Camera
"Our plan hasn't changed," says Fujifilm of X-Pro, but X-E may have snapshot future

Fujifilm’s Makoto Oishi and Yuji Igarashi at the company’s booth at CP+ 2025.
Photo: Dale Baskin |
Fujifilm is still committed to both the X-Pro and X-E lines, says Yuji Igarashi, Divisional Manager of its Professional Imaging Group, as we discussed the future of those cameras, the challenges of autofocus and addressing the X100VI backlog.
X100VI backlog
Igarashi was keen to explain how the X100VI has ended up back-ordered and clear-up the mistaken impression that the shortages are intentional.
“The number of pre-orders on Day One was so big that some people have been waiting for a year,” he acknowledges: “It was an extraordinary volume of orders and, of course, we’re doing our best to catch up with that. We’ve been shipping consistently, and we continue to do our best.”
“We’ve increased our production of X100VI quite a lot,” he says. To put it in context, he tries to give an idea of how they got caught off-guard: “if you look at the X100 series’ history, we’ve had five cameras preceding this camera and we’ve already sold in a year what they would have sold in three or four years.”
“We’ve already sold in a year what they would have sold in three or four”
Ramping-up production is harder for a camera like the X100VI, he says: “Generally speaking, a premium product is more difficult to produce. For example, the top plate of X100VI, you can see the sharp edges are made from aluminum, and it goes through many processes like stamping and milling, and filling in the colored details. So, it’s not like you can simply increase production, quickly. But of course, we will continue to do our best to make a camera available to everyone who wants one. ”
Autofocus concerns
Igarashi also said he recognized the concerns some users and reviews have expressed about autofocus.
“I don’t think we are at the point where I can say, ‘Ok, this is good enough and we’re not going to do any more’, he says: “So even today, we’re working on making improvements.”
“Of course, we always continue to improve our autofocus and also we are aware that we have room to improve as well. And so we’re making a continuous effort.”
“We are aware that we have room to improve… so we’re making a continuous effort”
One aspect is that the evolution and expansion of the X-series is exposing their cameras to new photographic challenges, he says: “Picking up the X100 autofocus, and then using an X-H with a telephoto prime lens and trying to capture wildlife is a completely different story.”
“Of course we know that shooting wildlife or sports is not our bread and butter: it’s not what we’ve been doing for years, and that’s what we’ve been learning as we create these longer lenses. We’ve been expanding our field of photography as we’ve been expanding our lens lineup.”
“The areas we’re used to, I think we’re better at, and the new areas we’re expanding into, those are both the spaces we think we have room to improve.”
On X-Pro and X-E
“Our plan hasn’t changed, we still plan to launch a successor to X-Pro3, but we don’t have a date, yet. And X-E of course, too. We haven’t abandoned the line either.”
But, especially in the light of what he’d said about a younger audience, we wondered whether it was likely that the X-E series would return to its more enthusiast-focused roots, given how much the X-T series has now expanded to address that audience.
“We’re always considering what’s right, so it’s never fixed,” he says: “I think we look into every product, not just X-E. There’s nothing that’s perfect, which is totally unchangeable: it’s something we consider every time we come up with the next version.”
There are limits to this, he suggests: “I think everybody would be surprised if it wasn’t rangefinder style,” he jokes.
“Some people really liked the latest X-E”
But, he says, it’s impossible for one product to serve everyone: “Some people really liked the latest X-E we had: X-E4, but some did not, so while we can’t make everyone similarly happy, we try to come up with the best possible solutions. We try to listen to the latest feedback and make improvements from there.”
Jun Watanabe, Product Planning Manager, explained the sorts of users they will be building the next X-E for: “They love the rangefinder style, and they don’t have a specific shooting subject [in mind],” he says: “They love daily life photography [and using X-E] as a snap camera.” Importantly, “they love the style and the design,” he confirms.
The future of photo-focused cameras
Existing photographers shouldn’t be alarmed at the company’s efforts to broaden their appeal, Igarashi stresses. If anything, the broadening product line lets each camera be a bit more focused: “I think improving cameras for photographers is very much possible. Very small things, but for example, because we have more hybrid cameras like the X-H, that’s allowed us to make the X-T5 screen a tilting screen instead of flip out screen. We can probably separate our cameras more between stills and hybrid models.”
“We just need to be mindful of who the audience is, and how to provide the right fit for those people.”
Interview conducted by Dale Baskin and Richard Butler, at the CP+ 2025 show in Yokohama, Japan. Answers edited for flow.
Camera
Inspiring US outdoor photography TV show gains national scope in third season
US Public Broadcasting Service’s (PBS) outdoor photography show is back for a third season with a broader, national scope and nationwide availability. View Finders has grown from a quiet regional favorite into a nationally distributed, Emmy-nominated PBS series. The show, which is only viewable in the US, is hosted by professional photographers Chris Greer and Paul Daniel. It follows the duo as they explore breathtaking landscapes across the United States, seeking stellar shots while sharing tips on lighting, composition and storytelling through photography.
What began as a YouTube project focused on Georgia’s natural beauty has evolved into a cross-country adventure. Season three premiered on March 17th and takes viewers to Grand Teton National Park, the Wind River Range and the White Mountain National Forest, among other destinations. View Finders’ mission remains unchanged: celebrate the outdoors, educate the public about these places’ ecological and cultural importance and inspire others to connect with nature through photography.
“The show has grown tremendously,” Greer, who is also a Georgia College & State University professor, told Flagpole. “It’s kind of transformed from a Georgia-based television show to a national television show, and this season reflects that national footprint.”
The road to national syndication began after two successful seasons on Georgia Public Broadcasting. In 2023, Greer pitched the series to 300 PBS (Public Broadcasting Service) stations nationwide and received a warm reception. In Greer’s opinion, what sets View Finders apart is its unique blend of adventure, photography, and conservation, an angle not often explored on traditional travel shows.
The show also addresses the growing urgency around public land preservation. With interviews from park rangers, ecologists and historians, View Finders integrates expert commentary into each episode. Beyond seeing beautiful places, viewers learn why they matter and must be protected, “so they don’t turn into developments and condos.”
The View Finders crew captured footage using lenses like SIGMA’s SPORTS 60-600mm F4.5-6.3 DG DN OS.
Image: Sigma |
Another signature element of the series is its music. The soundtrack features a blend of independent southern artists and nationally known names like Hozier and Bon Iver. This season highlights music from Athens, Georgia-based acts including Grassland String Band, Family and Friends, and Hotel Friction. Greer believes the combination of powerful music and visuals creates an immersive experience and resonates emotionally with the audience.
All third-season footage from Greer, Daniel, and camera operator Nathan Burnett was filmed using Sigma lenses, as the company is the official lens sponsor. You can watch episodes from all seasons, including the current season, on PBS’ official site. The final three episodes for this season will air soon. Greer told us that distribution for the UK, additional European and worldwide markets isn’t finalized at this time, though the show could potentially find international audiences at some point.
Camera
DHL suspends international shipments over $800 to the US

DHL Express, the world’s second-largest delivery company, has temporarily suspended some of its international shipments to the United States, citing a surge in customs processing requirements tied to new US import rules. The change, which went into effect today, impacts business-to-consumer (B2C) shipments with a declared value over $800, as Fox Business reports. For example, consumers ordering camera gear from Sony or drones from DJI could face significant delays.
The suspension follows a policy revision by US Customs and Border Protection, which quietly lowered the threshold for formal customs entry from $2500 to $800 on April 5th. Under the new rules, any shipment entering the US valued above $800 is subject to a more complex customs process, including additional paperwork, duties and inspections. For logistics providers like DHL, this change triggered an immediate spike in formal entries, creating bottlenecks across international networks.
In a statement to customers, DHL said it saw “multi-day transit delays” for packages over the $800 threshold and confirmed that it would no longer collect or ship those parcels if destined for private individuals in the US. The company stressed in its last announcement that “this is a temporary measure, and we will share updates as the situation evolves.” DHL is reportedly scaling up operations to handle the uptick in customs volume, but it hasn’t offered a precise date for when service will normalize.
![]() |
Nikon’s Z6III is now subject to processing requirements.
Image: Nikon |
The suspension is explicitly limited to international B2C shipments, packages sent from businesses abroad to individual customers in the US, with a declared value over $800. Lower-value packages, including all shipments under this amount, are not affected and will continue as usual.
Business-to-business (B2B) shipments, packages sent between international companies and US-based businesses, are also exempt from the suspension. However, due to increased workload at customs, they may face processing delays. This can potentially impact new product shipments to retailers, including B&H and big-box stores such as Best Buy.
The policy shift has sent shockwaves through international shipping and e-commerce channels. The effects of US Customs change are being felt beyond DHL. Earlier this month, Hongkong Post suspended its sea mail service in response to what it deems unfair trade tactics by the US. DHL will continue processing shipments from Hong Kong but has warned that customers should expect slower processing times and prepare for more changes, in light of more regulatory adjustments expected on May 2nd.
![]() |
DJI’s Air 3, which starts at $1,099 and ships from China, is now subject to additional processing.
Image: DJI |
US officials have not publicly commented on the motive behind the customs threshold adjustment. The move, however, is deemed as a broader effort to tighten control over under-declared shipments, counterfeit products, and illegal drugs such as fentanyl, all of which amount to lost tax revenue. It could also increase pressure to localize inventory.
While DHL works to resolve internal backlogs and scale its infrastructure, affected businesses and consumers will be impacted. We’ve become increasingly reliant on fast global delivery; even a temporary disruption like this has wide-reaching consequences. If you’re ordering any new gear from your favorite electronics brand’s official website, you should be prepared to track updates and plan for continuous delays.
Camera
The Vivo X200 Ultra aims to be more camera than phone

Image: Vivo |
Smartphone maker Vivo has released its latest device, the X200 Ultra. The Vivo X100 Ultra was widely seen as one of the best camera phones from last year, though it was only available in China. Unfortunately, its new device will likely have the same limitation, though it is still worth looking at, as Vivo is marketing it as “a camera that happens to be a phone.” Vivo has been teasing details for some time, but today it has officially hit shelves in China.
Resolution | Sensor | Aperture | Equiv. focal length | |
---|---|---|---|---|
Main camera | 50MP | Type 1/1.28 (9.9 x 7.5mm) | F1.69 | 35mm |
Ultrawide | 50MP | Type 1/1.28 (9.9 x 7.5mm) | F2.0 | 14mm |
Telephoto | 200MP | Type 1/1.4 (9.1 x 6.7mm) | F2.7 | 85mm |
Selfie | 50MP | 1/2.76 (5.2 x 3.9mm) | F2.5 | 24mm |
The X200 features the typical three rear cameras: an ultrawide, a main camera, and a telephoto. Interestingly, the main camera offers a 35mm equiv. focal length, whereas most smartphones use a 24mm equiv. focal length. The 35mm angle of view is more versatile (and natural-looking) than 24mm, which is why it is such a standard focal length for photographers. Though a subtle change, it is nice to see a company rethinking that main camera.
The phone also features a 3.7x periscope telephoto camera that offers the highest resolution of the three, thanks to the Samsung HP9 200MP sensor. Samsung released the sensor last summer and claimed it was the first 200MP sensor for telephoto cameras.
![]() |
The Zeiss-branded add-on lens offers a 200mm equiv. focal length.
Image: Vivo |
Where things get unique, though, is with the optional Photographer Kit. Lately, we’ve seen many handgrip add-ons for smartphones to make them more camera-like, either from the phone manufacturer directly or from accessory makers. Vivo has gone the latter route. The Photographer Kit includes the 16GB/1TB phone, a camera grip, a shoulder strap, a case and a 2.35x telephoto converter lens. While we’ve seen a few detachable camera lenses for smartphones lately from the likes of RealMe and Xiaomi, those were concepts and are not currently available for purchase.
Like all of the integrated lenses on the X200 Ultra, the add-on lens was co-engineered with Zeiss. The cute telephoto lens attaches via a custom adapter, sitting over the 200MP telephoto camera. The lens features 13 lens elements with an F2.3 aperture. It offers a 200mm equiv. focal length with 8.7x optical zoom and up to 70x hybrid zoom (a combination of optical and digital zoom), resulting in up to a 1600mm equiv. Vivo claims that images from the optional lens are “highly usable” at 35x.
![]() |
Image: Vivo |
The grip looks similar to Xiaomi’s Photography Kit. It features a vintage look and convenient camera controls, including a shutter button, a customizable control dial, zoom controls and a video recording button. It also offers a 2,300mAh battery to extend the phone’s battery life, something that’s especially useful when taking lots of photos or videos with your phone.
![]() |
Image: Vivo |
The X200 Ultra also features two custom imaging chips: one for pre-processing tasks and one for post-processing. It’s capable of 4K 60p 10-bit Log video from all three rear cameras, as well as 4K 120p video on all three rear cameras. Plus, even if you don’t opt for the Photographer Kit, there’s a dedicated shutter button on the phone itself that allows you to slide to zoom or adjust exposure, like Apple’s Camera Control feature.
Outside of camera specs, the phone runs on the Origin OS 5 Android skin, which is exclusive to China. It features a 6.8-inch AMOLED display with a resolution of 1260 x 2800 and peak brightness of 4500 nits. The phone’s internals include the Snapdragon 8 Elite chipset and a 6000mAh battery, all of which are wrapped in an IP69 rating.
The X200 Ultra is available in China as of today in silver, red or black. According to Android Authority, the 12GB/256GB model is priced at 6499 yuan (roughly $890) while the top-end model (16GB/1TB) is 7999 yuan ($1096). The Photographer Kit, which comes with the top-end model, will cost 9699 yuan ($1329), though you can also buy it without the phone for a promotional price of 1699 yuan ($233) or full-priced at 2598 yuan ($356).
-
TOP SCEINCE8 months ago
Searching old stem cells that stay young forever
-
Solar Energy3 years ago
DLR testing the use of molten salt in a solar power plant in Portugal
-
world news6 months ago
Sirens trigger across central Israel following rocket barrage targeting Tel Aviv Iron Dome battery
-
world news6 months ago
Hezbollah’s gold mine catches fire: Nasrallah’s bunker under hospital held half billion dollars
-
Camera1 year ago
DJI Air 3 vs. Mini 4 Pro: which compact drone is best?
-
Indian Defense4 years ago
Israeli Radar Company Signs MoU To Cooperate With India’s Alpha Design Technologies
-
Camera1 year ago
Sony a9 III: what you need to know
-
world news1 year ago
Gulf, France aid Gaza, Russia evacuates citizens