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Review: The DJI OM 5 smartphone gimbal gets more compact, still adds features

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Review: The DJI OM 5 smartphone gimbal gets more compact, still adds features

If you’ve ever tried recording video or timelapse sequences with your smartphone, you know that footage can be shaky and unpolished, even with built-in image stabilization. Enter the DJI OM 5, a compact, 3-axis gimbal. In addition to gimbal stabilization, the OM 5 makes it easy to pan and zoom, track subjects, and create visual stories that can instantly be shared on social media.

Is it worth upgrading or investing in one? Let’s find out.


Key takeaways:

  • 3-axis stabilization
  • Magnetic phone mount for quick setup
  • Built-in extension rod allows creative shots and angles
  • ShotGuides feature recommends camera shots based on what you’re filming and creates clips for social media
  • ActiveTrack 4.0 subject tracking is very effective
  • Video modes like DynamicZoom and SpinShot can create cool effects
  • Companion Mimo app includes lots of tutorials
  • Six-hour battery life

Arriving a little over a year after its predecessor, the OM 4, the OM 5 is roughly one-third smaller when folded down and can fit in a pocket or small purse. Besides the physical changes, the OM 5 includes notable improvements and new features, particularly DJI’s Active Track 4.0 for subject tracking and a built-in extension rod.


The OM 5 gimbal

The OM 5 is very compact folded down. A built-in 215mm extension rod allows you to capture group shots or get more challenging angles. The ‘M’ button on the side powers up the device. Directly underneath is a slider that allows you to zoom in and out quickly.

A new 215mm built-in extension rod helps you get more challenging or unconventional shots. It’s much easier to shoot from a low angle with the rod extended.

A joystick on the device’s front allows you to tilt or pan the smartphone, and a record button captures photos or videos when pressed. Holding down the record button activates burst shooting. This button is especially useful when using the extension rod.

Beneath the record button is a ‘switch’ button. Pressed once, you can switch between the front and back cameras on your smartphone. Pressing the button twice will switch the orientation between landscape and portrait mode. A large trigger button on the back locks the gimbal when held down, activates Active Track 4.0 when pressed once, and re-centers the gimbal when pressed twice.

A strong magnetic clamp with rubberized grips is easy to mount even the largest smartphones.

A 1/4″-20 UNC port on the bottom attaches to the included tripod. DJI recommends using the tripod when recording timelapse or hyperlapse clips for the smoothest footage possible. An M3-0.5 screw hole on the top, where the phone goes, allows you to attach a microphone or other counterweight weighing less than 290g. A lanyard hole at the bottom, just above where the tripod connects, enables you to attach a wrist strap.

A magnetic smartphone mount, first introduced on the OM 4, makes mounting or unmounting the phone simple

A magnetic smartphone mount, first introduced on the OM 4, makes mounting or unmounting the phone simple. The magnet needs to be centered on the phone to avoid vibration due to uneven weight distribution, but once you have the magnet in place, mounting the phone is quick and easy.

The OM 5 takes a mere 1.5 hours to charge and yields up to six hours of battery life.


The DJI Mimo app

The OM 5 uses DJI’s Mimo smartphone app, which is filled with tutorials that explain how to use and get the most out of each feature.

On the right side of the app, you’ll find a new DJI feature called ShotGuides. It recognizes the environment you’re in and automatically recommends a shot sequence. Weddings, people, and pets are a few examples. (I tried it out when filming a tennis practice and the app marked it as ‘Leisure’.)

Once a series of clips are captured, the app will stitch together several predetermined shots at varying time lengths to create an instantly shareable clip that includes music and graphics.

ShotGuides recognizes the environment or activity you’re filming and recommends a shot sequence. You get the option to customize which way the gimbal will automatically move. It will record for a set amount of seconds before letting you choose the next angle for the next shot.

On the right-hand side of the app, or at the bottom, depending on the smartphone’s orientation, you’ll find the photography and videography shooting modes. They are:

  • Hyperlapse: shoot a hyperlapse sequence while moving the mobile phone.
  • Timelapse: there are four ways to record this: fixed, sequence, right to left or reverse. There’s also a custom motion to select up to four positions for the gimbal to maneuver.
  • DynamicZoom: simulates a dolly zoom effect.
  • Slow Motion: record video at either 4X or 8X slow motion.
  • Video: record regular video.
  • Photo: capture regular pictures. Holding down the button activates burst mode.
  • Pano: capture 3×3, 240°, or CloneMe. The latter creates an image in which the same subject appears in multiple places in the same photo. It counts down 5 seconds after each capture so your subject can move to the next position in the frame.
  • Story: provides a multitude of templates, guides, and automated angles. After each clip is recorded, it will be stitched together for an instantly shareable story.

This short video shows an example of DJI’s ShotGuides feature in action. It stitches together several clips, then adds some music and graphics for quick social media sharing.

DJI’s ActiveTrack 4.0 can be used if you want the gimbal to track a subject automatically and is activated when you draw a square around the head and shoulders of a subject. It will keep that subject centered in the frame and follow it, automatically panning and tilting the gimbal head to do so.

Finally, gesture control lets you tell the gimbal to track you when you’re in front of the camera. Hold your palm up to the camera, or make a ‘V’ shape with your fingers for two seconds to activate subject tracking.


What’s it like to use

The OM 5 is lightweight, agile, and impressive for the most part. What was awkward for me was the process of unfolding the gimbal. While designed to be folded down to the smallest dimensions possible, I found it a bit confusing to unfold and almost thought it would break it at one point. That said, the plastic is sturdy and durable – not flimsy like some competing products.

One thing to keep in mind is that the joystick, which pans and tilts the gimbal, along with the zoom switch, doesn’t respond based on the pressure applied to them. You’ll need to go into the app’s settings to adjust how fast or slow you want these transitions to take place. It’s a bit of a nuisance, as it would be less work to apply that pressure from your finger to achieve the speed of panning or zooming desired.

Hyperlapse sequence captured with the OM 5.

The magnetic OM 5 phone mount, with its rubberized sides, was able to hold my iPhone 12 Pro Max with ease, and I didn’t worry about it falling off the gimbal. Once the phone is clamped in, and the device is turned on, the Mimo app connects everything almost instantly. This is a refreshing departure from sometimes waiting a few minutes for a DJI drone to connect to the remote.

Getting accustomed to the shooting modes takes some trial and error. For example, I wanted to record a timelapse with two-second intervals. Instead, I discovered that I recorded two total seconds of timelapse. Conversely, DynamicZoom, which imitates the dolly zoom effect made famous by filmmaker Alfred Hitchcock is pretty straightforward. Then there’s ShotGuides, a new feature DJI is touting with this release.

While the tutorial videos provided for ShotGuides show users how to capture different angles, I found it hard to replicate those shots in real life.

While the tutorial videos provided for ShotGuides are meant to show users how to capture different angles, I found it hard to replicate those same shots in real life. The whole setup feels a bit overwhelming, especially when a video pops up every time you select a new shot to record. The final video, stitched together, has animations throughout that look dated and, quite frankly, cheesy. Each clip is saved on your phone, though, in case you do feel like editing them together for something that looks more organic.

DJI’s ActiveTrack 4.0 had no problem tracking my dog and panning to follow her as she chased a treat. It’s very effective, probably because DJI has been perfecting the technology on drones for years.

Using ActiveTrack 4.0, I was able to track and follow my dog as she fetched a treat. It works remarkably well and keeps the subject centered in the frame. Another unique feature I enjoyed was Spin Shot. Activated in the app’s settings, it steadily rotated my phone 270º and created a neat video clip when filming at a skate park.

DJI also included Glamour Effects. The good news is the built-in filters don’t mirror some of the effects a Snapchat filter gives you. I was surprised to discover that it won’t grossly accentuate your features to the point where you may look cartoonish or artificial. When the front-facing camera is activated, you can adjust a slider to make your face look slimmer, your eyes larger, and your cheeks rosier. The final results are subtle and can be flattering.

To the left: me without Glamour Effects applied. To the right, you can adjust how big your eyes are or how rosy your cheeks get.

I mentioned this before, but it’s crucial to make sure your smartphone is as centered as possible. Even when I thought I mastered this, the footage I shot didn’t always turn out as expected. When researching this, I found an OM 4 video on YouTube called ‘Expectation vs. Reality.’ The takeaway is that you need to spend time with this device to perfect your shots; nothing is really instant.

If you buy an OM 5 for a vacation, for example, and break it out of the box expecting to get your intended shot on the first try, you will likely be disappointed. While it’s easy to set up, you do need to practice. Many features are built into the Mimo app, and certain adjustments can only be made in the settings. However, when you figure out the modes and proper ways to shoot, you can produce polished and professional-looking content.


Who’s it for?

Every photographer has heard the phrase, ‘the best camera is the one you have with you.’ Most photos are captured on smartphones. It’s easy and convenient. The camera technology has vastly improved in recent years, and those featured on my iPhone 12 Pro Max, for example, yield incredible results.

‘Clone Me’ panorama is a unique creative feature on the OM 5. It can create a photo where the same person or subject appears in up to three places within the frame. This was cropped to two since the horse didn’t move into the third frame quickly enough.

Professional photographers using larger cameras will likely stick to the DJI Ronin series. Content creators and vloggers, especially those regularly uploading clips to TikTok and Instagram Stories, who are looking to transcend typical or pedestrian-looking photos and videos, would benefit from some of the newer features offered with the OM 5. Overall, it’s sturdy and provides stable footage. The tripod also holds up exceptionally well, even when it’s windy.

Conclusion

Getting accustomed to the OM 5 requires a bit of a learning curve. However, the results you can get from using this 3-axis gimbal to record video, hyperlapses, and timelapses, or to get photos at difficult angles, make it worth the investment in time and money. This is something smartphone users, or those looking to share creative content on the go, can benefit from using.

What we like:

– Compact and lightweight
– Tripod makes smooth and stable footage easy to capture
– The Stories feature and tutorials make creating compelling content accessible
– Up to six hours of battery life

What we don’t:

– Design is a bit clunky; unfolding can be a challenge
– Gimbal movements can be a bit jerky at times

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Ulanzi’s 52mm MagFilter Magnetic Filters offers interchangeable filters for smartphones

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Ulanzi’s 52mm MagFilter Magnetic Filters offers interchangeable filters for smartphones


Image: Ulanzi

Lens filters for smartphones are not a new concept. Designed to give photographers more creative and technical control over their images, there are several types on the market today that can control how much light comes into the camera, reduce reflections and flare or add more vibrancy to your images with different color tones.

Up until a few years ago, photographers wanting to add a physical filter to a smartphone would need to attach a clamped filter that sits at the top of the phone’s camera lenses or use a third-party smartphone lens with filters.

Although useful, clamps tend to be bulky and aren’t always the easiest to align with your camera. Third party lenses offer more accuracy, but good-quality options can cost in excess of $100, without the inclusion of filters.

Ulanzi aims to be different by offering a lightweight foldable adapter ring that snaps on to the center of your MagSafe compatible device or case, which the manufacture says leads to a quicker workflow and more accurate alignment of the filter to the camera lens on the back of the phone. On an iPhone 14 or 15 it works by magnetically attaching to the rear using Apple’s MagSafe attachment system.

For users without an iPhone, there are workarounds through the use of third-party smartphone cases with magnetic ring plates that emulating MagSafe. WIth such a case, you can attach Ulanzi’s adapter to the ring plate and use the filters as normal.

As we reported last week, the concept isn’t new. Tiffen recently released a similar product with its MagSafe 58mm Filter Mount. Both products approach a solution to adding filters in a similar manner but differ in design. The Ulanzi opts for compactness with a foldable design.

The Tiffen comes with one polarizing filter (you can buy other filters separately) at around $40. In contrast, the Ulanzi’s version comes as a kit for $219 with an ND filter, a polarizing filter, one soft focus filter and a selection of color effect filters. There’s a storage case as well. Having multiple filters packed in may be enticing to users seeking to experiment with different filters and want the simplicity of having them all packaged together.


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Tamron announces 28-75mm F2.8 Di III VXD G2 for Nikon Z mount

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Tamron announces 28-75mm F2.8 Di III VXD G2 for Nikon Z mount


Image: Tamron

Tamron has announced it will release its popular 28-75mm F2.8 Di III VXD G2 fast standard zoom for Nikon’s Z-mount.

Nikon already sells a 28-75mm F2.8 with an optical formula and calculated MTF charts that are a match for Tamron’s original, stepper-motor driven 28-75mm F2.8 Di III RXD. The newer, linear-motor-driven G2 model features improved optical performance.


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The G2 uses a more complex 17 element / 15 group design and has a fractionally shorter minimum focus distance (18cm/7.1″ vs 19cm/7.5″) to deliver very slightly increased maximum magnification. The G2 is also a fraction lighter than the Nikon-branded 28-75mm, weighing 550g (19.4oz), rather than 565g (19.9oz). On the E-mount versions, Tamron claimed the VXD linear motor design was twice as fast as the RXD version.

The focal length range makes the 28-75mm a wide to short-telephoto lens for Nikon’s full-frame Z-mount cameras but could, in principle, be used as a 42-113mm equivalent on DX APS-C bodies, if you wished.

Click here to see the Tamron 28-75mm F2.8 G2 gallery shot on Sony E-mount

The announcement adds a more affordable option for Nikon’s Z-mount users, but the hope has to be that, letting Tamron compete against its own-brand lenses, might also indicate some relaxation of Nikon’s restrictions around the mount. As the footnotes make clear, this lens is “developed, manufactured and sold under the license agreement with Nikon Corporation.”

The Tamron 28-75mm F2.8 Di III VXD will be available from April 18th at an MSRP of $999. This is $100 more than the E-mount version and a match for the current price of the Nikkor Z 28-75mm F2.8. It’s $200 below Nikon’s launch price for the Nikkor version.

TAMRON announces the launch of fast-aperture standard zoom lens for “Nikon Z mount system”

28-75mm F/2.8 Di III VXD G2 (Model A063) for Nikon Z mount

March 27, 2024, 11pm ET / 8PM PT, Commack, NY – Tamron announces the launch of the 28-75mm F/2.8 Di III VXD G2 (Model A063), a fast-aperture standard zoom lens, for Nikon Z mount full-frame mirrorless cameras1. The lens will be available April 18, 2024, at $999 USD / $1399 CAD.

The 28-75mm F2.8 G2 is compact and easy to use yet has excellent optical performance and is compatible with the latest digital cameras with increasingly high pixel resolution. The AF drive uses a linear motor focus mechanism VXD (Voice-coil eXtreme-torque Drive) that is fast, highly accurate and quiet. The lens also excels at close-up shooting, achieving an MOD (Minimum Object Distance) of 7.1” (0.18m) at the wide end and a maximum magnification ratio of 1:2.7. Additionally, the lens design takes operability into consideration by including a coating with excellent scratch resistance on the barrel of the lens and a rubber focusing ring for a comfortable, secure grip among other features.

TAMRON pioneered the category of compact fast-aperture standard zoom lenses for mirrorless models. Now the 28-75mm F2.8 G2 will be available for Nikon Z mount as the ideal everyday lens for Nikon full-frame mirrorless camera users.

Product highlights

1. Best image quality in the standard zoom lens class

The new zoom leverages the latest design expertise and comprises an optical construction with 17 elements in 15 groups. Two optimally arranged LD (Low Dispersion) and GM (Glass Molded Aspherical) lens elements control optical aberrations to the highest degree. The lens provides high-resolution performance from edge-to-edge and corner-to-corner over the entire zoom range, even at wide open aperture. In addition, the soft, beautiful, round bokeh that can be achieved with a fast-aperture lens adds a distinctive dimension, especially to portraits. The overall compact size and high performance can be used advantageously with top-class, ultra-high-resolution mirrorless cameras.

2. Fast, quiet VXD linear motor for high-speed and high precision autofocus

The AF drive system employs TAMRON’s VXD linear motor focus mechanism. The high-speed, high-precision AF is exceedingly responsive and provides dependable and accurate focusing performance from MOD to infinity, despite the fast F2.8 aperture. The lens delivers excellent focus tracking of moving objects, so you are always ready for fast action. Additionally, the focus motor is quiet, so it’s ideal for shooting both still images and video in situations that demand low noise.

3. Lightweight and compact

The 28-75mm F2.8 G2 is a fast-aperture standard zoom lens with a remarkably compact and lightweight design, just 4.7” (119.8mm) long. The maximum diameter is 75.8mm and it weighs only 19.4 oz. (550g). Filter size is 67mm. With a size that’s easy to carry and a light weight that’s well-suited for handheld shooting for extended periods, the 28-75mm F2.8 G2 will surely become your favorite zoom for travel, street shooting, everyday carry, and spontaneous photo opportunities.

4. MOD of 7.1” (0.18m) at the wide end and a maximum magnification ratio of 1:2.7 for creative close-ups

The 28-75mm F2.8 G2 features an MOD of 7.1” (0.18m) at the wide end. The working distance shrinks to around 1.7” (4.4cm) when used at MOD. Because the maximum magnification ratio is 1:2.7, you can get close to your subject for wide macro photography, enabling powerful visual impact with the subject positioned large in the frame while keeping a wide view of the background.

5. TAMRON Lens Utility™ expands the possibilities of still photography and video shooting

The 28-75mm F2.8 G2 is compatible with the dedicated TAMRON Lens Utility software developed in-house by TAMRON that empowers users to easily update the lens to the latest firmware without going through the camera2 and includes functions to support focusing operations and other actions when shooting still images or video. By utilizing a wide range of functions3, users can expand the breadth of expression in still images and video. For example, A-B Focus allows users to limit focusing to two pre-selected focus points, shifting focus from one subject to the other with just a click of the Focus Set Button. Users can also choose between Linear and Non-Linear, which affects how the focus shifts during manual focusing.

6. Enhanced overall lens design for user-friendly operation

Every individual part of the lens has been carefully scrutinized, right down to the fine details, resulting in an enhanced design that optimizes both operability and ergonomics. The surface of the lens exterior is glossy black. Improved abrasion resistance makes the lens barrel harder to scratch and resists fingerprints. Additionally, the grip performance has been improved. The smoothly curved, elegant surface of the brand ring creates a dignified appearance with a design that signifies functional beauty and high quality.

7. Moisture-Resistant Construction and Fluorine Coating provide extra protection

1. The lens for Sony E-mount previously launched on October 28, 2021.

2. To connect your PC and lens, use the TAMRON Connection Cable (USB Type-A to Type-C/ Model CC-150, or USB Type-C to Type-C/ Model CC-350) sold separately. To connect your smartphone and lens, use the TAMRON Connection Cable (USB Type-C to Type-C/ Model CC-350) sold separately. Lens firmware updates are not supported with the Mobile version. Performing firmware updates requires the TAMRON Lens Utility for PC and a computer.

3. The ring function (Focus/Aperture) is not supported for Nikon Z mount.

Tamron 28-75mm F2.8 Di III VXD G2 specifications

(Length and weight refer to E-mount version)



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Sony announces major firmware upgrades for a1, a9 III, a7S III and a7 IV

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Sony announces major firmware upgrades for a1, a9 III, a7S III and a7 IV


Photo: Dan Bracaglia

Sony has announced major firmware updates for four of its current full-frame range, bringing many features and behaviors up to its latest standards and adding C2PA authenticity verification capabilities.

Sony a1 f/w v2.00

Firmware v2.00 for the Sony a1 is perhaps the most extensive, adding features that have appeared in other models in the three-and-a-bit years since it was launched, such as the lens breathing compensation function. It also adds a handful of new features and modifications of behavior, including an option to ensure the EVF remains on, regardless of the LCD position, and relay playback of images across multiple media. Among the extensive list of additions an updates are features such as Timecode Sync, previously only available in Sony’s Cinema Line cameras.

A series of FTP options, including SFTP support are also added.

The firmware doesn’t activate the C2PA function – which not only authenticates the camera and date/time but also that the photo is of a 3D subject, not a photo of a photo – but instead adds the capability to the camera. Once installed, users need to activate a separate license via the Creators’ App to use the function.

Sony a7S III f/w v3.00

Firmware v3.00 brings many of the updates seen in the a1, including Timecode Sync, breathing compensation and relay playback. It also adds the ability to close the mechanical shutter when the camera is turned off, to mitigate dust ingress, and the ability to transfer Raw files to smartphones.

In addition to the C2PA capability, firmware v3.00 includes the ability to add DCI 4K 24p shooting. Again a license needs to be downloaded to a camera running the new firmware to actually activate the function.

Sony a7 IV f/w v3.00

As one of the most recently updated cameras on this list, the a7 IV gains fewer features than the other cameras here. But in addition to C2PA capability, it adds network streaming, direct cloud upload support and an expansion of the features accessible via software development kit (SDK).

Sony a9 III f/w v2.00 [Expected April 9th]

As the newest of the cameras here, the a9 III receives fewer additions and updates than the a1 and a7S III, as in many instances they are gaining the features that the latest a9 introduced. However, in addition to details such as outputting lens names in video file metadata, the a9 III gains the promised ability to use the camera’s full shutter speed range when continuous shooting. But beyond this, the a9 III gains a small array of feature expansions and refinements being added across the four cameras, including the ability to extract stills from video capture, to take advantage of its lack of rolling shutter.

{PressRelease}

Sony Electronics Delivers Firmware Updates including C2PA Compliancy as a Next Step to Ensure Authenticity of Images

SAN DIEGO, March 27, 2024 – Today, Sony Electronics delivers the highly anticipated firmware updates for the Alpha 1 (Ver. 2.00), Alpha 7S III (Ver. 3.00), Alpha 7 IV (Ver. 3.00), and after April 2024, the Alpha 9 III (Ver.2.00). The update contains some of Sony’s most impactful technology, including Camera Authenticity Solution, the proprietary in-camera digital signature and C2PA (Coalition for Content Provenance and Authenticity) format support1. Together, these tools will make it possible for news agencies to ensure the authenticity of images, contributing to industry efforts to protect creators, and society from fake imagery.

Additionally, the firmware updates include many requested features to improve everyday use. The update evolves shooting functions and post-shooting workflow and brings advanced movie features like breathing compensation. It also includes new remote-control capabilities, new features for professional applications, and expanded access to cloud services applications.

“There is nothing more core to our mission than listening to the voices of the photographers, videographers, and filmmakers who shoot with Sony Alpha cameras. We know this community has been asking for these updates, and we’re happy to deliver. Each of these updates are designed to promote ease of use for our creators and allow them to maximize the strengths of their cameras,” says Yang Cheng, Vice President, Imaging Solutions, Sony Electronics Inc. “We’re especially pleased to deliver C2PA compliancy with this update. This compliancy paired with our unique digital signature technology, allows us to offer the most secure and comprehensive solution to protect professional photographers, news agencies, and society from manipulated imagery.”

Camera Authenticity Solution

Last year, Sony announced its commitment to developing technology in its cameras to aid in the fight against manipulated imagery and AI-generated fakes. The severity of this issue is only increasing and it’s a complex problem that requires the focus and attention of our entire industry.

One critical part of the solution is making more Sony cameras C2PA compliant. C2PA is a Joint Development Foundation project, where Sony is a steering committee member. C2PA aims to develop an end-to-end open technical standard to provide publishers, creators and consumers with opt-in, flexible ways to understand the authenticity, and provenance of different types of media. The C2PA is a standards-setting body that will develop technical specifications on content provenance and authentication by certifying the source and history of media content. With this firmware update, the authenticity information embedded on images from Alpha 1, Alpha 9 III, Alpha 7S III, and Alpha 7 IV can be maintained from capture through publication. This provides professional photographers with the ability to preserve their digital signature from the camera, while tracking the editing history throughout revisions.

Another critical component of the solution is Sony’s in-camera digital signature technology2 that signs images in real-time. This new feature certifies the authenticity of an image at the point of capture and creates a ‘digital birth certificate’ that is retained throughout revisions. The signature contains metadata including 3D-depth information captured through the proprietary technology in the image sensor developed by Sony. This depth information can show if the image captured was of an actual 3D object, vs a photograph of an image or video, providing an extra level of protection and even more assurance of the content’s authenticity, and making Sony’s solution especially unique for photojournalists and news agencies.

Sony’s solution also helps protect the authenticity of content by including an Image Validation Site, which verifies the image even after edits have been made by C2PA-compliant editing software. This service confirms the authenticity of the photo was taken by a specific camera and that the object of the photo is 3D. This service will initially be offered to select news media agencies, expanding to other agencies at a later date.

Sony’s Camera Authenticity Solution overview diagram
Example image of 3D Image verification

Shooting and Playback Updates

The firmware updates include over 10 new features, as well as improvements to existing features, designed to improve the user’s overall shooting experience. These improved capabilities showcase Sony’s commitment to continuing to evolve the functionality of Sony’s existing camera models. A few highlights of the firmware update functions include:

  • Relay Playback: Enables seamless sequential playback from one memory card slot to another on the Alpha 1, Alpha 7S III, and Alpha 9 III.
  • Playback Filter Condition: Lets users categorize image playback based on select criteria including date, folder, file format, and more on the Alpha 1 and Alpha 7S III
  • Breathing Compensation: The highly requested Breathing Compensation function3 is now available on the Alpha 1 and Alpha 7S III.
  • Upgrade DCI 4K / 24.00p Upgrade License on Alpha 7S III: via a free downloadable license through Creators’ Cloud4.
  • Sync Release function: Enables simultaneous shutter release with two or more multiple cameras connected to the main camera5 on the Alpha 1 and Alpha 9 III.
  • Focus frame display: Focus frame will be displayed on the Remote Camera Tool screeniii on the Alpha 1 and Alpha 9 III.
  • Enhanced image stabilization: The camera body and lens effectively work together to correct larger blurs6 on the Alpha 1.
  • Increased upper limit of recordable images in a folder from 4,000 to 9,999 on the Alpha 1, Alpha 7S III, A7 IV, and Alpha 9 III.
  • Matching the time code with other devices is now possible with a dedicated adapter cable (sold separately)7 on the Alpha 1 and Alpha 7S III.
  • Up to 20 IPTC presets can be on the Alpha 1 and Alpha 7S III.
  • Custom Grid Line is available as a paid license basis for some models8.

File Transfer and Network Connectivity

Additional updates aimed to optimize the post-production workflow efficiency include improvements to International Press Telecommunications Council (IPTC) preset and File Transfer Protocol (FTP) transfer operability. To streamline processes for users, expanded cloud upload and application services will be available. Key updates include:

  • Cloud upload (camera direct) function allows users to upload images directly to the Sony’s Creators’ Cloud9. Key additional features include simplified camera software updates, direct camera registration to the Creators’ Cloud, and a flexible system for uploading, storing, and sharing content. Additionally, the capability to manage video and LUT files via mobile apps, along with the transfer of RAW files to smartphones, optimizes the creative process in fast-paced environments.
  • FTP Transfer Improvements: A “Protected Images Only” option for the Auto FTP Transfer and a “Protect Image in FTP Transfer” option for the FTP transfer function have been added. Available on the Alpha 1, Alpha 7S III, and Alpha 9 III.
  • Support for USB streaming10 on the Alpha 1.
  • Secure File Transfer Protocol (SFTP) has been added to secure protocol on the Alpha 1, Alpha 7S III, and Alpha 9 III and WPA3-SAE is now supported for wireless LAN on the Alpha 1 and Alpha 7S III.
  • Network streaming enables direct live streaming from the Alpha 7 IV to a streaming sitevii.
  • Expansion of app support with Creators’ App and Monitor & Control app now supported with the Alpha 1 and Alpha 7S III.

Many of these updates are applicable to multiple cameras, however for a list of each body’s specific update please check the Sony website.

Exclusive stories and exciting new content shot with Sony’s imaging products can be found at www.alphauniverse.com, a site created to educate and inspire all fans and customers of Sony α – Alpha brand.

1. This feature is available to some news organizations at the press release timing.
2. Both Sony’s in-camera digital signature technology and C2PA compliancy are currently available through a separate upgrade license.
3. For compatible lens information, please refer to the support page (https://www.sony.net/dics/breathing/)
4. For regional app/service availability, check here. To use this service, it is necessary to download and install the upgrade license.
5. Remote Camera Tool Version 4.1.0 is required to activate the function.
6. For compatible lens information, please refer to the support page (https://www.sony.net/dics/func1002/)
7. A dedicated adapter cable, which is sold separately, is required to connect to the timecode source equipment.
8. Availability varies depending on country and region. Available through the Upgrade and License Management Suite at https://ulms.sony.net.
9. For regional app/service availability, check here. Creators’ App Ver.2.3.1 or later is necessary. Settings must be made in the Creators’ App in advance. For more information, please visit the Creators’ App support website (https://www.sony.net/ca/help/opr/)

10. When connecting to a device with a USB Type-C port, please use a commercially available USB cable or a conversion adapter.

{/PressRelease}



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