Camera
Panasonic announces HLG plug-in for Photoshop CC, adds Raw video modes to S-series cameras

Panasonic has announced a plug-in that allows true-to-life HDR stills to be edited in Photoshop CC. Its S-series cameras can output high dynamic range images compatible with the Hybrid Log Gamma standard, but until now there’d been no easy way to edit them. The LUMIX HLG Photo plug-in will allow HLG stills from the S1, S1R, S5 and S1H to be opened, edited and saved within Photoshop. The results can then be viewed by connecting the camera to an HDR TV using an HDMI lead.
We haven’t yet had a chance to test the plug-in, but the ability to edit HDR stills is a key requirement if photographers hope to exploit the capabilities of HDR TVs as a way of showing a wider tonal range in a lifelike manner.
Panasonic has also announced firmware updates for its S1, S5 and S1R cameras, adding the ability to output Raw video over HDMI.
Blackmagic Raw video options (S1 and S5)
Firmware 2.1 for Lumix DC-S1s with the DMW-SFU2 filmmaker upgrade will enable 5.9K Raw video output over HDMI that can be encoded as Blackmagic Raw by a Blackmagic Video Assist 12G HDR. A 4K APS-C Raw video mode and APS-C Anamorphic Raw video mode are also available. This comes on top of the option to use an Atomos Ninja V to capture ProRes RAW video. The new firmware also adds the L.ClassicNeo and L.Monochrome S Photo Styles.
The Lumix DC-S5 gains the Blackmagic-compatible Raw functions with firmware v2.3.
Meanwhile, S1R owners will gain the L.ClassicNeo and L.Monochrome S color modes with firmware v1.9.
Both the firmware updates and plugin will be available from July 12th.
Panasonic Releases Firmware Update Programs for the LUMIX S Series Camera S1, S5 and S1R
Newark, NJ (June 22, 2021) – Panasonic is proud to announce that the company will release the firmware update programs for the LUMIX S Series full-frame mirrorless cameras to enhance functionality and usability. The firmware program version 2.1 for DC-S1, version 2.3 for DC-S5 and version 1.9 for DC-S1R will be available at LUMIX Global Customer Support website https://av.jpn.support.panasonic.com/support/global/cs/dsc/ at 9:00pm EDT on July 12, 2021. A plug-in software to manage HLG photos shot with S Series cameras on Adobe Photoshop CC will also be released at the same time.
The cameras and the programs to be updated are as follows:
S1 Firmware Version 2.1
- New functions and options to be available with the Upgrade Software Key DMW-SFU2.
*Users who already have DMW-SFU2 do not need to purchase extra DMW-SFU2. There is no need to upgrade the camera with DMW-SFU2 if upgrading with DMW-SFU2 was previously done.
-RAW video data output over HDMI to Blackmagic Video Assist 12G HDR
[5.9K] / [4K] / [Anamorphic (4:3) 3.5K] 12-bit RAW video data can be output over HDMI to Blackmagic Video Assist 12G HDR, to be recorded as Blackmagic RAW.
Area | Resolution | Frame Rate | Aspect | HDMI Output |
---|---|---|---|---|
Full-frame | (5888×3312) | 29.97p/25p/23.98p | 16:9 | 12-bit |
APS-C | (4128×2176) | 59.94p/50p/29.97p/25p/23.98p | 17:9 | 12-bit |
APS-C Anamorphic | (3536X2656) | 50p/29.97p/25p/23.98p | 4:3 | 12-bit |
*All functions may not be available depending on the situation.
*DaVinci Resolve or DaVinci Resolve Studio is required to play back the Blackmagic RAW files. DaVinci Resolve or DaVinci Resolve Studio is required to edit the Blackmagic RAW files.
- Other added functions
– [L.ClassicNeo] and [L.Monochrome S] have been added in [Photo Style].
S5 Firmware Version 2.3
- Added function
-RAW video data output over HDMI to Blackmagic Video Assist 12G HDR
[5.9K] / [4K] / [Anamorphic (4:3) 3.5K] 12-bit RAW video data can be output over HDMI to Blackmagic Video Assist 12G HDR, to be recorded as Blackmagic RAW.
Area | Resolution | Frame Rate | Aspect | HDMI Output |
---|---|---|---|---|
Full-frame | (5888×3312) | 29.97p/25p/23.98p | 16:9 | 12-bit |
APS-C | (4128×2176) | 59.94p/50p/29.97p/25p/23.98p | 17:9 | 12-bit |
APS-C Anamorphic | (3536X2656) | 50p/29.97p/25p/23.98p | 4:3 | 12-bit |
*All functions may not be available depending on the situation.
*DaVinci Resolve or DaVinci Resolve Studio is required to play back the Blackmagic RAW files. DaVinci Resolve or DaVinci Resolve Studio is required to edit the Blackmagic RAW files.
S1R Firmware Version 1.9
- Added functions
– [L.ClassicNeo] and [L.Monochrome S] have been added in [Photo Style].
LUMIX HLG Photo for Adobe Photoshop (For all S Series Cameras)
Panasonic will also release a plug-in software for Adobe Photoshop CC. By installing this plug-in software in the PC, the HLG photo (HDR still image) shot by LUMIX S Series cameras can be read, edited and saved with Photoshop CC. It is possible to play back the saved image files as HDR photos on the HLG-corresponding monitor over an HDMI connection with the LUMIX S Series camera.
For the specifications and details, please refer to the following download page.
https://panasonic.jp/support/global/cs/soft/download/lumix_hlgphoto.html
Camera
Accessory Roundup: A wireless mic, vintage-inspired iPhone case, and more

Images: Godox, Shure and Fotogear |
Happy Saturday, everyone! We’ve made it to the weekend, so it’s time to look at some new accessories that came out this week. Today’s roundup includes a battery pack for lights, a vintage-inspired smartphone case and a new mic. But first, let’s check out what’s on sale.
The sales
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Photo: Dale Baskin |
Canon’s powerful and versatile R6 Mark II is currently on sale for $200 off. We reviewed it two years ago, and although the camera is due for a refresh, it’s still a very worthy piece of equipment, especially at this price.
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Image: Fujifilm |
For something a bit more fun (and affordable), the Fujifilm Instax Mini 12 is currently at its lowest price since the holidays. The Instax Mini 12 brought some worthwhile improvements over its predecessor, making it easier to get keepers with this fun little instant camera.
Buy now:
Easier audio
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Photo: Shure |
Shure’s latest microphone, the MoveMic 88+, features direct-to-phone stereo microphone technology, making it faster to get to recording. Its Bluetooth connection offers a range of up to 100 feet, and there’s no extra dongle or recorder necessary. It even offers four polar patterns to help you record a variety of situations.
Turn your iPhone into a vintage camera
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Image: Fotogear |
iPhoneographers who want something a bit more special to house their phone may appreciate the Fotogear Retro DMF Photography Kit. It’s a multi-part case that looks like a vintage camera while adding control dials and a shutter to make your phone function more like a camera, too. It’s compatible with the iPhone 16 Pro and Pro Max and comes in a few different configurations. The case is available for pre-order now through Fotogear’s website.
More power
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Image: Godox |
The Godox BG02 Battery Grip is a powerful tool for photographers and videographers who use Godox lights on the go. The grip features a 95Wh capacity battery that is airline-friendly, extending the life of your lights when on location. It’s compatible with the AD200, AD200Pro, AD200Pro II, AD300Pro flashes, ML100Bi, ML100R and FH series LED lights. You can pre-order it now through B&H.
Back-button focus
Finally, this week’s educational video comes from Adorama’s YouTube series Ask David Bergman. In it, Bergman discusses back-button focus, how to set it up and whether it’s still worthwhile with the advanced subject detection autofocus modes on new mirrorless cameras.
Camera
New Pen not yet on the drawing board, says OM System

OM System’s Director of Product Planning, Hiroki Koyama and VP for Brand Strategy and Product Planning, Kazuhiro Togashi, at CP+ 2025
Photo: Dale Baskin |
“We are considering the new Pen concept as OM System brand,” says OM System’s Kazuhiro Togashi, VP for Brand Strategy and Product Planning.
We spoke at the CP+ trade show in Yokohama, Japan, and he reassured us that the arrival of the OM-3 with a Pen-F style ‘creative dial’ on the front doesn’t close the door on the rangefinder-style series.
“There’s a different concept between OM-3 and Pen-F series,” he explains: “basically the Pen-F series is about ultimate beauty and the ultimate craftsmanship. Whereas OM-3’s core concept is to take authentic and great creative photos.”
But, he says, it’s too soon to know what a future Pen might look like. “We think the camera’s design must realize the concept of the product, so we don’t start to decide the camera design before deciding the camera’s concept: the product concept must come first.”
“Therefore, we haven’t yet decided if the product design for a new Pen will look like the Pen-F or similar to the E-P7 because we haven’t decided on the product concept.”
But what’s clear is that OM System does plan to continue the Pen line.
The continued appeal of dedicated cameras
We asked Togashi what he thought makes shooting with a dedicated camera special, in a time when smartphone image quality has got so good.
“Experience is very important,” he says: “There’s a different kind of experience between smartphones and a camera. For example, I personally love to use a smartphone, but just to record; without any emotional feeling.”
“When a user decides the moment with their camera, maybe their feelings are being moved by such an attempt: they’re not just recording, there’s more to it.”
“It’s like with professional sportsmen. They have to prepare to give their best performance during the game. They are always training before the game.”
“When you get a perfect photo, you feel a win”
“In the case of photos, photo enthusiasts always think or calculate before taking a photograph. Before you take something, you consider the place, or you think about which position is better, or what sort of atmosphere or angle: you calculate before you take the photo.”
“This is like a serious game, just as it is for football or baseball player. And when you get a perfect photo, you feel a win. ‘I win, by myself’ I don’t know if many people can get that similar experience by taking photos with a smartphone.”
And he thinks this difference should remain, even as the image quality gap narrows. “Smartphone’s development speed is very high, and in the future, the difference between smartphones and camera might become very small,” he says: “however the difference in experience, is a bit bigger.”
We’re not the company to make an enthusiast compact
Despite this, and in spite of rising sales of compacts, Togashi says we shouldn’t expect an enthusiast compact.
“As for the current popularity of compact digital cameras, lower-priced models seem to be selling very well worldwide, but we feel that this is a temporary trend.” he says: “We are continuing to study the development of a successor to the TG series, but currently we don’t have any plans to introduce other compact camera concepts.”
“We don’t have any plans to introduce other compact camera concepts”
“As for high-end compact digital cameras, we recognize that there is a dedicated user base that remains a valued segment of the market, however, at OM System, we are focused on developing products that align with the evolving needs of photographers, ensuring we deliver the best possible innovation and performance across our lineup.”
“When we were Olympus, our brand was known for high-end compact cameras like the XZ series and Stylus 1. However, since becoming OM System, we no longer carry high-end compact cameras. Instead, we focus on cameras that align with broader market needs, including those of younger generation photographers. Given the significant investment required – not only in research and development but also in reestablishing a high-end compact brand image – such a product would be challenging to make profitable.”
The TG series endures…
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The TG series of rugged, waterproof cameras continues to have an audience, the company says.
Image: OM System |
But the TG series definitely has a future, says Togashi, because it has a dedicated user base.
“TG still survives and is well received by the market,” he says: “Outdoor enthusiasts want to capture their activities and adventures. Also families look for ways to preserve special memories—whether it’s their children playing in the pool or on vacations and situations like that.”
“On the other hand, professional scuba divers or climbers continue to rely on the TG series. For them, safety is very important during these extreme activities, and the TG series remains a trusted tool in these challenging environments. “
“Both types of users continue to use the TG series, setting it apart from other high-end compact cameras. Their main priorities are mobility and ease of operation, rather than smartphone connectivity. They love the operation and mobility.”
…but a high-end TG would be challenging
These specific requirements might rule out a higher-end TG, he suggests
“We’re always talking about the successor of the TG series and whether to add a new, higher TG line, maybe using a bigger sensor, or perhaps a TG-DSLR.”
“We’re always thinking about the possibilities. However, as of today we don’t have any best answer to realize this concept because the requirement for TG series is very hard. For example, making a large or removable lens drop resistant is very difficult.”
Also, he says, keeping the size down is important: “if we adopted a bigger sensor and we maintain the same optical zoom range, the body would need to be very big. That means such a TG would lose the mobility concept.”
Togashi didn’t seem enthused by our suggestion of a prime lens: “A lot of TG users’ photographic needs are different from enthusiasts’, so they like to use a zoom lens. They like to enlarge subjects in their photos, therefore they always use tele-zoom.”
Director of Product Planning, Hiroki Koyama raises another concern: ” We also give priority for close-up capability. TG can be used very close to the subject. If we choose a bigger sensor size, the close-up capability will be reduced. The current sensor size is the best balance, but we’ll try to study the concept.”
The OM System lens range
On the subject of lenses, we asked whether they believe the current Micro Four Thirds lens lineup includes all the options an OM-3 user might want.
“Still not yet,” says Togashi: “We are also trying to develop small and light and bright lenses or something like that. We have space to make new lenses in the future. I can’t disclose [the details], but yes.”
Choosing the right lenses to add isn’t always easy, he suggests: “People always ask ‘will you make a pancake lens?’,” he says: “but then the pancake lens sales are not so good in general. But still, we’ll continue to consider it.”
Interview conducted by Dale Baskin and Richard Butler, answers edited for flow.
Camera
Tips for taking epic shots of tonight’s ‘blood moon’ total lunar eclipse

A lunar eclipse, captured by Jamie Malcolm-Brown in November 2021. Used with permission. |
Editor’s note: This article was originally published in 2022. We have updated it with information about the current eclipse as a service to readers.
Starting tonight, March 13, through the early hours of tomorrow, March 14th, skywatchers in the Americas will be able to view the first total lunar eclipse of the year. The moon will turn a ‘blood red’ hue for a brief period as it passes entirely into the Earth’s shadow when lined up with the sun. Depending on where you are located, there is a specific time you can witness this phenomenon.
Time and Date, a top-ranking site for times and timezones, created a useful tool that allows you to make a plan by entering your viewing location. From there, it gives you pertinent information, including the total duration, what time each phase of the eclipse starts and the direction it’ll travel, plus altitude during these phases. A helpful animation gives you a visual of how it will appear, minute by minute, once it starts.
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Time and Date created a free tool to help you plan your total lunar eclipse viewing, depending on your location. This is the data for Seattle, WA, where DPReview’s headquarters is located. |
If you plan on bringing your camera out for the ‘blood moon’, photographer Jamie Malcolm-Brown has some helpful tips for camera settings. Describing his process for capturing a lunar eclipse in 2021, he tells DPReview that ‘it was taken with [a] 200-600mm lens at 600mm, ISO 800, F6.3, at 1/3 sec. I bracketed the shots at 5 shots with an EV (exposure value) change of 1. Next time I would probably bracket 5 shots but with only an EV change of .3. The final image was cropped fairly significantly to fill the frame with the moon.’
While useful for capturing more detail on the moon’s surface, you don’t necessarily need a long lens that extends to 600mm to photograph the blood moon. John Weatherby released a quick, helpful tutorial on Instagram outlining his process for getting the best images possible. For one, you can shoot at a focal length between 100–200mm if you want to include a foreground.
View this post on Instagram
Weatherby also explains that having a sturdy tripod and ball head is an absolute necessity. Ensuring that the lens is locked in securely will yield clearer images of the moon. Using the camera’s shutter delay or self-timer, or an external remote, will also help prevent blurry shots as the camera is likely to shake a bit once you press the shutter. PhotoPills, an app that helps you identify where the moon will travel in accordance with your specific location, is recommended as well.
It’s important to check the weather in your area as cloud coverage can potentially conceal the moon completely. Windy.com is a free app available on desktop, iOS and Android that, in my opinion, does a decent job of forecasting weather patterns. It’ll give you a visual of where clouds will appear at specific dates and times so you can determine the best place to set up in your state or country.
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Windy.com, a free app, is an effective tool for forecasting weather elements, including cloud coverage. |
The next total lunar eclipse will take place on September 7, and will be visible in parts of Asia, Africa and Australia. If skywatching interests you, you’re in or near one of the locations where the eclipse is visible and weather permits, I recommend getting out for a few hours and witnessing this wonderful event first-hand.
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