12-group
Image: Fujifilm

For something a bit more fun (and affordable), the Fujifilm Instax Mini 12 is currently at its lowest price since the holidays. The Instax Mini 12 brought some worthwhile improvements over its predecessor, making it easier to get keepers with this fun little instant camera.


Buy now:

$70 at Amazon


Easier audio

shure-movemic-88
Photo: Shure

Shure’s latest microphone, the MoveMic 88+, features direct-to-phone stereo microphone technology, making it faster to get to recording. Its Bluetooth connection offers a range of up to 100 feet, and there’s no extra dongle or recorder necessary. It even offers four polar patterns to help you record a variety of situations.

Buy at Amazon

Buy at Shure

Turn your iPhone into a vintage camera

fotogear-retro-dmf-photography0kit
Image: Fotogear

iPhoneographers who want something a bit more special to house their phone may appreciate the Fotogear Retro DMF Photography Kit. It’s a multi-part case that looks like a vintage camera while adding control dials and a shutter to make your phone function more like a camera, too. It’s compatible with the iPhone 16 Pro and Pro Max and comes in a few different configurations. The case is available for pre-order now through Fotogear’s website.

Buy at Fotogear

More power

godox-bg02-battery-grip
Image: Godox

The Godox BG02 Battery Grip is a powerful tool for photographers and videographers who use Godox lights on the go. The grip features a 95Wh capacity battery that is airline-friendly, extending the life of your lights when on location. It’s compatible with the AD200, AD200Pro, AD200Pro II, AD300Pro flashes, ML100Bi, ML100R and FH series LED lights. You can pre-order it now through B&H.

Pre-order at B&H

Back-button focus

Finally, this week’s educational video comes from Adorama’s YouTube series Ask David Bergman. In it, Bergman discusses back-button focus, how to set it up and whether it’s still worthwhile with the advanced subject detection autofocus modes on new mirrorless cameras.

Read last week’s roundup



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New Pen not yet on the drawing board, says OM System

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New Pen not yet on the drawing board, says OM System


OM System’s Director of Product Planning, Hiroki Koyama and VP for Brand Strategy and Product Planning, Kazuhiro Togashi, at CP+ 2025

Photo: Dale Baskin

“We are considering the new Pen concept as OM System brand,” says OM System’s Kazuhiro Togashi, VP for Brand Strategy and Product Planning.

We spoke at the CP+ trade show in Yokohama, Japan, and he reassured us that the arrival of the OM-3 with a Pen-F style ‘creative dial’ on the front doesn’t close the door on the rangefinder-style series.

“There’s a different concept between OM-3 and Pen-F series,” he explains: “basically the Pen-F series is about ultimate beauty and the ultimate craftsmanship. Whereas OM-3’s core concept is to take authentic and great creative photos.”

But, he says, it’s too soon to know what a future Pen might look like. “We think the camera’s design must realize the concept of the product, so we don’t start to decide the camera design before deciding the camera’s concept: the product concept must come first.”

“Therefore, we haven’t yet decided if the product design for a new Pen will look like the Pen-F or similar to the E-P7 because we haven’t decided on the product concept.”

But what’s clear is that OM System does plan to continue the Pen line.

The continued appeal of dedicated cameras

We asked Togashi what he thought makes shooting with a dedicated camera special, in a time when smartphone image quality has got so good.

“Experience is very important,” he says: “There’s a different kind of experience between smartphones and a camera. For example, I personally love to use a smartphone, but just to record; without any emotional feeling.”

“When a user decides the moment with their camera, maybe their feelings are being moved by such an attempt: they’re not just recording, there’s more to it.”

“It’s like with professional sportsmen. They have to prepare to give their best performance during the game. They are always training before the game.”

“When you get a perfect photo, you feel a win”

“In the case of photos, photo enthusiasts always think or calculate before taking a photograph. Before you take something, you consider the place, or you think about which position is better, or what sort of atmosphere or angle: you calculate before you take the photo.”

“This is like a serious game, just as it is for football or baseball player. And when you get a perfect photo, you feel a win. ‘I win, by myself’ I don’t know if many people can get that similar experience by taking photos with a smartphone.”

And he thinks this difference should remain, even as the image quality gap narrows. “Smartphone’s development speed is very high, and in the future, the difference between smartphones and camera might become very small,” he says: “however the difference in experience, is a bit bigger.”

We’re not the company to make an enthusiast compact

Despite this, and in spite of rising sales of compacts, Togashi says we shouldn’t expect an enthusiast compact.

“As for the current popularity of compact digital cameras, lower-priced models seem to be selling very well worldwide, but we feel that this is a temporary trend.” he says: “We are continuing to study the development of a successor to the TG series, but currently we don’t have any plans to introduce other compact camera concepts.”

“We don’t have any plans to introduce other compact camera concepts”

“As for high-end compact digital cameras, we recognize that there is a dedicated user base that remains a valued segment of the market, however, at OM System, we are focused on developing products that align with the evolving needs of photographers, ensuring we deliver the best possible innovation and performance across our lineup.”

“When we were Olympus, our brand was known for high-end compact cameras like the XZ series and Stylus 1. However, since becoming OM System, we no longer carry high-end compact cameras. Instead, we focus on cameras that align with broader market needs, including those of younger generation photographers. Given the significant investment required – not only in research and development but also in reestablishing a high-end compact brand image – such a product would be challenging to make profitable.”

The TG series endures…

OM System TG-7
The TG series of rugged, waterproof cameras continues to have an audience, the company says.

Image: OM System

But the TG series definitely has a future, says Togashi, because it has a dedicated user base.

“TG still survives and is well received by the market,” he says: “Outdoor enthusiasts want to capture their activities and adventures. Also families look for ways to preserve special memories—whether it’s their children playing in the pool or on vacations and situations like that.”

“On the other hand, professional scuba divers or climbers continue to rely on the TG series. For them, safety is very important during these extreme activities, and the TG series remains a trusted tool in these challenging environments. “

“Both types of users continue to use the TG series, setting it apart from other high-end compact cameras. Their main priorities are mobility and ease of operation, rather than smartphone connectivity. They love the operation and mobility.”

…but a high-end TG would be challenging

These specific requirements might rule out a higher-end TG, he suggests

“We’re always talking about the successor of the TG series and whether to add a new, higher TG line, maybe using a bigger sensor, or perhaps a TG-DSLR.”

“We’re always thinking about the possibilities. However, as of today we don’t have any best answer to realize this concept because the requirement for TG series is very hard. For example, making a large or removable lens drop resistant is very difficult.”

Also, he says, keeping the size down is important: “if we adopted a bigger sensor and we maintain the same optical zoom range, the body would need to be very big. That means such a TG would lose the mobility concept.”

Togashi didn’t seem enthused by our suggestion of a prime lens: “A lot of TG users’ photographic needs are different from enthusiasts’, so they like to use a zoom lens. They like to enlarge subjects in their photos, therefore they always use tele-zoom.”

Director of Product Planning, Hiroki Koyama raises another concern: ” We also give priority for close-up capability. TG can be used very close to the subject. If we choose a bigger sensor size, the close-up capability will be reduced. The current sensor size is the best balance, but we’ll try to study the concept.”

The OM System lens range

On the subject of lenses, we asked whether they believe the current Micro Four Thirds lens lineup includes all the options an OM-3 user might want.

“Still not yet,” says Togashi: “We are also trying to develop small and light and bright lenses or something like that. We have space to make new lenses in the future. I can’t disclose [the details], but yes.”

Choosing the right lenses to add isn’t always easy, he suggests: “People always ask ‘will you make a pancake lens?’,” he says: “but then the pancake lens sales are not so good in general. But still, we’ll continue to consider it.”


Interview conducted by Dale Baskin and Richard Butler, answers edited for flow.



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Tips for taking epic shots of tonight’s ‘blood moon’ total lunar eclipse

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Tips for taking epic shots of tonight’s ‘blood moon’ total lunar eclipse


A lunar eclipse, captured by Jamie Malcolm-Brown in November 2021. Used with permission.

Editor’s note: This article was originally published in 2022. We have updated it with information about the current eclipse as a service to readers.


Starting tonight, March 13, through the early hours of tomorrow, March 14th, skywatchers in the Americas will be able to view the first total lunar eclipse of the year. The moon will turn a ‘blood red’ hue for a brief period as it passes entirely into the Earth’s shadow when lined up with the sun. Depending on where you are located, there is a specific time you can witness this phenomenon.

Time and Date, a top-ranking site for times and timezones, created a useful tool that allows you to make a plan by entering your viewing location. From there, it gives you pertinent information, including the total duration, what time each phase of the eclipse starts and the direction it’ll travel, plus altitude during these phases. A helpful animation gives you a visual of how it will appear, minute by minute, once it starts.

Details of the March 13  2025 total lunar eclipse
Time and Date created a free tool to help you plan your total lunar eclipse viewing, depending on your location. This is the data for Seattle, WA, where DPReview’s headquarters is located.

If you plan on bringing your camera out for the ‘blood moon’, photographer Jamie Malcolm-Brown has some helpful tips for camera settings. Describing his process for capturing a lunar eclipse in 2021, he tells DPReview that ‘it was taken with [a] 200-600mm lens at 600mm, ISO 800, F6.3, at 1/3 sec. I bracketed the shots at 5 shots with an EV (exposure value) change of 1. Next time I would probably bracket 5 shots but with only an EV change of .3. The final image was cropped fairly significantly to fill the frame with the moon.’

While useful for capturing more detail on the moon’s surface, you don’t necessarily need a long lens that extends to 600mm to photograph the blood moon. John Weatherby released a quick, helpful tutorial on Instagram outlining his process for getting the best images possible. For one, you can shoot at a focal length between 100–200mm if you want to include a foreground.

Weatherby also explains that having a sturdy tripod and ball head is an absolute necessity. Ensuring that the lens is locked in securely will yield clearer images of the moon. Using the camera’s shutter delay or self-timer, or an external remote, will also help prevent blurry shots as the camera is likely to shake a bit once you press the shutter. PhotoPills, an app that helps you identify where the moon will travel in accordance with your specific location, is recommended as well.

It’s important to check the weather in your area as cloud coverage can potentially conceal the moon completely. Windy.com is a free app available on desktop, iOS and Android that, in my opinion, does a decent job of forecasting weather patterns. It’ll give you a visual of where clouds will appear at specific dates and times so you can determine the best place to set up in your state or country.

Screen Shot 2022-05-15 at 12.59.27 AM
Windy.com, a free app, is an effective tool for forecasting weather elements, including cloud coverage.

The next total lunar eclipse will take place on September 7, and will be visible in parts of Asia, Africa and Australia. If skywatching interests you, you’re in or near one of the locations where the eclipse is visible and weather permits, I recommend getting out for a few hours and witnessing this wonderful event first-hand.





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