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A nature photography tour of Madagascar, Part 3: Kirindy Forest

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A nature photography tour of Madagascar, Part 3: Kirindy Forest


In the last two articles in this series, I wrote about my visits to Andasibe National Park, where I photographed lemurs and chameleons, and Tsingy Rouge National Park, where I saw beautiful erosion-formed formations. This time, I’d like to write about my visit to Kirindy Forest.

A Verreaux’s Sifaka, my favorite lemur species in Kirindy, feeding in a tree. The eyes on some of these lemur species are incredible.

Canon EOS 5D Mark IV, Sigma 150-600mm F5-6.3
150mm, 1/1000 sec, F6.3, ISO 800

Kirindy Forest (or Kirindy Private Reserve) is a private nature reserve located in the west of Madagascar. The forest is home to a wide variety of animals, from many species of lemurs to fossas (a very weird-looking predator) to geckos and chameleons. Numerous species of plants and trees are also found in the region, the most famous and iconic of which is the baobab tree.

Baobab trees under post-sunset glow. The gaps between the trees made it easier to compose without creating overlap.

Canon EOS 5D Mark IV, Canon 70-300mm F4-5.6
83mm, 13 sec, F11, ISO 200

From a photographic point of view, Kirindy is nothing less than a paradise and was one of my favorite locations on my month-long Madagascar trip. The wildlife is surprisingly easy to find and photograph (with many highly skilled and cheerful guides available on the premises), the baobabs are easy to get to, and there are comfortable accommodation options close by. The only bad thing is the Wi-Fi connection.

Lemurs are one family of primates Kirindy has no shortage of. There are no less than eight lemur species here, from the tiny Madame Berthe’s Mouse Lemur (the smallest primate in the world, weighing 30 grams) to red-fronted lemurs, sportive lemurs and sifakas. I photographed all of Kirindy’s diurnal species in three days, which shows how easy they are to find with a good guide. As to being easy to photograph, that’s a different story.

Red-fronted lemur

Canon EOS 5D Mark IV, Sigma 150-600mm F5-6.3
347mm, 1/125 sec, F5.6, ISO 400

The easiest species to find in Kirindy is the red-fronted lemur. They are small and relatively common, so one could say they’re also the least exciting of the local lemur species, but I found them to be very cute and expressive subjects.

Unfortunately due to massive deforestation and climate change, Madagascar’s lemurs are losing their ability to migrate and access water. Authorities are trying to help them by giving them water. The red-fronted lemurs are, therefore, much less averse to getting close to humans. I really hope this doesn’t hurt them in the long run.

A red-fronted lemur is feeding in a tree. Its interaction with its environment is what makes this image. These animals are cathemeral, meaning that they are active during the day and at night, especially during the full moon.

Canon EOS 5D Mark IV, Sigma 150-600mm F5-6.3
403mm, 1/250 sec, F6.3, ISO 800

The interestingly named sportive lemurs appear not to be sportive at all. Most of the time, they rest in the trees to digest the plants they have eaten. But during the mating season, male sportive lemurs have been observed to box with each other, which gave them their unusual name.

This sportive lemur looked like it had one too many drinks the previous night!

Canon EOS 5D Mark IV, Sigma 150-600mm F5-6.3
516 mm, 1/500 sec, F6.3, ISO 1600

The crown jewel of Kirindy’s wildlife selection (in my opinion) is the Verreaux’s sifaka, a beautiful, medium-sized lemur. Its thick and silky fur is mostly white, other than dark brown patches on the top of the head, face and arms. Like all sifakas, it has a long tail that it uses as a balance when leaping from tree to tree, where they are capable of making remarkable leaps. Distances of 9–10m (30ft) are not uncommon.

A Verreaux’s sifaka lemur, beautifully framed between tree branches. Those eyes are to die for!

Canon EOS 5D Mark IV, , Sigma 150-600mm F5-6.3
531mm, 1/320 sec, F6.3, ISO 800

As a rule, the better composed the jumping shots I got, the worse the sharpness was on them. These guys are notoriously hard to catch when jumping. Here’s an effort, with the sifaka showing its trademark Superman-style jump.

Canon EOS 5D Mark IV, Sigma 150-600mm F5-6.3
150mm, 1/2500 sec, F5.6, ISO 800

Unfortunately, sifakas are very hard to photograph. They tend to stay very high up in the trees, which keeps them both far away and at awkward angles. This forces the photographer to use longer lenses, which becomes surprisingly tiresome when hand-holding the camera. I wanted to shoot at eye level but ended up shooting upward the vast majority of the time. They also just love hopping from tree to tree exactly when a photographer has finally found a good composition.

This sifaka looked like something out of a Dr. Seuss book. Note the shooting angle is less than optimal here, due to the height of the tree it was sitting on.

Canon EOS 5D Mark IV, Sigma 150-600mm F5-6.3
302mm, 1/800 sec, F5.6, ISO 400

As beautiful as they are shy. A lucky eye-level shot.

Canon EOS 5D Mark IV, Sigma 150-600mm F5-6.3
421mm, 1/1000 sec, F6.3, ISO 800

My visit to Madagascar was during baby season for lemurs, which was wonderful. I ended up seeing many species carrying very young and impossibly cute baby lemurs, and the sifakas were no different.

Again, the challenge was the distance and their tendency to move around all the time, probably even more so when carrying babies. Unfortunately, about 30% of infants are lost to predators like the fossa, a cat-like mammal, and a smaller number to raptors such as the Madagascar harrier-hawk.

For the first 6-8 weeks, the infant clings to the mother’s stomach, but for the following 19 weeks, it clings to her back. During my trip, I saw infants up to 8 weeks old. I guess the signature eyes are there from birth!

Canon EOS 5D Mark IV, Sigma 150-600mm F5-6.3
600mm, 1/500 sec, F6.3, ISO 800

A lucky closer-range, eye-level shot of a baby sifaka in its mother’s fur.

Canon EOS 5D Mark IV, Sigma 150-600mm F5-6.3
600mm, 1/125 sec, F6.3, ISO 800

I’m not much of a bird photographer, but several beautiful owl species are in Kirindy, and they were relatively easy to find.

Madagascar scops owl

Canon EOS 5D Mark IV, Sigma 150-600mm F5-6.3
516mm, 1/250 sec, F6.3, ISO 400

White-browed owl

Canon EOS 5D Mark IV, Sigma 150-600mm F5-6.3
283mm, 1/160 sec, F5.6, ISO 400

Finally, the Kirindy area was once home to a huge forest of baobabs. Not many remain, but those that are still there are huge and impressive. It was fun photographing a group of baobabs in the late afternoon and early evening, under direct light and during post-sunset glow.

The more baobabs close together in one location, the harder they are to compose, but if you manage to combine multiple elements into one shot in a satisfying way, then perhaps you’ve achieved something.

Canon EOS 5D Mark IV, Canon 11-24mm
19mm, 1/100 sec, F14, ISO 100

Here, I used the gaps between the foreground trees to frame the background trees.

Canon EOS 5D Mark IV, Canon 70-300mm F4-5.6
84mm, 0.8 sec, F14, ISO 100

I highly recommend visiting Kirindy Forest if you’re interested in Madagascar’s wildlife. The concentration of fascinating species and relaxed atmosphere are unmatched.

In the next article in this series, I will write about my journey from Tsingy De Bemaraha National Park to Isalo.


Erez Marom is a professional nature photographer, photography guide and traveler based in Israel. You can follow Erez’s work on Instagram and Facebook, and subscribe to his mailing list for updates and to his YouTube channel.

If you’d like to experience and shoot some of the world’s most fascinating landscapes with Erez as your guide, take a look at his unique photography workshops in Madagascar, Greenland, the Lofoten Islands, Namibia and Vietnam.

Erez also offers video tutorials discussing his images and explaining how he achieved them.

More in this Series:

Selected Articles by Erez Marom:





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Inspiring US outdoor photography TV show gains national scope in third season

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Inspiring US outdoor photography TV show gains national scope in third season


US Public Broadcasting Service’s (PBS) outdoor photography show is back for a third season with a broader, national scope and nationwide availability. View Finders has grown from a quiet regional favorite into a nationally distributed, Emmy-nominated PBS series. The show, which is only viewable in the US, is hosted by professional photographers Chris Greer and Paul Daniel. It follows the duo as they explore breathtaking landscapes across the United States, seeking stellar shots while sharing tips on lighting, composition and storytelling through photography.

What began as a YouTube project focused on Georgia’s natural beauty has evolved into a cross-country adventure. Season three premiered on March 17th and takes viewers to Grand Teton National Park, the Wind River Range and the White Mountain National Forest, among other destinations. View Finders’ mission remains unchanged: celebrate the outdoors, educate the public about these places’ ecological and cultural importance and inspire others to connect with nature through photography.

“The show has grown tremendously,” Greer, who is also a Georgia College & State University professor, told Flagpole. “It’s kind of transformed from a Georgia-based television show to a national television show, and this season reflects that national footprint.”

The road to national syndication began after two successful seasons on Georgia Public Broadcasting. In 2023, Greer pitched the series to 300 PBS (Public Broadcasting Service) stations nationwide and received a warm reception. In Greer’s opinion, what sets View Finders apart is its unique blend of adventure, photography, and conservation, an angle not often explored on traditional travel shows.

The show also addresses the growing urgency around public land preservation. With interviews from park rangers, ecologists and historians, View Finders integrates expert commentary into each episode. Beyond seeing beautiful places, viewers learn why they matter and must be protected, “so they don’t turn into developments and condos.”

The View Finders crew captured footage using lenses like SIGMA’s SPORTS 60-600mm F4.5-6.3 DG DN OS.

Image: Sigma

Another signature element of the series is its music. The soundtrack features a blend of independent southern artists and nationally known names like Hozier and Bon Iver. This season highlights music from Athens, Georgia-based acts including Grassland String Band, Family and Friends, and Hotel Friction. Greer believes the combination of powerful music and visuals creates an immersive experience and resonates emotionally with the audience.

All third-season footage from Greer, Daniel, and camera operator Nathan Burnett was filmed using Sigma lenses, as the company is the official lens sponsor. You can watch episodes from all seasons, including the current season, on PBS’ official site. The final three episodes for this season will air soon. Greer told us that distribution for the UK, additional European and worldwide markets isn’t finalized at this time, though the show could potentially find international audiences at some point.



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DHL suspends international shipments over $800 to the US

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DHL suspends international shipments over 0 to the US


DHL Express, the world’s second-largest delivery company, has temporarily suspended some of its international shipments to the United States, citing a surge in customs processing requirements tied to new US import rules. The change, which went into effect today, impacts business-to-consumer (B2C) shipments with a declared value over $800, as Fox Business reports. For example, consumers ordering camera gear from Sony or drones from DJI could face significant delays.

The suspension follows a policy revision by US Customs and Border Protection, which quietly lowered the threshold for formal customs entry from $2500 to $800 on April 5th. Under the new rules, any shipment entering the US valued above $800 is subject to a more complex customs process, including additional paperwork, duties and inspections. For logistics providers like DHL, this change triggered an immediate spike in formal entries, creating bottlenecks across international networks.

In a statement to customers, DHL said it saw “multi-day transit delays” for packages over the $800 threshold and confirmed that it would no longer collect or ship those parcels if destined for private individuals in the US. The company stressed in its last announcement that “this is a temporary measure, and we will share updates as the situation evolves.” DHL is reportedly scaling up operations to handle the uptick in customs volume, but it hasn’t offered a precise date for when service will normalize.

Nikon Z6III
Nikon’s Z6III is now subject to processing requirements.

Image: Nikon

The suspension is explicitly limited to international B2C shipments, packages sent from businesses abroad to individual customers in the US, with a declared value over $800. Lower-value packages, including all shipments under this amount, are not affected and will continue as usual.

Business-to-business (B2B) shipments, packages sent between international companies and US-based businesses, are also exempt from the suspension. However, due to increased workload at customs, they may face processing delays. This can potentially impact new product shipments to retailers, including B&H and big-box stores such as Best Buy.

The policy shift has sent shockwaves through international shipping and e-commerce channels. The effects of US Customs change are being felt beyond DHL. Earlier this month, Hongkong Post suspended its sea mail service in response to what it deems unfair trade tactics by the US. DHL will continue processing shipments from Hong Kong but has warned that customers should expect slower processing times and prepare for more changes, in light of more regulatory adjustments expected on May 2nd.

DJI Air 3
DJI’s Air 3, which starts at $1,099 and ships from China, is now subject to additional processing.

Image: DJI

US officials have not publicly commented on the motive behind the customs threshold adjustment. The move, however, is deemed as a broader effort to tighten control over under-declared shipments, counterfeit products, and illegal drugs such as fentanyl, all of which amount to lost tax revenue. It could also increase pressure to localize inventory.

While DHL works to resolve internal backlogs and scale its infrastructure, affected businesses and consumers will be impacted. We’ve become increasingly reliant on fast global delivery; even a temporary disruption like this has wide-reaching consequences. If you’re ordering any new gear from your favorite electronics brand’s official website, you should be prepared to track updates and plan for continuous delays.



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The Vivo X200 Ultra aims to be more camera than phone

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The Vivo X200 Ultra aims to be more camera than phone


Image: Vivo

Smartphone maker Vivo has released its latest device, the X200 Ultra. The Vivo X100 Ultra was widely seen as one of the best camera phones from last year, though it was only available in China. Unfortunately, its new device will likely have the same limitation, though it is still worth looking at, as Vivo is marketing it as “a camera that happens to be a phone.” Vivo has been teasing details for some time, but today it has officially hit shelves in China.

Resolution Sensor Aperture Equiv. focal length
Main camera 50MP Type 1/1.28 (9.9 x 7.5mm) F1.69 35mm
Ultrawide 50MP Type 1/1.28 (9.9 x 7.5mm) F2.0 14mm
Telephoto 200MP Type 1/1.4 (9.1 x 6.7mm) F2.7 85mm
Selfie 50MP 1/2.76 (5.2 x 3.9mm) F2.5 24mm

The X200 features the typical three rear cameras: an ultrawide, a main camera, and a telephoto. Interestingly, the main camera offers a 35mm equiv. focal length, whereas most smartphones use a 24mm equiv. focal length. The 35mm angle of view is more versatile (and natural-looking) than 24mm, which is why it is such a standard focal length for photographers. Though a subtle change, it is nice to see a company rethinking that main camera.

The phone also features a 3.7x periscope telephoto camera that offers the highest resolution of the three, thanks to the Samsung HP9 200MP sensor. Samsung released the sensor last summer and claimed it was the first 200MP sensor for telephoto cameras.

vivo-telephoto-lens
The Zeiss-branded add-on lens offers a 200mm equiv. focal length.

Image: Vivo

Where things get unique, though, is with the optional Photographer Kit. Lately, we’ve seen many handgrip add-ons for smartphones to make them more camera-like, either from the phone manufacturer directly or from accessory makers. Vivo has gone the latter route. The Photographer Kit includes the 16GB/1TB phone, a camera grip, a shoulder strap, a case and a 2.35x telephoto converter lens. While we’ve seen a few detachable camera lenses for smartphones lately from the likes of RealMe and Xiaomi, those were concepts and are not currently available for purchase.

Like all of the integrated lenses on the X200 Ultra, the add-on lens was co-engineered with Zeiss. The cute telephoto lens attaches via a custom adapter, sitting over the 200MP telephoto camera. The lens features 13 lens elements with an F2.3 aperture. It offers a 200mm equiv. focal length with 8.7x optical zoom and up to 70x hybrid zoom (a combination of optical and digital zoom), resulting in up to a 1600mm equiv. Vivo claims that images from the optional lens are “highly usable” at 35x.

vivo-X200-Ultra-with-external-lens
Image: Vivo

The grip looks similar to Xiaomi’s Photography Kit. It features a vintage look and convenient camera controls, including a shutter button, a customizable control dial, zoom controls and a video recording button. It also offers a 2,300mAh battery to extend the phone’s battery life, something that’s especially useful when taking lots of photos or videos with your phone.

Vivo-X200-Ultra-stacked
Image: Vivo

The X200 Ultra also features two custom imaging chips: one for pre-processing tasks and one for post-processing. It’s capable of 4K 60p 10-bit Log video from all three rear cameras, as well as 4K 120p video on all three rear cameras. Plus, even if you don’t opt for the Photographer Kit, there’s a dedicated shutter button on the phone itself that allows you to slide to zoom or adjust exposure, like Apple’s Camera Control feature.

Outside of camera specs, the phone runs on the Origin OS 5 Android skin, which is exclusive to China. It features a 6.8-inch AMOLED display with a resolution of 1260 x 2800 and peak brightness of 4500 nits. The phone’s internals include the Snapdragon 8 Elite chipset and a 6000mAh battery, all of which are wrapped in an IP69 rating.

The X200 Ultra is available in China as of today in silver, red or black. According to Android Authority, the 12GB/256GB model is priced at 6499 yuan (roughly $890) while the top-end model (16GB/1TB) is 7999 yuan ($1096). The Photographer Kit, which comes with the top-end model, will cost 9699 yuan ($1329), though you can also buy it without the phone for a promotional price of 1699 yuan ($233) or full-priced at 2598 yuan ($356).



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