Connect with us

Camera

A nature photography tour of Madagascar, Part 3: Kirindy Forest

Published

on

A nature photography tour of Madagascar, Part 3: Kirindy Forest


In the last two articles in this series, I wrote about my visits to Andasibe National Park, where I photographed lemurs and chameleons, and Tsingy Rouge National Park, where I saw beautiful erosion-formed formations. This time, I’d like to write about my visit to Kirindy Forest.

A Verreaux’s Sifaka, my favorite lemur species in Kirindy, feeding in a tree. The eyes on some of these lemur species are incredible.

Canon EOS 5D Mark IV, Sigma 150-600mm F5-6.3
150mm, 1/1000 sec, F6.3, ISO 800

Kirindy Forest (or Kirindy Private Reserve) is a private nature reserve located in the west of Madagascar. The forest is home to a wide variety of animals, from many species of lemurs to fossas (a very weird-looking predator) to geckos and chameleons. Numerous species of plants and trees are also found in the region, the most famous and iconic of which is the baobab tree.

Baobab trees under post-sunset glow. The gaps between the trees made it easier to compose without creating overlap.

Canon EOS 5D Mark IV, Canon 70-300mm F4-5.6
83mm, 13 sec, F11, ISO 200

From a photographic point of view, Kirindy is nothing less than a paradise and was one of my favorite locations on my month-long Madagascar trip. The wildlife is surprisingly easy to find and photograph (with many highly skilled and cheerful guides available on the premises), the baobabs are easy to get to, and there are comfortable accommodation options close by. The only bad thing is the Wi-Fi connection.

Lemurs are one family of primates Kirindy has no shortage of. There are no less than eight lemur species here, from the tiny Madame Berthe’s Mouse Lemur (the smallest primate in the world, weighing 30 grams) to red-fronted lemurs, sportive lemurs and sifakas. I photographed all of Kirindy’s diurnal species in three days, which shows how easy they are to find with a good guide. As to being easy to photograph, that’s a different story.

Red-fronted lemur

Canon EOS 5D Mark IV, Sigma 150-600mm F5-6.3
347mm, 1/125 sec, F5.6, ISO 400

The easiest species to find in Kirindy is the red-fronted lemur. They are small and relatively common, so one could say they’re also the least exciting of the local lemur species, but I found them to be very cute and expressive subjects.

Unfortunately due to massive deforestation and climate change, Madagascar’s lemurs are losing their ability to migrate and access water. Authorities are trying to help them by giving them water. The red-fronted lemurs are, therefore, much less averse to getting close to humans. I really hope this doesn’t hurt them in the long run.

A red-fronted lemur is feeding in a tree. Its interaction with its environment is what makes this image. These animals are cathemeral, meaning that they are active during the day and at night, especially during the full moon.

Canon EOS 5D Mark IV, Sigma 150-600mm F5-6.3
403mm, 1/250 sec, F6.3, ISO 800

The interestingly named sportive lemurs appear not to be sportive at all. Most of the time, they rest in the trees to digest the plants they have eaten. But during the mating season, male sportive lemurs have been observed to box with each other, which gave them their unusual name.

This sportive lemur looked like it had one too many drinks the previous night!

Canon EOS 5D Mark IV, Sigma 150-600mm F5-6.3
516 mm, 1/500 sec, F6.3, ISO 1600

The crown jewel of Kirindy’s wildlife selection (in my opinion) is the Verreaux’s sifaka, a beautiful, medium-sized lemur. Its thick and silky fur is mostly white, other than dark brown patches on the top of the head, face and arms. Like all sifakas, it has a long tail that it uses as a balance when leaping from tree to tree, where they are capable of making remarkable leaps. Distances of 9–10m (30ft) are not uncommon.

A Verreaux’s sifaka lemur, beautifully framed between tree branches. Those eyes are to die for!

Canon EOS 5D Mark IV, , Sigma 150-600mm F5-6.3
531mm, 1/320 sec, F6.3, ISO 800

As a rule, the better composed the jumping shots I got, the worse the sharpness was on them. These guys are notoriously hard to catch when jumping. Here’s an effort, with the sifaka showing its trademark Superman-style jump.

Canon EOS 5D Mark IV, Sigma 150-600mm F5-6.3
150mm, 1/2500 sec, F5.6, ISO 800

Unfortunately, sifakas are very hard to photograph. They tend to stay very high up in the trees, which keeps them both far away and at awkward angles. This forces the photographer to use longer lenses, which becomes surprisingly tiresome when hand-holding the camera. I wanted to shoot at eye level but ended up shooting upward the vast majority of the time. They also just love hopping from tree to tree exactly when a photographer has finally found a good composition.

This sifaka looked like something out of a Dr. Seuss book. Note the shooting angle is less than optimal here, due to the height of the tree it was sitting on.

Canon EOS 5D Mark IV, Sigma 150-600mm F5-6.3
302mm, 1/800 sec, F5.6, ISO 400

As beautiful as they are shy. A lucky eye-level shot.

Canon EOS 5D Mark IV, Sigma 150-600mm F5-6.3
421mm, 1/1000 sec, F6.3, ISO 800

My visit to Madagascar was during baby season for lemurs, which was wonderful. I ended up seeing many species carrying very young and impossibly cute baby lemurs, and the sifakas were no different.

Again, the challenge was the distance and their tendency to move around all the time, probably even more so when carrying babies. Unfortunately, about 30% of infants are lost to predators like the fossa, a cat-like mammal, and a smaller number to raptors such as the Madagascar harrier-hawk.

For the first 6-8 weeks, the infant clings to the mother’s stomach, but for the following 19 weeks, it clings to her back. During my trip, I saw infants up to 8 weeks old. I guess the signature eyes are there from birth!

Canon EOS 5D Mark IV, Sigma 150-600mm F5-6.3
600mm, 1/500 sec, F6.3, ISO 800

A lucky closer-range, eye-level shot of a baby sifaka in its mother’s fur.

Canon EOS 5D Mark IV, Sigma 150-600mm F5-6.3
600mm, 1/125 sec, F6.3, ISO 800

I’m not much of a bird photographer, but several beautiful owl species are in Kirindy, and they were relatively easy to find.

Madagascar scops owl

Canon EOS 5D Mark IV, Sigma 150-600mm F5-6.3
516mm, 1/250 sec, F6.3, ISO 400

White-browed owl

Canon EOS 5D Mark IV, Sigma 150-600mm F5-6.3
283mm, 1/160 sec, F5.6, ISO 400

Finally, the Kirindy area was once home to a huge forest of baobabs. Not many remain, but those that are still there are huge and impressive. It was fun photographing a group of baobabs in the late afternoon and early evening, under direct light and during post-sunset glow.

The more baobabs close together in one location, the harder they are to compose, but if you manage to combine multiple elements into one shot in a satisfying way, then perhaps you’ve achieved something.

Canon EOS 5D Mark IV, Canon 11-24mm
19mm, 1/100 sec, F14, ISO 100

Here, I used the gaps between the foreground trees to frame the background trees.

Canon EOS 5D Mark IV, Canon 70-300mm F4-5.6
84mm, 0.8 sec, F14, ISO 100

I highly recommend visiting Kirindy Forest if you’re interested in Madagascar’s wildlife. The concentration of fascinating species and relaxed atmosphere are unmatched.

In the next article in this series, I will write about my journey from Tsingy De Bemaraha National Park to Isalo.


Erez Marom is a professional nature photographer, photography guide and traveler based in Israel. You can follow Erez’s work on Instagram and Facebook, and subscribe to his mailing list for updates and to his YouTube channel.

If you’d like to experience and shoot some of the world’s most fascinating landscapes with Erez as your guide, take a look at his unique photography workshops in Madagascar, Greenland, the Lofoten Islands, Namibia and Vietnam.

Erez also offers video tutorials discussing his images and explaining how he achieved them.

More in this Series:

Selected Articles by Erez Marom:





Source link

Continue Reading
Click to comment

Leave a Reply

Camera

Hasselblad announces the XCD 20-35mm F3.2-4.5 E, a wide zoom lens for medium format

Published

on

By

Hasselblad announces the XCD 20-35mm F3.2-4.5 E, a wide zoom lens for medium format


When you use DPReview links to buy products, the site may earn a commission.
Image: Hasselblad

Hasselblad has announced the XCD 20-35mm F3.2-4.5 E, equivalent to 16-27mm in full-frame terms. It’s the company’s first ultra-wide zoom lens, and Hasselblad says it should deliver the same level of image quality as its XCD prime lenses.

Formally branded the XCD 3,2-4,5/20-35E, it’s also the first lens in the company’s new XCD E series. According to Hasselblad, ‘E’ stands for Excellence and represents the top level of optical performance in the XCD series.

The new lens has the widest field of view and the largest aperture in Hasselblad’s medium format system. Optically, the internally focusing lens is comprised of 16 elements in 12 groups, and includes three aspherical elements. It has a minimum focus distance of 0.32m (13″) and maintains its widest f3.2 aperture all the way to 24mm.

Sample gallery
This widget is not optimized for RSS feed readers. Click here to open it in a new browser window / tab.
Images: Hasselblad

The lens is housed in an all-metal ring with a matching metal lens hood and features a focus and control (aperture) ring. Its leaf shutter supports flash sync speeds of up to 1/2000 sec., and autofocus is driven by a stepper motor for quiet movement. Physically, the lens is 117mm (4.6″) long with a diameter of 81mm (3.2″) and weighs 805g (1.8lbs). It has a 77m filter thread.

The XCD 3,2-4,5/20-35E has a suggested retail price of $5,929 in the US and €6,729 in Europe.

Hasselblad XCD 20-35mm F3.2-4.5 E specifications

Principal specifications
Lens type Zoom lens
Max Format size Medium Format (645)
Focal length 20–35 mm
Image stabilization No
Lens mount Hasselblad X
Aperture
Maximum aperture F3.2–4.5
Minimum aperture F32
Aperture ring No
Optics
Elements 16
Groups 12
Special elements / coatings 3 aspherical elements
Focus
Minimum focus 0.32 m (12.6)
Maximum magnification 0.16×
Full time manual Unknown
Focus method Internal
Distance scale No
DoF scale No
Physical
Weight 805 g (1.77 lb)
Diameter 81 mm (3.19)
Length 117 mm (4.61)
Materials Metal
Zoom method Rotary (internal)
Filter thread 77 mm
Hood supplied Yes
Tripod collar No



Source link

Continue Reading

Camera

Nikon announces Nikkor Z 50mm F1.4, a fast prime for Z-mount cameras

Published

on

By

Nikon announces Nikkor Z 50mm F1.4, a fast prime for Z-mount cameras


When you use DPReview links to buy products, the site may earn a commission.
Image: Nikon

Nikon has announced the Nikkor Z 50mm F1.4, a fast, normal prime lens for Z-mount cameras that covers the classic 50mm focal length.

The new lens is a virtual twin to the Nikkor Z 35mm F1.4 prime that Nikon announced just three months ago in June. The two lenses share the exact same dimensions, at 87mm (3.4″) long by 75mm (3″) diameter, and the new lens weighs in at 420g (14.8oz.), just 1% heavier than its 35mm sibling.

Notably, the new lens is slightly less expensive than Nikon’s own 50mm F1.8 S prime, which is part of Nikon’s premium ‘S’ series of lenses. It was suggested to us that the non-S lens prioritizes character over clinical sharpness.

The Nikkor Z 50mm F1.4 mounted on a Nikon Z6 III

Image: Nikon

Optically, the lens comprises 10 elements in 7 groups, including one aspherical element, and has a 9-bladed aperture. This makes it optically simpler than the F1.8 S lens and it lacks that Nano Crystal Coatings of the premium model. It has a minimum focus distance of 0.37m (14.5″) and a maximum magnification ratio of 0.17x.

Other features include a manual focus ring and a customizable control ring, which the ‘S’ model lacks. According to Nikon, the lens should be well-suited to video work thanks to a smooth, twin STM motors, suppressed focus breathing and the clickless control ring. Nikon describes the lens as designed to be drip and dust-resistant.

The Nikkor Z 50mm F1.4 has a suggested retail price of $499 and will be available beginning in late September.

Press release:

The Nikkor Z 50mm F1.4 is Nikon’s Latest Affordable and Fast Prime Lens for the Nikon Z System

Classically Captivating Focal Length and Large f/1.4 Aperture is the Simple Formula for Breathtaking Creativity

MELVILLE, NY (September 10, 2024) Today, Nikon Inc. announced the NIKKOR Z 50mm f/1.4, a lightweight prime lens with a wide and bright f/1.4 aperture. This affordable lens is compact enough to take anywhere, while offering a versatile and classic focal length that’s ideal for portraits, landscapes, street snaps, travel, still life and more.

“The NIKKOR Z 50mm f/1.4 is a modern take on a classic lens design, giving creators the benefits of the latest imaging technology and optical innovations at a very appealing price,” said Fumiko Kawabata, Sr. Vice President, Nikon Inc. “With the recently released NIKKOR Z 35mm f/1.4, photographers and videographers now have access to a great pair of fast, affordable primes that will help them to take their creativity further.”

The large f/1.4 aperture of this lens affords users the ability to create images and video with three-dimensional emphasis and naturally soft backgrounds that draw the viewers’ attention to a subject.

The NIKKOR Z 50mm f/1.4 lens features a compact, comfortable and lightweight design, measuring approximately 2.9 in x 3.4 in (74.5 × 86.5 mm) and weighing only 14.8 oz (420 g). The lens is engineered with a premium feel and superb handling, featuring a dedicated focus ring and customizable control ring.

Additional Features of the NIKKOR Z 50mm f/1.4

  • Close minimum focus distance lets users get as near as 14.5 in (0.37 m) from the subject, which is great for flowers, still life and food photography.
  • Nine-blade diaphragm helps to create a natural, circular bokeh for a pleasing out of focus area.
  • Focus breathing is effectively suppressed to minimize the shift of the angle of view when adjusting the focus.
  • Near Silent operation for video production, with a click-less control ring and near silent lens drive thanks to the use of STM motors.
  • Weather Sealed and designed with careful consideration for dust- and drip-resistant performance*.

Price and Availability

The new NIKKOR Z 50mm f/1.4 will be available in late September 2024 for a suggested retail price of $499.95** For more information about the latest Nikon products, including the extensive lineup of NIKKOR Z lenses and the entire range of Z series cameras, please visit Nikonusa.com.

Specifications, equipment, and release dates are subject to change without any notice or obligation on the part of the manufacturer.

*Thorough dust and moisture-resistance is not guaranteed in all situations.

**SRP (Suggested Retail Price) listed only as a suggestion. Actual prices are set by dealers and are subject to change at any time.

Nikon Nikkor Z 50mm F1.4 specifications

Principal specifications
Lens type Prime lens
Max Format size 35mm FF
Focal length 50 mm
Image stabilization No
Lens mount Nikon Z
Aperture
Maximum aperture F1.4
Minimum aperture F16
Aperture ring No
Number of diaphragm blades 9
Aperture notes Rounded diaphragm opening
Optics
Elements 10
Groups 7
Special elements / coatings 1 Aspherical Element
Focus
Minimum focus 0.37 m (14.57)
Maximum magnification 0.17×
Autofocus Yes
Motor type Stepper motor
Focus method Internal
Distance scale No
DoF scale No
Physical
Weight 420 g (0.93 lb)
Diameter 75 mm (2.95)
Length 87 mm (3.43)
Filter thread 62 mm
Hood supplied Yes
Tripod collar No



Source link

Continue Reading

Camera

Apple announces iPhone 16: a new camera button

Published

on

By

Apple announces iPhone 16: a new camera button


The iPhone 16’s camera bump is smaller than the previous generation’s.

Image: Apple

Apple has announced the 6.1-inch iPhone 16 and 6.7-inch iPhone 16 Plus. The new phones now include a dedicated ‘Camera Control’ button, as well as the ‘Action’ button that was exclusive to the iPhone 15 Pro in the previous generation. The phones also feature a new A18 processor, which the company says has a 30% faster CPU and 40% faster GPU than the chip found in the regular iPhone 15.

The phone’s ultrawide camera has been upgraded, and now includes autofocus. The company says it can capture ‘2.6x’ more light. It also now allows users to capture ‘Macro’ photos using the ultrawide camera, a feature that was previously limited to the Pro models.

Apple says the iPhone 16 can now capture spatial videos and photos, using both cameras.

The company says the ‘Camera Control’ button allows you to control various features in the camera app. Pressing it will open the camera, and pressing it again will take a picture. You can also press and hold it while in the app to take a video. The button is touch sensitive, letting you slide your finger across it to change zoom level, depth of field, and more.

Lightly double-tapping the Camera Control will let you choose which variable to adjust.

Image: Apple

The button also has haptic feedback, which the company says will give you a more tactile feel while taking pictures.

Apple says the button will also provide ‘instant access’ to Apple Intelligence features. According to Apple, pressing and holding the ‘Camera Control’ will bring up an interface that lets you perform a visual search using ‘Visual Intelligence.’ You can point it at an object, and the phone will bring up information about what’s in frame. It can also be connected to third parties, getting information about what the camera is pointed at from services like ChatGPT.

The new design also features what appears to be a smaller camera bump than the previous generation, as the wide and ultra-wide cameras are in line vertically, rather than being at a diagonal.

Earlier in the presentation, Apple CEO Tim Cook called the phones “the first iPhones designed from the ground up for Apple Intelligence and its breakthrough capabilities.”

This story is developing… please refresh to see more details.



Source link

Continue Reading

Trending