Camera
DJI Air 3 vs. Mini 4 Pro: which compact drone is best?
The Air 3 (left) and the Mini 4 Pro (right) were released months apart in 2023. They share many similarities and a few differences. Which one is right for you?
Photo: Kara Murphy |
Drones have been accessible to the general public for about a decade and continue to grow in popularity. They’ve become a valuable tool for videographers and photographers alike, providing unique vantage points that otherwise would have required renting a helicopter. With Skydio and Autel recently announcing a departure from the consumer drone market, DJI has emerged as the leader in this particular niche.
Buy the DJI Mini 4 Pro:
Buy the DJI Air 3:
DJI’s Air 3 and Mini 4 Pro are ushering in a new era of safer, more reliable flying. Both models offer 360º omnidirectional obstacle detection, superior connectivity between the remote and drone with DJI’s OcuSync 4 (O4) transmission technology, and a variety of automated features that make capturing polished and professional-looking imagery feasible – all at a relatively affordable price.
The Air 3 and Mini 4 Pro have updated gimbal clamps that protect the wide-angle fisheye cameras on the front of their bodies.
Photo: Kara Murphy |
These drones have a lot in common, but they each have specific features that make them more suitable for certain people, depending on budget. We’ll explore what the Air 3 and Mini 4 Pro offer and see which is the best option for most drone pilots. Is it worth investing in one of these newer models? Let’s find out.
By the numbers: DJI Air 3 vs. Mini 4 Pro
The Air 3 is larger, heavier, and costs more than the sub-250g Mini 4 Pro. [A sub-250g does not need to be registered with the FAA in the US or with analogous agencies in many other countries, as long as it’s being used for recreational purposes.] This will make any Mini or sub-250g drone more appealing for some folks as Remote ID becomes effective in March 2024.
Weighing 720g, the Air 3 is heavier and will fare much better in high winds and other elements than the lightweight Mini 4 Pro. If you are in urban areas where wind tunnels form between buildings or if you fly your drone along the coast near large bodies of water, a lightweight drone is not your best option. And, yes, due to its weight, you’ll need to register it to comply with Remote ID.
DJI Air 3 | Mini 4 Pro | |
---|---|---|
Price |
$1,099 with RC-N2
$1,349 Fly More Combo with RC-N2 $1,549 Fly More Combo with RC 2 |
$759 with RC-N2
$959 with RC 2 $1,099 Fly More Combo with RC 2 $1,159 Fly More Combo Plus with RC 2 |
Camera |
Dual-camera system
Type 1/1.3 sensor 12MP (AEB 3/5/7) or 48MP (AEB 3/5) F2.8 (fixed), 70mm, F1.7 (fixed) |
Type 1/1.3 sensor, F1.7 (fixed)
12MP (AEB 5/7, 2X zoom) 48MP (AEB 3) |
Digital Zoom | Wide-Angle Camera: 1-3x Medium Tele Camera: 3-9x 4K/60p |
1-3x, up to 4K/60p 4x, up to 1080p/60p |
Max Video Resolution | 4K/60p, 150 Mbps | 4K/60p, 150 Mbps |
Video Transmission | OcuSync 4.0 (O4), 20 km | OcuSync 4.0 (O4), 20 km |
Log Video | 10-bit D-Log M | 10-bit D-Log M |
Intelligent Flight Features |
Waypoints
Cruise Control FocusTrack MasterShots QuickShots |
Waypoints
Cruise Control FocusTrack, ActiveTrack 360º MasterShots QuickShots |
Obstacle Detection and Avoidance | Omnidirectional, 360º | Omnidirectional, 360º |
Flight Time | 46 minutes | 34 minutes/45 minutes* |
Dimensions | 207×100.5×91.1 mm (8.15×3.96×3.59 in) | 148×94×64 mm (5.83×3.7×2.52 in) |
Weight | 720g | 249g |
Vertical Shooting | 2.7K/60p | True Vertical, 4K/60p |
*45-minute flight time requires a heavier battery, increasing the Mini 4 Pro’s weight to >250g.
The Mini 4 Pro is the first DJI drone to offer ActiveTrack 360º, which allows you to follow a subject from any angle, in any direction, including the front. The Air 3 will not allow you to track a car or person from the front.
The Mini 4 Pro also allows for True Vertical Shooting, meaning the camera’s entire sensor is used without cropping in any FocusTrack mode or while recording video at up to 4K/60p. This also applies to still images. Vertical shooting is available on the Air 3, but only at a maximum resolution of 2.7K/30p as of this writing. Since this camera does not rotate, the image is cropped.
DJI Air 3 vs Mini 4 Pro: Battery life and runtime
DJI made the front legs of the Mini 4 Pro longer. This makes launching and landing much easier than the Mini 3 Pro.
Photo: Kara Murphy |
The Air 3 has brand-new, larger-capacity batteries that snap into the back of the drone. At up to 46 minutes of battery life, the Air 3 has the same flight time as the much more expensive Mavic 3 series.
If you use a standard Intelligent Flight battery on the Mini 4 Pro, you’ll get up to 34 minutes of flight time. The Intelligent Flight Plus batteries give you up to 45 minutes. However, using the bigger Plus battery will place the Mini 4 Pro’s weight above 250g, and you’ll need to register it before flying.
Both the Air 3 and Mini 4 Pro have charging consoles that secure the batteries when charging. Because you can’t see how much a Mini battery is charged, the console will display the remaining amount of power for each one. As a bonus, the Air 3’s console is designed to allocate all the power from the other two batteries to one so you can take a full flight.
DJI Air 3 vs Mini 4 Pro: Remote compatibility
The Air 3 and Mini 4 Pro are compatible with the RC-N2 and RC 2 remote controllers. These are your only remote options since there’s no backward compatibility with older models. Both remotes have DJI’s O4 technology, which gives the drones a 20-kilometer (12.4-mile) range. While you never would fly that far beyond visual line of sight, this robust transmission can help deliver uninterrupted connectivity and a 1080p/60p low-latency stream to your remote’s screen.
DJI’s RC 2 remote looks similar to the original DJI RC. The difference is the antennas included for superior transmission between the drone and its remote.
Photo: Kara Murphy |
DJI Air 3 vs Mini 4 Pro: Cameras
The Air 3 is the first in its series to offer a dual-camera system and support native vertical (9:16) shooting. The bottom main camera has a 24mm equiv. fixed F1.7 wide-angle lens and 82º FOV. On top is a 70mm medium telephoto camera (giving you the equivalent of 3X optical zoom from the main camera) with a fixed F2.8 aperture with a 35º FOV. Both cameras use Type 1/1.3 CMOS sensors that support 12MP pixel-binned and 48MP full-resolution photos.
The Mini 4 Pro has a single camera with the same Type 1/1.3 CMOS sensor, 24mm equiv. focal length and fixed F1.7 aperture as the Mini 3 Pro. Instead of relying on a separate telephoto lens, you can crop in up to 2x digitally when shooting 12MP photos, which does result in a hit to image quality.
The Air 3 is the first in its series to offer a dual-camera system.
Photo: Kara Murphy |
The Air 3 allows for 4K/60p video recording and 4K/100p for slow-motion clips, all of which can be captured using DJI’s D-Log M color profile for more flexible post-processing. The Air 3 also includes Night Mode, introduced with the Mavic 3 series; this feature allows you to record up to 4K/30p video at an ISO up to 12800. D-Log M (10-bit) is not supported, however.
The Mini 4 Pro can also record up to 4K/60p video and Slo-Mo 4K/100p footage. The Mini 4 Pro has D-Log M, too; however, as with the Air 3, it’s unavailable while shooting in Night Mode.
Intelligent Flight Modes
Both the Air 3 and Mini 4 Pro offer QuickShots – Dronie, Circle, Helix, Rocket, Asteroid, and Boomerang. MasterShots – which performs a series of QuickShots and stitches them all together in the DJI Fly app – is available on both models. FocusTrack, which allows you to select a subject, typically a car or person, and follow it using Point of Interest, ActiveTrack, or Spotlight, is also included.
The Mini 4 Pro is the first DJI drone to introduce ActiveTrack 360º. Building on the original ActiveTrack, this iteration allows you to track a subject from all angles. While the Air 3 allows you to track your subject from the sides or behind, the Mini 4 Pro can also track from the front. A large trace wheel will appear at the bottom left-hand corner of your remote’s screen, and you can use your finger to create a custom path for the drone to fly around the subject.
The Mini 4 Pro introduced the ActiveTrack 360º feature. You can draw a path with your finger, and the drone will automatically follow that same course around your tracked subject.
Screenshot: Pilot Institute |
What makes either the Mini 4 Pro or the Air 3 a worthwhile investment, however, is the inclusion of the Waypoints Flight feature. This feature allows you to set a predetermined flight path by customizing various parameters for each waypoint, including altitude, speed, and the camera’s orientation so that you can repeat a shot multiple times. The drone will then fly the course automatically in the order you designated or in reverse.
On the Air 3 and more advanced drones, including the Mavic 3 series, you’ll get more information in your app’s interface, including how long the drone takes to complete its course. On the Mini 4 Pro, you get sparse information and will know how long your pre-planned course will take when it starts. All missions can be saved and repeated.
DJI squeezed an auxiliary light onto the Mini 4 Pro while keeping it under 250g. It will activate when you launch and land the drone at night or in low-light conditions.
Photo: Kara Murphy |
Another feature available on both drones is Cruise Control. You need to set either the ‘C1’ or ‘C2’ button in the Fly app to activate it. You’ll fly at a certain speed, and as soon as you hit the designated button, your drone will fly at a consistent speed. This is useful for longer flights and allows you to focus on camera maneuvers, altitude, and other effects.
I already own a Mini 3 Pro or Air 2S. Is it worth the upgrade?
The Air 3 and Mini 4 Pro are both significant upgrades from their predecessors. The Air 3 performs much better in flight, especially in higher winds, has obstacle avoidance in all directions, the Waypoints Flight feature, and far superior battery life. The Air 2S camera has a 20MP, 1-inch CMOS sensor. While the Air 3’s Type 1/1.3 camera can produce 48MP images, it uses a quad-bayer sensor and can sometimes produce less refined results.
Starting with the Mini 3 Pro (right) and now the Air 3 (left), DJI has significantly improved the design and functionality of its battery charging consoles.
Photo: Kara Murphy |
The Mini 4 Pro’s camera uses the same Type 1/1.3 sensor as the Mini 3 Pro, and both are capable of True Vertical Shooting. Where this model shines is, once again, omnidirectional avoidance, Waypoints Flight, and the new Active Track 360º feature that can track a subject from every angle. It’s worth noting that if you’re like me and ever accidentally flew into a tree due to a lack of sensors on the side, having obstacle detection on every possible side is extremely helpful.
“The Air 3 and Mini 4 Pro are both major upgrades from their predecessors.”
Now that we’ve established that the Air 3 and Mini 4 Pro are, in fact, significant upgrades, we also need to talk about why they may only be for some. Even though they are more budget-friendly than the Mavic 3 series, they still need to be purchased with a new remote. If you already have a DJI RC or RC-N1 controller that you’re using with another drone, the Mini 3 Pro or Air 2S are more economically friendly choices. Ultimately, it comes down to what you’re willing to spend and what features you’re most excited about.
Which one is best for you?
Let’s try to answer this article’s underlying question: Which DJI drone, released in 2023, is right for you? I’ve flown both extensively and came to the following conclusions.
The Air 3
the Air 3 is ideal for photographers and videographers looking to shoot at different focal lengths and fly at higher altitudes or along coastlines where wind speeds pick up.
The Air 3’s body is 470g heavier than the Mini 4 Pro. That added weight makes it ready to scale tall buildings or mountainous areas. Plus, you get more advanced video and photo features – the maximum 8-second shutter speed can create cool light trail effects or enhance lower-light settings, for instance. The added flight time and extra camera can both be very nice to have, too.
The Mini 4 Pro
The Mini 4 Pro is ideal for two types of remote pilots: the casual flyer or the professional remote pilot needing additional perks. As we covered in our extensive article on the forthcoming Remote ID ruling, any drone weighing less than 250g at takeoff does not need to be registered with the FAA – so long as it’s flown recreationally. That means you get some of DJI’s best features at your disposal without needing to register it with the FAA.
“The Air 3 is ideal for those looking to shoot at different focal lengths and fly at higher altitudes or along coastlines where wind speeds pick up.”
What I appreciate about the Mini 4 Pro or any Mini-series drone is that DJI has constructed a light prop guard cage that makes operating indoors a breeze. Whether you have the Mini 4 Pro, with omnidirectional obstacle detection and avoidance, or one of the original models with no sensors, the cage, in most cases, will cause the drone to bounce off a wall or object and keep moving.
I taught my daughter to fly in our house, and we practiced during the winter when it was too cold to operate outside. It should be noted that the FAA’s airspace regulations do not apply indoors. A tiny, lightweight drone like the Mini 4 Pro is perfect for this use case.
“The Mini 4 Pro is ideal for two types of remote pilots: the casual flyer or the professional remote pilot who needs some additional perks.”
Ultimately, you’d want a Mini 4 Pro for affordable access to cool features such as ActiveTrack 360º and True Vertical shooting – this model is highly versatile thanks to its lengthy feature list. Although it’s less capable outdoors and has weaker imaging specs, you do get a lot for your money with this model. Ultimately, there are some distinct differences between the Air and Mini models, and you’ll need to weigh the benefits and drawbacks of both based on what you’re hoping to do with a drone.
Buy the DJI Mini 4 Pro:
Buy the DJI Air 3:
Camera
Reader photos of the year: Show us your best image from 2024
Panasonic S5IIX and Lumix S 28-200mm F4-7.1 | ISO 1600 | 1/200 sec | F4.5
Photo: Dale Baskin |
The DPReview community is full of talented photographers, and we want to showcase your best photos of 2024 on DPReview.
What was your top shot this year? Share one image you captured in 2024 and tell us about it. Make sure to tell us the story behind the photo in the caption and why you chose it as your photo of the year. Pick carefully – you can only submit one photo!
Submissions will open on Sunday, December 3rd, and you have until Tuesday, December 9 (GMT) to submit entries. You can read the full rules on the ‘Your best photo of 2024’ challenge page.
Essential details: If you want your photo to be featured among our Editors’ picks on the DPReview homepage, you must include a title and a caption that tells us the story behind the picture and why you chose it (minimum of 25 words).
DPReview editors will review every photo you submit, and we’ll publish our favorites in a slideshow on the DPReview homepage later this month.
We’re using our challenge system to host submissions, so other readers can also vote for your photo. User voting will inform DPReview Editors’ picks but will not select them. They are one factor in our evaluation.
Click here to visit the contest page and read the full rules
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DPReview is hiring! We're looking for two people to join our Editorial team
Do you want to shape and create content for one of the world’s largest audiences of photography and video enthusiasts? DPReview is hiring! We have two open positions: a News Editor and a Community Coordinator who will help support our online forums and user community. We can’t wait to hear from you.
Please note that these are US-based positions.
News Editor
Full-time (Seattle, WA or remote)
Role overview
DPReview is seeking a full-time News Editor to join our growing Editorial team.
The News Editor role at DPReview requires an experienced technical writer who thrives in a fast-paced environment and possesses a deep understanding of digital photography and the camera industry. The News Editor’s primary responsibility is to report on camera and photo industry news, industry trends, and photography culture, including context and analysis that reflect DPReview’s thought leadership in the industry.
Qualified candidates will be capable of independently researching news and information, writing, editing and delivering publication-ready content. They should be able to efficiently and effectively monitor industry news and trends to identify relevant stories from sources including manufacturers, PR representatives, online resources and social media. Additionally, they must be strong collaborators who can work closely with DPReview’s Editorial team to add a unique perspective to news and other short-form articles.
A typical week for the News Editor will involve monitoring trusted sources of information to uncover breaking industry news, developing content around embargoed materials for product announcements, corresponding with PR agents and evaluating pitches for news coverage, uncovering unique stories and story angles exclusive to DPReview, and liaising with and seeking insight from the Editorial team to incorporate expert insight into news. Speed is of the essence, with a target of 2-3 published articles per day.
Like all successful DPReview team members, candidates must be goal-focused self-starters who maintain an agile mindset, operate independently, lead by example, communicate effectively across all channels, and are productive in a remote work environment.
This role will report to the Managing Editor but will work closely with the entire DPReview team in a cross-functional environment.
Role responsibilities
- Write, edit and publish short-form articles covering breaking news, product launches, newsworthy industry trends, and stories about photography and photography culture, focusing on finding a unique angle whenever possible.
- Liaise with and seek insight from the wider editorial team to incorporate expert knowledge into articles.
- Analyze news metrics and performance using analytical tools and data to improve performance and deliver increased traffic to news content over time.
- Develop and foster relationships with PR representatives to grow DPReview’s portfolio of industry contacts and to ensure consistent early access to breaking news and embargoed information.
- Build and maintain relationships with brands, industry experts and independent content creators who may serve as sources of news or similar content.
- Monitor information resources such as competitive publications, industry news sources, and social media for story ideas.
- Coordinate with DPReview’s social media and platform teams to identify impactful content for promotion across DPreview’s social media channels.
Role requirements
- A passion for photography and digital camera equipment
- Excellent understanding of the technology behind modern digital imaging
- At least 2+ years of writing and producing content at a fast-paced, deadline-oriented, product-focused publication or as an industry-centric technical writer or editor.
- Ability to independently produce 2-3 short-form articles per day
- Strong grammar and copy-editing skills
- Ability to examine and parse data into actionable editorial strategy
- Strong project management and communication skills
- The ability to work efficiently under pressure and to take feedback constructively
- A willingness to travel and work odd hours as the assignment or news cycle dictates
How to apply
Please use the link below to contact us about applying. Make sure to include the following information:
- A brief introduction of yourself that includes an overview of why you believe you are a good fit for the Reviews Editor position.
- A link to your LinkedIn profile if you have one.
- Links to writing samples you believe are most related to DPReview’s coverage. If you have writing samples that are not online, please indicate this.
- Links to any previous work applicable to DPReview.
Only those candidates considered for an interview will be contacted.
Click here to apply for this position
DPReview Community Coordinator
Part-time (remote)
Role overview
DPReview is seeking a part-time Community Coordinator to join our growing Editorial team.
The Community Coordinator role at DPReview requires an individual with experience managing online communities and creating great user experiences to grow and maintain our online forums. The Community coordinator will serve as an ambassador between DPReview’s Editorial team and our community members, engage directly with users across DPReview’s forums, liaise with and support volunteer community moderators, support users requiring assistance, and approve posts awaiting moderation. The Community Coordinator will identify and create opportunities to turn community-based activity and information into content for publication on DPReview.com.
Qualified candidates will have experience working with or managing an online community or interest group, including community moderation, fostering clear communication between community members and moderators, and a passion for creating a positive and inclusive community environment. Candidates should have an interest in cameras and editorial experience, ideally for a technical publication. Knowledge about photography and related technology, familiarity with the camera market, and experience working with volunteers are strongly preferred.
A typical week for the Community Coordinator will include directly engaging with users in key sub-forums, moderating forum activity to ensure consistency of moderation, providing support to moderators directly or via a private forum, supporting users requesting assistance, reviewing posts that require moderation, and writing approximately three articles per week for DPReview.com built around community activity or content.
Like all successful DPReview team members, candidates must be able to lead by example, possess excellent communication skills, and be productive in a remote work environment.
This role will report to the Managing Editor.
Role responsibilities
- Engage with users across DPReview’s community forums and act as a liaison between DPReview’s Editorial team and our community.
- Provide support to DPReview’s volunteer moderators, monitor forums to ensure consistency of moderation and identify opportunities to improve moderation within the community.
- Arbitrate conflicts between community members or between community members and moderators.
- Provide support to users seeking assistance with moderation or account issues.
- Identify and develop community-based content to be featured on DPReview.com, writing publication-ready articles that meet DPReview’s editorial standards.
- Review and approve posts flagged for moderation.
- Identify opportunities to increase forum engagement and participation.
Role requirements
- 1-2 years experience managing an online community (forums, social media groups, Discord, Slack)
- 1-2 years experience writing editorial content for a regular publication (or similar experience)
- Ability to communicate clearly, professionally and with empathy with community members and moderators, including volunteers
- Aptitude for mediating community disputes with a respectful tone
- Initiative to produce approximately three articles per week based on community activity
- Ability to work flexible hours.
- Knowledge of photography and digital camera equipment is strongly desired
- Familiarity with DPReview’s forums is a plus
How to apply
Please use the link below to contact us about applying. Make sure to include the following information:
- A brief introduction of yourself that includes an overview of why you believe you are a good fit for the Community Coordinator position.
- A link to your LinkedIn profile if you have one.
- Links to writing samples you believe are most related to DPReview’s coverage. If you have writing samples that are not online, please indicate this.
- Links to any previous work applicable to DPReview.
Only those candidates considered for an interview will be contacted.
Click here to apply for this position
DPReview strives to be a diverse and inclusive company. We firmly believe that different voices, experiences and points of view are an essential component of our current and future success. We do not discriminate on the basis of an individual’s gender, age, race, religion, national origin, marital status, sexual orientation, disability, genetics or any other personal characteristics protected by law.
Camera
Nikon's limited edition Z fc is now slightly less limited
The Heralbony Z fcs feature patterns designed by artists, rather than the solid color that the camera usually comes with.
Image: Nikon |
Nikon has announced that its limited edition Z fc, designed in collaboration with Heralbony, will now be available in the US. The designs were announced in September but hadn’t been available in the States.
According to Nikon, Heralbony is a “Japanese-based creative company working with neurodiverse artists.” Each of the four Heralbony editions of the Z fc features a pattern from a different artist on the leatherette-inspired wrap across the front of the camera, as well as on the top of the viewfinder and rear grip.
Image: Nikon |
The Heralbony versions don’t cost extra compared to the normal colors, though they are only available in a $1,199 kit with the DX 16-50 F3.5-6.3 lens; you can’t buy just the body with the design or have it retroactively applied to an existing Z fc.
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