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8K adventure: Insta360 announces the Ace Pro 2 action camera

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8K adventure: Insta360 announces the Ace Pro 2 action camera


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Image: Insta360

Insta360 has announced the Ace Pro 2, its newest action camera and successor to its Ace Pro model. Although similar in appearance to its predecessor, the Ace Pro 2 includes some notable upgrades.

The Ace Pro 2’s camera is built around a Type 1/1.3 (9.6 x 7.2mm) image sensor, which can capture up to 8K video or 50MP photos. Insta360 claims the camera can deliver up to 13.5 stops of dynamic range. The camera is co-engineered by Leica and includes a Summarit-branded F2.6 lens with a 157° FOV (13mm equiv).

In video mode, the Ace Pro 2 can capture up to 8K/30p (16:9) or 4K/60p (4:3 or 16:9) using Insta360’s Active HDR technology or up to 4K/120p or 1080/240p without Active HDR and supports both the H.264 and H.265 codecs. For photos, the camera supports both JPEG and DNG Raw capture.

Image: Insta360

Other recording features include a pre-capture mode that can record up to 120 seconds of video before hitting the record button, gesture and voice control, and the ability to pause/resume recording. Insta360 says that Leica engineered the camera’s color profiles.

The Ace Pro 2 also includes Insta360’s FlowState stabilization technology designed to minimize or remove camera shake for smoother video. A 360° horizon lock can be applied in-camera to keep the horizon level while shooting.

The camera also gains a slightly larger 2.5″ LCD flip screen for self-capture, up from its predecessor’s 2.4″ screen. Insta360 doesn’t provide screen resolution in the camera’s specifications but claims the new screen has a 70% increase in pixel density and a 6% increase in brightness.

According to Insta360, the Ace Pro 2 is the first action camera with dual AI processors: a dedicated processor to handle image processing and noise reduction and a second processor to handle further image processing and to deliver a smoother user experience on the camera.

Image: Insta360

The dual processors also enable some of the more demanding shooting modes like 8K/30p, 4K/60p with Active HDR and upgraded PureVideo, which the company describes as “A specialized shooting mode that drastically reduces noise and enhances details in real time for cleaner, brighter images, even in extreme low light.” Insta360 says that PureVideo uses a custom-trained AI neural network to deliver better low-light results and when using Active HDR.

The Ace Pro 2 is waterproof to 12m (39 ft.), up from 10m for its predecessor, and up to 60m (197 ft.) when used with Insta360’s dive case for the camera. It includes a new wind guard to reduce wind noise, a removable lens guard, and features Insta360’s magnetic mount system. The camera is rated for use in temperatures down to -20°C (-4°F).

The Ace Pro 2 also gains a new, higher capacity 1800mAh battery. When using the new Endurance Mode, Insta360 claims that the camera will provide 50% longer runtime than its predecessor when shooting 4K/30p and quotes a maximum runtime of 180 minutes (based on 1080p video capture). The battery can charge to 80% in 18 minutes or 100% in 47 minutes.

Image: Insta360

Once video is captured, the Ace Pro 2 uses AI to help users create and share content. The AI Highlights Assistant is designed to automatically find the best moments from captured videos, which can be reviewed on the camera, after which the Auto Edit feature will create a recap video. Insta360 has also expanded compatibility with third-party sports accessories and apps from companies like Apple, Garmin, Nike Run Club and COROS to enable the overlay of real-time information and statistics.

Price and availability

The Insta360 Ace Pro 2 is available beginning today. The standard bundle, which includes a wind guard, battery, standard mount, mic cap and USB-C cable, retails for $399. A dual-battery bundle, which consists of the same accessories but with two batteries, retails for $419.

Meet Insta360 Ace Pro 2: Redefining Action Cameras With Unrivaled 8K Image Quality & Smarter AI

Insta360 is thrilled to announce the latest addition to its Ace series, Insta360 Ace Pro 2. This groundbreaking wide-angle action camera delivers unparalleled image quality, smarter, easier capture powered by AI, upgraded audio, and an improved rugged design made for action at its most extreme.

Co-engineered with Leica, it delivers serious performance upgrades with the sophisticated dual AI chip, a first for any action camera, and state-of-the-art imaging courtesy of a new 1/1.3″ 8K sensor and Leica SUMMARIT lens with a 157º field of view. Creators can experience smoother videos with higher frame rates at 8K30fps and 4K60fps Active HDR, PureVideo for excellent low light performance, a bigger 2.5″ flip touchscreen and more.

The action camera utilizes Insta360’s advanced AI technology to offer a smarter experience from shooting to sharing. Innovative functions like the option to pause or cancel a recording, gesture and voice control, Auto Edit and AI Highlights Assistant completely transform the experience for creators. With no more complex workflows, anyone can experience a simpler way to film and spend more time immersed in the moments they love.

Insta360 Ace Pro 2 significantly improves on its design, offering a more rugged, reliable action camera. Its waterproofing has increased to 39ft (12m), and it offers crystal-clear audio with a new Wind Guard and a removable Lens Guard to handle whatever you throw at it, providing full flexibility for action and sports enthusiasts.

“Our goal was to refine and enhance the groundbreaking features of the original Insta360 Ace Pro to deliver an unparalleled experience,” says JK Liu, founder of Insta360. “We are confident these upgrades establish a new industry standard. Not only do they bring significant advances in AI, they empower creators to capture what was always impossible with other action cameras, opening the door to unprecedented creative potential.”

Insta360 Ace Pro 2 is available to order today via Insta360.com worldwide, as well as trusted retailers such as Amazon and select authorized partners.

Unparalleled Image Quality, Day and Night

Legendary Leica optics once again meets Insta360 innovation in the form of a SUMMARIT lens, setting it apart from competitors with its state-of-the-art image quality. Combined with an upgraded 1/1.3″ 8K sensor offering 13.5 stops of dynamic range, Insta360 Ace Pro 2 delivers simply breathtaking visuals in situations other action cameras simply can’t handle.

Further contributing to its image quality and performance is the industry-leading dual-chip design. Insta360 Ace Pro 2 is the first action camera with a dedicated Pro Imaging Chip that handles image processing and noise reduction, while a separate 5nm AI Chip handles further image processing and overall camera performance, providing a smooth, seamless user experience. The dual chip also enables more shooting modes and higher specifications, such as 8K30fps video, 4K60fps Active HDR, and upgraded PureVideo. Even in fast-moving motion and high-intensity action, creators can enjoy smooth, sharp videos thanks to the higher frame rates or slow it all the way down with crisp 4K120fps slow motion.

A complex, custom-trained AI neural network underpins PureVideo, a specialized shooting mode that drastically reduces noise and enhances details in real time for cleaner, brighter images, even in extreme low light. Whether it’s twilight strolls or evening rides, creators can record what they never could before. For the daytime, upgraded 4K60fps Active HDR (High Dynamic Range) brings out all the details in intense highlights and shadows for more vibrant footage. Meanwhile, a wider 157° FOV captures more of the surroundings, perfect for vlogging or when the scenery really matters.

Exclusive Leica-engineered color profiles infuse footage with their signature aesthetic, adding a touch of elegance to every shot. Insta360’s devotion to color accuracy is seen elsewhere with Insta360 Ace Pro 2’s ability to retain rich and precise colors, even underwater.

Ready for Action Anytime, Anywhere

The upgraded design proves to be even more rugged, ready for when you ramp up the action. Waterproofing has increased to 39 feet (12 meters) or 197 feet (60 meters) with the Dive Case, and it handles temperatures as low as -4ºF (-20ºC) with ease, perfect for winter sports and extreme climates.

The new, removable Lens Guard provides greater all-around protection, meaning creators can feel confident to push the limits further and capture the impossible, knowing their action cam is up to the challenge.

An all-new Wind Guard keeps wind and noise at a minimum during those peak moments, ready to snap on and off as you need. With refreshed audio algorithms bringing professional-grade clarity to your content, you can immerse your viewers like never before. What’s more, the magnetic mounting system lets you seamlessly switch between accessories. Less time spent unscrewing and screwing your camera and mounts, more time in the moment.

Insta360’s leading FlowState Stabilization technology ensures videos remain incredibly smooth no matter what, while 360º Horizon Lock, now applied automatically in-camera, keeps everything perfectly level. Prioritizing performance and convenience, Insta360 Ace Pro 2 sports a bigger 1800mAh battery and a new Endurance Mode that offers a 50% longer runtime at 4K30fps than Insta360 Ace Pro. Fast charging powers the battery to 80% in 18 minutes or 100% in 47 minutes, so you can get back to the action quicker.

Insta360 has expanded its compatibility with several top third-party sports accessories, allowing action and sports enthusiasts to add a new level of detail. For data-rich videos, overlay real-time stats from third-party sports brands and apps, including Garmin, Apple, COROS, Nike Run Club, and more. For moto vloggers, pair Insta360 Ace Pro 2 with your motorcycle helmet headset from Sena, Cardo, and more for clear dual-track audio and hands-free control every ride. Alternatively, users can add stats from their phone directly in the Insta360 app without any extra gear, or use the GPS Preview Remote for easy live preview, remote control, and real-time GPS data.

Made for those who demand the highest standard of action capture, Insta360 Ace Pro 2 offers the perfect combination of durability and high-quality performance to capture life’s thrills with confidence.

Smarter, Easier Capture & Editing

Insta360 Ace Pro’s flip touchscreen proved an essential and convenient tool for creators and has been further upgraded to 2.5 inches. With a 70% increase in pixel density and a 6% increase in brightness, it allows for perfect framing and easier preview for vlogging, selfies, and difficult angles, all while remaining visible under bright sunlight. Instead of guessing if your shot looks perfect, you can shoot with confidence, knowing it is.

Internally, Ace Pro offers innovative solutions to problems that have hindered action enthusiasts for years:

  • 4K Clarity Zoom – Want a close-up but the image quality becomes too grainy? Zoom in and out 2x without losing quality.
  • Pre-Recording – Never miss a moment with up to 120 seconds of footage saved before you even hit record.
  • Gesture & Voice Control – Use quick hand signals or verbal commands to control the camera, such as start/stop recording or take a photo, ideal if it’s mounted out of reach.
  • Pause/Resume Recording – Got time between shots? Hit pause and continue recording when you need to keep everything in one continuous file for easier file management and editing.
  • Timecode – Seamlessly synchronizes multiple cameras for an efficient editing workflow.

Insta360’s revolutionary AI features demonstrate a commitment to making shooting and editing as accessible as possible. Anyone, regardless of their skill level, will be amazed at what they can create. For those who aren’t confident editing, AI Highlights Assistant automatically finds the best moments from a video and delivers the highlights for review, all in-camera. Creators can merge every thrilling moment into one incredible recap or choose the ones their favorites and delete any unwanted clips to save storage.

The Assistant also helps craft your next reel from your adventures and pushes it directly to your smartphone via the Insta360 app. Look back on all your Memories and share those unforgettable moments in seconds.

Acting as a full editing suite in your pocket, the Insta360 mobile app fully embraces the game-changing possibilities of AI with advanced Auto Editing, one-tap templates and creative Shot Lab effects. Instead of spending hours learning complex tools and editing workflows, AI does it all for you, bringing your clips to life with dynamic cuts and transitions. Creators can even achieve the infamous Invisible Selfie Stick effect with the AI Selfie Stick Eraser in the app for third-person views. Looking for a real twist? AI Warp uses preset or custom keywords to bring your wildest ideas to life.

Available Now

Insta360 Ace Pro 2 is available to purchase today worldwide via Insta360.com, Amazon, and select retailers. The Standard Bundle retails for US$399.99 and includes a Wind Guard, battery, Standard Mount, Mic Cap, and USB-C Cable. The Dual Battery Bundle includes the same accessories and two batteries for US$419.99.



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Leica promises Camera to Cloud Frame.io integration for mirrorless models

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Leica promises Camera to Cloud Frame.io integration for mirrorless models


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The SL3 mirrorless model will be the first Leica to gain Camera to Cloud capabilities

Photo: Richard Butler

Leica has announced it’s collaborating with Adobe to add the Camera to Cloud Frame.io upload feature to its “portfolio.”

The rollout will begin with the SL3 model, as discussed at the Adobe MAX event last week.

Interestingly the company specifies that the feature will be coming to its “mirrorless system cameras” which would exclude both the D-Lux8 and Q3 compacts. However, we’d be surprised if the Q3 models don’t eventually gain the feature, given how similar their underlying firmware and processors are to the SL3. The implication appears to be that M models could gain the feature, though.

Camera to Cloud, first offered by Fujifilm, has more recently been adopted by Panasonic, with which Leica has a technology development collaboration.

Notably, Leica was the first camera maker to offer one of the other much-discussed features at Adobe MAX: the ability to embed Content Authentication Initiative-compliant ‘Content Credentials.’

Press Release:

Leica Camera AG collaborates with Adobe to Bring Frame.io’s Camera to Cloud Capabilities to its Portfolio

Wetzlar/Miami, October 2024. At Adobe MAX – the world’s largest creativity conference – Adobe and Leica Camera AG announced the integration of Adobe’s Frame.io Camera to Cloud technology into selected Leica mirrorless system cameras, starting with the SL3 camera in 2025. Frame.io’s Camera to Cloud platform is the fastest and most secure way to get media from the set to the people who need to work with it.

Nico Köhler, Head of Product Experience at Leica Camera: “Collaborating with our partners from Adobe again, marks a significant milestone in the continuous pursuit of innovation at Leica, providing photographers and videographers with seamless workflow solutions. The inclusion of Frame.io Camera to Cloud in the Leica SL3 enhances this commitment for offering increased speed and flexibility that empowers professionals in both photography and videography.”

Thanks to the Frame.io integration, Leica users will be able to deliver assets to social media within minutes, provide same-day delivery of photos and videos for events, and enable real- time collaboration and efficient approval processes with clients. The integration of Frame.io Camera to Cloud will be provided via Firmware Update with the Leica FOTOS App or on the Leica Corporate Website in 2025.



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Gear we love: My decade-long test of the Lowepro Photo Sport 300 photo pack

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Gear we love: My decade-long test of the Lowepro Photo Sport 300 photo pack


The Lowepro Photo Sport 300 AW II alongside the Panasonic GH7 with 12-60mm F2.8-4 and Olympus 40-150mm F2.8 Pro for scale.

Photo: Dale Baskin

We don’t usually test a product for a decade before reviewing it, but in the case of the Lowepro Photo Sport 300 AW II camera pack, I’m going to do precisely that. Why? Because this is a piece of gear I genuinely love. Over the past ten years, I’ve probably used it as much as any other product I own, except for my mobile phone.

I’ve auditioned many camera packs: I’ve bought some, borrowed some, tried packs that came through the DPReview offices and built my own DIY solutions. None worked as well for me as the Photo Sport 300 AW II.

Let’s agree up front that there’s no such thing as a perfect camera pack, but I’ll explain why this pack has traveled everywhere with me for ten years. This long-term review is based on my own experience using the Photo Sport 300 AW II for a decade.

Lowepro Photo Sport 300 AW II overview

The Photo Sport 300 AW II backpack is part of Lowepro’s ‘Photo Sport’ line, aimed at hikers and outdoor enthusiasts, and it looks more like an outdoor pack than a camera pack.

A configurable camera cube sits at the bottom of the pack, accessed through a side panel. It provides adequate space for most full-frame mirrorless cameras, like a Sony a7, Nikon Z6, or Canon R6, with a lens attached, along with a second lens.

The configurable camera cube has enough space for most full-frame (or similarly sized) mirrorless cameras and a second lens as long as it’s not a big telephoto. Don’t plan on putting a Nikon Z9 or Canon R1 in it, though.

Photo: Dale Baskin

The upper section of the pack is top-loading and closes with a drawstring, similar to many climbing packs. The top flap includes an integrated storage compartment, and the side has a pocket for carrying a water bottle or a small tripod.

There’s also a 2-liter compartment for a water reservoir. A small compartment on the bottom hides a very capable rain cover, so it’s always with you.

The upper section of the pack closes with a drawstring, similar to some climbing packs. You can stuff a lot of gear inside as long as you don’t mind the pack getting a little bit taller.

Photo: Dale Baskin

The back panel is pretty minimalist. It doesn’t have a mesh design for ventilation, which I know many people like, but I prefer the simpler design. I’ve never found it too hot, even in the Amazon jungle. After years of hiking with it, I’ve worn through the fabric right down to the padding, but it still works great.

The back panel has a minimalist design, but I find it still breaths well and keeps the pack compact. At the bottom, you can see where I’ve worn through the fabric after years of daily use.

Photo: Dale Baskin

Lowepro no longer makes this exact model; its successor, the Photo Sport Outdoor Backpack BP 24L AW III, has a similar design and should perform similarly. You can read our full review of the Photo Sport 24L AW III to learn more about it.


Buy the Photo Sport Outdoor Backpack 24L AW III:


What I like

For me, the Photo Sport 300 AW II is a Goldilocks product: it provides just the right balance between camera storage and space for other gear.

I keep using it for three primary reasons: lifestyle, durability and flexibility.

Lifestyle

The Photo Sport 300 AW II works so well for me because it’s a good match for my lifestyle, and that’s a good guiding principle for any camera pack. I often travel with a combination of camera and non-camera gear, and I generally pack pretty light.

I’ve become more efficient with gear over the years, and despite anxiety about not having every possible focal length in my bag, I’ve learned to work with a single body and just one or two lenses most of the time. If I need something extra, I put it in a padded case in the top of the pack.

I live in the Pacific Northwest, so my lifestyle often includes rain. Thanks to a hidden compartment in the base of the pack, the very effective rain cover is always with me.

Photo: Dale Baskin

The side panel access makes getting to my cameras quick and easy. I realize this is a polarizing aspect of camera pack design, but this design works for me on this pack. I would choose something other than side access on a pack meant to carry multiple bodies and lenses, but on this pack, it works very naturally for me.

Durability

This pack is tough as hell and never failed me despite being subjected to a lot of abuse. It’s been used almost every day for ten years, and it still feels like it has years left in it.

It’s been dragged through taiga forests in the sub-arctic and the mud of tropical jungles. It’s been stuffed into cargo bins on buses, tied to the roofs of minivans going over mountain passes in snowstorms, traveled around the Amazon in open canoes, bungied to the backs of motorcycles and tied to tuk-tuks. It has the dirt and grime to prove it.

My pack has the dirt and grime to prove it’s been used and abused. It’s a far cry from the bright blue color it had when I bought it.

Photo: Dale Baskin

In short, this is a bag I trust.

It’s showing some wear and tear. A couple of fabric spots in the pack’s interior are a bit frayed, and the bottom of the water bottle pocket has small holes from being scraped on the ground too many times. But everywhere it really matters – the straps, zippers, and any critical points of attachment – it’s stitched to last and as solid as the day I bought it.

Flexibility

The Photo Sport 300 AW II is relatively compact when needed, but the main compartment holds a larger volume than you would expect as a result of its similarity to a climbing pack. However, I’ve never had trouble fitting it under an airplane seat (as long as I haven’t stuffed it too full).

There’s a compartment for a water reservoir, but I’ve found it works equally well for a 13-14″ laptop computer, and I currently use it to carry a 14″ MacBook Pro.

The hydration compartment works equally well for carrying a water reservoir or a laptop computer. My 14″ MacBook Pro slides right in, though I have to spread the straps a bit to do it.

Photo: Dale Baskin

In those rare cases where I don’t want to carry camera gear (hey, it happens), I like that I can squish the padded cube to take up less space, allowing me to use it as a regular daypack.

Finally, this pack doesn’t scream ‘camera bag’! Most people will likely think it’s a daypack rather than a camera pack, making it easier to blend in. Those in the know will recognize the Lowepro name if they see it, but the logo is pretty small and subtle.

Things I’d like to see improved

I like the Photo Sport 300 AW II a lot, but there are a few things I’d like to see improved.

I often use the side pocket to carry a compact tripod, like the Peak Design Travel Tripod. However, the side strap that secures the tripod’s top is too high for many travel tripods. As a result, I also use the strap from the top panel to help secure the tripod, but it’s an imperfect solution.

I often carry a travel tripod in the side pocket, but the blue strap that secures the top is just a little bit too high to reliably hold it in place.

Photo: Dale Baskin

I wish the hip bet were removable. I use the hip belt for hiking, but the pack is so versatile that I also use it for travel, where I don’t want the hip belt hanging off my back while riding trains or walking through a foreign city.

Finally, I wish the camera cube was removable when not carrying photo gear. Fortunately, Lowepro also figured this out: the cube is removable in later versions of the pack I’ve seen, which seems to have carried through to the newer model(s).

The final word

Finding the right camera pack is one of the most elusive things in photography – more difficult than finding the right camera, in my opinion. That explains why so many photographers have a closet full of them. I’m thrilled to have found one that works so well for me.

Most people won’t recognize the Photo Sport 300 AW II as a camera backpack. Those in the know will recognize the Lowepro logo, but it’s relatively small.

Photo: Dale Baskin

Despite my affinity for the Photo Sport 300 AW II, I’ll be the first to tell you it’s not the best bag for every situation. If I’m on a shoot that requires multiple bodies and lenses or a bunch of video gear, I’ll use an appropriate pack. But the Photo Sport 300 AW II is my daily driver for most activities, even ones that don’t involve photography.

Lowepro no longer sells this exact model, but the Photo Sport Outdoor Backpack 24L AW III that replaces it is very similar, albeit slightly smaller. I suspect most of my observations about the Photo Sport 300 AW II would also apply to it.

You’ve heard from me, so now I want to hear from you. In the comments section below, tell me what your favorite camera pack is and why you love it!


Buy the Photo Sport Outdoor Backpack 24L AW III:




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Accessory Roundup: a leather half case, jog dial, and more

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Accessory Roundup: a leather half case, jog dial, and more


Images: Logitech, Apple, SmallRig

Hello everyone! It’s been a busy week here at DPReview, and the same has apparently been true for accessory makers. Today we’ll be looking at some stylish accessories for Fujifilm’s new entry-level camera, some computer accessories that may make editing easier, another digital photo frame, and more. First, though, let’s see what’s on sale.

A Couple of Canons

Picture of the Canon EOS R7 being held in one hand

The Canon EOS R7, which won our Silver award last year, is currently $200 off. It’s also worth noting that the main thing that kept it from getting Gold was the lack of RF-mount lenses that made sense for an APS-C camera, but that situation has been someone improved now that Sigma has released several of its F2.8 ‘Contemporary’ zoom lenses for the system.

Photo of a Canon R6 II being held in an outstretched hand
Photo: Dale Baskin

If you’re looking for a full-frame option, the gold-winning EOS R6 Mark II is also currently on sale at $500 MSRP.

Vintage-looking clothes for a brand-new camera

Photo of a Fujifilm X-M5 in a brown half-leather case laying on a wood table with a body cap, iPhone, and Airpods
The case looks especially good with the black X-M5, though unfortunately, that model isn’t shipping until April.

Image: SmallRig

Fujifilm’s new X-M5 hasn’t even hit store shelves yet, but SmallRig has already announced new accessories for it. There are the usual suspects, like an L-shaped handle that adds more grip and a thumb grip accessory, but there are also some more stylish options meant to match the camera’s retro aesthetic. Perhaps the most classic is the half leather case that’s meant to evoke classic rangefinders and which comes with a new braided wrist strap. The latter can, of course, be used with pretty much any camera and SmallRig is selling it standalone as well.

$36.99 at SmallRig

Photo of someone holding an X-M5 in a bronze and gold-accented cage
There’s probably a bit of irony in using such retro-styled accessories on a vlogging-focused camera with no viewfinder, but it’s hard to deny how stylish they are.

Image: SmallRig

There’s also a ‘Retro Cage,’ which is made to look like aged bronze and features gold-colored accents. It also includes a wooden hand grip section. Outside of the looks, it’s a pretty standard cage, adding several mounting points to the camera for those who are serious about rigging it up for video use. The cage and the L-mount kits also include a fuzzy windscreen that clips onto the hot shoe mount, which should help cut down on the amount of wind noise picked up by the X-M5’s three microphones.

$84.90 at SmallRig

An ultra-portable editing tool

iPad Mini on a white background running Adobe Lightroom
Image: Apple

It’s no secret that a lot of photographers love editing photos on an iPad using an Apple Pencil, especially now that it’s super easy to connect a camera to it via the near-universal USB-C. And for those looking for the utmost in portability, there’s good news: Apple just updated the iPad Mini, adding the A17 Pro processor from the iPhone 15 Pro and making it compatible with the Apple Pencil Pro, which has haptic feedback and squeeze control.

From a technical perspective, the Mini is less capable than the latest iPad Air, which packs an M2 chip, which is itself slower than the M4 powering iPad Pro. The latter also has a much better screen than the Mini; the Pro’s 120Hz ‘tandem OLED’ display can reach brightnesses of up to 1,600 nits when viewing or editing HDR content, while the Mini’s 60Hz LCD screen caps out at 500 nits.

None of that is to say that the Mini isn’t capable, just that there are trade-offs to its smaller size and lower price – the A17 Pro is still a plenty-powerful chip for most editing tasks.* But if portability is your number one priority, it’s hard to beat the iPad Mini.

* All the image editing for this article was done using Photoshop on an iPad with a much older A14 chip.

$499 at Amazon

$499 at B&H

$499 at Apple

A desktop editing tool

Photo of the Logitech MX Creative Console, a bank of 9 buttons and a jog wheel, laying on a table next to a keyboard.
We got to try out the MX Creative Console at Adobe Max, and found that it could be very useful in Lightroom and Photoshop.

Photo: Mitchell Clark

If you prefer to do your photo editing on a computer, it may be worth checking out Logitech’s new MX Creative Console accessory. There are two parts to it: a bank of buttons that are actually tiny displays, and a jog wheel surrounded by a scroll wheel and four programmable buttons. On the software side, the console connects to programs like Lightroom, Lightroom Classic, Photoshop and Capture One.

You can fill the bank of buttons with various functions, like selecting certain parameters or tools, which you can then control with the wheel. You can also use the wheel to zoom in or scroll through your library. All of it is customizable, too, and you can have several pages of buttons for each application, which you move through using two arrow keys on the console.

The bank of buttons connects to your computer via USB-C, while the wheel uses Bluetooth. The company says it can run for up to six months off two AA batteries.

App support for the Creative Console is currently relatively limited: it doesn’t natively tie in to the Affinity creative apps, or Apple’s Final Cut Pro. There are ways around that – you can bind keyboard shortcuts to the console’s keys – but the experience won’t be as smooth as it is in the natively-supported Photoshop, Lightroom, or Capture One. Logitech says companies are absolutely welcome to create integrations, but it’s always worth buying hardware for what it can do now rather than what it may be able to do in the future.

$199 at Amazon

$199 at B&H

Another new digital photo frame

Image of someone swapping a wood frame on the Frame 2 for a plastic green one
Image: Skylight

Earlier this month we covered Lexar’s new digital photo frame brand, and this week we’re hearing about another new digital photo frame. This one is from the brand Skylight, which has upgraded its Frame display to up the resolution, add swappable face plates, and provide more storage.

The Frame 2 has a 25.4cm (10″) 1920 x 1200 anti-glare display with auto-adjusting brightness. It comes with 16GB of storage, which the company says can hold up to 16,000 photos. The Frame’s frame is held on by magnets, making it easy to remove if you want to change up how it looks. The company says there’s eight colors available across four styles.

The Frame 2 costs $169 with the ‘Classic’ or ‘Cover’ frame, or $199 for the variant with the ‘Wood’ or ‘Shadow Box’ frame. Of course, you can always swap the frame out later; the Classic and Cover frames are available for $15 each, and the Wood and Shadow Box ones are $30 each.

$169 at Skylight

A new action cam cometh

Image of an action camera floating against a black background with its screen flipped up. A red 2 is cast onto it in light.
Image: Insta360

Action cams, like drones, are often used as an accessory supplementing a main camera; after all, nobody wants to strap their EOS R7 to the front of a bike or a surfboard. Insta360 is teasing what appears to be a new generation of its flagship Ace Pro action camera, with an announcement set to come on October 22nd.

If you were considering the new GoPro Hero13 Black or DJI Osmo Action 5 Pro, it may be worth waiting until then to see what Insta360 is bringing to the market – the company certainly seems to think it has the leg up, with its marketing tagline of ‘the real pro’ seeming to act as a not-so-subtle dig at both cameras.

Click here to see last week’s roundup



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