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Magic skies: See the Northern Lights Photographer of the Year winning photos
Northern Lights Photographer of the Year winners
Capture the Atlas has announced the winners of its 2024 Northern Lights Photographer of the Year awards in the seventh edition of its annual photo contest.
This year was an exciting year for aurora photography – both the aurora borealis and the aurora australis – as we close in on the solar maximum of the current solar cycle. Throughout 2024, increased solar activity has resulted in aurora being visible further away from the poles than in recent years, which can be seen among the winners.
This year, the competition awarded 25 photos from photographers representing 15 nationalities. We’ve picked our ten favorite images from the set to share here.
Want to be ready to photograph the aurora if it suddenly becomes visible in your area? Read our article on how to photograph the northern lights to learn how.
Carpe Diem: Adrian Cormier
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Photographer: Adrian Cormier
Location: Crater Lake National Park, USA
Caption: May 10, 2024, began like any other new moon cycle for me. I was shooting at one of my favorite spots along the Sonoma coastline. Around 2:30 a.m., I was surprised to feel my phone buzz with a notification, as my location had sporadic cell coverage. The alert was one I never expected—and will never forget! A fellow Sony Alpha photographer, who was in Nepal at the time, messaged me: “Get as far north as you can by sunset, it’s going down tonight!” A historic geomagnetic storm, possibly peaking at G5, was predicted.
I immediately drove home to grab my Atlas pack full of cold weather gear. My gut told me to head to Crater Lake National Park in Oregon. Shortly into the drive, I learned the CLNP Rim Road was completely closed due to 7 feet of recent snowfall. Fortunately, I was prepared for deep snow conditions and pressed on.
Confident and armed with snowshoes, I settled on a spot along the South Rim, east of the Crater Lake Lodge, which was closed due to the extreme snow levels. My image, “Carpe Diem,” reflects the magnificent display of geomagnetic energy that weekend, set against the iconic and unforgettable alpine landscape.
Copyright Adrian Cormier
Looking North: Lynsey Schroeder
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Photographer: Lynsey Schroeder
Location: Arizona, USA
Caption: It’s not every day that the Northern Lights make it as far south as Southern Arizona! I’ve been captivated by the aurora ever since I first saw it in Iceland in 2018, so when I heard there was a chance to witness it here, I didn’t hesitate to grab my gear and head into the desert with a couple of friends.
My expectations were low, but the show completely exceeded them! As soon as we stepped out of the car, we could clearly see a pink glow on the horizon, occasionally pulsing with shimmering pillars as the night went on. I achieved a photography goal I never imagined I’d accomplish: capturing the aurora shining over the beautiful saguaros of the Sonoran Desert.
Copyright Lynsey Schroeder
In the Rays of the Solar Wind: Sergey Korolev
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Photographer: Sergey Korolev
Location: Rybachy Peninsula, Russia
Caption: After a melt, we had a flash freeze with extremely cold temperatures and a clear blue sky. I was driving by a ditch on the side of a road that had been filled with water and had to stop and look (as we photographers do, can’t pass a ditch without investigating). This is what I found. Great textures and patterns, tones and flow, with lovely graphic lines creating a dynamic, abstract designs. I love this type of work – it’s so much fun, yet challenging to find just the right composition.
Copyright Sergey Korolev
Magic of the North: Josh Beames
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Photographer: Josh Beames
Location: Iceland
Caption: I’ve dreamed of capturing this shot for years, and this year, everything aligned perfectly! During my annual Iceland workshop, our group witnessed the sheer power of nature as Iceland’s most recent active volcano erupted just days before.
After spending hours shooting and soaking in the incredible scene, we started to wrap up and head back to the car. Then, to our amazement, the Northern Lights began dancing across the sky! I quickly launched the drone, sending it on a mission to capture this wild spectacle.
Navigating through the wind, heat, and low visibility surrounding the volcano, I managed to capture a vertical panorama just as the volcanic smoke and ash shifted to the side. Moments later, the dreaded battery warning sounded, and I began the tense journey back. By this point, the wind had really picked up, and I honestly thought the drone was a goner… but with only 1% battery left, it somehow limped back to safety!
Copyright Josh Beames
Devil’s Lights: Forest Barkdoll-Weil
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Photographer: Forest Barkdoll-Weil
Location: Wyoming, USA
Caption: May 10, 2024: Aurora forecasts promised an incredible display, so I drove to Devils Tower, Wyoming, to witness the event. The solar storm delivered, reaching a historic KP9, with auroras visible worldwide. As the vibrant lights danced overhead, my father was undergoing emergency surgery two thousand miles away in Maine. It was a surreal night—awed by the celestial beauty above, yet grappling with worry for my dad.
The aurora offered a strange sense of comfort amidst the turmoil, grounding me in the moment as I captured this incredible phenomenon. My father, a photographer for over 50 years and the person who introduced me to this art, thankfully survived surgery and recovered after several days in the ICU. Although he missed this display, six months later, on October 10, we shared an even stronger solar storm together as a family—a memory I’ll always treasure.
Copyright Forest Barkdoll-Weil
Coronal Mass Eruption: Matt Haynie
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Photographer: Matt Haynie
Location: California, USA
Caption: After finally capturing the elusive Northern Lights in mid-latitudes on May 10th, 2024, I was hooked. I realized there was more to predicting the aurora’s appearance than just relying on the KP forecast, so I learned how to read the charts that determine when the lights can reach mid-latitudes.
This photo is from the sixth time I’ve had the opportunity to capture them since that unforgettable night. Lassen Volcanic National Park, in Northern California, was the best option, as smoke and clouds threatened to obscure views in most nearby locations. I stayed on top of a ridge until 3 a.m., enduring frigid winds that cut through my layers, but witnessing two significant substorms made all the discomfort worthwhile.
Copyright Matt Haynie
Paddling Under the Aurora: Herry Himanshu
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Photographer: Herry Himanshu
Location: Banff National Park, Canada
Caption: I live in Saskatchewan, Canada, so I’ve seen and captured the aurora hundreds of times before, but that night in Banff National Park, Alberta, was unlike any other.
As luck would have it, I was in Banff for a wedding that weekend when massive CMEs were predicted to hit Earth directly. As soon as it got dark, the aurora came out swinging, with vivid hues of reds, pinks, and purples dancing across the sky.
I had three camera setups running timelapses in different directions, but even that wasn’t enough. One brave friend took a standup paddleboard out on the lake and modeled for us beneath the insane light show. She was the perfect complement to the aurora and the mountainous landscape.
We were all in pure disbelief at the colors and patterns unfolding above us. Those shared moments of joy are what I’ll remember forever. I stayed up all night, driving hundreds of kilometers through Banff to iconic spots, capturing some of my best photos and timelapses ever.
Copyright Herry Himanshu
Cosmic Explosion: Uroš Fink
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Photographer: Uroš Fink
Location: Istria, Croatia
Caption: On the night of the Perseid meteor shower, I was treated to a “multi-course menu” of the night sky. I captured the Milky Way arch with Orion, the Aurora (a first for me), the Zodiacal light, and the Perseid meteors. As if that wasn’t enough, the sky gifted me with one of the most stunning greenish airglows I’ve ever seen. Oh, and I almost forgot to mention the close conjunction of Jupiter and Mars, right along the path of the Zodiacal light.
In the center of the panorama is the Cap Marlera lighthouse, built in 1880 at the southeastern tip of the Istrian Peninsula. The rugged coastline, at the entrance to Kvarner, attracts fish and dolphins. This area is also home to the Mediterranean bear, though I didn’t have the pleasure of meeting one.
Meteors rained down throughout the night, and I captured 75 of them using three cameras. I used the RegiStar software to seamlessly insert the meteors to the panorama in the exactly same spots as they appeared in the sky this night.
It was an extraordinary, perhaps once-in-a-lifetime event, and I’m grateful and happy to have been part of it.
Copyright Uroš Fink
Aurora Australis: Marc Adamus
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Photographer: Marc Adamus
Location: Patagonia Fjords, Chile
Caption: I’m not sure if an aurora had ever been recorded in Patagonia before, but we got incredibly lucky on the night of May 10, 2024, when a G5 storm hit. We were camped on an iceberg beach, deep in the wilderness of the Patagonia Fjords, when the incredible display unfolded.
Copyright Marc Adamus
28° Aurora: Efrén Yanes
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Photographer: Efrén Yanes
Location: Tenerife, Spain
Caption: The night of May 10th was one of the most unforgettable moments since I became a photographer. I went to Teide National Park in Tenerife with the intention of capturing a circumpolar shot with the endemic tajines in bloom. After setting up my camera and finding the perfect composition, I hit the shutter. To my surprise, the camera screen showed a strange red color on the horizon. It wasn’t light pollution, but something I had never seen before.
Suddenly, I remembered hearing about a recent large-magnitude solar storm and the possibility of Northern Lights at lower latitudes. My heart raced as I scrolled through social media and saw others sharing photos of the Aurora from the Iberian Peninsula. I realized I was witnessing this extraordinary event from the Canary Islands. It was a magical experience that happened entirely by chance, and I feel incredibly lucky to have been a part of it.
Copyright Efrén Yanes
As a photographer with a strong interest in history, I often find myself captivated when the two worlds collide. Looking at pictures of historical events, even seemingly mundane ones, sparks my imagination and transports me back in time.
More than the historical events themselves, I’m drawn to the people in these photos. I try to envision their lives, their experiences and the world they inhabited. I remind myself that they aren’t just historical figures frozen in time but real people who lead lives as complex as you or me, and I often wonder about their experiences, the people they knew, and the eras that shaped them.
Perhaps this is because old photographs serve as a reminder of our own mortality. Historical photos whisper to us that our time on Earth is finite and that one day, we, too, will become subjects of historical curiosity.
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| Photo: Nelson and Roswell Moore |
This fascination with the past, coupled with my interest in photography, is probably why a recent video by the BBC caught my attention, telling the story behind portraits taken of some of the last survivors of the American Revolutionary War.
The Revolutionary War was fought between Great Britain and her American colonies from 1775 to 1783 over Americans’ desire for independence. Ultimately, the colonial forces prevailed, and, as we all know today, the United States became an independent nation.
“Historical photos whisper to us that our time on Earth is finite and that one day, we, too, will become subjects of historical curiosity.”
Fast forward about eight decades, and the US found itself embroiled in yet another conflict: the American Civil War. It was around this time that two brothers, Nelson and Roswell Moore, photographers from Connecticut, got the idea to use the then-nascent technology of photography to preserve images of the last surviving veterans of the American Revolution.
According to the BBC, newspapers at the time would publish details of the United States federal budget. This included lists of Revolutionary War veterans who were still receiving government pensions. Don Hagist, author of The Revolution’s Last Men: The Soldiers Behind the Photographs and editor of the Journal of the American Revolution, told the BBC that by the 1860s, it was becoming apparent that very few Revolutionary War veterans remained. This realization spurred the Moore brothers to track down what they believed to be the last six living veterans to capture their portraits.
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| Photo: Nelson and Roswell Moore |
The Moore brothers’ portraits were unveiled in 1864 and subsequently published that same year in the book The Last Men of the American Revolution by Reverend E.B. Hillard. The book also included biographies of each veteran, based on interviews conducted by Hillard, although, according to Hagist, Hillard likely employed some creative license in his biographical accounts.
Fortunately, these invaluable photographs are not confined to the BBC’s archives. They’re preserved and freely available for download from the Library of Congress, an exceptional resource for historical imagery of all kinds.
As it turned out, the six men photographed by the Moore brothers weren’t the only remaining Revolutionary War veterans. Following the publication of their photos and Hillard’s book, other veterans came forward. However, the images captured by the Moore brothers remain invaluable historical artifacts, preserving the likenesses of men who fought for America’s independence. Gazing into their eyes, I’m struck by the realization that these men could have met George Washington in person.
One of photography’s enduring truths is that we often can’t predict which images will hold significance for future generations. History will ultimately be the judge. However, as photographers, we possess the ability to capture and preserve these visual records, even if their immediate importance is not readily apparent.
Next time you see an old historical photo, pause for a moment to think about the person or people in that photo. Who were they? What were their lives like? And reflect on the fact that, someday, far in the future, someone may be looking at a picture of you, wondering the same thing.
Finally, have you had the opportunity to capture any photos of historical significance or photograph something important before it disappeared forever? If so, I’d love to hear about it in the comments.
| Image: Panasonic |
Panasonic has made it clear: the torch has passed from its Lumix Sync app to the Lumix Lab app. If you own one of the company’s modern phase detect autofocus cameras – that’s the S5 II, S5 IIX, G9 II, GH7 and S9 – Lumix Lab can now do pretty much everything that Sync could do, alongside all the new features it brings to the table.
When Lumix Lab originally launched alongside the S9 in May, Panasonic was clear that it wasn’t ready to fully replace Lumix Sync for its older cameras; it didn’t support critical features such as remote shooting, remote shutter control, image transfer, or live streaming.
That’s changed this week, though. Panasonic released firmware updates yesterday, as well as an update to Lumix Lab, which work together to let you fully control and sync your camera from your phone.
Enter the LUT lab
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| Lumix Lab lets you download LUTS made by creators and gives you a library to manage those LUTs alongside the ones you create yourself. |
Beyond the functions that already existed with Lumix Sync, Lumix Lab adds several features around Look Up Tables, or LUTs, which are essentially color presets that you can apply to your photos and videos. It has a section that lets you download ready-made LUTs from creators, and you can even create custom LUTs using the app’s photo editor. You can then use those LUTs in Lumix Lab, applying them to photos you’ve synced over from your camera, or send them to your camera, where you can use them with the Real Time LUT that can automatically apply them to your JPEGs and videos.
Lumix Lab also has fairly robust editing features for both photos and videos. You can use it to adjust colors, exposure, sharpening, and more and to apply effects like grain and vignetting. Continuing the LUT focus of the app, if you like the adjustments you’ve made, you’re able to save them as a LUT for later use. Lumix Lab also lets you apply a variety of pre-set crops to stills and videos, making it easy to share them on platforms with a specific aspect ratio, and you can trim videos if you only want to use a small portion of them. Finally, you can share your edited photos and videos straight from the app.
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| Lumix Lab has a relatively full-featured set of photo and video editing tools, and lets you save your adjustments as custom LUTs. |
The future of Sync
At the moment, it doesn’t seem like the Lumix Sync app is going anywhere – owners of the S1, S1R, the newly released G97, and other older cameras will still need to use it to sync photos to their phones, after all.
However, if you haven’t given Lumix Lab a shot yet, and have one of the cameras it works with, it’s probably worth a try. It can now not only do the things Lumix Sync could, but much more, making the experience of shooting with your camera and sharing with your phone that much nicer. Even if those don’t interest you, it’s also worth noting that the latest updates to the S5 II, S5 IIX, GH7, and G9 II could make it more annoying to use with Panasonic’s older app, as a camera-to-phone Wi-Fi connection will now require password authentication – the ability to use the app without inputting a Wi-Fi password has been removed.
Lumix Lab is a free download from the Apple App Store and the Google Play Store.
| Image: SmallRig |
SmallRig has announced it is expanding its lineup with a new cage for the Sony a9 III and a1 II. Like SmallRig’s existing offerings, the new cage aims to add additional protection for the camera. Perhaps more importantly, it also offers expansion options, making it easier to attach additional gear like phone mounts, monitors, microphones and more. It offers what SmallRig calls a “brand-new streamlined design with precision-fit protection and unobstructed button access.” It’s available for purchase now for $99.
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| Image: SmallRig |
SmallRig’s latest full cage features a leather grip that fully wraps around the grip of the camera. The leather design allows it to blend in a bit more to the camera, and results in a more polished look worthy of the flagship cameras.
The cage features a three-point locking installation to keep it securely attached to the camera, but doesn’t require removing the D-rings. It uses an integrated bottom Arca-Swiss quick release plate for seamless use on a wide range of tripods and gimbals. It comes with a magnetic wrench on the bottom of the plate for easier attachment or removal.
Buy now:
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| Image: SmallRig |
Of course, one of the main benefits to a cage is all the extra attachment points for gear, of which this new offering has plenty. It features 1/4″-20 threaded holes, 1/4″-20 locating holes, ARRI 3/8″-16 locating holes, cold shoe mounts, strap slots and QD socket. All of those attachment points make it feasible to add on a long list of handles, microphones, lights, monitors, straps and more. Plus, the HawkLock H21 NATO rail allows you to quickly add or remove handles.
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| Image: SmallRig |
In addition to the full cage, SmallRig also released an L-Shaped Mount Plate for the Sony a1 II and a9 III. The plate is still marked as “coming soon,” and details are sparse in comparison to the full cage. SmallRig did specify that it will offer unobstructed access to switching orientation and feature an integrated bottom Arca-Swiss quick release plate. Perhaps most interesting, though, is the AirTag compartment, helping users keep track of their cameras.
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