Camera
Sigma releases 70-200mm DG DN OS: internal zoom tele lens for mirrorless
Sigma has announced the 70-200mm F2.8 DG DN OS lens for full-frame Sony E-mount and Leica, Sigma and Panasonic L-mount cameras that it’s been promising for some weeks now.
Its latest 70-200mm design features an internal focus design and sits in the company’s “Sports” series of lenses. It uses dual “High-response” linear actuators to drive two focus groups. This helps the lens achieve a minimum focus distance of 65cm (25.6″) at its widest focal length (100cm (39.4″) at the long end).
It features 20 elements in 15 groups, including 6 ‘fluorite-like’ FLD elements, 2 super-low dispersion elements and 3 aspherical lenses. It includes the latest iteration of Sigma’s stabilization algorithm, which provides up to 7.5EV of correction at the wide end and 5.5EV at the long end, per CIPA standard testing.
For video shooters, Sigma says the internal focus and internal zoom design results in minimal change in center of gravity during operation, making it easier to use on a gimbal. It also says focus breathing has been minimized at both ends of the zoom, and there’s an aperture ring that can be declicked to allow smooth transitions.
The lens weighs 1345g (47.4oz) in the L-mount form, and 10g (0.3oz) lighter for E-mount. It includes a detachable, Arca-Swiss compatible tripod shoe and a barrel-type hood made from carbon-fibre-reinforced plastic.
The lens will available from December 7th 2023 at a recommended price of $1499, making it significantly less expensive than most camera makers’ own-brand lenses.
SIGMA Announces Release of 70-200mm F2.8 DG DN OS | Sports Lens
Ronkonkoma, NY, November 16, 2023 – SIGMA Corporation of America, the US subsidiary of SIGMA Corporation (CEO: Kazuto Yamaki. Headquarters: Asao-ku, Kawasaki-shi, Kanagawa, Japan) is pleased to announce the official release of the highly-anticipated SIGMA 70-200mm F2.8 DG DN OS | Sports lens.
A reliable and lightweight large-aperture telephoto zoom lens designed exclusively for full-frame mirrorless cameras, the 70-200mm F2.8 DG DN OS | Sports is available for Sony E-mount and Leica L-Mount. Combining high-speed AF, remarkably effective OS, exceptional mechanical reliability, and superior optical performance, this high-performance lens is purpose-built to meet the rigorous demands of professionals, and is suitable for a wide range of styles and genres including nature, wildlife, photojournalism, action sports, wedding and portraits. The lens will retail for $1,499 USD and will be available through authorized retailers on December 7, 2023.
Dust and splash-proof construction, high-performance optical stabilizer (OS), and an inner zoom mechanism that does not affect barrel length, are all features designed for the most demanding photographic conditions. It is also the first SIGMA DN zoom lens to be equipped with an aperture ring (click/declick type).
Streamlined optical design and a multi-material structure featuring magnesium and TSC have resulted in a lightweight lens body. A new compact tripod collar and foot also help minimize weight, as does a CFRP (carbon fiber-reinforced plastic) lens hood. Compared to the 70-200mm F2.8 DG OS HSM | Sports for DSLR cameras (1,805g for SA mount), the 70-200mm F2.8 DG DN OS | Sports is significantly lighter (1,345g for L-Mount).
Featuring Dual HLA-driven floating focus for fast, accurate AF, the focus lens is driven using a high-thrust HLA (High-response Linear Actuator) as the focus actuator, and a floating focus is used to achieve high-speed AF drive. The floating configuration of this lens, in which the two focus groups are driven in opposite directions, reduces the amount of movement of each focus group to about half that of a single group focus system, achieving extremely fast AF that is highly responsive. The latest OS2 stabilization algorithm achieves image stabilization performance of 7.5 stops at the Wide end and 5.5 stops at the Tele end.
The SIGMA 70-200mm F2.8 DG DN OS | Sports has very minimal focus breathing on both the wide and tele ends, making it a powerful lens for video applications. The minimal change in center of gravity enables stable shooting in all situations, including handheld, on a tripod, and with a gimbal. During zooming, five groups are moved to suppress aberration fluctuation, achieving high optical performance throughout the zoom range.
S | Sports
SIGMA 70-200mm F2.8 DG DN OS
Performance, reliability, and mobility at its highest level.
- High-speed AF and optical stabilizer function that maximize superior optical performance
- Top-level build quality condensed into a highly mobile lens
- A wealth of functions to assist professionals
Available mounts: L-Mount, Sony E-mount
Launch date: December 7, 2023
Packed with all the technology SIGMA has to offer.
The large F2.8 aperture provides stable and high descriptive performance at all zoom and focus ranges. The high-speed AF with a dual HLA (High-response Linear Actuator) based on a floating focus structure, and the Optical Stabilizer function with the OS2 algorithm with up to 7.5 stops of correction effect*, ensure that users can take the right shot when there is no room for error. The highly mobile lens with high durability, rigidity, and texture is equipped with a wealth of functions to assist comfortable shooting, including an inner zoom mechanism for easy handling, as well as an aperture ring and switches with various customization functions. The flagship SIGMA 70-200mm F2.8 DG DN OS | Sports, combined with the best of SIGMA’s latest technologies to meet the high-level demands of professionals, has finally arrived.
* Based on CIPA guidelines (Measured at 70mm and 200mm with a 35mm full-frame image sensor)
[Key Features]
1. High-speed AF and optical stabilizer function that maximize superior optical performance
The SIGMA 70-200mm F2.8 DG DN OS | Sports, developed with professional use in mind, offers not only high optical performance, but also high-speed AF with a dual HLA (High-response Linear Actuator) and an optical stabilizer function with up to 7.5 stops. The Sports line lenses offer high optical performance, and all functions are based on state-of-the-art technology.
High descriptive performance at all zoom and focus ranges
The latest optical design, which employs luxurious glass materials including 6 FLD and 2 SLD elements of special low-dispersion glass, delivers high resolving power throughout the entire zoom range. Three aspherical lenses are used, as they are now indispensable for superior optical performance and streamlined lens construction. The exceptionally high precision of the aspherical lenses, which take advantage of the technical capabilities of SIGMA’s only production facility, the Aizu factory, further improves optical performance. The incorporated floating focus is advantageous in improving short-range performance, ensuring a stable, high-level image quality throughout the entire range from the minimum focusing distance to infinity.
High-speed AF with a dual HLA
The SIGMA 70-200mm F2.8 DG DN OS | Sports with floating focus has a structure in which the two focus groups move in opposite directions, thereby reducing the amount of focus lens movement by about half. In addition, the use of an HLA (High-response Linear Actuator) motor in each of the two focus groups enables high-speed autofocusing. In addition to being fast and accurate, the lens also employs a control program that is designed to be quiet, so users can shoot movies comfortably without worrying about noise.
OS2 algorithm in optical stabilizer function
The latest OS2 optical stabilization algorithm provides an extremely high image stabilization effect of 7.5 stops at the wide end and 5.5 stops at the telephoto end*. The lens is equipped with two OS modes: Mode 1 is suitable for general shooting, and Mode 2 is ideal for panning shots of motorsports and other sports. In Mode 2, SIGMA’s Intelligent OS, an algorithm specially designed for panning shots, enables effective image stabilization even when the camera is moved vertically or diagonally, irrespective of the horizontal and vertical orientation. This ensures that the subject’s movement can be captured without losing the panning shot effect.
* Based on CIPA guidelines (Measured at 70mm and 200mm with a 35mm full-frame image sensor)
Designed to minimize focus breathing
The lens has been designed to suppress focus breathing. The change in angle of view due to focus shift is minimized, creating a natural-looking focus shift when recording video.
Designed to minimize flare and ghosting
Flare and ghosting, which reduce image quality, are addressed under all conditions of incident light based on the most advanced simulation technology. High backlight resistance enables clear and sharp images under any lighting conditions.
2. Top-level build quality condensed into a highly mobile lens
SIGMA is committed to excellent build quality in all its lenses. Among them, the SIGMA 70-200mm F2.8 DG DN OS | Sports, which is part of the Sports line, offers not only high weather resistance performance for shooting in harsh environments, but also improved quality and durability through the use of cutting-edge materials in appropriate places based on a streamlined optical and mechanical design. At the same time, a high level of mobility is also realized, resulting in a professional equipment that can be used with confidence over the long term.
High quality and durability despite its small size and light weight
The latest optical and mechanical design streamlines the lens configuration and internal structure, resulting in a significantly smaller and lighter body than the previous SIGMA 70-200mm F2.8 DG OS HSM | Sports model. The body, including the hood, features a “multi-material structure” that optimally arranges materials such as magnesium, CFRP*1, and TSC*2. Even with enhanced mobility, the lens features SIGMA’s renowned excellent build quality, including high durability, reliable rigidity, and various control rings and switches that have been carefully designed to feel good.
* 1 CFRP (carbon fiber reinforced plastic), a light but strong material used in the interior and exterior fittings of aircraft, among many other applications.
* 2 TSC (Thermally Stable Composite) is a type of polycarbonate with a thermal expansion rate similar to that of aluminum. It has high affinity to metal parts which contributes to high quality product manufacturing.
Adoption of inner zoom mechanism
The zoom mechanism employs an inner zoom. Since the total length of the lens does not change with zoom operation, it is easy to handle when shooting hand-held, highly stable when installed on a gimbal, and resistant to dust and water droplets.
Weatherability of Sports line specifications
The mount connection, manual focus ring, zoom ring, switches, switch panel and exterior connection are all dust and splash resistant* to prevent dust and dirt from entering the lens. Further, the front element of the lens features a water and oil repellent coating to facilitate maintenance when water droplets or dust adhere to the lens.
* The structure is designed to be dust and splash resistant, but not waterproof. Be careful not to bring the lens in contact with a large amount of water. Water inside the lens may cause major damage and even render the lens unrepairable.
3. A wealth of functions to assist professional photographers
In addition to an aperture ring, a magnesium tripod mount, and various switches, the highly mobile lens has a wealth of functions available, enabling a more comfortable and versatile shooting experience for users.
Equipped with an aperture ring
This is the first SIGMA zoom lens for still photography to be equipped with an aperture ring. It is also equipped with an aperture ring click switch and an aperture ring lock switch, allowing for aperture operation suited to the shooting application.
Newly developed tripod socket
The lens body incorporates an Arca-Swiss compatible magnesium alloy tripod socket. The detachable leg is newly designed for the SIGMA 70-200mm F2.8 DG DN OS | Sports in order to achieve a compact and lightweight design.
Customizable functions
Equipped with a Focus Limiter switch, the lens enables users to limit the focus driving range during AF when necessary, allowing quick and precise focusing.
Further, the lens features three AFL buttons* ready to be assigned to preferred functions using the camera. The AFL buttons are easy to operate regardless of how the camera is oriented or which settings are used. For the L-Mount version, the SIGMA USB DOCK UD-11 can be used to set OS operation or focus limiter range for the Custom Mode switch.
* Only on compatible cameras. Available functions may vary depending on the camera used.
Tele Converter for L-Mount (1.4x / 2.0x)
The L-Mount version of the lens is compatible with the SIGMA TELE CONVERTER TC-1411 (1.4x) and TC-2011 (2.0x). Using a tele converter, the focal length can be multiplied by 1.4x and even 2x, for AF-enabled shooting at ultra-telephoto focal lengths of up to 400mm.
Cover-type lens hood included
A lightweight, high-strength, exclusive cover-type lens hood made of CFRP* is included. In addition to its slim design that does not impair the mobility of the lens, the tip of the hood is rubberized to protect the lens from abrasion and scratches caused by placing the lens upside down.
* CFRP (carbon fiber reinforced plastic), a light but strong material used in the interior and exterior fittings of aircraft, among many other applications.
[ Additional Features ]
- Lens construction: 20 elements in 15 groups (6 FLD, 2 SLD, 3 aspherical elements)
- OS (Optical Stabilizer) function with the latest “OS2” algorithm
- Inner zoom
- Inner focus system
- Compatible with high-speed autofocus
- HLA (High-response Linear Actuator)
- Compatible with Lens Aberration Correction
* Function available on supported cameras only. Available corrections or auto correction functionality may vary depending on the camera model.
* On cameras where lens aberration correction is controlled with ‘ON’ or ‘OFF’ in the camera menu, please set all aberration correction functions to ‘ON’ (AUTO). - Supports DMF and AF+MF
- Compatible with AF assist (Sony E-mount only)
- Nano Porous Coating
- Super Multi-Layer Coating
- Water and Oil Repellent Coating (front element)
- Aperture ring
- Aperture ring click switch
- Aperture ring lock switch
- AFL button (3 buttons)
* Only on compatible cameras. Available functions may vary depending on the camera used. - Focus Limiter switch
- Focus Mode switch
- Support for switching between linear focus / non-linear focus ring settings (for L-Mount only)
- Function available on supported cameras only.
- OS switch
- Custom Mode switch
- Dust and Splash Resistant Structure
- LENS HOOD LH860-01
- TRIPOD SOCKET TS-151 (detachable lens foot type)
- Compatible with SIGMA TELE CONVERTER TC-1411 / TC-2011 (sold separately / for L-Mount only)
- Compatible with SIGMA USB DOCK UD-11 (sold separately / for L-Mount only)
- Designed to minimize flare and ghosting
- Every single lens undergoes SIGMA’s proprietary MTF measuring system
- 11-blade rounded diaphragm
- High-precision, durable brass bayonet mount
- Mount Conversion Service available
- “Made in Aizu, Japan” craftsmanship
Learn more about SIGMA’s craftsmanship here:
https://www.sigma-global.com/en/about/craftsmanship/
[ Contact ]
For further information, please contact your local authorized SIGMA Service Station listed here:
https://www.sigma-global.com/en/world-network/
[ Information ]
SIGMA Corporation:
https://www.sigma-global.com/en/
Product information:
https://www.sigma-global.com/en/lenses/s023_70_200_28/
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Pedestrians with umbrellas wander down a rainy alley in Yokohama’s Chinatown.
Panasonic S5IIX + Panasonic S 28-200mm F4-7.1 | F7 | 1/125 sec | ISO 1600 |
Japan is one of my favorite places to travel. I’m captivated by its culture, cuisine, and the warmth of its people. It’s also a photographer’s paradise, offering endless possibilities, from serene temples and bustling markets to breathtaking landscapes.
My favorite type of photography when traveling in Japan is street photography, especially at night. I never tire of exploring the vibrant cityscapes, from the iconic Shibuya Crossing in Tokyo to the atmospheric alleys of Yokohama’s Chinatown.
However, there’s a twist: I seek out rainy conditions. While most travelers might not embrace a downpour, I find that rain transforms nighttime street photography into something magical. The umbrellas emerge, the city lights reflect off the wet pavement, and colors take on a vibrant intensity.
I was fortunate to visit Japan twice this year, and it rained both times. What some might consider lousy weather, I welcome as luck. Both my camera and I were thoroughly drenched during several nights of shooting, underscoring the value of weather-sealed equipment. (For the record, despite being so wet they were dripping with water, neither camera nor lens ever missed a beat.)
“While most travelers might not embrace a downpour, I find that rain transforms nighttime street photography into something magical.”
Unsurprisingly, some of my most memorable photos of 2024 were captured during these rain-soaked adventures. It’s challenging to select just one favorite because, as many of you will surely understand, how we remember the value of an image is often intertwined with the experience of capturing it.
The photo at the top of this page is one of my favorites from these trips, captured in Yokohama’s Chinatown. Off the main street, the area is full of narrow alleys, many decorated with traditional lanterns, creating small, intimate spaces. I spied these two pedestrians with similar coats and umbrellas turn into one of these alleys and instantly knew there was a potential photo around the corner.
I managed to fire off two shots before the scene lost its magic, but that’s all I needed. I love that you can’t see the main subjects’ faces. They remain anonymous, allowing the viewer to focus on the place rather than the person.
| Image: Godox |
Godox has announced the V100, a 100Ws version of its round-headed V1 on/off camera flashgun. The V100 can deliver up to 100 Watt Seconds of power in manual mode and can shoot over 70 consecutive bursts of light at full power. Recycle times of under 1 sec are possible when used with an external power source (1.7 sec with the internal battery).
Like the existing V1 and V1Pro, the V100 is available in versions compatible with the proprietary TTL flash metering systems of Canon, Nikon, Sony, Fujifilm or Olympus/OM System, each of which comes with a small secondary flash that can be used to provide a little ‘fill.’ It also has a 2W LED modeling lamp, to help you understand how its light is going to fall.
Godox says it’s able to sync with the global shutter of Sony’s a9 III, up to shutter speeds of 1/80,000, though the company also says the V100’s minimum flash duration is 1/20,000, so presumably 1/80,000 sec shutter speeds would only experience a fraction of that output.
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| Image: Godox |
The V100 is powered by a rechargeable Li-Ion battery that can be charged directly using a USB-C cable or in an optional multi-battery charger if you need to prepare multiple batteries before a shoot.
It’s compatible with the company’s 2.4Ghz radio frequency off-camera communication protocol either as a transmitter or receiver.
Buy now:
No details have been given about price or availability but it’s listed as “Coming Soon” on B&H Photo’s website with a price of $349. B&H is also listing a Pentax-compatible version, not listed on Godox’s website.
Godox V100 C/N/S/F/O
Power Beyond Limits, 100Ws at Hand
Introducing the epic 100Ws TTL Li-ion Round Head Camera Flash V100. The Godox V100 redefines the standards for flagship on-camera flashes, brining an era of 100Ws power to handheld lighting. This groundbreaking flash delivers global shutter sync, a vibrant 2.3-inch color touchscreen, an intuitive menu, and one-tap syn operations. It combine cutting-edge features and professional-grade performance to provide an ultimate solution for professional lighting.
100Ws, Beyond Limits
The V100 sets a new benchmark for on-camera flashes by offering an unprecedented 100Ws power at its maximum output (M mode). With adjustable power steps from 1/1 to 1/256 or from 2.0 to 10, it covers the spectrum from subtle fill light to robust lighting for diverse scenarios, pushing the boundaries of creativity in flash photography.
Intuitive Touchscreen, Effortless Control
Equipped with a 2.3” full-color, high-sensitivity touchscreen, the V100 offers a smooth and responsive interface. Paired with an intuitive menu design and logical control layout, it allows photographers to quickly adjust power levels, activate high-speed sync, switch between TTL/M modes, and pair devices with a single tap, significantly improving workflow efficiency.
Global Shutter Flash Sync
The V100 is seamlessly compatible with cameras featuring global shutter like Sony a9 III. Supporting shutter speeds up to 1/80,000 seconds and offering TTL functionality, it delivers outstanding high-speed continuous shooting with effortless precision. This makes it an ideal choice for sports photography, outdoor bright light, and other fast-paced shooting scenarios.
70 Full-Power Consecutive Flashes
Thanks to its advanced cooling system, the V100 delivers 70 to 100 consecutive flashes at 100Ws without compromising performance. This ensures enhanced shooting efficiency and flexibility, allowing you to handle complex scenarios with ease and capture every brilliant moment of your creative vision.
| Zoom range (mm) | 28mm | 35mm | 50mm | 70mm | 80mm | 105mm |
|---|---|---|---|---|---|---|
| Continuous flashes (100Ws) |
75 | 75 | 80 | 90 | 100 | 100 |
Detachable Sub Flash
The V100 continues the highly praised detachable sub flash (SU-1) design from the V1 Pro. This versatile feature enables dual-light setups with a single flash, offering creative lighting solutions for portrait photography.
Wireless Sync, Streamlined Workflow
With the built-in Godox 2.4G Wireless X System, the V100 functions as both a master and receiver unit. Its one-tap pairing capability seamlessly integrates with the X3 trigger or other Godox wireless flash units, streamlining multi-flash setups and boosting productivity.
Powerful Battery, Convenient Charging
Powered by the same high-performance lithium battery as the V1 Pro, the V100 ensures uninterrupted shooting. The Type-C charging port and compatibility with the VC26T Multi-Battery Charger make recharging quick and convenient.
Enhanced Recycling with External Power
The V100 includes a port for the PB960 Lithium-Ion Flash Power Pack, reducing full-power recycling time to as fast as 0.8 seconds. This feature supports demanding, high-intensity shooting scenarios, ensuring peak performance.
Built-In LED Modeling Lamp
A 2W LED modeling lamp with 10 adjustable levels provides flexible options for previewing light effects or serving as a fill light. The lamp supports continuous or interrupt modes, catering to different creative needs.
Comprehensive Accessory Ecosystem
The V100 is compatible with a broad range of Godox accessories, including the AK-R1 Accessory Kit for Round Flash Heads, AK-R21 Projection Attachment, AK-R22 Collapsible Diffusion Dome, and the S2 Speedlite Bracket for Bowens, among others. Whether you’re fine-tuning light, exploring creative effects, or expanding functionality, the V100 is designed to meet every need.
When Fujifilm announced that it was releasing a firmware update to help improve the X-H2 and GFX 100 II’s autofocus performance in October, the community’s response was near-unanimous: what about the X-T5? The camera’s autofocus performance has been a sore spot in recent months, with some users complaining that their cameras were noticeably less accurate after a previous firmware update.
This week, Fujifilm answered. It’s released firmware updates for its flagship APS-C camera, as well as the GFX 100S II, X-T50, X-S20 and X100VI, promising that its “AF algorithm has been partially revised to improve focusing accuracy and subject tracking performance.” According to the release notes, the updates, which you can download using the links above, are solely dedicated to the autofocus improvements.
This is far from the first X-T5 update that promises to improve its autofocusing capabilities, so we’ll likely have to wait for owners to chime in on whether it brings the performance up to a level that they’re happy with. For now, though, it appears that Fujifilm has at least heard the complaints, and is working on addressing them.
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