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Nikon Z fc Initial Review

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Nikon Z fc Initial Review

Nikon’s Z fc is an APS-C mirrorless camera that combines Nikon’s new Z lens mount with looks and controls that recall the company’s classic FM and FE-series film SLRs.

The Z fc is the second crop-sensor Nikon camera to use the company’s new Z-mount, built around the same 20.9MP sensor as the Nikon Z50, but it gains dedicated dials for ISO, shutter speed and exposure compensation to go with its throwback styling. Nikon says it’s aiming the camera at a younger, style-conscious audience.

Key specifications

  • 20.9MP CMOS sensor
  • Burst shooting up to 11 fps with full AF (9 fps with 14-bit Raw)
  • Oversampled UHD 4K video at up to 30p, using the sensor’s full width
  • Fully-articulating 1.04M-dot rear touchscreen
  • 2.36M-dot OLED viewfinder

The Z fc will cost around $960, body only, or $1100 with a silver version of the 16-50mm F3.5-6.3 VR kit zoom (both prices represent a $100 premium over the launch price of the Z50). Kits of the camera with the retro-looking 28mm F2.8 (SE) prime lens will sell for $1200. These will be available from late July 2021.

The Z fc will be primarily be available in silver with black leatherette patches, but six versions with colored grip material will also be available, in limited numbers. Pink, Mint Green, White, Grey, Amber Brown and Sand Beige versions will cost $100 more than the regular model and, in North America at least, will only be sold through Nikon’s own web store.


What’s new

The main thing that’s new in the Z fc is its retro styling and control system based on dedicated control dials. The camera is designed to evoke Nikon’s FM and FE-series SLRs, but is also likely to be reminiscent of some of Fujifilm’s digital cameras that reference to the same era of SLR design, as well as Nikon’s own Df DSLR from 2013.

But despite the classic looks, the Z fc is a modern camera at heart, offering a few features that should ensure it’s seen as more than just a prettified Z50.

Full-time eye AF in video mode

Unlike the Z50, the Z fc is able to offer Nikon’s full-time ‘Eye-Autofocus’ mode while shooting video. When shooting stills, it also includes focus modes that combine face and eye AF with a large focus zone, letting you take more control over where the camera looks for a subject (on the Z50 face/eye AF is only available in the all-area ‘Auto’ AF mode, meaning the camera chooses a human subject for you if there is more than one person in the frame).

It’s very likely that the Z50 and Z fc share the same ‘Expeed 6’ processor, so these functions could probably be added to the older model via firmware, but Nikon may choose to maintain a distinction between the two.

Fully articulated screen

The Z fc is the first Z-mount camera to feature a fully articulating rear LCD. This means that it can be rotated all the way forward for vlogging (working nicely in conjunction with the video Eye-AF function), and also means the screen can be folded in to face the back of the camera, to protect the LCD panel when traveling.

USB power

The Z fc’s USB C socket lets you charge the battery or directly power the camera. Below it is a mic input socket, but there’s no way to attach headphones to monitor the captured audio.

Also aiding on-the-go photographers, the Z fc has a USB-C socket on its side which can be used to power the camera, as well as to charge the battery. It’s a USB 3.2 Gen 1 ‘Superspeed’ (aka USB 3.0) interface which should mean it’s significantly faster at data transfer than the Z50’s sockets is.

Firmware updates by smartphone

The other new feature of the Z fc is the ability for it to accept firmware updates from a smartphone. It’s a feature we’ve seen from other brands and we’ve found it unexpectedly convenient both in terms of finding out about updates, as well as keeping the camera up-to-date.


How it compares

The Z fc is available body-only, with the Z 28mm F2.8 (SE) prime lens or with a silver version of the DX Z 16-50mm F3.5-6.3 VR zoom lens (pictured)

The Z fc is being launched for $100 more than the Z50 was, with the articulating screen, ‘better’ looks and USB-C capabilities being the main gains over that model. This makes its price comparable with Fujifilm’s image-stabilized X-S10, and a little higher than that of Sony’s un-stabilized a6400.

The comparison with the X-S10 is interesting because, while they share a similar aesthetic, the X-S10 represents a move away from Fujifilm’s use of dedicated control dials, back to something more DSLR-like. The other distinction to note is that the X-S10 costs more when bundled with a lens because Fujifilm tends to kit it with the somewhat better 18-55mm F2.8-4.0, rather than its own retractable power zoom. The less expensive, unstabilized X-T30 is offered with the retractable 15-45mm zoom, at a list price of $1000.

Nikon Z fc Nikon Z50 Fujifilm X-S10 Sony a6400
MSRP at launch $960 b/o
$1100 with 16-50mm F3.5-6.3
$860 b/o
$1000 with 16-50mm F3.5-6.3
$999 b/o
$1299 with 18-55mm F2.8-4.0
$900 b/o
$1000 w/ 16-55mm F3.5-5.6
Sensor size APS-C APS-C APS-C APS-C
Resolution 20MP 20MP 26MP 24MP
Image stabilizations Lens only Lens only In-body Lens only
Max burst rate 11 fps (12-bit Raw)
9 fps (14-bit)
11 fps (12-bit Raw)
9 fps (14-bit)
20 fps (e-shutter)
8 fps (mech)
11 fps
Screen res / type 1.04M-dot
Fully-articulating
1.04M-dot tilt up/down (down by 180°) 1.04M-dot fully-articulating 920k-dot tilt up/down (up by 180°)
Viewfinder res /magnification 2.36M-dot
/ 0.68x
2.36M-dot
/ 0.68x
2.36M-dot
/ 0.62x
2.36M-dot
/ 0.7x
Built-in flash No Yes No Yes
4K video spec UHD 30p/24p
No crop
UHD 30p/24p
No crop
DCI or UHD 30p/24p
No crop
4K 24p No crop
4K 30p 1.1x crop
Mic / ‘phones Yes / No Yes / No Yes / Yes (w/ inc USB adapter) Yes / No
Weather sealing Claimed Claimed No Claimed
Battery life
LCD/EVF
300 300 325 410
Weight 445g 450g 465g 403g
Dimensions 135 x 94 x 44 mm 127 x 94 x 60 mm 126 x 85 x 65mm 120 x 67 x 60 mm

The Z fc’s specs make it competitive with its immediate peers and its looks will help it stand out. The lack of headphone socket for monitoring audio may undercut its appeal as a vlogging camera, as does the absence of in-body stabilization. Nikon’s kit zoom is stabilized but lens-stabilization can’t correction for rotational movement (roll) like in-body systems can. If you buy the kit with the 28mm F2.8 (SE) prime lens, you’ll have no stabilization at all.


Body and controls

Traditional body

The Z fc (right) is very similar in size and shape to the FM2 SLR (left), meaning there’s no overt hand-shaped grip.

The Z fc’s body closely resembles both the size and shape of Nikon’s FM and FE SLRs, meaning it doesn’t have the kind of protruding grip that’s subsequently been deemed essential for holding a camera. If you need something more to hold onto, there is a bolt-on accessory grip that screws into the base of the camera. It’s not clear whether this Z fc-GS1 Extension Grip will be available in all markets.

Aluminum dials

Metallic-finish dials are pretty commonplace, but the Z fc uses solid aluminum dials and Nikon says the numbers are etched into the metal, rather than being printed or stuck on the surface. The ISO and shutter speed dials both have press locks on them, to prevent accidental operation, but this means they require slightly more considered operation.

Dial operation

Although the Z fc ends up looking a lot like Fujifilm’s X-T30, its dials operate slightly differently. Rather than exposure mode being defined by the position of the ISO and shutter speed dials, the Z fc has a separate exposure mode switch. For instance, setting this to ‘A,’ for Aperture Priority deactivates the shutter speed dial, regardless of its position.

Generally the dedicated dials are used for controlling each exposure parameter, with a command dial on the front of the camera setting aperture value. The exception to this is if you turn the shutter speed dial to the ‘1/3 Steps’ position, at which point the rear command dial takes over control of shutter speed.

One interesting quirk is that the ISO dial does not include an ‘Auto’ position. We couldn’t find an easy way, other than adding ‘ISO Settings’ to My Menu, to engage and disengage Auto ISO. With Auto ISO turned on, the ISO dial ends up defining the minimum ISO the camera will use.

Separate video/stills operation

A small switch at the base of the shutter speed dial lets you jump from stills to movie shooting and back. As with the Z50 and other recent Nikons, you can opt for different settings for both modes allowing, for instance, different white balance and color mode settings for each style of shooting. However, the reliance on dedicated dials means that your exposure settings will tend to carry over, so you’ll have to adjust them somewhat, each time you switch.

Magnesium alloy construction

The Z fc is a pretty light-feeling camera, thanks to extensive use of magnesium alloy in its construction. The lack of protruding hand grip helps keep the weight down below that of the Z50. In addition to the solidity of a primarily metal shell, Nikon says the Z fc has been designed to resist moisture and dust (though neither of the lenses offered as kits appear to make the same claim).

The thin-gauge metal and rather light plastic battery door and viewfinder eye-cup molding make the camera feel less substantial than its metal construction might otherwise imply. However, the dial feel (particularly in terms of the front and rear command dials) helps counteract this impression.

Battery

The battery and SD card both slot into the bottom of the camera, behind a slightly insubstantial-feeling plastic door.

The Z fc uses the same EN-EL25 battery as the Z50 and, since it shares that camera’s screen, viewfinder, sensor and processor, it delivers a very similar battery life. The CIPA rating of 300 shots per charge is reasonable, rather than great, even once you’ve taken into account the fact it’s common to get twice as many shots as these ratings suggest, in day-to-day use.

The ability to recharge or directly power the camera using its USB socket will relieve some of this pressure, especially if you’re already in the habit of packing a USB power bank for keeping your phone topped-up on weekends away.


Initial impressions

The leatherette coating on the viewfinder hump and the ‘old style’ Nikon typeface helps tie the Z fc back to the company’s classic SLRs.

The Z fc is an undeniably pretty camera, with the leatherette coating on top of the viewfinder immediately recalling Nikon’s much-loved FM SLRs. Other manufacturers have been making classically styled cameras in the meantime though, which has the effect of the Z fc also resembling several Fujifilm models, even though it legitimately has its own lineage to refer back to.

My first impression of the control system is that it’s more coherent than that of the company’s similarly retro (but nowhere near as svelte) Df full-frame DSLR, where the dedicated dials seem to be bolted on top of an existing command-dial-based UI. And it shares a lot in common with the Nikon Z50, one of our favorite APS-C cameras (and certainly one of the most keenly-priced).

Nikon presented the Z fc alongside images of faux Edison bulbs and shelves of vinyl records: its role is as much a lifestyle accessory as a tool for taking photos. But there need not be any tension between these two roles.

I still have concerns about Nikon’s level of support for the DX end of the Z-mount, but the release of the 28mm F2.8 helps; providing a pleasant (though not especially fast) 42mm equivalent option that’s a good match for the camera in terms of size and price, as well as aesthetic.

Nikon is keen to point out that you can mount all its full-frame Z-mount lenses on the Z fc, broadening your options, but the closed world of Z-mount does mean there’s no equivalent of, for example, the eminently affordable Tokina 23, 35 and 56mm F1.4 lenses now available for Canon, Sony and Fujifilm’s APS-C mounts or Sigma’s similarly interesting DC DN trio of lenses.

It’s interesting to note that the Z fc is very close in size to the FM SLR, which makes it noticeably larger than Fujifilm’s X-T30 or X-S10. This affords all its controls a little more room on the camera body, and gives a slightly more substantial feel in the hand.

Ultimately this may not matter. A significant subset of Z fc users may be perfectly happy with the flexibility afforded by the kit zooms or the forthcoming DX 18-140mm, and a further proportion will find lenses such as Nikon’s 28mm F2.8 or 24mm F1.8 are great ways to expand their photography, before perhaps venturing up to full-frame (hopefully in conjunction with a desire for the expanded angles of view that these primes would offer with the larger sensor format).

Either way; I liked the Z50 a lot, and a prettier, perhaps more flexible version for a little more money is something I’m looking forward to spending more time with. There’s little reason to doubt the Z fc’s ability to shoot strong images, the provision of improved video AF is a definite bonus and, to be quite honest, it’s a camera I think will look good hanging off my shoulder. The Z fc recognizes that a camera is just as much a lifestyle accessory as it is a tool for taking photos and there need not be any contradiction in trying to be both.


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Tamron announces 28-75mm F2.8 Di III VXD G2 for Nikon Z mount

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Tamron announces 28-75mm F2.8 Di III VXD G2 for Nikon Z mount


Image: Tamron

Tamron has announced it will release its popular 28-75mm F2.8 Di III VXD G2 fast standard zoom for Nikon’s Z-mount.

Nikon already sells a 28-75mm F2.8 with an optical formula and calculated MTF charts that are a match for Tamron’s original, stepper-motor driven 28-75mm F2.8 Di III RXD. The newer, linear-motor-driven G2 model features improved optical performance.


Buy now:


The G2 uses a more complex 17 element / 15 group design and has a fractionally shorter minimum focus distance (18cm/7.1″ vs 19cm/7.5″) to deliver very slightly increased maximum magnification. The G2 is also a fraction lighter than the Nikon-branded 28-75mm, weighing 550g (19.4oz), rather than 565g (19.9oz). On the E-mount versions, Tamron claimed the VXD linear motor design was twice as fast as the RXD version.

The focal length range makes the 28-75mm a wide to short-telephoto lens for Nikon’s full-frame Z-mount cameras but could, in principle, be used as a 42-113mm equivalent on DX APS-C bodies, if you wished.

Click here to see the Tamron 28-75mm F2.8 G2 gallery shot on Sony E-mount

The announcement adds a more affordable option for Nikon’s Z-mount users, but the hope has to be that, letting Tamron compete against its own-brand lenses, might also indicate some relaxation of Nikon’s restrictions around the mount. As the footnotes make clear, this lens is “developed, manufactured and sold under the license agreement with Nikon Corporation.”

The Tamron 28-75mm F2.8 Di III VXD will be available from April 18th at an MSRP of $999. This is $100 more than the E-mount version and a match for the current price of the Nikkor Z 28-75mm F2.8. It’s $200 below Nikon’s launch price for the Nikkor version.

TAMRON announces the launch of fast-aperture standard zoom lens for “Nikon Z mount system”

28-75mm F/2.8 Di III VXD G2 (Model A063) for Nikon Z mount

March 27, 2024, 11pm ET / 8PM PT, Commack, NY – Tamron announces the launch of the 28-75mm F/2.8 Di III VXD G2 (Model A063), a fast-aperture standard zoom lens, for Nikon Z mount full-frame mirrorless cameras1. The lens will be available April 18, 2024, at $999 USD / $1399 CAD.

The 28-75mm F2.8 G2 is compact and easy to use yet has excellent optical performance and is compatible with the latest digital cameras with increasingly high pixel resolution. The AF drive uses a linear motor focus mechanism VXD (Voice-coil eXtreme-torque Drive) that is fast, highly accurate and quiet. The lens also excels at close-up shooting, achieving an MOD (Minimum Object Distance) of 7.1” (0.18m) at the wide end and a maximum magnification ratio of 1:2.7. Additionally, the lens design takes operability into consideration by including a coating with excellent scratch resistance on the barrel of the lens and a rubber focusing ring for a comfortable, secure grip among other features.

TAMRON pioneered the category of compact fast-aperture standard zoom lenses for mirrorless models. Now the 28-75mm F2.8 G2 will be available for Nikon Z mount as the ideal everyday lens for Nikon full-frame mirrorless camera users.

Product highlights

1. Best image quality in the standard zoom lens class

The new zoom leverages the latest design expertise and comprises an optical construction with 17 elements in 15 groups. Two optimally arranged LD (Low Dispersion) and GM (Glass Molded Aspherical) lens elements control optical aberrations to the highest degree. The lens provides high-resolution performance from edge-to-edge and corner-to-corner over the entire zoom range, even at wide open aperture. In addition, the soft, beautiful, round bokeh that can be achieved with a fast-aperture lens adds a distinctive dimension, especially to portraits. The overall compact size and high performance can be used advantageously with top-class, ultra-high-resolution mirrorless cameras.

2. Fast, quiet VXD linear motor for high-speed and high precision autofocus

The AF drive system employs TAMRON’s VXD linear motor focus mechanism. The high-speed, high-precision AF is exceedingly responsive and provides dependable and accurate focusing performance from MOD to infinity, despite the fast F2.8 aperture. The lens delivers excellent focus tracking of moving objects, so you are always ready for fast action. Additionally, the focus motor is quiet, so it’s ideal for shooting both still images and video in situations that demand low noise.

3. Lightweight and compact

The 28-75mm F2.8 G2 is a fast-aperture standard zoom lens with a remarkably compact and lightweight design, just 4.7” (119.8mm) long. The maximum diameter is 75.8mm and it weighs only 19.4 oz. (550g). Filter size is 67mm. With a size that’s easy to carry and a light weight that’s well-suited for handheld shooting for extended periods, the 28-75mm F2.8 G2 will surely become your favorite zoom for travel, street shooting, everyday carry, and spontaneous photo opportunities.

4. MOD of 7.1” (0.18m) at the wide end and a maximum magnification ratio of 1:2.7 for creative close-ups

The 28-75mm F2.8 G2 features an MOD of 7.1” (0.18m) at the wide end. The working distance shrinks to around 1.7” (4.4cm) when used at MOD. Because the maximum magnification ratio is 1:2.7, you can get close to your subject for wide macro photography, enabling powerful visual impact with the subject positioned large in the frame while keeping a wide view of the background.

5. TAMRON Lens Utility™ expands the possibilities of still photography and video shooting

The 28-75mm F2.8 G2 is compatible with the dedicated TAMRON Lens Utility software developed in-house by TAMRON that empowers users to easily update the lens to the latest firmware without going through the camera2 and includes functions to support focusing operations and other actions when shooting still images or video. By utilizing a wide range of functions3, users can expand the breadth of expression in still images and video. For example, A-B Focus allows users to limit focusing to two pre-selected focus points, shifting focus from one subject to the other with just a click of the Focus Set Button. Users can also choose between Linear and Non-Linear, which affects how the focus shifts during manual focusing.

6. Enhanced overall lens design for user-friendly operation

Every individual part of the lens has been carefully scrutinized, right down to the fine details, resulting in an enhanced design that optimizes both operability and ergonomics. The surface of the lens exterior is glossy black. Improved abrasion resistance makes the lens barrel harder to scratch and resists fingerprints. Additionally, the grip performance has been improved. The smoothly curved, elegant surface of the brand ring creates a dignified appearance with a design that signifies functional beauty and high quality.

7. Moisture-Resistant Construction and Fluorine Coating provide extra protection

1. The lens for Sony E-mount previously launched on October 28, 2021.

2. To connect your PC and lens, use the TAMRON Connection Cable (USB Type-A to Type-C/ Model CC-150, or USB Type-C to Type-C/ Model CC-350) sold separately. To connect your smartphone and lens, use the TAMRON Connection Cable (USB Type-C to Type-C/ Model CC-350) sold separately. Lens firmware updates are not supported with the Mobile version. Performing firmware updates requires the TAMRON Lens Utility for PC and a computer.

3. The ring function (Focus/Aperture) is not supported for Nikon Z mount.

Tamron 28-75mm F2.8 Di III VXD G2 specifications

(Length and weight refer to E-mount version)



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Sony announces major firmware upgrades for a1, a9 III, a7S III and a7 IV

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Sony announces major firmware upgrades for a1, a9 III, a7S III and a7 IV


Photo: Dan Bracaglia

Sony has announced major firmware updates for four of its current full-frame range, bringing many features and behaviors up to its latest standards and adding C2PA authenticity verification capabilities.

Sony a1 f/w v2.00

Firmware v2.00 for the Sony a1 is perhaps the most extensive, adding features that have appeared in other models in the three-and-a-bit years since it was launched, such as the lens breathing compensation function. It also adds a handful of new features and modifications of behavior, including an option to ensure the EVF remains on, regardless of the LCD position, and relay playback of images across multiple media. Among the extensive list of additions an updates are features such as Timecode Sync, previously only available in Sony’s Cinema Line cameras.

A series of FTP options, including SFTP support are also added.

The firmware doesn’t activate the C2PA function – which not only authenticates the camera and date/time but also that the photo is of a 3D subject, not a photo of a photo – but instead adds the capability to the camera. Once installed, users need to activate a separate license via the Creators’ App to use the function.

Sony a7S III f/w v3.00

Firmware v3.00 brings many of the updates seen in the a1, including Timecode Sync, breathing compensation and relay playback. It also adds the ability to close the mechanical shutter when the camera is turned off, to mitigate dust ingress, and the ability to transfer Raw files to smartphones.

In addition to the C2PA capability, firmware v3.00 includes the ability to add DCI 4K 24p shooting. Again a license needs to be downloaded to a camera running the new firmware to actually activate the function.

Sony a7 IV f/w v3.00

As one of the most recently updated cameras on this list, the a7 IV gains fewer features than the other cameras here. But in addition to C2PA capability, it adds network streaming, direct cloud upload support and an expansion of the features accessible via software development kit (SDK).

Sony a9 III f/w v2.00 [Expected April 9th]

As the newest of the cameras here, the a9 III receives fewer additions and updates than the a1 and a7S III, as in many instances they are gaining the features that the latest a9 introduced. However, in addition to details such as outputting lens names in video file metadata, the a9 III gains the promised ability to use the camera’s full shutter speed range when continuous shooting. But beyond this, the a9 III gains a small array of feature expansions and refinements being added across the four cameras, including the ability to extract stills from video capture, to take advantage of its lack of rolling shutter.

{PressRelease}

Sony Electronics Delivers Firmware Updates including C2PA Compliancy as a Next Step to Ensure Authenticity of Images

SAN DIEGO, March 27, 2024 – Today, Sony Electronics delivers the highly anticipated firmware updates for the Alpha 1 (Ver. 2.00), Alpha 7S III (Ver. 3.00), Alpha 7 IV (Ver. 3.00), and after April 2024, the Alpha 9 III (Ver.2.00). The update contains some of Sony’s most impactful technology, including Camera Authenticity Solution, the proprietary in-camera digital signature and C2PA (Coalition for Content Provenance and Authenticity) format support1. Together, these tools will make it possible for news agencies to ensure the authenticity of images, contributing to industry efforts to protect creators, and society from fake imagery.

Additionally, the firmware updates include many requested features to improve everyday use. The update evolves shooting functions and post-shooting workflow and brings advanced movie features like breathing compensation. It also includes new remote-control capabilities, new features for professional applications, and expanded access to cloud services applications.

“There is nothing more core to our mission than listening to the voices of the photographers, videographers, and filmmakers who shoot with Sony Alpha cameras. We know this community has been asking for these updates, and we’re happy to deliver. Each of these updates are designed to promote ease of use for our creators and allow them to maximize the strengths of their cameras,” says Yang Cheng, Vice President, Imaging Solutions, Sony Electronics Inc. “We’re especially pleased to deliver C2PA compliancy with this update. This compliancy paired with our unique digital signature technology, allows us to offer the most secure and comprehensive solution to protect professional photographers, news agencies, and society from manipulated imagery.”

Camera Authenticity Solution

Last year, Sony announced its commitment to developing technology in its cameras to aid in the fight against manipulated imagery and AI-generated fakes. The severity of this issue is only increasing and it’s a complex problem that requires the focus and attention of our entire industry.

One critical part of the solution is making more Sony cameras C2PA compliant. C2PA is a Joint Development Foundation project, where Sony is a steering committee member. C2PA aims to develop an end-to-end open technical standard to provide publishers, creators and consumers with opt-in, flexible ways to understand the authenticity, and provenance of different types of media. The C2PA is a standards-setting body that will develop technical specifications on content provenance and authentication by certifying the source and history of media content. With this firmware update, the authenticity information embedded on images from Alpha 1, Alpha 9 III, Alpha 7S III, and Alpha 7 IV can be maintained from capture through publication. This provides professional photographers with the ability to preserve their digital signature from the camera, while tracking the editing history throughout revisions.

Another critical component of the solution is Sony’s in-camera digital signature technology2 that signs images in real-time. This new feature certifies the authenticity of an image at the point of capture and creates a ‘digital birth certificate’ that is retained throughout revisions. The signature contains metadata including 3D-depth information captured through the proprietary technology in the image sensor developed by Sony. This depth information can show if the image captured was of an actual 3D object, vs a photograph of an image or video, providing an extra level of protection and even more assurance of the content’s authenticity, and making Sony’s solution especially unique for photojournalists and news agencies.

Sony’s solution also helps protect the authenticity of content by including an Image Validation Site, which verifies the image even after edits have been made by C2PA-compliant editing software. This service confirms the authenticity of the photo was taken by a specific camera and that the object of the photo is 3D. This service will initially be offered to select news media agencies, expanding to other agencies at a later date.

Sony’s Camera Authenticity Solution overview diagram
Example image of 3D Image verification

Shooting and Playback Updates

The firmware updates include over 10 new features, as well as improvements to existing features, designed to improve the user’s overall shooting experience. These improved capabilities showcase Sony’s commitment to continuing to evolve the functionality of Sony’s existing camera models. A few highlights of the firmware update functions include:

  • Relay Playback: Enables seamless sequential playback from one memory card slot to another on the Alpha 1, Alpha 7S III, and Alpha 9 III.
  • Playback Filter Condition: Lets users categorize image playback based on select criteria including date, folder, file format, and more on the Alpha 1 and Alpha 7S III
  • Breathing Compensation: The highly requested Breathing Compensation function3 is now available on the Alpha 1 and Alpha 7S III.
  • Upgrade DCI 4K / 24.00p Upgrade License on Alpha 7S III: via a free downloadable license through Creators’ Cloud4.
  • Sync Release function: Enables simultaneous shutter release with two or more multiple cameras connected to the main camera5 on the Alpha 1 and Alpha 9 III.
  • Focus frame display: Focus frame will be displayed on the Remote Camera Tool screeniii on the Alpha 1 and Alpha 9 III.
  • Enhanced image stabilization: The camera body and lens effectively work together to correct larger blurs6 on the Alpha 1.
  • Increased upper limit of recordable images in a folder from 4,000 to 9,999 on the Alpha 1, Alpha 7S III, A7 IV, and Alpha 9 III.
  • Matching the time code with other devices is now possible with a dedicated adapter cable (sold separately)7 on the Alpha 1 and Alpha 7S III.
  • Up to 20 IPTC presets can be on the Alpha 1 and Alpha 7S III.
  • Custom Grid Line is available as a paid license basis for some models8.

File Transfer and Network Connectivity

Additional updates aimed to optimize the post-production workflow efficiency include improvements to International Press Telecommunications Council (IPTC) preset and File Transfer Protocol (FTP) transfer operability. To streamline processes for users, expanded cloud upload and application services will be available. Key updates include:

  • Cloud upload (camera direct) function allows users to upload images directly to the Sony’s Creators’ Cloud9. Key additional features include simplified camera software updates, direct camera registration to the Creators’ Cloud, and a flexible system for uploading, storing, and sharing content. Additionally, the capability to manage video and LUT files via mobile apps, along with the transfer of RAW files to smartphones, optimizes the creative process in fast-paced environments.
  • FTP Transfer Improvements: A “Protected Images Only” option for the Auto FTP Transfer and a “Protect Image in FTP Transfer” option for the FTP transfer function have been added. Available on the Alpha 1, Alpha 7S III, and Alpha 9 III.
  • Support for USB streaming10 on the Alpha 1.
  • Secure File Transfer Protocol (SFTP) has been added to secure protocol on the Alpha 1, Alpha 7S III, and Alpha 9 III and WPA3-SAE is now supported for wireless LAN on the Alpha 1 and Alpha 7S III.
  • Network streaming enables direct live streaming from the Alpha 7 IV to a streaming sitevii.
  • Expansion of app support with Creators’ App and Monitor & Control app now supported with the Alpha 1 and Alpha 7S III.

Many of these updates are applicable to multiple cameras, however for a list of each body’s specific update please check the Sony website.

Exclusive stories and exciting new content shot with Sony’s imaging products can be found at www.alphauniverse.com, a site created to educate and inspire all fans and customers of Sony α – Alpha brand.

1. This feature is available to some news organizations at the press release timing.
2. Both Sony’s in-camera digital signature technology and C2PA compliancy are currently available through a separate upgrade license.
3. For compatible lens information, please refer to the support page (https://www.sony.net/dics/breathing/)
4. For regional app/service availability, check here. To use this service, it is necessary to download and install the upgrade license.
5. Remote Camera Tool Version 4.1.0 is required to activate the function.
6. For compatible lens information, please refer to the support page (https://www.sony.net/dics/func1002/)
7. A dedicated adapter cable, which is sold separately, is required to connect to the timecode source equipment.
8. Availability varies depending on country and region. Available through the Upgrade and License Management Suite at https://ulms.sony.net.
9. For regional app/service availability, check here. Creators’ App Ver.2.3.1 or later is necessary. Settings must be made in the Creators’ App in advance. For more information, please visit the Creators’ App support website (https://www.sony.net/ca/help/opr/)

10. When connecting to a device with a USB Type-C port, please use a commercially available USB cable or a conversion adapter.

{/PressRelease}



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Ricoh creates GR III HDF and GR IIIx HDF with highlight diffusion filters

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Ricoh creates GR III HDF and GR IIIx HDF with highlight diffusion filters


Image: Ricoh

The Ricoh GR III HDF and GR IIIx HDF are variants of the company’s existing fixed-lens APS-C premium compacts. They feature a unique “highlight diffusion filter” instead of the ND filter fitted in the standard versions of both cameras.

Ricoh says the HDF has been developed using its inkjet technology and adds a diffusion effect to the images, particularly visible in highlight areas, comparable with a ‘black mist‘ filter. This, it says gives images “resembling those captured in film photography or vintage movies.”

By replacing the switchable ND filter in the optical path, the HDF effect can be turned on or off, depending on what you’re trying to achieve in each shot. By default, the Fn button will be set to engage and disengage the HDF fitler.

Other than the filter, the cameras gain more customization around white balance (which will come to the standard GR III and GR IIIx in a forthcoming firmware update). There’s also a Zone Select AF feature that lets you select a zone within which the camera narrows down when focusing.

The shutter buttons of the HDF versions of the cameras are dark silver, rather than black, to denote the difference, in every other respect, the HDF versions of the cameras are identical to their conventional versions.

Ricoh announces GR series cameras featuring built-in highlight diffusion filter

PARSIPPANY, NJ, March 27, 2024 — Ricoh Imaging Americas Corporation today announced the RICOH GR III HDF and RICOH GR IIIx HDF premium digital compact cameras. These new versions of the acclaimed RICOH GR III and RICOH GR IIIx cameras feature a newly-developed Highlight Diffusion Filter (HDF) that diffuses highlights for softer light, creating more expressive images with a sense of depth and emotion. The HDF, which can be turned on and off in a single action, allows the user to add a totally different kind of visual expression to captured images.

Developed using RICOH’s advanced inkjet technology cultivated over the years, this special- effect filter diffuses highlight areas and creates a blurred effect along the image’s edges, making it possible to produce images resembling those captured in film photography or vintage movies. Since the HDF can be instantly switched on and off with a single action, it lets the user effortlessly alternate between two completely different visual expressions — clear, sharply focused images characteristic of the RICOH GR series, and softer light, more expressive images captured by the HDF — depending on the subject or creative intention.

“The RICOH GR III HDF and RICOH GR IIIx HDF inherit the fundamental merits of our GR series – exceptional image quality, flawless point-and-shoot operation and outstanding portability,” said Ken Curry, president, Ricoh Imaging Americas Corporation. “The new GR HDF models give users a new creative option that expands the visual boundaries of snapshot photography.”

| Pricing and Availability |

The RICOH GR III HDF and RICOH GR IIIx HDF will be available in April at www.us.ricoh- imaging.com as well as at Ricoh Imaging-authorized retail outlets at a manufacturer’s suggested retail price of $1,069.95 for the RICOH GR III HDF and $1,149.95 for the RICOH GR IIIx HDF.

| Main features of the new RICOH GR III HDF and RICOH GR IIIx HDF |

  • Single-action switching to the new, built-in HDF to create softer light, more expressive images:
    The new GR HDF versions incorporate the newly developed HDF (Highlight Diffusion Filter) to emphasize highlights and produce softer light and more expressive images. Developed using RICOH’s advanced inkjet technology cultivated over the years, this special-effect filter diffuses highlight areas and creates a blurred effect along the image’s edges, making it possible to capture images resembling those captured in film photography or vintage movies. Since the Highlight Diffusion Filter can be instantly switched on and off with a single action, it lets the user effortlessly alternate between two completely different visual expressions — clear, sharply focused images characteristic of the RICOH GR series, and softer light, more expressive images captured by the HDF — depending on the subject or creative intention. This creative versatility expands the visual boundaries of snapshot photography.
  • The color of the shutter-release button has been changed to dark silver to subtly differentiate the HDF models from other GR series models and to symbolize the effortless shift of visual expression. The default setting of the Fn (Function) button has also been changed to the ON/OFF switching of the HDF,* allowing the user to quickly engage the HDF with a press of a button.
  • The user can pre-program up to three white-balance settings as the base white balance.** It is also possible to couple the base white balance with the White-balance Fine Adjustment function.
  • The new models feature Zone Select AF,*** which automatically sets the focus at the most appropriate point within the image area after the user shifts the 3X3 focus area to the desired zone.

* The user can also select another function as the default setting of the Fn button.
** This function can be added to all RICOH GR III- and GR IIIx-series models using function- expansion firmware, which is scheduled to be released along with the market launch of these new models.
*** The 3X3 focus area is identical in size to that of the Auto-area AF (Center) mode.



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