As its name implies, the Blackmagic Ursa Pro 12K shoots 12K video. But it also includes features that mirrorless camera makers could learn from. Jordan shows us what he likes about Blackmagic’s design – and what it’s like to shoot in 12K.
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The Sony Alpha 1 is Sony’s flagship mirrorless camera for, well, just about anything. With a 50MP sensor, it gives you tons of resolution, but it also lets you fire off burst images at 30 fps for fast action sports. Add in 8K video capture and you have a really impressive package.
The Tamron 17-70 F2.8 Di III-A VC RXD is a compact general-purpose lens for Sony’s APS-C, E-mount mirrorless cameras. So how does it perform? Read our review to find out.
Sony’s FE 35mm F1.4 GM is an impressively sharp and long-awaited pro-level 35mm optic for full-frame Sony E-mount cameras. It’s well-built and is pretty compact, but it’s still not quite perfect. Find out all the details in our field review.
The Sony a7S III is a 12MP full-frame camera primarily designed with video in mind. We take a look beyond the specs to see what it offers to filmmakers.
The Blackmagic URSA Mini Pro 12K redux | godsownmedia
[…] week we published a video about the Blackmagic URSA Mini Pro 12K, and comments came swiftly. We heard your feedback and re-shot the episode to replace some […]
Field review: Panasonic S 70-300mm F4.5-5.6 Macro OIS | godsownmedia
[…] is nevertheless only the second such lens to be specifically designed for use with a full-frame mirrorless camera. (The first being Sony’s FE 70-300mm F4.5-5.6 G for the competing Sony E-mount, and Fujifilm […]