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Just how good is Adobe Super Resolution? We put it to test with some classic 12MP ILCs

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Just how good is Adobe Super Resolution? We put it to test with some classic 12MP ILCs

We’ve covered both the launch of Adobe’s new Super Resolution feature, as well as its implications and benefits, according to photographer Michael Clark. So we thought it was high time to get some images into our studio testing widget and let you explore just how much detail this feature can add to files from older, lower-resolution cameras, compared with more modern high-megapixel models. After all, Adobe let you see how some crops of how our scene looked on their blog – now it’s time to check out the whole thing!

In some of our other informal testing with real-world images, we’ve found areas of more natural textures seem to look pretty good, so be sure to check out those areas of the test scene. Of course you’ll notice that this feature isn’t magic. Modern, high-resolution bodies with quality lenses will beat the algorithm anywhere you look, but that’s not necessarily the point.

We can’t bring one of those modern camera bodies back in time to re-shoot our favorite images, and so for many situations, this feature will absolutely breathe new life into older files. (Also, try hitting the ‘Comp’ button at the top to see what the Super Resolution files look like scaled back to the lowest common pixel count.)

And just for fun, we wanted to see what super resolution does on those higher-megapixel bodies as well. As you might expect, you don’t quite get benchmark-camera levels of detail (and we wanted to do Super Resolution on the Phase One image, but at the time of this writing, the resulting file exceeds the feature’s 500MP resolution limit).

So take a tour around the studio scene and see what you think, and watch this space for some testing with real world Super Resolution image comparisons in the coming weeks.

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7Artisans launches $130 APS-C 27mm F2.8 for Sony E mount

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7Artisans launches $130 APS-C 27mm F2.8 for Sony E mount


Image: 7Artisans

Chinese lens maker 7Artisans has announced the AF 27mm F2.8 prime lens for APS-C cameras using the Sony E-Mount.

The 27mm focal length gives a fractionally wide-angle ∼41mm equivalent field of view, while the semi-fast F2.8 maximum aperture should give some control over depth-of-field and better low-light performance than a kit zoom.

The compact prime consists of six elements in five groups. It uses a stepper motor and internal focus design, which is potentially promising in terms of autofocus speed. Unusually for a modern lens, it makes no use of aspherical, ED or other special glass, and features just six aperture blades.

The 48mm (1.9″) long, 173g (5.0oz) lens features a USB 3.0 socket on its side, allowing firmware updates. It has a minimum focus distance of 0.3m (11.8″) and accepts 52mm threaded filters. It is available immediately at a recommended price of $129.



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7Artisans launches $130 APS-C 27mm F2.8 for Sony E mount

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7Artisans launches $130 APS-C 27mm F2.8 for Sony E mount


Image: 7Artisans

Chinese lens maker 7Artisans has announced the AF 27mm F2.8 prime lens for APS-C cameras using the Sony E-Mount.

The 27mm focal length gives a fractionally wide-angle ∼41mm equivalent field of view, while the semi-fast F2.8 maximum aperture should give some control over depth-of-field and better low-light performance than a kit zoom.

The compact prime consists of six elements in five groups. It uses a stepper motor and internal focus design, which is potentially promising in terms of autofocus speed. Unusually for a modern lens, it makes no use of aspherical, ED or other special glass, and features just six aperture blades.

The 48mm (1.9″) long, 173g (5.0oz) lens features a USB 3.0 socket on its side, allowing firmware updates. It has a minimum focus distance of 0.3m (11.8″) and accepts 52mm threaded filters. It is available immediately at a recommended price of $129.



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7Artisans announces AF50mm F1.8 for Nikon Z mount

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7Artisans announces AF50mm F1.8 for Nikon Z mount


Image: 7Artisans

7Artisans has announced a version of its full-frame AF 50mm F1.8 lens for Nikon’s Z mount.

The lens, already available for Sony E mount, is 104mm (4.1″) long and weighs 421g (14.9oz).

Its optical formula is made up of 11 elements in 9 groups, including two aspherical, one ED and two high refractive index lenses. It features an 11-blade aperture diaphragm. It uses a stepper motor to drive an internal focus design.

Minimum focus distantce is 0.5m (19.7″) and it accepts 62mm threaded filters.

The company says it will be available soon at a price of $228.


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