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Google Earth introduces a ‘4D’ interactive timelapse experience

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Google Earth introduces a ‘4D’ interactive timelapse experience

Since launching 15 years ago, Google Earth has displayed detailed 3D imagery of our planet from numerous vantage points. Recently, they introduced Timelapse in Google Earth – an interactive 4D experience consisting of 24 million satellite photos captured over the past 37 years. A big motivating factor for creating this latest development was to expose people to the impact of climate change. You can view how any place has changed over the past four decades.

You can explore the past four decades of change an development with Timelapse for Google Earth.

The Google Earth team worked with Carnegie Mellon University’s CREATE Lab to develop the technology that powers Timelapse. Their research revealed five areas where our planet was experiencing the most rapid development and change: forest change, urban growth, warming temperatures, sources of energy, and fragile beauty. Clicking on any of these categories takes you through a guided tour of some of the spots in the world where change has been noticeable.

Timelapse was made with what Google refers to as ‘pixel crunching’ in Earth Engine, the company’s cloud-based platform for geospatial analysis. The quadrillions of pixels needed to make Timelapse in Google Earth possible are the result of more than 24 million satellite images gathered from 1984 to 2020. ”It took more than two million processing hours across thousands of machines in Google Cloud to compile 20 petabytes of satellite imagery into a single 4.4 terapixel-sized video mosaic — that’s the equivalent of 530,000 videos in 4K resolution,’ explains Rebecca Moore in the official blog post announcing Timelapse.

To help create what is known as ‘the largest video on the planet,’ Moore credits the U.S. government, NASA and the United States Geological Survey’s Landsat program, plus the European Union, and their Copernicus program with its Sentinel satellites. Over 800 Google Earth Timelapse videos in 2D and 3D are available for public use at g.co/TimelapseVideos. You can also view the videos on YouTube. Google encourages educators to use Timelapse to teach about the impact of climate change.

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7Artisans releases 50mm F1.4 Tilt lens

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7Artisans releases 50mm F1.4 Tilt lens


Image: 7Artisans

7Artisans has released a new manual focus 50mm F1.4 Tilt lens, compatible with Sony and Fujifilm APS-C cameras, as well as Olympus and Panasonic Micro Four Thirds cameras.

The new 50mm lens is made up of seven elements in six groups and has 12 aperture blades. It has a minimum focusing distance of 0.5m (19.6″) and weighs 364g (12.8oz). 7Artisans states the lens has a full metal build but does not mention weather sealing.

At the front of the lens is a numbered aperture ring, with the depth of field scale and distance scale focus ring sitting just behind. Users can rotate the lens a full 360-degrees and the tilt axis moves left to right. The company has yet to confirm how many degrees the lens can tilt on either side.

Although photographers commonly use tilt lenses for architecture photography and to experiment with depth of field, 7Artisans claims the 50mm F1.4 offers enough clarity for portraiture, claiming distortion of only 1.9%.

Search engines will likely confuse the new 7Artisan lens with another 50mm F1.4 tilt lens made by TTArtisan. Although similar brand names, they’re two separate companies, so it’s worth confirming who you’re buying from should you decide to purchase either lens.

Pricing and availability

The new 50mm F1.4 tilt lens is now available from 7Artisan’s website and Amazon at a suggested retail price of $226, and could be an affordable option for those looking to be more creative with their photography.


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Fujifilm US opens raffle to purchase Limited Edition X100VI

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Fujifilm US opens raffle to purchase Limited Edition X100VI


Image: Fujifilm, including photo by Jonas Rask

Entries for Fujifilm US’s Limited Edition X100VI raffle are now officially open. Entry is free and only open to US residents (18+). The raffle closes on April 21st (11:59 p.m. EDT), so if you want access to Fujifilm’s highly talked about camera, you’ll need to enter quickly.

Unlike other photography raffles, the prize isn’t a free camera. Instead, you’re entering to win an opportunity to purchase the camera at the list price of of $1995.95 (plus taxes and shipping). That’s still considerably cheaper than the aftermarket prices. Fujifilm will select a total of 200 winners and will notify them via email on April 25th.

Fujifilm states there will be a set deadline for winners to purchase the Limited Edition X100VI, but is yet to confirm when that is. The company doesn’t say how long winners will have to wait to receive their cameras either.

Fujifilm US originally allocated its 300 units of the 1934-strong limited edition on a first-come, first-served basis. But then said it had “intercepted a large number of suspicious X100VI Limited Edition orders,” which it then canceled. The fact that 200 units are again available suggests it canceled a large number of the ‘confirmed preorders’ that were listed on eBay immediately after the initial release.

You can enter with an email address, after which you will receive a unique authentication code that you’ll need to submit. Fujifilm then asks for your full name, address and that you agree to the T&Cs. You can only enter once and the company says it will actively monitor potential duplicate entries, voiding any it finds guilty of misusing the entry form.

The distribution of these 200 units is likely to bring an end to the surprisingly complex international saga of the limited edition’s allocation.

To be in with a chance to win, simply head over to the Fujifilm US Events website. Good luck!



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Blackmagic Design announces Pyxis modular full-frame video camera

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Blackmagic Design announces Pyxis modular full-frame video camera



Alongside the Ursa Cine, Blackmagic Designs also announced the Pyxis, a $3000, 6K full-frame (36 x 24mm) modular camera. It will be available with PL, locking Canon EF or Leica L mounts.

As with most of Blackmagic’s cameras, the Pyxis offers a series of aspect ratios and crops in different frame rates, extending from 6048 x 4032 pixel 3:2 open gate at up to 36p, to 17:9 DCI 4K at up to 60p taken from a Super35 (∼APS-C) region of the sensor. Unlike the Ursa Cine models, the Pyxis appears to use a conventional Bayer color filter pattern.

The Pyxis captures to CFexpress cards or outputs over USB-C to an external SSD or over Ethernet. It uses Blackmagic’s proprietary demosaiced and compressed ‘Blackmagic RAW’ format and can generate H.264 proxy files alongside. It has a built-in 4″ Full HD LCD panel that can act as an HDR display thanks to its 1500 nits peak brightness. Despite being described as a box camera, the Pyxis includes extensive direct controls, as well as this display.

The camera features a series of mounting points for handles, viewfinders and other accessories and has a replaceable side plate that can be swapped-out for one with a SSD/phone holder or a standard rosette connector.

The sensor is a dual conversion gain design that Blackmagic indicates as offering native ISO or 400 and 3200, with these two states used to provide all higher and lower ISO values (rather than using variable amplification as is usually done in stills cameras). Blackmagic claims 13 stops of DR.

The presence of dual conversion gain, its 36p open gate max frame rate and the need for substantial crops to achieve 60p (a very narrow 2.4:1 6048 x 2520px mode being the highest resolution at which it can be delivered) may point to the use of the 24MP Sony Semiconductor sensor that appears in a wide array of other cameras, From Panasonic’s S1H to Sigma’s fp and Nikon’s Zf. If this is the case, then there’ll be appreciably worse rolling shutter than the likes of Sony’s (much more expensive) FX6, but with the advantage of higher resolution capture and the greater format flexibility that comes with this.

The Blackmagic Pyxis is available from June 2024 at a recommended price of $3,000.

Blackmagic Design Announces New Blackmagic PYXIS 6K

NAB 2024, Las Vegas, USA – Friday, April 12, 2024 – Blackmagic Design today announced Blackmagic PYXIS 6K a next generation digital film camera that features a versatile box or cube design so you can rig up the perfect camera for your production! This new model features a massive 36 x 24mm 6K sensor with 13 stops of dynamic range and dual CFexpress media recorders, all in a customizable body. Blackmagic PYXIS 6K is available in three models, with customers able to choose between L-Mount, PL or Locking EF lens mounts. Blackmagic PYXIS 6K will be available in June from Blackmagic Design resellers worldwide from US$2,995.

The Blackmagic PYXIS 6K will be demonstrated on the Blackmagic Design NAB 2024 booth #SL5005.

With multiple mounting points and accessory side plates, it’s easy to configure Blackmagic PYXIS into the camera customers need it to be. PYXIS’ compact body is made from precision CNC machined aerospace aluminum, which means it is lightweight yet very strong. Customers can easily mount it on a range of camera rigs such as cranes, gimbals or drones. In addition to the multiple 1/4″ and 3/8″ thread mounts on the top and bottom of the body, Blackmagic PYXIS has a range of side plates that further extend their ability to mount accessories such as handles, microphones or even SSDs. All this means customers can build the perfect camera for the any production that’s both rugged and reliable.

Blackmagic PYXIS features a massive full frame sensor with a native resolution of 6048 x 4032. That’s almost three times larger than a Super 35 sensor and allows customers to shoot with a shallow depth of field or to use anamorphic lenses uncropped for a true cinematic look. Whether users are shooting in bright sunlight or in almost no light at all, the 13 stops of dynamic range with dual native ISO up to 25,600 provide stunning low noise images in all lighting conditions.

Using the full area of the sensor gives customers a unique open gate 3:2 image which also lets customers reframe their shots in post production. The large sensor also lets customers work in true 6:5 anamorphic without cropping, making widescreen cinematic images more detailed and in higher resolution than previously possible.

With 3 models, customers can choose between L-Mount, EF or PL lenses, making Blackmagic PYXIS compatible with the largest range of cinema and photographic lenses in the world. The L-Mount model works with the latest full frame lenses from Leica, Panasonic and Sigma but can also accommodate lens adapters, allowing customers to use a wide variety of new and vintage lenses. The EF model lets customers use high quality photographic lenses customers already own from DSLRs or even Blackmagic Pocket Cinema Cameras. Or the PL model lets customers work with professional cinema lenses from Zeiss, ARRI, Cooke and more without needing an adapter.

Blackmagic PYXIS can shoot in all standard resolutions and frame rates from HD up to DCI 4K and even 6K. Customers can even shoot stills at 24.6 megapixels. Blackmagic PYXIS will shoot up to 36 fps at 6048 x 4032 3:2 open gate or 60 fps at 6048 x 2520 2.4:1 and 60 fps at 4096 x 2160 4K DCI. For higher frame rates customers can window the sensor and shoot up to 100 fps at 2112 x 1184 Super 16.

The built in LCD on Blackmagic PYXIS is more than just a simple status display. It’s a 4″ high resolution HDR touchscreen that is also perfect for monitoring and reviewing shots on set. Its full HD resolution means customers can frame and focus their shots without needing to carry around a bulky external monitor. Customers can even use the display as a focus assist station.

Blackmagic PYXIS features a logical design that puts important functions such as ISO, WB and shutter at their fingertips with both touchscreen and physical controls. A row of 3 customizable function buttons means customers don’t have to go hunting through menus on a tiny screen to find a command. The controls can even be locked to avoid accidentally changing settings during a shot or when the camera is out of reach on a rig.

The innovative side plates expand the riggability of their camera even further. The standard plate included with Blackmagic PYXIS is made from the same aircraft grade aluminum as the camera body and features 2 1/4″ thread mounts and one 3/8″ thread mount, allowing customers to add microphones, brackets or other accessories. Or customers can attach the included SSD plate which offers a convenient location to securely attach a USB-C drive for recording or even a mobile phone for live streaming.

Blackmagic PYXIS records in Blackmagic RAW to preserve control of detail, exposure and color during post production. It also records HD H.264 proxies in real time making it easy to share media around the world in minutes. This means images always maintain unprecedented resolution and quality for color, keying, compositing, reframing, stabilization and tracking in HD, 4K or 6K.

The Blackmagic PYXIS features two built in CFexpress card recorders, and a USB-C expansion port for recording direct to external flash media disks or an SSD. CFexpress media are more durable and faster than even older media so are perfect for recording full resolution, 12-bit Blackmagic RAW files. Plus, with dual CFexpress slots, customers can keep recording because customers can hot swap full cards without stopping.

Blackmagic PYXIS supports creating a small H.264 proxy file in addition to the camera original media when recording. This means the small proxy file can upload to Blackmagic Cloud in seconds so their media is available back at the studio in real time. The ability to transfer media directly into the DaVinci Resolve media bin as editors are working is revolutionary and has never before been possible. Any editor working anywhere in the world will get the shots.

When uploading to Blackmagic Cloud, customers can use an Apple or Android phone to get a connection to the internet via mobile data. Simply connect the phone to the USB-C port and Blackmagic PYXIS will configure for mobile data. Customers can also connect via wired Ethernet using the camera’s Ethernet port. This lets customers get their media out as customers shoot so post production teams anywhere in the world can start work in real time.

Blackmagic PYXIS supports the optional Blackmagic URSA Cine EVF to make outdoors and handheld shooting accurate and easy. Customers get an integrated high quality 1920 x 1080 color OLED display with built in proximity sensor, 4 element glass diopter for incredible accuracy with a wide focus adjustment.

Blackmagic PYXIS features a wide range of connections for audio, monitoring, power and more. The camera includes a 12G-SDI out for monitoring with support for HDR and Ultra HD output. That means customers can connect an SDI display for on set monitoring of images, with or without overlays that show critical information and camera status. SDI allows for much longer cable runs than HDMI making it easier to reach monitors that are further away on set.

Blackmagic PYXIS features a built hardware streaming engine that supports RTMP and SRT streaming to YouTube, Facebook, X and more. For internet access, customers have two options, one to connect via Ethernet or customers can connect a 4G or 5G phone for mobile data. As the streaming is built into the camera, customers can see the stream status and data rate in the viewfinder and the LCD.

“Since the introduction of the original Pocket Cinema Cameras, our customers have been asking us to make it in a more customizable design,” said Grant Petty, Blackmagic Design CEO. “But we wanted it to be so much more than just a Pocket Cinema Camera in a different body. The new Blackmagic PYXIS is a fully professional cinema camera with more connections and seamless integration into post production workflows. We think customers are going to love the incredibly adaptable design and we can’t wait to see how they use it!”

Blackmagic PYXIS 6K Features

  • 36 x 24mm full frame 6K 6048 x 4032 sensor.
  • Open gate 3:2, full height 6:5 anamorphic and Super 35 for creating cinematic content.
  • Choice of models with L-Mount, PL or locking EF lens mounts.
  • Records full resolution up to 36 fps or 120 fps windowed.
  • Built-in 4″ HDR 1500 nit LCD screen.
  • Records Blackmagic RAW and H.264 proxies.
  • Extremely fast dual CFexpress card recording.
  • Ethernet or mobile data for mobile remote streaming.
  • Optional Blackmagic URSA Cine EVF.
  • Features 12G-SDI for monitoring with status overlay.
  • Professional mini XLR input with 48 volt phantom power.
  • Complete streaming solution for YouTube, Facebook, Twitter and more.
  • High capacity BP-U series batteries.

Availability and Price

Blackmagic PYXIS 6K will be available in June from US$2,995, excluding duties, from Blackmagic Design resellers worldwide.



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