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Slideshow: Winners of the Nature TTL Photographer of the Year 2021 competition

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Slideshow: Winners of the Nature TTL Photographer of the Year 2021 competition

Winners of the Nature TTL Photographer of the Year 2021 competition

Winners of the annual Nature TTL Photographer of the Year competition were recently announced for 2021. Over 8,000 images were received from around the world. Canadian photographer Thomas Vijayan received the grand prize for his image ‘The World is Going Upside Down’ depicting an orangutan looking at his reflection in a body of water below the tree he’s climbing.

‘Thomas’ image is really unique, and immediately stood out to the judging panel,’ said Will Nicholls, Founder of Nature TTL. ‘It’s one of those photos where you can’t skim past it. The unique perspective and composition means you are immediately trying to figure out what exactly you are looking at.’

‘This image means a lot to me because presently the orangutan population is reducing at an alarming rate. Deforestation and humans are the key causes behind this. Trees over 1,000 years old – which are a major asset to our planet — are being cut down for palm oil plantations. As humans, we have a lot of alternative choices to replace the oil, but the orangutans don’t have any options other than losing their home. I am very happy to see this image be successful, as it gives me an opportunity to spread the issue to the wider world,’ says Vijayan of his winning image.

All winning and runner-up images can be viewed in this gallery. Nature TTL also provides free tutorials for nature photographers.

Category Winner & Overall Winner, Animal Behaviour: ‘The World is Going Upside Down’ by Thomas Vijayan

Artist Statement: After spending few days in Borneo, I got this frame stuck in my mind. To get this shot, I selected a tree that was in the water so that I could get a good reflection of the sky and its leaves on the tree. The water formed a mirror, making the image look upside-down.

Then I climbed up on the tree and waited for hours. This is a regular path for the orangutans to use, so patience would surely pay off.

Gear and Specs: Nikon D850 with 8-15mm lens. 1/400th, f/4.5, ISO 5,000.

Runner-up, Animal Behaviour: ‘Fish Caught by Surprise’ by Johan Wandrag

Artist Statement: Taken in South Africa, a fish is caught in the moment it is snapped up by a crocodile. The look of surprise really made this shot stand out to me.

Gear and Specs: Canon 7D Mark II with Sigma 150-600mm lens. 1/3,200th, f/ 8, ISO 400.

Highly Commended, Animal Behaviour: ‘Dust Bath’ by Bence Máté

Artist Statement: Wild dog pups play in the dust seen rising from the bone dry soil. I tracked them for 5 weeks, and photographed them in some fascinating situations in South Africa.

Gear and Specs: Nikon D5 with 200mm lens. 1/1,000th, f/2, ISO 4,000.

Highly Commended, Camera Traps: ‘Starry Night’ by Bence Máté

Artist Statement: The shadow of fallow deer sketches in front of the starry skies. Within the 45 seconds this image was taken, the movement of the deer covered different parts of the skies, resulting in a ghostly effect.

Gear and Specs: Nikon D800 with 15mm lens. 45 seconds, f/2.8, ISO 1,250.

Category Winner, Landscapes: ‘Tree of Life’ by Jay Roode

Artist Statement: Suspended in time; a sense of waiting pervades this valley where nothing seems to have happened for a thousand years. The shadow of an ancient Camel Thorn tree reaches out, like a blackened hand to the delicate tracings of the Tsauchab River; yearning for the life that once was.

Gear and Specs: Canon 5D Mark III with 100-400mm lens. 1/800th, f/9, ISO 250.

Highly Commended, Landscapes: ‘The Way to Rùm’ by Luigi Ruoppolo

Artist Statement: On the island of Eigg at sunset, with beautiful colours and stunning clouds moving over the mountains of Rùm island, Scotland. I was quite far from the shoreline, following the patterns left in the sand by the tide and shooting at 90 seconds exposure to get as many reflections as possible.

Gear and Specs: Nikon D850 with 21mm lens. 90 seconds, f/16, ISO 64.

Runner-up, Small World: ‘Nature’s Pitfall’ by Samantha Stephens

Artist Statement: Researchers at the Algonquin Wildlife Research Station recently discovered that juvenile Spotted Salamanders (Ambystoma maculatum) are being trapped by Northern Pitcher Plants, as they make their fall migration from aquatic hatching grounds across a bog mat to find over-wintering sites beneath the forest floor. This is the first discovery of salamanders being regularly caught by Northern Pitcher Plants (Sarracenia purpurea)—and more than 20% of the plants in this Algonquin Park population are capturing salamander prey!

This phenomenon has not been recorded for any other population of Northern Pitcher Plants. What researchers haven’t figured out yet is how the salamanders are becoming trapped. Although many pitchers lie flush with the surface of the bog mat, ready to catch those that take an unlucky step during their journey, some pitchers stand erect, almost 15 centimeters above the moss. Spotted Salamanders have long been recognized as important nutrient cyclers, and this discovery expands our understanding of that role.

On the day I made this image, I was following researchers on their daily surveys of the plants. Typically, pitchers contain just one salamander prey at a time, although occasionally they catch multiple salamanders simultaneously. When I saw a pitcher that had two salamanders, both at the same stage of decay floating at the surface of the pitcher’s fluid, I knew it was a special—and fleeting—moment. The next day, both salamanders had sunk to the bottom of the pitcher.

Gear and Specs: Canon 5D Mark III with Laowa 15mm macro lens. 1/100th, ISO 1250.

Category Winner, The Night Sky: ‘The Eye’ by Ivan Pedretti

Artist Statement: On Uttakleiv beach, in Norway, these particular rocks looked like an eye. The shot is set against the beautiful colours of the Northern Lights above.

Gear and Specs: Sony A7R II with Sony 16-35mm lens. 20 seconds, f/2.8, ISO 1,600.

Highly Commended, The Night Sky: ‘Under Aurora Bridge’ by Yevhen Samuchenko

Artist Statement: Aurora borealis with an unusual arc shape above Kirkjufell mountain in Iceland.

Gear and Specs: Nikon D750 with Nikon 16mm lens. 10 seconds, f/2.8, ISO 4,000.

Category Winner, Underwater: ‘Manta Space Ship’ by Grant Thomas

Artist Statement: Manta rays are filter feeders, sustaining their huge size by consuming large amounts of plankton and small crustaceans, like krill. The Maldives is one of the only places in the world where you can dive with these majestic animals at night time.

For this image, I was positioned flat on the sand, watching one Manta looping around and around whilst feeding on a cloud of planktonic creatures which had gathered. After some time, the manta drifted closer and closer to me until eventually I was able to capture this shot.

Gear and Specs: Canon 5D Mark IV with Canon 8-15mm fisheye lens. 1/50th, f/11, ISO 320.

Highly Commended, Underwater: ‘My New Toy’ by Celia Kujala

Artist Statement: Play is very important in the development of young Steller sea lions and they love playing with anything that they find in their environment. When I was diving at Norris Rocks off Hornby Island in Canada, I watched this young sea lion play with a starfish.

As I watched her, she swam over to me to show me her beautiful toy. I was able to capture the image just as she was presenting the starfish to me.

Sadly, Steller sea lions are listed as Near Threatened on the IUCN Red List. By observing their playful nature, I hope people will feel a connection with them and want to protect them and their environment.

Gear and Specs: Nikon D500 with Tokina 10-17mm fisheye lens. 1/250th, f/11, ISO 500.

Highly Commended, Urban Wildlife: ‘The Door’ by Jose Luis Ruiz Jimenez

Artist Statement: A barn owl peeks out the door of an old abandoned house.

Gear and Specs: Nikon D4S with Nikon 600mm f/4 lens. 1/100th, f/4, ISO 2,500.

Category Winner & Young Overall Winner, Under 16: ‘Spoilt for Choice’ by Thomas Easterbrook

Artist Statement: This photo was taken while we were watching a starling murmuration. This peregrine came out of nowhere to attack the murmuration and I was pleased to capture it at work!

Gear and Specs: Nikon D7500 with Nikon 18-300mm lens. 1/640th, f/6.3, ISO 800.

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Our year in photos: Dale's most memorable shot of 2024

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Our year in photos: Dale's most memorable shot of 2024


When you use DPReview links to buy products, the site may earn a commission.
Pedestrians with umbrellas wander down a rainy alley in Yokohama’s Chinatown.

Panasonic S5IIX + Panasonic S 28-200mm F4-7.1 | F7 | 1/125 sec | ISO 1600
Photo: Dale Baskin

Japan is one of my favorite places to travel. I’m captivated by its culture, cuisine, and the warmth of its people. It’s also a photographer’s paradise, offering endless possibilities, from serene temples and bustling markets to breathtaking landscapes.

My favorite type of photography when traveling in Japan is street photography, especially at night. I never tire of exploring the vibrant cityscapes, from the iconic Shibuya Crossing in Tokyo to the atmospheric alleys of Yokohama’s Chinatown.

However, there’s a twist: I seek out rainy conditions. While most travelers might not embrace a downpour, I find that rain transforms nighttime street photography into something magical. The umbrellas emerge, the city lights reflect off the wet pavement, and colors take on a vibrant intensity.

I was fortunate to visit Japan twice this year, and it rained both times. What some might consider lousy weather, I welcome as luck. Both my camera and I were thoroughly drenched during several nights of shooting, underscoring the value of weather-sealed equipment. (For the record, despite being so wet they were dripping with water, neither camera nor lens ever missed a beat.)

“While most travelers might not embrace a downpour, I find that rain transforms nighttime street photography into something magical.”

Unsurprisingly, some of my most memorable photos of 2024 were captured during these rain-soaked adventures. It’s challenging to select just one favorite because, as many of you will surely understand, how we remember the value of an image is often intertwined with the experience of capturing it.

The photo at the top of this page is one of my favorites from these trips, captured in Yokohama’s Chinatown. Off the main street, the area is full of narrow alleys, many decorated with traditional lanterns, creating small, intimate spaces. I spied these two pedestrians with similar coats and umbrellas turn into one of these alleys and instantly knew there was a potential photo around the corner.

I managed to fire off two shots before the scene lost its magic, but that’s all I needed. I love that you can’t see the main subjects’ faces. They remain anonymous, allowing the viewer to focus on the place rather than the person.



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Our year in photos: Dale's most memorable shot of 2024

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Our year in photos: Dale's most memorable shot of 2024


When you use DPReview links to buy products, the site may earn a commission.
Pedestrians with umbrellas wander down a rainy alley in Yokohama’s Chinatown.

Panasonic S5IIX + Panasonic S 28-200mm F4-7.1 | F7 | 1/125 sec | ISO 1600
Photo: Dale Baskin

Japan is one of my favorite places to travel. I’m captivated by its culture, cuisine, and the warmth of its people. It’s also a photographer’s paradise, offering endless possibilities, from serene temples and bustling markets to breathtaking landscapes.

My favorite type of photography when traveling in Japan is street photography, especially at night. I never tire of exploring the vibrant cityscapes, from the iconic Shibuya Crossing in Tokyo to the atmospheric alleys of Yokohama’s Chinatown.

However, there’s a twist: I seek out rainy conditions. While most travelers might not embrace a downpour, I find that rain transforms nighttime street photography into something magical. The umbrellas emerge, the city lights reflect off the wet pavement, and colors take on a vibrant intensity.

I was fortunate to visit Japan twice this year, and it rained both times. What some might consider lousy weather, I welcome as luck. Both my camera and I were thoroughly drenched during several nights of shooting, underscoring the value of weather-sealed equipment. (For the record, despite being so wet they were dripping with water, neither camera nor lens ever missed a beat.)

“While most travelers might not embrace a downpour, I find that rain transforms nighttime street photography into something magical.”

Unsurprisingly, some of my most memorable photos of 2024 were captured during these rain-soaked adventures. It’s challenging to select just one favorite because, as many of you will surely understand, how we remember the value of an image is often intertwined with the experience of capturing it.

The photo at the top of this page is one of my favorites from these trips, captured in Yokohama’s Chinatown. Off the main street, the area is full of narrow alleys, many decorated with traditional lanterns, creating small, intimate spaces. I spied these two pedestrians with similar coats and umbrellas turn into one of these alleys and instantly knew there was a potential photo around the corner.

I managed to fire off two shots before the scene lost its magic, but that’s all I needed. I love that you can’t see the main subjects’ faces. They remain anonymous, allowing the viewer to focus on the place rather than the person.



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Godox releases V100, a 100Ws fast rechargeable flash

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Godox releases V100, a 100Ws fast rechargeable flash


Image: Godox

Godox has announced the V100, a 100Ws version of its round-headed V1 on/off camera flashgun. The V100 can deliver up to 100 Watt Seconds of power in manual mode and can shoot over 70 consecutive bursts of light at full power. Recycle times of under 1 sec are possible when used with an external power source (1.7 sec with the internal battery).

Like the existing V1 and V1Pro, the V100 is available in versions compatible with the proprietary TTL flash metering systems of Canon, Nikon, Sony, Fujifilm or Olympus/OM System, each of which comes with a small secondary flash that can be used to provide a little ‘fill.’ It also has a 2W LED modeling lamp, to help you understand how its light is going to fall.

Godox says it’s able to sync with the global shutter of Sony’s a9 III, up to shutter speeds of 1/80,000, though the company also says the V100’s minimum flash duration is 1/20,000, so presumably 1/80,000 sec shutter speeds would only experience a fraction of that output.

Godox V100 round head flash branding image with 100Ws in large letters
Image: Godox

The V100 is powered by a rechargeable Li-Ion battery that can be charged directly using a USB-C cable or in an optional multi-battery charger if you need to prepare multiple batteries before a shoot.

It’s compatible with the company’s 2.4Ghz radio frequency off-camera communication protocol either as a transmitter or receiver.


Buy now:


No details have been given about price or availability but it’s listed as “Coming Soon” on B&H Photo’s website with a price of $349. B&H is also listing a Pentax-compatible version, not listed on Godox’s website.


Godox V100 C/N/S/F/O

Introducing the epic 100Ws TTL Li-ion Round Head Camera Flash V100. The Godox V100 redefines the standards for flagship on-camera flashes, brining an era of 100Ws power to handheld lighting. This groundbreaking flash delivers global shutter sync, a vibrant 2.3-inch color touchscreen, an intuitive menu, and one-tap syn operations. It combine cutting-edge features and professional-grade performance to provide an ultimate solution for professional lighting.

100Ws, Beyond Limits

The V100 sets a new benchmark for on-camera flashes by offering an unprecedented 100Ws power at its maximum output (M mode). With adjustable power steps from 1/1 to 1/256 or from 2.0 to 10, it covers the spectrum from subtle fill light to robust lighting for diverse scenarios, pushing the boundaries of creativity in flash photography.

Intuitive Touchscreen, Effortless Control

Equipped with a 2.3” full-color, high-sensitivity touchscreen, the V100 offers a smooth and responsive interface. Paired with an intuitive menu design and logical control layout, it allows photographers to quickly adjust power levels, activate high-speed sync, switch between TTL/M modes, and pair devices with a single tap, significantly improving workflow efficiency.

Global Shutter Flash Sync

The V100 is seamlessly compatible with cameras featuring global shutter like Sony a9 III. Supporting shutter speeds up to 1/80,000 seconds and offering TTL functionality, it delivers outstanding high-speed continuous shooting with effortless precision. This makes it an ideal choice for sports photography, outdoor bright light, and other fast-paced shooting scenarios.

70 Full-Power Consecutive Flashes

Thanks to its advanced cooling system, the V100 delivers 70 to 100 consecutive flashes at 100Ws without compromising performance. This ensures enhanced shooting efficiency and flexibility, allowing you to handle complex scenarios with ease and capture every brilliant moment of your creative vision.

Zoom range (mm) 28mm 35mm 50mm 70mm 80mm 105mm
Continuous flashes
(100Ws)
75 75 80 90 100 100

Detachable Sub Flash

The V100 continues the highly praised detachable sub flash (SU-1) design from the V1 Pro. This versatile feature enables dual-light setups with a single flash, offering creative lighting solutions for portrait photography.

Wireless Sync, Streamlined Workflow

With the built-in Godox 2.4G Wireless X System, the V100 functions as both a master and receiver unit. Its one-tap pairing capability seamlessly integrates with the X3 trigger or other Godox wireless flash units, streamlining multi-flash setups and boosting productivity.

Powerful Battery, Convenient Charging

Powered by the same high-performance lithium battery as the V1 Pro, the V100 ensures uninterrupted shooting. The Type-C charging port and compatibility with the VC26T Multi-Battery Charger make recharging quick and convenient.

Enhanced Recycling with External Power

The V100 includes a port for the PB960 Lithium-Ion Flash Power Pack, reducing full-power recycling time to as fast as 0.8 seconds. This feature supports demanding, high-intensity shooting scenarios, ensuring peak performance.

Built-In LED Modeling Lamp

A 2W LED modeling lamp with 10 adjustable levels provides flexible options for previewing light effects or serving as a fill light. The lamp supports continuous or interrupt modes, catering to different creative needs.

Comprehensive Accessory Ecosystem

The V100 is compatible with a broad range of Godox accessories, including the AK-R1 Accessory Kit for Round Flash Heads, AK-R21 Projection Attachment, AK-R22 Collapsible Diffusion Dome, and the S2 Speedlite Bracket for Bowens, among others. Whether you’re fine-tuning light, exploring creative effects, or expanding functionality, the V100 is designed to meet every need.



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