Camera

Sigma announces 28-45mm F1.8 Art lens for full-frame cameras

Published

1 month ago

June 3, 2024

sarosh

Sigma announces 28-45mm F1.8 Art lens for full-frame cameras

Image: Sigma

Sigma has announced its newest optic, the 28-45mm F1.8 DG DN Art lens for E-mount and L-mount cameras. The lens covers a wide-to-standard focal range, and Sigma claims it’s the first constant aperture F1.8 zoom lens for full-frame mirrorless cameras.

Sigma is setting high expectations for this lens, claiming that it achieves image quality comparable to prime lenses and that it exceeds the performance of its own 24mm F1.4 DG DN and 50mm F1.4 DG DN Art lenses.

To do this, the 28-45mm F1.8 has an optical formula that includes three aspherical and five SLD (super-low dispersion) elements in front of an 11-bladed aperture. Sigma says the lens will deliver excellent performance wide open and is specifically designed to suppress longitudinal chromatic aberration.

The tradeoff for the fast aperture is size and weight: The lens is 151mm (6″) long with a diameter of 88mm (3.5″) and weighs 960g (33.9 oz).

Image: Sigma

Sigma is targeting video users in addition to still photographers. The lens’s autofocus is driven by an HLA (high-response linear actuator) motor to provide quick and fast AF, and Sigma says the optics are designed to minimize breathing when focusing. An internal zoom design should make it easier to use on gimbals.

Other features include a lockable aperture ring, a click/de-click switch allowing for clickless aperture changes and two customizable buttons. The minimum focus distance is 30cm (11.8″) across the entire zoom range, and the lens has a maximum magnification of 1:4. It uses an 82mm filter thread, and Sigma says the lens is dust and splash-resistant.

Pricing and availability

The Sigma 28-45mm F1.8 DG DN Art lens has a suggested retail price of $1349, which includes a case and lens hood. It’s expected to be available for purchase on June 20.

Click to see our 28-45mm F1.8 DN DG Art sample gallery

Press release:

Introducing the SIGMA 28-45mm F1.8 DG DN | Art, the First Full-Frame F1.8 Zoom Lens for Mirrorless Camera Systems

Ronkonkoma, NY – June 3, 2024 – SIGMA Corporation of America, the US subsidiary of SIGMA Corporation (CEO: Kazuto Yamaki. Headquarters: Asao-ku, Kawasaki-shi, Kanagawa, Japan) is pleased to announce the SIGMA 28-45mm F1.8 DG DN | Art lens. This is the world’s first zoom lens with a constant F1.8 aperture for full-frame mirrorless camera systems. Available for Sony E-mount and L-Mount, this new wide-to-standard zoom spans several popular focal lengths from 28mm to 45mm, with image quality comparable to prime lenses.

The SIGMA 28-45mm F1.8 DG DN | Art was developed as a full-frame successor to the SIGMA 18-35mm F1.8 DC HSM | Art (for APS-C DSLR cameras), which in 2013 became the first lens in the world to achieve F1.8 throughout the entire zoom range.

While offering the convenience of a zoom, this new lens does not compromise on optical performance. By effectively arranging 3 aspherical lens elements and 5 SLD glass elements, this lens suppresses various aberrations and achieves performance comparable to single focal length lenses, even surpassing the SIGMA 24mm F1.4 DG DN | Art and SIGMA 50mm F1.4 DG DN | Art, which have an established reputation for their optical quality.

In particular, the 28-45mm F1.8 DG DN | Art focuses on suppressing axial chromatic aberration, which is often noticeable in large-aperture lenses, to achieve images with minimal coloration on both the focus plane and bokeh, and to demonstrate high optical performance from open aperture. The minimum focusing distance is 30cm (11.8 inches) throughout the entire range, and the maximum magnification ratio of 1:4 is achieved at the 45mm focal length.

Featuring internal zoom and HLA (High-response Linear Actuator) autofocus, and an optical design that minimizes focus breathing, the SIGMA 28-45mm F1.8 DG DN | Art is well-suited for video work, including gimbal setups, thanks to its balanced design. The click/de-click switch and lockable aperture ring are designed to suit a variety of personal capture preferences, and the dust- and splash-resistant design also makes it suitable for shooting stills and video out in the elements.

The SIGMA 28-45mm F1.8 DG DN | Art lens will be available for $1,349 through authorized retailers in the US in late June 2024.

Learn more at the SIGMA America website:

https://www.sigmaphoto.com/28-45mm-f1-8-dg-dn-a

Sigma 28-45mm F1.8 DG DN Art specifications

Principal specifications
Lens type	Zoom lens
Max Format size	35mm FF
Focal length	28–45 mm
Image stabilization	No
Lens mount	L-Mount, Sony E, Sony FE
Aperture
Maximum aperture	F1.8
Minimum aperture	F16
Aperture ring	Yes
Number of diaphragm blades	11
Optics
Elements	18
Groups	15
Special elements / coatings	3 aspherical, 5 SLD
Focus
Minimum focus	0.30 m (11.81″)
Maximum magnification	0.25×
Motor type	Linear Motor
Full time manual	Yes
Focus method	Internal
Distance scale	No
DoF scale	No
Physical
Weight	960 g (2.12 lb)
Diameter	88 mm (3.46″)
Length	151 mm (5.96″)
Sealing	Yes
Zoom method	Rotary (internal)
Zoom lock	Yes
Filter thread	82 mm
Hood supplied	Yes
Tripod collar	No

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Camera

Lomography announces LomoChrome ’92 Sun-kissed limited edition film

Published

3 hours ago

July 9, 2024

sarosh

Lomography announces LomoChrome ’92 Sun-kissed limited edition film

Image: Lomagraphy

Lomography has announced LomoChrome ’92 Sun-kissed, an ISO 400 film intended to evoke nostalgia for the film look of the 1990s.

Lomography says the new film, featuring soft orange and yellow hues, is designed to capture the essence of the golden-hour glow. According to the company, the latest film is a follow-up to its LomoChrome Color ’92 film stock introduced last year.

“The gentle crackle of a beloved mixtape fills the air, mingling in the sweet, languid embrace of a carefree summer’s afternoon,” reads Lomography’s marketing copy. It goes on to state that the film offers cinematic blues and oranges under bright skies and vivid reds in shadier conditions.

Like all LomoChrome films, Lomography says that each production run is unique, with no two emulsions ever being the same.

LomoChrome ’92 Sun-kissed is available in 35mm, 120 and 110 formats and requires C-41 processing. It’s available for pre-order on the Lomography website; a 36-exposure roll in 35mm format retails for $12.90, while the 120 version sells for $11.90 and a 24-exposure 110 cartridge sells for $8.90.

Sample images provided by Lomography

The Leica D-Lux 8 is a gently updated version of the D-Lux 7, bringing the latest interface and styling cues to match the Q3 and reminding us how much we like a good enthusiast compact.

Nikon has announced the Z6III, its third-generation mid-range full-frame mirrorless camera. A new 24MP sensor brings speed to every part of the camera, and all the key features have been upgraded.

The newest version of Panasonic’s Micro Four Thirds video-oriented flagship camera has arrived, and it includes features like internal ProRes RAW recording, 32-bit Float audio capture, phase-detect autofocus, and compatibility with Panasonic’s Real-Time LUT system and Lumix Lab app.

The Lumix S9 is Panasonic’s newest full-frame mirrorless camera. It allows users to create their own custom looks for out-of-camera colors and is the first full-frame Lumix camera aimed squarely at social media content creators.

The Sony a9 III is the world’s first full-frame mirrorless camera to feature a global electronic shutter with simultaneous readout. After extensive testing of this 120 fps sports camera, to see what you gain (and, perhaps, lose).

What’s the best camera for around $2000? This price point gives you access to some of the most all-round capable cameras available. Excellent image quality, powerful autofocus and great looking video are the least you can expect. We’ve picked the models that really stand out.

What’s the best camera for travel? Good travel cameras should be small, versatile, and offer good image quality. In this buying guide we’ve rounded-up several great cameras for travel and recommended the best.

If you want a compact camera that produces great quality photos without the hassle of changing lenses, there are plenty of choices available for every budget. Read on to find out which portable enthusiast compacts are our favorites.

‘What’s the best mirrorless camera?’ We’re glad you asked.

Above $2500 cameras tend to become increasingly specialized, making it difficult to select a ‘best’ option. We case our eye over the options costing more than $2500 but less than $4000, to find the best all-rounder.

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Camera

Nikon Comedy Wildlife Awards: last chance to enter

Published

2 days ago

July 6, 2024

sarosh

Nikon Comedy Wildlife Awards: last chance to enter

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Three’s a crowd

The Comedy Wildlife Awards has released ten of the best entries it’s received so far, with less than a month left, if you think you’ve shot something better.

Deena Sveinsson / Nikon Comedy Wildlife Awards

The Leica D-Lux 8 is a gently updated version of the D-Lux 7, bringing the latest interface and styling cues to match the Q3 and reminding us how much we like a good enthusiast compact.

Back to the future: Pentax 17 film camera review

The Pentax 17 is the first Pentax film camera in two decades. It’s built around a half-frame film format and includes design cues inspired by previous Pentax models. Is the experience worth the price of admission? We tested it to find out.

Nikon has announced the Z6III, its third-generation mid-range full-frame mirrorless camera. A new 24MP sensor brings speed to every part of the camera, and all the key features have been upgraded.

‘What’s the best mirrorless camera?’ We’re glad you asked.

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Camera

Pixii launches 24MP Pixii Max, its first full-frame rangefinder

Published

4 days ago

July 5, 2024

sarosh

Pixii launches 24MP Pixii Max, its first full-frame rangefinder

Image: Pixii

French camera maker Pixii has announced the Pixii Max, a 24MP full-frame rangefinder camera that accepts Leica M-mount lenses.

The Pixii Max (Model A3410) is the company’s fifth camera and the first to move from an APS-C sensor to full frame. Like the previous, 26MP A2572+ and A2572 models, the Max uses a fully 64-bit processing pipeline, allowing fine-precision manipulation of the sensor’s 14-bit output.

Also like its predecessors, the camera’s true rangefinder viewfinder has framelines projected into it (35mm in this instance), meaning they can correct for parallax as you focus to closer distances. The outer limits of the finder represent a 28mm angle of view. The camera’s core exposure settings are also projected into the viewfinder.

Photo: Pixii

It also has a mono option that takes into account the relative perceptual lightness of its sensor’s Red, Green and Blue filters, to create a monochrome DNG Raw file. This should give the sharpness benefit of not having to demosaic the results, but won’t gain the ∼1EV improvement at any given ISO that completely removing the filter array would bring.

The Pixii Max is available for pre-order from July 5th at a cost of €3999, without taxes (approx $4325 at current exchange rates) for the version with 32GB of internal memory or €4249 (∼$4595). As before, the company says there are options to upgrade previous models to the latest specifications. We’ve asked the company for more details of this upgrade path.

Press Release:

Pixii SAS announces Pixii Max, its first full-frame camera with a high-performance 24.5MP sensor, wide-angle optical viewfinder and a seamless upgrade option for existing Pixii owners. Available for pre-order on July 5, with a launch price of 3999 euros w/o taxes.

Pixii SAS, the rising French startup, unveils Pixii Max today, its first full-frame digital rangefinder camera.

Building on the success of its predecessors, Pixii Max marks a significant leap forward with exciting new features:

New 24.5MP full-frame sensor: The carefully selected, high-resolution 24.5MP full-frame sensor, builds on the strength of its pixel technology to deliver outstanding image quality, with exceptional dynamic range surpassing even its top-ranked predecessors. Photographers will appreciate the familiar feel of the 24×36 sensor paired with their rangefinder lenses of choice.

Wide-Angle Viewfinder: The new optical viewfinder complements the sensor capabilities, with high-index optical glass and fully multi-coated anti-reflective surfaces, to offer unmatched clarity and a wider field of view. The new design features comfortable frame lines for 35mm lenses, while offering an ultra-wide field of view, up to 28mm.

Upgrade option: Pixii Max isn’t just a new camera; it’s also another new upgrade path for existing Pixii camera owners. It packs all the power of Pixii Max into the existing compact form factor, with even a slight reduction in overall depth. The new upgrade confirms Pixii’s commitment to preserving the investment made by photographers in their cameras.

Additional Key Features of Pixii Max:

Modern 64-bit Platform, shared with the current Pixii cameras models, providing exceptional performances, connectivity and seamless over-the-air software upgrades.

Native Monochrome, Pixii’s exclusive feature to capture true B&W digital negatives with a bayer sensor. Pixii Max is also fully capable of producing native monochrome files.

Interactive Rangefinder Viewfinder, another Pixii exclusive feature providing real-time controls and indicators right inside the optical viewfinder, for a truly modern and immersive experience.

The Pixii Max joins the Pixii camera family, offering photographers a new option for rangefinder photography. Pixii remains committed to producing and developing the well-loved APS-C model, proposing two exceptional cameras to choose from for photographers with different needs.

Pricing and Availability

Pixii Max (Model A3410) will offer photographers a new entry point into the world of full-frame digital rangefinders, with special introductory prices:

Pixii Max (32GB): 3999 EUR w/o taxes.
Pixii Max (128GB): 4249 EUR w/o taxes.

Pixii Max will be available for pre-order on July 5.

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