Camera
Interview: Olympus Educators Lisa and Tom Cuchara on how Olympus has transformed their outdoor photography

Lisa and Tom Cuchera are photographers and Olympus Educators, based in Connecticut. Their work covers everything from weddings and infant portraiture, to bird and macro photography.
Over the course of long careers, they’ve used various types and brands of camera equipment, but these days their core kit is based around Olympus OM-D series cameras and M.Zuiko lenses. In this interview, they explain their background, the various kinds of photography that keep them creatively inspired, and why they chose to make the switch to Olympus’s Micro Four Thirds system for their bird and nature work.
What are your favorite photographic subjects?
Lisa: Our favorite subject matter is whatever we’re photographing at the moment. So we’ve been focusing a lot on birds, but once the insects start to come out, we do that. We’ve published a book on frog photography. We published a book on abandoned photography, urban exploration. So we really do love most subjects.
Tom: Lately we’ve been doing a lot of bird photography, particularly in the backyard this year, during the pandemic. I’m setting up our backyard for more pleasing backgrounds. I’ve also been spending time in the Forsythe nature preserve in New Jersey, and we travel around the Hammonasset to photograph some of the birds, like the short-haired owl and the terns and things like that.
What first drew you to bird photography?
Tom: I think just the nature of a bird, it’s fast, there’s a lot of them, so you’re always interested. There’s always something happening. It’s a challenge to get the birds in flight, but it’s just as challenging to get a nice composition of a bird that’s just standing still or doing something interesting, like eating, mating, fighting. And the colors are just wonderful.
The nature of a bird, it’s fast, there’s a lot of them, so you’re always interested
Lisa: Right now ruddy ducks are in their breeding season and they just crack me up. They make me smile when they’re going through this mating ritual. Or the Cardinals in the backyard. It doesn’t matter what size bird it is, they all seem to have their own unique personality. Trying to capture the particular behaviors unique to that bird is really fun and challenging.
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House Finch.
Olympus OM-D E-M1X |
How did you both get started in the world of photography?
Lisa: I got interested in photography as a teenager. When I was 13, my mother asked me what I wanted for my birthday present. I said I wanted a camera. I think in this fast-paced world, photography gives us a chance to slow down and notice things. It gives you a chance to notice the beauty that’s all around us, the beauty of every season, the beauty of every subject. At times, it’s therapeutic too. Tom and I met in a camera club in 2000.
Photography gives us a chance to slow down and notice things
Tom: My father loved photography and I became enamored with it. I used to work with kids in a psychiatric hospital and I developed a dark room with them. The staff liked my pictures, so they started hiring me to photograph events and picnics and weddings and things like that. It kind of grew once I met Lisa. We started doing weddings, and then we turned to nature, because we find it a lot more engaging and fun.
Lisa: We still have a portrait studio, we’ll photograph kids in it, and head shots. But mainly we’re using it now for doing hands-on macro photography, light painting, and teaching Photoshop.
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Black-capped Chickadee.Olympus OM-D E-M1X M.Zuiko 300mm F4.0 IS PRO + MC-14 1.4x Teleconverter (840mm equiv.) ISO 2500 | F5.6 |
What makes a good portrait?
Lisa: I think key to taking a good portrait is just being patient. When a child comes in, we might actually not even have them look at the camera for 20 minutes. We’ll put out some toys and we might have them just get used to playing. We take some photographs of them just being natural. And then we build into it.
Tom: It’s making that emotional connection with people, taking your time and not feel hurried, not let them feel like they have to hurry, relaxing them, having a little bit of fun and then not being in a rush.
Your work is very varied, everything from macros of insects, to portraits, weddings and everything in between. What do you find the most challenging sort of situations as photographers?
Tom: I think bird photography. It’s physically challenging to stand out in the wind and the cold, carrying all your gear, and there’s a lot of waiting patiently for the bird to do something interesting. The bird’s going to go where it wants to go.
What’s your core equipment right now?
Tom: I’ve been using the 300mm F4 PRO with a 1.4X converter to photograph birds, alongside the 40-150mm F2.8 PRO. Lisa loves her 60mm macro. So we go from the macro to the longer lenses for birds, but also we can shoot flowers and things like that with a 300mm as well.
Lisa: For cameras, Tom has two OM-D E-M1X bodies and I have two E-M1 Mark III bodies and one E-M1X. My preferred camera is the E-M1 Mark III, but if I’m doing bird photography, I’ll use the E-M1X.
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Red-bellied Woodpecker.Olympus OM-D E-M1X M.Zuiko 150-400mm F4.5 TC1.25X IS PRO (1000mm equiv.) ISO 1000 | F5.6 |
How has the gear that you use evolved over time?
Lisa: Both Tom and I used DSLRs for decades and we really didn’t have too much interest in changing over to something else. And then we were at a workshop and we were photographing a lighthouse in the dark. The workshop participant that standing next to me had the Olympus OM-D E-M1, and he could see what we were photographing in the dark in Live Composite mode. And I’m like, “Wait, what is that? How are you doing that?” And I went home and immediately investigated. It was definitely the computational technology – Live Composite, Live Time, in-camera focus stacking, pro-capture, and so on, along with wide variety of sharp lenses, that drew us to Olympus
We found that the Olympus gear was just light and fast, and the focusing was sharp. We came home and we sold all our DSLR equipment.
We still kept all of our DSLR gear for our bird photography for a while, but on a trip to Florida we decided to try and see if we could shoot everything with our Olympus mirrorless kit. We found that the Olympus gear was just light and fast, and the focusing was sharp. We came home and we sold all our DSLR equipment. We just thought if we brought it all the way down to Florida and didn’t use it, there’s no point in having it anymore.
Lisa, you’re known as ‘The Frog Whisperer’ – what’s your top tip for photographing frogs?
Lisa: Patience. The frog isn’t going to do what you want it to do. I got the name frog whisperer because I would put my frog, Pixel, in place and I would talk to it. And I just put my finger up to it. And the frog would sit there. So, that’s kind of where I got the frog whisperer nickname.
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Gray Tree Frog.
Olympus OM-D E-M1 Mark III |
At one point, I had like 350 frogs. And then Tom finally said, “No more frogs!” So I started coming home with chameleons and a praying mantis and walking sticks. Every once in a while, there’ll be something down in the kitchen, and Tom will shout up to me “Lisa, you’ve got to come and get your critter, it’s escaped!”
How has technology changed the way you shoot?
Lisa: Over and over in the past few years we’ve found ourselves saying again and again how much more fun photography is because the technology has changed, and we’re also a lot more productive. A lot of times with our DSLRs, we had to do a lot of work in Photoshop. If you wanted to do star stacking or focus bracketing, we had to bring it all into Photoshop.
I find myself handholding pictures at an eighth of a second thinking, “Wow, these are sharp”
Whereas now, for example, we can do focus stacking in camera. I used to take focus bracketed pictures with my DSLR, but I would say I only processed like 2% of them because I’d rather be out shooting rather than sitting at the computer. Versus now, I get that focus stacked picture right out of the camera.
Even the image stabilization with the M.Zuiko lenses – I used to lug my tripod everywhere. I hated the tripod, but I love the pictures I got with it. But now I find myself handholding pictures at an eighth of a second thinking, “Wow, these are sharp.” So I think that has helped. And like I said, I think Tom and I both use the word ‘fun’ quite a bit now with our photography,
Have you been able to use the new 150-400mm PRO lens?
Lisa: We have. We were supposed to be sharing this lens but it’s superglued to my camera, so Tom doesn’t get to use it much!
I’m using it a lot for bird photography. I love the fact that the varied focal length range lets me capture different behaviors without changing lenses. I’ve never had a lens with a built-in teleconverter. The TC switch is right there where my thumb is, so when I want to go in close for a bird that’s further away or for a headshot, I can just flip it on. It’s also lightweight, and fast. Compared to the 500mm lenses we used to shoot with our DSLRs, I can hand-hold this lens all day long.
Are there any features that you’d really like to see improved or added in future generations of Olympus cameras?
Lisa: I’d love to have Bird Detection AI Autofocus in a camera more of the size of the E-M1 Mark III. I was just about to sell my E-M1X, actually, because I really was only using the E-M1 Mark III. And then in December last year, Olympus came out with this Bird Detection AF and I was just like, oh, good thing I didn’t sell it. That’s something I use for birds all the time now.
Tom does a lot of shooting with Pro Capture mode. I don’t do as much, but it really does feel like cheating. You’re sitting there waiting and this Green Heron’s here and just sitting there and sitting there and sitting there. And then it finally goes for the fish. And by the time that your brain connects to your finger to trip the shutter, normally you’d miss it. With Pro Capture, you capture it every time and that’s just amazing.
Camera
Accessory Roundup: A wireless mic, vintage-inspired iPhone case, and more

Images: Godox, Shure and Fotogear |
Happy Saturday, everyone! We’ve made it to the weekend, so it’s time to look at some new accessories that came out this week. Today’s roundup includes a battery pack for lights, a vintage-inspired smartphone case and a new mic. But first, let’s check out what’s on sale.
The sales
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Photo: Dale Baskin |
Canon’s powerful and versatile R6 Mark II is currently on sale for $200 off. We reviewed it two years ago, and although the camera is due for a refresh, it’s still a very worthy piece of equipment, especially at this price.
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Image: Fujifilm |
For something a bit more fun (and affordable), the Fujifilm Instax Mini 12 is currently at its lowest price since the holidays. The Instax Mini 12 brought some worthwhile improvements over its predecessor, making it easier to get keepers with this fun little instant camera.
Buy now:
Easier audio
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Photo: Shure |
Shure’s latest microphone, the MoveMic 88+, features direct-to-phone stereo microphone technology, making it faster to get to recording. Its Bluetooth connection offers a range of up to 100 feet, and there’s no extra dongle or recorder necessary. It even offers four polar patterns to help you record a variety of situations.
Turn your iPhone into a vintage camera
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Image: Fotogear |
iPhoneographers who want something a bit more special to house their phone may appreciate the Fotogear Retro DMF Photography Kit. It’s a multi-part case that looks like a vintage camera while adding control dials and a shutter to make your phone function more like a camera, too. It’s compatible with the iPhone 16 Pro and Pro Max and comes in a few different configurations. The case is available for pre-order now through Fotogear’s website.
More power
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Image: Godox |
The Godox BG02 Battery Grip is a powerful tool for photographers and videographers who use Godox lights on the go. The grip features a 95Wh capacity battery that is airline-friendly, extending the life of your lights when on location. It’s compatible with the AD200, AD200Pro, AD200Pro II, AD300Pro flashes, ML100Bi, ML100R and FH series LED lights. You can pre-order it now through B&H.
Back-button focus
Finally, this week’s educational video comes from Adorama’s YouTube series Ask David Bergman. In it, Bergman discusses back-button focus, how to set it up and whether it’s still worthwhile with the advanced subject detection autofocus modes on new mirrorless cameras.
Camera
New Pen not yet on the drawing board, says OM System

OM System’s Director of Product Planning, Hiroki Koyama and VP for Brand Strategy and Product Planning, Kazuhiro Togashi, at CP+ 2025
Photo: Dale Baskin |
“We are considering the new Pen concept as OM System brand,” says OM System’s Kazuhiro Togashi, VP for Brand Strategy and Product Planning.
We spoke at the CP+ trade show in Yokohama, Japan, and he reassured us that the arrival of the OM-3 with a Pen-F style ‘creative dial’ on the front doesn’t close the door on the rangefinder-style series.
“There’s a different concept between OM-3 and Pen-F series,” he explains: “basically the Pen-F series is about ultimate beauty and the ultimate craftsmanship. Whereas OM-3’s core concept is to take authentic and great creative photos.”
But, he says, it’s too soon to know what a future Pen might look like. “We think the camera’s design must realize the concept of the product, so we don’t start to decide the camera design before deciding the camera’s concept: the product concept must come first.”
“Therefore, we haven’t yet decided if the product design for a new Pen will look like the Pen-F or similar to the E-P7 because we haven’t decided on the product concept.”
But what’s clear is that OM System does plan to continue the Pen line.
The continued appeal of dedicated cameras
We asked Togashi what he thought makes shooting with a dedicated camera special, in a time when smartphone image quality has got so good.
“Experience is very important,” he says: “There’s a different kind of experience between smartphones and a camera. For example, I personally love to use a smartphone, but just to record; without any emotional feeling.”
“When a user decides the moment with their camera, maybe their feelings are being moved by such an attempt: they’re not just recording, there’s more to it.”
“It’s like with professional sportsmen. They have to prepare to give their best performance during the game. They are always training before the game.”
“When you get a perfect photo, you feel a win”
“In the case of photos, photo enthusiasts always think or calculate before taking a photograph. Before you take something, you consider the place, or you think about which position is better, or what sort of atmosphere or angle: you calculate before you take the photo.”
“This is like a serious game, just as it is for football or baseball player. And when you get a perfect photo, you feel a win. ‘I win, by myself’ I don’t know if many people can get that similar experience by taking photos with a smartphone.”
And he thinks this difference should remain, even as the image quality gap narrows. “Smartphone’s development speed is very high, and in the future, the difference between smartphones and camera might become very small,” he says: “however the difference in experience, is a bit bigger.”
We’re not the company to make an enthusiast compact
Despite this, and in spite of rising sales of compacts, Togashi says we shouldn’t expect an enthusiast compact.
“As for the current popularity of compact digital cameras, lower-priced models seem to be selling very well worldwide, but we feel that this is a temporary trend.” he says: “We are continuing to study the development of a successor to the TG series, but currently we don’t have any plans to introduce other compact camera concepts.”
“We don’t have any plans to introduce other compact camera concepts”
“As for high-end compact digital cameras, we recognize that there is a dedicated user base that remains a valued segment of the market, however, at OM System, we are focused on developing products that align with the evolving needs of photographers, ensuring we deliver the best possible innovation and performance across our lineup.”
“When we were Olympus, our brand was known for high-end compact cameras like the XZ series and Stylus 1. However, since becoming OM System, we no longer carry high-end compact cameras. Instead, we focus on cameras that align with broader market needs, including those of younger generation photographers. Given the significant investment required – not only in research and development but also in reestablishing a high-end compact brand image – such a product would be challenging to make profitable.”
The TG series endures…
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The TG series of rugged, waterproof cameras continues to have an audience, the company says.
Image: OM System |
But the TG series definitely has a future, says Togashi, because it has a dedicated user base.
“TG still survives and is well received by the market,” he says: “Outdoor enthusiasts want to capture their activities and adventures. Also families look for ways to preserve special memories—whether it’s their children playing in the pool or on vacations and situations like that.”
“On the other hand, professional scuba divers or climbers continue to rely on the TG series. For them, safety is very important during these extreme activities, and the TG series remains a trusted tool in these challenging environments. “
“Both types of users continue to use the TG series, setting it apart from other high-end compact cameras. Their main priorities are mobility and ease of operation, rather than smartphone connectivity. They love the operation and mobility.”
…but a high-end TG would be challenging
These specific requirements might rule out a higher-end TG, he suggests
“We’re always talking about the successor of the TG series and whether to add a new, higher TG line, maybe using a bigger sensor, or perhaps a TG-DSLR.”
“We’re always thinking about the possibilities. However, as of today we don’t have any best answer to realize this concept because the requirement for TG series is very hard. For example, making a large or removable lens drop resistant is very difficult.”
Also, he says, keeping the size down is important: “if we adopted a bigger sensor and we maintain the same optical zoom range, the body would need to be very big. That means such a TG would lose the mobility concept.”
Togashi didn’t seem enthused by our suggestion of a prime lens: “A lot of TG users’ photographic needs are different from enthusiasts’, so they like to use a zoom lens. They like to enlarge subjects in their photos, therefore they always use tele-zoom.”
Director of Product Planning, Hiroki Koyama raises another concern: ” We also give priority for close-up capability. TG can be used very close to the subject. If we choose a bigger sensor size, the close-up capability will be reduced. The current sensor size is the best balance, but we’ll try to study the concept.”
The OM System lens range
On the subject of lenses, we asked whether they believe the current Micro Four Thirds lens lineup includes all the options an OM-3 user might want.
“Still not yet,” says Togashi: “We are also trying to develop small and light and bright lenses or something like that. We have space to make new lenses in the future. I can’t disclose [the details], but yes.”
Choosing the right lenses to add isn’t always easy, he suggests: “People always ask ‘will you make a pancake lens?’,” he says: “but then the pancake lens sales are not so good in general. But still, we’ll continue to consider it.”
Interview conducted by Dale Baskin and Richard Butler, answers edited for flow.
Camera
Tips for taking epic shots of tonight’s ‘blood moon’ total lunar eclipse

A lunar eclipse, captured by Jamie Malcolm-Brown in November 2021. Used with permission. |
Editor’s note: This article was originally published in 2022. We have updated it with information about the current eclipse as a service to readers.
Starting tonight, March 13, through the early hours of tomorrow, March 14th, skywatchers in the Americas will be able to view the first total lunar eclipse of the year. The moon will turn a ‘blood red’ hue for a brief period as it passes entirely into the Earth’s shadow when lined up with the sun. Depending on where you are located, there is a specific time you can witness this phenomenon.
Time and Date, a top-ranking site for times and timezones, created a useful tool that allows you to make a plan by entering your viewing location. From there, it gives you pertinent information, including the total duration, what time each phase of the eclipse starts and the direction it’ll travel, plus altitude during these phases. A helpful animation gives you a visual of how it will appear, minute by minute, once it starts.
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Time and Date created a free tool to help you plan your total lunar eclipse viewing, depending on your location. This is the data for Seattle, WA, where DPReview’s headquarters is located. |
If you plan on bringing your camera out for the ‘blood moon’, photographer Jamie Malcolm-Brown has some helpful tips for camera settings. Describing his process for capturing a lunar eclipse in 2021, he tells DPReview that ‘it was taken with [a] 200-600mm lens at 600mm, ISO 800, F6.3, at 1/3 sec. I bracketed the shots at 5 shots with an EV (exposure value) change of 1. Next time I would probably bracket 5 shots but with only an EV change of .3. The final image was cropped fairly significantly to fill the frame with the moon.’
While useful for capturing more detail on the moon’s surface, you don’t necessarily need a long lens that extends to 600mm to photograph the blood moon. John Weatherby released a quick, helpful tutorial on Instagram outlining his process for getting the best images possible. For one, you can shoot at a focal length between 100–200mm if you want to include a foreground.
View this post on Instagram
Weatherby also explains that having a sturdy tripod and ball head is an absolute necessity. Ensuring that the lens is locked in securely will yield clearer images of the moon. Using the camera’s shutter delay or self-timer, or an external remote, will also help prevent blurry shots as the camera is likely to shake a bit once you press the shutter. PhotoPills, an app that helps you identify where the moon will travel in accordance with your specific location, is recommended as well.
It’s important to check the weather in your area as cloud coverage can potentially conceal the moon completely. Windy.com is a free app available on desktop, iOS and Android that, in my opinion, does a decent job of forecasting weather patterns. It’ll give you a visual of where clouds will appear at specific dates and times so you can determine the best place to set up in your state or country.
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Windy.com, a free app, is an effective tool for forecasting weather elements, including cloud coverage. |
The next total lunar eclipse will take place on September 7, and will be visible in parts of Asia, Africa and Australia. If skywatching interests you, you’re in or near one of the locations where the eclipse is visible and weather permits, I recommend getting out for a few hours and witnessing this wonderful event first-hand.
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