Connect with us

Camera

DxO PureRaw review: Impressive noise and lens processing for any editing app

Published

on

DxO PureRaw review: Impressive noise and lens processing for any editing app

Introduction

For years now, DxO Labs’ Optics Pro and PhotoLab products have impressed photographers with their automatic lens corrections. And more recently their CPU-intensive PRIME / DeepPRIME noise reduction technology has also garnered plenty of praise, as we saw in our recent DxO PhotoLab 4 review.

Yet while DxO has earned more than a few plaudits and built a devoted following for its software, it has never gained quite the mass-market appeal of rival Adobe. With PureRaw, it aims to address this with a new approach.

DxO tells us that of the roughly 10 million photographers currently shooting in a Raw format, 90% use Adobe Photoshop, Lightroom or some combination of the two in their workflow. And of those who don’t, many more will already have moved to non-DxO third-party rivals like Capture One, Exposure and more.

DxO PureRaw brings the company’s famed denoising and lens corrections to photographers that don’t want to change Raw processors

Instead of trying to persuade them to learn another new and complex interface and venture into the unknown by switching to the fully-featured PhotoLab editing platform, PureRaw gives them the opportunity to bring DxO’s most popular capabilities right into their existing workflow with almost no fuss.

Now, you can have the benefit of DxO PhotoLab’s denoising, demosaicing and lens correction tools, but keep all the familiar apps, tools, shortcuts and more that you love in your current digital darkroom utility.

Key Takeaways:

  • Get DxO’s much-praised noise reduction and lens corrections without ditching Photoshop, Lightroom or their rivals
  • No new interface to learn; keep all the tools you love
  • Extremely simple, straightforward design
  • Choose from HQ, PRIME or DeepPRIME denoising
  • Output as Linear DNG with noise/lens corrections
  • A rather steep price may keep many would-be users away

Available immediately for both Windows and macOS, DxO PureRaw is ordinarily priced at $129 (€129 / £115). A launch discount available through May 31, 2021 will reduce this to $89.99 (€89.99 / £79.99).

How it works

DxO PureRaw is incredibly simple. Files can be dragged and dropped between DxO PureRaw and your imaging app, or for that matter your operating system’s file explorer. Alternatively, you can click a button within PureRaw’s interface to directly browse your directory structure for files to process.

PureRaw’s adjustments are limited solely to choosing which denoising algorithms to use, and whether to enable lens corrections or not.

Processing your chosen files couldn’t get much easier. First, you choose your desired denoising engine for the entire batch of images: The faster HQ engine, the much more processor-intensive – but higher quality – PRIME engine or the AI-powered DeepPRIME engine. (For most images you’ll want either DeepPRIME or HQ, depending upon whether you favor image quality or performance, respectively).

Next you choose your output file type and storage location. By default, PureRaw will save your processed images as partially-processed Linear DNG Raw files in a DxO subfolder of their original location.

The streamlined process does mean you can’t tweak the level of noise reduction nor preview its results prior to processing

If you prefer, you can convert straight to JPEG rather than Raw before handing off to your third-party app, or set a custom location for the processed files to be stored. Lens and camera body profiles are downloaded automatically as needed, and individual profiles can be deactivated as preferred on a per-batch basis.

PureRaw can be used in a drag-and-drop fashion or export directly to third-party apps. Adobe’s are automatically detected, and the user can add other programs with the custom option.

Once you click Process Photos, PureRaw will do its thing and then offer to show you side-by-side, before-and-after comparisons of your just-processed images. You can then drag them back to your chosen app, click the Export button to have them transferred for you – optionally along with a copy of the unprocessed, original Raws as well – or click another button to see the processed images in Explorer.

Obviously, this simplified and streamlined process means that you can’t tweak the level of noise reduction applied as you could in the full PhotoLab app. Nor can you preview its results prior to processing.

Once your images have been processed, PureRaw allows you to review the results in comparison to the uncorrected Raw.

But PureRaw also adds very little extra fuss to your workflow, though there are the minor inconveniences of greater storage space requirements and the time spent processing, which we’ll come back to in a moment.

And given that you can output in Linear DNG Raw format, it also means that you retain all the main advantages of your original Raw file in your third-party app, such as better white-balance correction and the possibility of recovering lost highlight or shadow detail. You just get the added benefit of DxO’s lens and noise corrections with as little extra effort as possible.

Image quality

If you already own and use PhotoLab, incidentally, you can already do something very similar by exporting images to disk in DNG format using PhotoLab’s Denoise & Optical Correction option. But interestingly, I’ve found that PureRaw doesn’t always apply exactly the same adjustments as does DxO PhotoLab at its default settings, which suggests DxO may have tuned its algorithms a bit differently to account for the lack of manual overrides in PureRaw.

For the most part, the differences between PureRaw and PhotoLab’s renderings are slim to nonexistent. But just occasionally, the two apps can yield noticeably differing results.
Photo by Mike Tomkins

I’ve run dozens of images through PureRaw and PhotoLab at defaults, and found that while perhaps a quarter of my images seemed absolutely identical regardless of which program I used, around half those processed via PureRaw showed slightly stronger sharpening than in PhotoLab’s defaults.

I also spotted a few images where PureRaw used slightly stronger noise reduction or vignetting correction than PhotoLab, as well as a handful where PureRaw cropped in a little tighter.

There’s a clear difference between an untweaked Raw opened and saved in ACR, and a Linear DNG from PureRaw that was opened and saved in ACR. Click or tap for full-size ACR default and ACR+PureRaw images.
Photo by Mike Tomkins

But really, the differences from PureRaw’s results were very slight in all cases, and very similar to what you can get from PhotoLab without any user intervention. And its results in terms of noise reduction were clearly leagues ahead of what I could’ve managed with Photoshop or Lightroom’s own tools and a similar level of effort.

Performance

Given its ease of use, I think the biggest concern for most users will be the added time taken to process images in PureRaw before starting work in your third-party app.

Results will obviously vary with your hardware, and all my times below were recorded using my 2018 Dell XPS 15 9570 laptop running Windows 10 version 20H2, PureRaw 1.0.10 and PhotoLab 4.2.1.

When considering the times below, it’s also important to remember the time you’d have expended if trying to make the same corrections in your existing app without PureRaw, of course.

Even after enabling profiled lens corrections and manually hand-tweaking the noise sliders, ACR is still far behind the result from PureRaw. And that’s despite spending more than twice as long to edit the ACR-prepared image as PureRaw took to process its version with DeepPRIME. Click for full-size ACR default and ACR+PureRaw images.
Photo by Mike Tomkins

In HQ mode, PureRaw took around 13 seconds to process each image, versus about 11 seconds for PhotoLab 4. Switching to PRIME, I measured a time of 32 seconds per image in PureRaw, and 26 seconds for PhotoLab. Finally, DeepPRIME was a bit faster in both apps, at 27 seconds per image for PureRaw, and 24 seconds per image for PhotoLab.

I must admit, I was surprised to find PureRaw 1.0 a little slower than PhotoLab with identical images. Given the very streamlined interface and lack of user adjustability, I’d expected that it would perhaps edge PhotoLab’s times just a little. The difference is relatively small, though.

Conclusion

What we like What we don’t
  • Simple, streamlined interface with almost no learning curve
  • Impressive image quality benefits with a minimum of fuss
  • Solid integration with Adobe products and other digital darkroom software
  • Might be too pricey for some users
  • Simplified interface doesn’t give users any control to tweak the output

DxO PureRaw presents an interesting proposition for diehard users of Photoshop, Lightroom and their many non-DxO rivals. In one simple, lightweight app, PureRaw now gives you access to arguably the best feature of PhotoLab: The PRIME / DeepPRIME denoising engine.

And it doesn’t require that you switch your digital darkroom software or make any big changes to your workflow at all. Nor do you even have to manually intervene, beyond choosing which denoising engine to use.

We do, however, have one reservation – the price. At $129 list, DxO PureRaw costs just as much as DxO PhotoLab 4 Essential edition.

DxO PureRaw’s pricetag is steep, but it offers big IQ improvements with no work at all

Sure, PhotoLab 4 Essential lacks the PRIME / DeepPRIME denoising algorithms, but it’s otherwise a pretty comprehensive digital darkroom app. In fact, PureRaw’s list price is only a third less than that of the full DxO PhotoLab 4 Elite.

That feels like a big ask for what’s clearly a much less capable and powerful application. But at the same time, PureRaw offers the chance to get really, really powerful denoising and decent lens corrections with barely a moment’s conscious effort.

And it does so without forcing you to learn a new app if you’re already satisfied with your existing one in most other respects. There is, essentially, no learning curve at all.

For frequent high-ISO shooters who can justify its high list price – or those who score the limited-time launch pricing available through May 2021 – DxO PureRaw will definitely offer you a very noticeable improvement in some of your images with almost zero work.

Source link

Continue Reading
Click to comment

Leave a Reply

Camera

Our year in photos: Dale's most memorable shot of 2024

Published

on

By

Our year in photos: Dale's most memorable shot of 2024


When you use DPReview links to buy products, the site may earn a commission.
Pedestrians with umbrellas wander down a rainy alley in Yokohama’s Chinatown.

Panasonic S5IIX + Panasonic S 28-200mm F4-7.1 | F7 | 1/125 sec | ISO 1600
Photo: Dale Baskin

Japan is one of my favorite places to travel. I’m captivated by its culture, cuisine, and the warmth of its people. It’s also a photographer’s paradise, offering endless possibilities, from serene temples and bustling markets to breathtaking landscapes.

My favorite type of photography when traveling in Japan is street photography, especially at night. I never tire of exploring the vibrant cityscapes, from the iconic Shibuya Crossing in Tokyo to the atmospheric alleys of Yokohama’s Chinatown.

However, there’s a twist: I seek out rainy conditions. While most travelers might not embrace a downpour, I find that rain transforms nighttime street photography into something magical. The umbrellas emerge, the city lights reflect off the wet pavement, and colors take on a vibrant intensity.

I was fortunate to visit Japan twice this year, and it rained both times. What some might consider lousy weather, I welcome as luck. Both my camera and I were thoroughly drenched during several nights of shooting, underscoring the value of weather-sealed equipment. (For the record, despite being so wet they were dripping with water, neither camera nor lens ever missed a beat.)

“While most travelers might not embrace a downpour, I find that rain transforms nighttime street photography into something magical.”

Unsurprisingly, some of my most memorable photos of 2024 were captured during these rain-soaked adventures. It’s challenging to select just one favorite because, as many of you will surely understand, how we remember the value of an image is often intertwined with the experience of capturing it.

The photo at the top of this page is one of my favorites from these trips, captured in Yokohama’s Chinatown. Off the main street, the area is full of narrow alleys, many decorated with traditional lanterns, creating small, intimate spaces. I spied these two pedestrians with similar coats and umbrellas turn into one of these alleys and instantly knew there was a potential photo around the corner.

I managed to fire off two shots before the scene lost its magic, but that’s all I needed. I love that you can’t see the main subjects’ faces. They remain anonymous, allowing the viewer to focus on the place rather than the person.



Source link

Continue Reading

Camera

Our year in photos: Dale's most memorable shot of 2024

Published

on

By

Our year in photos: Dale's most memorable shot of 2024


When you use DPReview links to buy products, the site may earn a commission.
Pedestrians with umbrellas wander down a rainy alley in Yokohama’s Chinatown.

Panasonic S5IIX + Panasonic S 28-200mm F4-7.1 | F7 | 1/125 sec | ISO 1600
Photo: Dale Baskin

Japan is one of my favorite places to travel. I’m captivated by its culture, cuisine, and the warmth of its people. It’s also a photographer’s paradise, offering endless possibilities, from serene temples and bustling markets to breathtaking landscapes.

My favorite type of photography when traveling in Japan is street photography, especially at night. I never tire of exploring the vibrant cityscapes, from the iconic Shibuya Crossing in Tokyo to the atmospheric alleys of Yokohama’s Chinatown.

However, there’s a twist: I seek out rainy conditions. While most travelers might not embrace a downpour, I find that rain transforms nighttime street photography into something magical. The umbrellas emerge, the city lights reflect off the wet pavement, and colors take on a vibrant intensity.

I was fortunate to visit Japan twice this year, and it rained both times. What some might consider lousy weather, I welcome as luck. Both my camera and I were thoroughly drenched during several nights of shooting, underscoring the value of weather-sealed equipment. (For the record, despite being so wet they were dripping with water, neither camera nor lens ever missed a beat.)

“While most travelers might not embrace a downpour, I find that rain transforms nighttime street photography into something magical.”

Unsurprisingly, some of my most memorable photos of 2024 were captured during these rain-soaked adventures. It’s challenging to select just one favorite because, as many of you will surely understand, how we remember the value of an image is often intertwined with the experience of capturing it.

The photo at the top of this page is one of my favorites from these trips, captured in Yokohama’s Chinatown. Off the main street, the area is full of narrow alleys, many decorated with traditional lanterns, creating small, intimate spaces. I spied these two pedestrians with similar coats and umbrellas turn into one of these alleys and instantly knew there was a potential photo around the corner.

I managed to fire off two shots before the scene lost its magic, but that’s all I needed. I love that you can’t see the main subjects’ faces. They remain anonymous, allowing the viewer to focus on the place rather than the person.



Source link

Continue Reading

Camera

Godox releases V100, a 100Ws fast rechargeable flash

Published

on

By

Godox releases V100, a 100Ws fast rechargeable flash


Image: Godox

Godox has announced the V100, a 100Ws version of its round-headed V1 on/off camera flashgun. The V100 can deliver up to 100 Watt Seconds of power in manual mode and can shoot over 70 consecutive bursts of light at full power. Recycle times of under 1 sec are possible when used with an external power source (1.7 sec with the internal battery).

Like the existing V1 and V1Pro, the V100 is available in versions compatible with the proprietary TTL flash metering systems of Canon, Nikon, Sony, Fujifilm or Olympus/OM System, each of which comes with a small secondary flash that can be used to provide a little ‘fill.’ It also has a 2W LED modeling lamp, to help you understand how its light is going to fall.

Godox says it’s able to sync with the global shutter of Sony’s a9 III, up to shutter speeds of 1/80,000, though the company also says the V100’s minimum flash duration is 1/20,000, so presumably 1/80,000 sec shutter speeds would only experience a fraction of that output.

Godox V100 round head flash branding image with 100Ws in large letters
Image: Godox

The V100 is powered by a rechargeable Li-Ion battery that can be charged directly using a USB-C cable or in an optional multi-battery charger if you need to prepare multiple batteries before a shoot.

It’s compatible with the company’s 2.4Ghz radio frequency off-camera communication protocol either as a transmitter or receiver.


Buy now:


No details have been given about price or availability but it’s listed as “Coming Soon” on B&H Photo’s website with a price of $349. B&H is also listing a Pentax-compatible version, not listed on Godox’s website.


Godox V100 C/N/S/F/O

Introducing the epic 100Ws TTL Li-ion Round Head Camera Flash V100. The Godox V100 redefines the standards for flagship on-camera flashes, brining an era of 100Ws power to handheld lighting. This groundbreaking flash delivers global shutter sync, a vibrant 2.3-inch color touchscreen, an intuitive menu, and one-tap syn operations. It combine cutting-edge features and professional-grade performance to provide an ultimate solution for professional lighting.

100Ws, Beyond Limits

The V100 sets a new benchmark for on-camera flashes by offering an unprecedented 100Ws power at its maximum output (M mode). With adjustable power steps from 1/1 to 1/256 or from 2.0 to 10, it covers the spectrum from subtle fill light to robust lighting for diverse scenarios, pushing the boundaries of creativity in flash photography.

Intuitive Touchscreen, Effortless Control

Equipped with a 2.3” full-color, high-sensitivity touchscreen, the V100 offers a smooth and responsive interface. Paired with an intuitive menu design and logical control layout, it allows photographers to quickly adjust power levels, activate high-speed sync, switch between TTL/M modes, and pair devices with a single tap, significantly improving workflow efficiency.

Global Shutter Flash Sync

The V100 is seamlessly compatible with cameras featuring global shutter like Sony a9 III. Supporting shutter speeds up to 1/80,000 seconds and offering TTL functionality, it delivers outstanding high-speed continuous shooting with effortless precision. This makes it an ideal choice for sports photography, outdoor bright light, and other fast-paced shooting scenarios.

70 Full-Power Consecutive Flashes

Thanks to its advanced cooling system, the V100 delivers 70 to 100 consecutive flashes at 100Ws without compromising performance. This ensures enhanced shooting efficiency and flexibility, allowing you to handle complex scenarios with ease and capture every brilliant moment of your creative vision.

Zoom range (mm) 28mm 35mm 50mm 70mm 80mm 105mm
Continuous flashes
(100Ws)
75 75 80 90 100 100

Detachable Sub Flash

The V100 continues the highly praised detachable sub flash (SU-1) design from the V1 Pro. This versatile feature enables dual-light setups with a single flash, offering creative lighting solutions for portrait photography.

Wireless Sync, Streamlined Workflow

With the built-in Godox 2.4G Wireless X System, the V100 functions as both a master and receiver unit. Its one-tap pairing capability seamlessly integrates with the X3 trigger or other Godox wireless flash units, streamlining multi-flash setups and boosting productivity.

Powerful Battery, Convenient Charging

Powered by the same high-performance lithium battery as the V1 Pro, the V100 ensures uninterrupted shooting. The Type-C charging port and compatibility with the VC26T Multi-Battery Charger make recharging quick and convenient.

Enhanced Recycling with External Power

The V100 includes a port for the PB960 Lithium-Ion Flash Power Pack, reducing full-power recycling time to as fast as 0.8 seconds. This feature supports demanding, high-intensity shooting scenarios, ensuring peak performance.

Built-In LED Modeling Lamp

A 2W LED modeling lamp with 10 adjustable levels provides flexible options for previewing light effects or serving as a fill light. The lamp supports continuous or interrupt modes, catering to different creative needs.

Comprehensive Accessory Ecosystem

The V100 is compatible with a broad range of Godox accessories, including the AK-R1 Accessory Kit for Round Flash Heads, AK-R21 Projection Attachment, AK-R22 Collapsible Diffusion Dome, and the S2 Speedlite Bracket for Bowens, among others. Whether you’re fine-tuning light, exploring creative effects, or expanding functionality, the V100 is designed to meet every need.



Source link

Continue Reading

Trending