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The best 2023 Black Friday and Cyber Monday deals on photography gear

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The best 2023 Black Friday and Cyber Monday deals on photography gear


It’s that time of year again when people rush out to stores to climb over each other to buy $99 TVs and heavily discounted toys. While Black Friday (the day after Thanksgiving for those outside the U.S.) has usually been a brick-and-mortar event, you can generally get the same prices from the comfort of your bed.

Below are the deals that caught our eye. Remember that prices are subject to change, and these early discounts may be cheaper on Black Friday itself. This page is continuously changing, so check back often!

Adobe | Apple | Canon | GoPro | Fujifilm | Nikon | OM System
Panasonic | Samyang | Sigma | Sony | Tamron | Bags & Accessories


Adobe

Save 50% on Creative Cloud All Apps Plan for the first year


Apple

AirPods 2nd generation with Lightning charging case
$99 at Amazon.com – Save $30

AirPods Max
$449 at Amazon.com – Save $100

MacBook Pro 14″ (M1 Max, 64GB RAM, 2TB SSD)
$2499 at B&H Photo – Save $1600

MacBook Pro 14″ (M2 Pro, 16GB RAM, 512GB SSD)
$1599 at Best Buy – Save $400

MacBook Pro 16″ (M1 Pro, 16GB RAM, 1TB SSD)
$1949 at B&H Photo – Save $750

Mac mini (M2 Pro, 16GB RAM, 512TB SSD)
$1149 at B&H Photo – Save $150


Canon

Cameras

Canon EOS R3 body only
$4999 at Amazon.com – Save $1000
$4999 at B&H Photo – Save $1000

Canon EOS R5 body only
$3399 at Amazon.com – Save $500
$3399 at B&H Photo – Save $500

Canon EOS R6 Mark II body only
$2299 at Amazon.com – Save $200
$2299 at B&H Photo – Save $200

Canon EOS R8 body only
$1199 at Amazon.com – Save $300
$1199 at B&H Photo – Save $300

Canon EOS R10 Content Creator Kit with RF-S 18-45mm lens, stereo mic, Bluetooth remote, mini tripod
$999 at Amazon.com – Save $300

Canon EOS R50 with RF-S 18-45mm F4-5-6.3 IS STM lens
$699 at Amazon.com – Save $100
$699 at B&H Photo – Save $100

Canon EOS R50 Content Creator Kit with RF-S 18-45mm lens, stereo mic, Bluetooth remote, mini tripod
$799 at Amazon.com – Save $200

Canon EOS R100 with RF-S 18-45mm F4.5-6.3 IS STM
$449 at Amazon.com – Save $150

Lenses

Canon RF 14-35mm F4 L IS USM
$1199 at Amazon.com – Save $300
$1199 at B&H Photo – Save $300

Canon RF 15-30mm F4.5-6.3 IS STM
$499 at Amazon.com – Save $50
$499 at B&H Photo – Save $50

Canon EF-M 22mm F2 STM
$199 at Amazon.com – Save $50
$199 at B&H Photo – Save $50

Canon RF 24-70mm F2.8 L IS USM
$2099 at Amazon.com – Save $300
$2099 at B&H Photo – Save $300

Canon 50mm F1.8 STM
$169 at Amazon.com – Save $30
$169 at B&H Photo – Save $30

Canon RF 70-200mm F2.8 L IS USM
$2499 at Amazon.com – Save $300
$2499 at B&H Photo – Save $300

Canon RF 70-200mm F4 L IS USM
$1399 at Amazon.com – Save $200
$1399 at B&H Photo – Save $200

Canon RF 85mm F2 Macro IS STM
$499 at Amazon.com – Save $100
$499 at B&H Photo – Save $100

Canon RF 100mm F2.8 L Macro IS USM
$999 at B&H Photo – Save $400


Fujifilm

Cameras

Fujifilm GFX 100S body only
$4399 at Amazon.com – Save $1700

Fujifilm X-H2 body with VG-XH battery grip
$1849 at B&H Photo – Save $150

Fujifilm X-H2S body with VG-XH battery grip
$2299 at B&H Photo – Save $200

Fujifilm X-S10 body only
$899 at B&H Photo – Save $100
$899 at Moment – Save $100

Lenses

Fujifilm XF 16-55mm F2.8 R LM WR
$1099 at Amazon.com – Save $100
$1099 at B&H Photo – Save $100

Fujifilm XF 56mm F1.2 R WR
$899 at Amazon.com – Save $100
$899 at B&H Photo – Save $100

Fujifilm XF 90mm F2 R LM WR
$849 at B&H Photo – Save $100

Instant Cameras

Fujifilm Instax Mini 11
$59 at Amazon.com – Save $17

Fujifilm Instax Square SQ6
$89 at Amazon.com – Save $30


GoPro

GoPro Hero 9 Black 5K/30p action cam
$199 at Amazon.com – Save $30

GoPro Hero 12 Black 5.3K/60p HDR action cam
$349 at Amazon.com – save $50


Nikon

Cameras

Nikon D850 body only
$2496 at Amazon.com – Save $500
$2496 at B&H Photo – Save $500

Nikon Z30 Creator’s Kit (includes Røde mic, mini tripod, and Bluetooth remote)
$746 at B&H Photo – Save $250

Nikon Z5 body only
$996 at B&H Photo – Save $400

Nikon Z6 II body only
$1596 at B&H Photo – Save $400

Nikon Z7 II body only
$2296 at B&H Photo – Save $700

Nikon Z50 with 16-50mm F3.5-5.6 VR lens
$896 at Amazon.com – Save $100
$896 at B&H Photo – Save $100

Lenses

Nikon Nikkor Z 14-24mm F2.8 S
$2296 at Amazon.com – Save $200
$2296 at B&H Photo – Save $200

Nikon Nikkor Z 14-30mm F4 S
$1146 at B&H Photo – Save $200

Nikon Nikkor Z 17-28mm F2.8
$996 at Amazon.com – Save $200
$996 at B&H Photo – Save $200

Nikon Nikkor Z 24mm F1.8 S
$896 at B&H Photo – Save $100

Nikon Nikkor Z 24-70mm F2.8 S
$2096 at Amazon.com – Save $300
$2096 at B&H Photo – Save $300

Nikon Nikkor Z 28-75mm F2.8
$896 at Amazon.com – Save $300
$896 at B&H Photo – Save $300

Nikon Nikkor Z 35mm F1.8 S
$696 at B&H Photo – Save $150

Nikon Nikkor Z 70-200mm F2.8 VR S
$2396 at B&H Photo – Save $300

Nikon Nikkor Z 85mm F1.8 S
$696 at B&H Photo – Save $100


OM System

Cameras

OM-1 body only
$1899 at Amazon.com – Save $300
$1899 at B&H Photo – Save $300

OM-5 with 12-45mm F4 Pro lens
$1399 at Amazon.com – Save $200
$1399 at B&H Photo – Save $200

Lenses

Olympus M.Zuiko Digital ED 8-25mm F4 Pro
$899 at Amazon.com – Save $200
$899 at B&H Photo – Save $200

Olympus M.Zuiko Digital ED 40-150mm F2.8 Pro
$1299 at B&H Photo – Save $200

Olympus M.Zuiko Digital ED 100-400mm F5-6.3 IS
$1299 at Amazon.com – Save $200
$1299 at B&H Photo – Save $200


Panasonic

Cameras

Panasonic Lumix DC-G100 with 12-32mm F3.5-5.6 lens and tripod grip
$497 at Amazon.com – Save $300
$497 at B&H Photo – Save $300

Panasonic Lumix DC-G9 with 12-60mm F3.5-5.6 lens
$899 at Amazon.com – Save $200

Panasonic Lumix DC-S5 body only
$997 at Amazon.com – Save $800
$997 at B&H Photo – Save $800

Panasonic Lumix DC-S5 with 20-60mm F3.5-5.6 lens
$1297 at Amazon.com – Save $800
$1297 at B&H Photo – Save $800

Panasonic Lumix DC-S5 II body only
$1697 from B&H Photo – Save $300

Panasonic Lumix DC-S5 II with 20-60mm F3.5-5.6 lens
$1997 at B&H Photo – Save $300

Panasonic Lumix DMC-G7 with 14-42mm F3.5-5.6 II and 45-150mm F4-5.6 OIS lenses
$647 from B&H Photo – Save $150

Lenses

Panasonic Leica DG Vario-Summilux 10-25mm F1.7 ASPH (Micro Four Thirds)
$1497 at Amazon.com – Save $300
$1497 at B&H Photo – Save $300

Panasonic Leica DG Vario-Elmarit 8-18mm F2.8-4 ASPH (Micro Four Thirds)
$897 at Amazon.com – Save $200
$897 at B&H Photo – Save $200

Panasonic Leica DG Vario-Elmarit 12-60mm F2.8-4 Power OIS (Micro Four Thirds)
$797 at Amazon.com – Save $200
$797 at B&H Photo – Save $200

Panasonic Lumix S Pro 16-35mm F4 (L-mount)
$997 at Amazon.com – Save $500
$997 at B&H Photo – Save $500

Panasonic Lumix S 24-105mm F4 Macro OIS (L-mount)
$997 at Amazon.com – Save $300
$997 at B&H Photo – Save $300

Panasonic Lumix S Pro 70-200mm F4 OIS (L-mount)
$1197 at Amazon.com – Save $300
$1197 at B&H Photo – Save $300


Samyang

Samyang AF 18mm F2.8 for Sony FE
$299 at Amazon.com – Save $100
$299 at B&H Photo – Save $100

Samyang AF 35-150mm F2-2.8 for Sony FE
$999 at Amazon.com – Save $400
$1199 at B&H Photo – Save $400

Samyang AF 50mm F1.4 II for Sony FE
$521 at Amazon.com – Save $128

Samyang AF 85mm F1.4 II for Sony FE
$599 at Amazon.com – Save $200
$599 at B&H Photo – Save $200

Samyang AF 135mm F1.8 for Sony FE
$699 at Amazon.com – Save $300
$699 at B&H Photo – Save $300


Sigma

Sigma 14-24mm F2.8 DG DN Art for L-mount
$1299 at B&H Photo – Save $100

Sigma 14-24mm F2.8 DG DN Art for Sony FE
$1299 at B&H Photo – Save $170

Sigma 105mm F2.8 DG DN Macro Art for L-mount
$699 at B&H Photo – Save $100

Sigma 105mm F2.8 DG DN Macro Art for Sony FE
$699 at B&H Photo – Save $100

Sigma 150-600mm F5-6.3 DG DN OS Sports for L-mount
$1299 at B&H Photo – Save $200

Sigma 150-600mm F5-6.3 DG DN OS Sports for Sony FE
$1299 at B&H Photo – Save $200


Sony

Cameras

Sony a6100 with 16-50mm F3.5-5.6 PZ OSS lens
$698 at Amazon.com – Save $150
$698 at B&H Photo – Save $150

Sony a6100 with 16-50mm F3.5-5.6 PZ and 55-210mm F4.5-5.6 OSS lenses
$898 at Amazon.com – Save $200
$898 at B&H Photo – Save $200

Sony a6400 with 16-50mm F3.5-5.6 PZ OSS lens
$848 at Amazon.com – Save $150
$848 at B&H Photo – Save $150

Sony a6600 body only
$998 at Amazon.com – Save $200
$998 at B&H Photo – Save $200

Sony a7 III body only
$1498 at Amazon.com – Sony $500
$1498 at B&H Photo – Save $500

Sony a7 IV body only
$2298 at Amazon.com – Save $200
$2298 at B&H Photo – Save $200

Sony a7R V body only
$3498 at Amazon.com – Save $400
$3498 at B&H Photo – Save $400

Sony ZV-1F Vlog Camera
$398 at Amazon.com – Save $100
$398 at B&H Photo – Save $100

Lenses

Sony E 15mm F1.4 G
$648 at Amazon.com – Save $100
$648 at B&H Photo – Save $100

Sony FE 20mm F1.8 G
$798 at Amazon.com – Save $100
$798 at B&H Photo – Save $100

Sony FE 24-70mm F4 Vario-Tessar T* OSS
$698 at Amazon.com – Save $200
$698 at B&H Photo – Save $200

Sony FE 24-105mm F4 G OSS
$1198 at Amazon.com – Save $100
$1198 at B&H Photo – Save $100

Sony FE 35mm F1.4 GM
$1298 at Amazon.com – Save $100
$1298 at B&H Photo – Save $100

Sony FE 35mm F1.8
$648 at Amazon.com – Save $100
$648 at B&H Photo – Save $100


Tamron

Tamron 28-75mm F2.8 Di III VXD G2 for Sony FE
$799 at Amazon.com – Save $100
$799 at B&H Photo – Save $100

Tamron 28-200mm F2.8-5.6 Di III RXD for Sony FE
$699 at Amazon.com – Save $100
$699 at B&H Photo – Save $100

Tamron 35-150mm F2-2.8 Di III VXD for Sony FE
$1799 at B&H Photo – Save $100


Bags and Accessories

Lowepro Flipside 200 AW II Camera Backpack
$107 at Amazon.com – Save $25

Lowepro Flipside BP 400 AW III Camera Backpack
$140 at Amazon.com – Save $60

Lowepro Nova 200 AW II Messenger Case
$93 at Amazon.com – Save $17

Manfrotto Befree Advanced Camera Tripod
$161 at Amazon.com – Save $75

Moment DayChaser 35L Camera Backpack
$249 at Moment – Save $50

WANDRD PRVKE 31L Camera Backpack
$191 at Moment – Save $50



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Adobe Max Roundup: the demos

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Adobe Max Roundup: the demos


Photo: Mitchell Clark

This year we attended Adobe Max in person, where we got to demo several of the new features in Photoshop, Lightroom, and Adobe Camera Raw. If you missed the announcement, you can read our coverage of it here, though we’ll be covering the hits here.

We documented the demos on our Instagram, but in case you missed it, we’re rounding them up here. We were also able to interview some folks at Adobe while at the show, so stay tuned for more on the future of Photoshop, Lightroom, and other Adobe projects like Content Credentials.

Adobe Camera Raw Adaptive profile

Adobe has added a new profile to Adobe Camera Raw, called Adaptive. It uses AI to analyze what’s in the scene, and adjust exposure, tones, saturation, and other parameters automatically, potentially giving you a better starting point for your own edits. It’s also designed to work with HDR images and produces both HDR and SDR profiles, making it even more useful for those who aren’t used to editing for HDR displays yet.

Since it’s substantially more opinionated than other profiles like Adobe Color or Adobe Landscape, there’s also an amount slider that lets you tone down or turn up the results.

Photoshop automatic distraction removal

Perhaps one of the niftiest features Adobe added to Photoshop is the automatic distraction removal tool. It analyzes your photo for cables, wires, or people that may be in the way of your subject, then automatically fills in the areas they took up.

Lightroom Quick Actions

Lightroom’s new Quick Actions, available on Mobile and Web, will automatically mask parts of your image like subjects, backgrounds, and skies, and let you make adjustments to them.

Lightroom Frame.io integration

Frame.io is now built into Lightroom, letting you access images uploaded to the cloud service. Combine that with Frame.io’s Camera To Cloud feature, available on some Fujifilm, Panasonic, Nikon, Canon, and Leica cameras, and you can take pictures on your camera then watch them appear wirelessly in Lightroom.

Content Credentials

Adobe’s Content Credentials system is part of a larger industry-wide initiative to help prove what content on the web is authentic, and to keep track of what edits have been made to it. While at Max, we got to take a look at the Chrome extension meant to surface the credentials attached to images on social media and other sites, as well as the closed beta site that lets you attach content credentials to your own images, and view what credentials are attached to existing images.

We got to sit down with one of the senior directors of the Content Authenticity Initiative at Adobe while at the conference, so expect a more thorough check-in of the technology to come.

Generative Extend in Premiere Pro

Photoshop has had several generative AI features in beta for a while now, but now Adobe has introduced one for its Premiere video editing software. It lets you extend a clip by up to two seconds, helping you fill in gaps, transitions, or slightly flubbed takes with imagery generated by Adobe’s Firefly model.

According to Meagan Keane, Principal Product Marketing Manager for Adobe Pro Video, the idea came from asking customers what some of their biggest editing pain points were. The Pro Video team was then able to take that to the research team, and the result is Generative Extend.





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On this day in 2014: The Panasonic GH4, which brought 4K to the masses, reviewed

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On this day in 2014: The Panasonic GH4, which brought 4K to the masses, reviewed


When you use DPReview links to buy products, the site may earn a commission.
Photo: DPReview staff

As part of DPReview’s 25th anniversary celebration, we’re looking back at some of the more significant cameras to come along over the past 25 years, and today, we’re highlighting the camera that led the 4K revolution in consumer cameras: the Panasonic GH4. Officially announced in early 2014, we published our GH4 review on October 16, 2014 – ten years ago today.

We’ve all become so used to 4K video that it no longer registers as unique. It’s found on virtually every mirrorless camera made today, smartphones, action cameras, miniature gimbal cameras, webcams, security cameras, and even those wacky $100 ‘pro’ video cameras you see on Amazon and wonder who buys them.

But, of course, it wasn’t always that way, and we have the GH4 – the first mirrorless camera to capture 4K video internally – to thank for opening the metaphorical floodgates and ushering in the 4K era.

I had a personal interest in the GH4: as someone who had adopted the GH line early on for video projects, I was as curious as anyone to know how it stacked up. Although I was on staff at DPReview, I wasn’t involved in writing the GH4 review and probably read it with as much anticipation as anyone else.

Photo: DPReview staff

It’s worth remembering that the GH4 was a hybrid camera designed to appeal to both stills and video shooters, and it had features to appeal to those who wanted to do both. Like the GH3, the camera was built around a 16MP sensor, but it supported 12fps burst shooting (7.5fps with focus tracking), a 1/8000 shutter speed and 1/250th flash sync. It even had a rather lovely 2.36M-dot OLED viewfinder.

But realistically, nobody was buying a GH4 just to shoot stills. You bought it because you wanted a solid video camera that could shoot stills when needed.

“Realistically, nobody was buying a GH4 just to shoot stills.”

The GH4 could capture 4K video at up to UHD 4K/30p (3840×2160) or DCI 4K/24p (4096×2160) internally and supported both Long GOP and All-I codecs at bit rates up to 200Mbps. Although we take bit rates like this for granted today, this was very high at the time. The camera also produced pleasing 1080p video, though as we called out in our review, its HD video wasn’t as good as the perfectly oversampled 1080p video from the Sony a7s.

Despite the impressive specs and beautiful video to match, we had some nitpicks. To start, 4K video captured internally only had 8-bit 4:2:0 color, providing less flexibility for color grading in post. (10-bit 4:2:2 color was supported, but only when recording externally.) Additionally, the GH4’s sensor was 4608 pixels wide, requiring the camera to use a smaller, native crop of the sensor when shooting 4K. This resulted in a 1.1x crop for DCI 4K and a 1.2x crop for UHD 4K.

Equally as crucial as its video specs, the GH4 illustrated Panasonic’s commitment to supporting a professional video workflow.

The camera included several now-common tools to improve the video shooting experience, including focus peaking, two zebra settings, control over Master Pedestal (black level) and luminance scale, and a ‘cinema-like’ gamma preset. It also allowed users to set the shutter speed and ISO as shutter angle and gain and could generate color bars for calibration. It was also possible to switch between capture frequencies, meaning the camera could support NTSC, PAL, and true 24fps cinema standards.

“Equally as crucial as its video specs, the GH4 illustrated Panasonic’s commitment to supporting a professional video workflow.”

Alongside the camera, Panasonic released the optional DMW-YAGH interface unit. This $1999 accessory unit added two XLR inputs for audio, an SDI input for timecode, four 3D-SDI connectors capable of outputting 4:2:2 10-bit video and a 12V DC power socket. The unit attached to the bottom of the GH4 and felt oversized relative to the camera. Beginning with the GH5, the interface unit was phased out in favor of the DMW-XLR1, a much more affordable option in the style of the hotshoe-mounted XLR adapter we’ve become accustomed to today.

The GH4 was also the camera Panasonic used to debut its newest autofocus technology: Depth-from-Defocus, or DFD. DFD attempted to build a depth map of a scene by making tiny focus adjustments and analyzing changes in the image. With an understanding of the out-of-focus characteristics of a particular lens, the camera could build a depth map of the scene.

The optional DMW-YAGH ‘Interface Unit’ provided a more extensive selection of video industry connectors for using the GH4 as part of a high-end video rig.

However promising the technology may have been, DFD never quite met expectations. Panasonic really wanted to make it work, and it’s possible that, given fast enough sampling and processing, it might have continued to improve. Unfortunately for Panasonic, cameras using phase-detect autofocus consistently provided a better AF experience, particularly when shooting video, and the company eventually made the jump to phase-detection with the Lumix S5II in 2023, finally arriving in the GH series on the GH7 in 2024.

In our review of the GH4, we found a lot to like and a few frustrations. For example, despite having an autoexposure compensation dial, the camera didn’t allow you to use it when using Auto ISO in manual exposure mode, and there was no Auto ISO option when shooting video in M mode. Overall, though, we were mighty impressed and saved our biggest praise for the camera’s video capabilities:

“The GH4 was also the camera Panasonic used to debut its newest autofocus technology: Depth-from-Defocus, or DFD.”

“It’s in terms of video that the GH4 really stands out. It produces some of the best video we’ve yet seen – losing out only to the Sony a7S’s moiré-free 1080 output. The ability to capture good quality 4K, whether for use at full resolution, downsampling to 1080 or cropping to 1080, adds real flexibility to the camera. Low light performance is solid if not exceptional,” we concluded.

The GH4 landed in the retail market at a price of $1699, or about $2260 today adjusted for inflation, which isn’t far off the $2199 price of the GH7. It’s amazing to think about how expectations for video have changed over the years. However, the GH7 has its work cut out for it: rather than being an obvious standout in the crowd, it has to compete in a marketplace of cameras brimming with video features. Maybe in another ten years, we’ll look back to see how it held up.



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DJI's new dual-camera Air 3S drone gets a larger sensor and LiDAR

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DJI's new dual-camera Air 3S drone gets a larger sensor and LiDAR


Photo: DJI

DJI has announced the Air 3S, an update to its existing dual-camera Air 3 model that upgrades the primary camera to a larger Type 1 sensor and adds features that promise to make the drone easier to operate at night. DJI is positioning the Air 3S as “perfect for travel photography.”

The main camera on the Air 3S gains a 50MP Type 1 (13.2 x 8.8mm) CMOS sensor and features a 24mm equiv. F1.8 lens. That’s an upgrade from its predecessor, which utilized a smaller Type 1/1.3 (4.8 x 3.6mm) CMOS sensor with a marginally faster F1.7 lens. The telephoto camera remains unchanged between the two models, using a 48MP Type 1/1.3 sensor and featuring a 70mm equiv. F2.8 lens.

In addition to stills, both cameras can capture up to 4K/120p or 4K/60p when shooting HDR. All video can be captured in 10-bit, even in regular color mode, and D-Log M and HLG modes are available. The maximum ISO has been raised to 12,800 (3200 when shooting D-Log M). However, DJI says the Air 3S includes a new, more advanced video encoding algorithm that reduces video file size by over 30% without compromising image quality.

DJI claims both cameras can capture up to 14 stops of dynamic range and says the new main camera should capture even more detail than the camera on its more expensive Mavic 3 Pro model.

The DJI Air 3S is similar to its predecessor, the Air 3, but it gains a larger Type 1 (13.2 x 8.8mm) CMOS sensor on its main camera.

Image: DJI

Beyond the cameras, DJI has added several appealing features to the Air 3S:

A new Free Panorama mode enables users to create panoramic shots by stitching together images across a manually selected subject area. This works with either camera, but DJI suggests the best results will come from using the telephoto camera, which reduces distortion.

The Air 3S also includes features designed to make it easier and safer to fly at night, including Nightscape Obstacle Sensing, with the Air 3S becoming the first DJI drone to feature forward-facing LiDAR. Additionally, the drone includes downward-facing infrared sensors and six vision sensors (two each at the front, rear and bottom). According to DJI, this combination of sensors provides the Air 3S with “nightscape omnidirectional obstacle sensing,” which should allow the drone to automatically identify and navigate around obstacles for safer nighttime photography.

This technology also enables DJI’s next-gen Smart RTH (return-to-home) feature, intended to allow the drone to return safely to its takeoff location, even at night.

The Air 3S is available with either DJI’s RC-N3 controller, which requires a smartphone to monitor the camera feed and aircraft status, or the RC 2 controller (above), which includes a built-in 700-nit 5.5″ 1080 screen.

Image: DJI

The Air 3S also includes real-time vision positioning and map construction technology, designed to allow the drone to memorize a flight path and to return safely when adequate light is available, even in areas without satellite coverage.

The new model also features DJI’s ActiveTrack 360 subject tracking but introduces a new subject focusing feature designed to keep a subject in sharp focus, even during manual flight or when a subject moves off-center. This should allow a pilot to focus on creative decisions like composition or camera movement while ActiveTrack keeps the subject in focus.

There are a few hardware specs worth noting as well. The Air 3S weighs 724g (1.6 lbs), just 4g more than its predecessor, and is rated for 45 minutes of flight time. It includes DJI’s O4 video transmission system that transmits 10-bit video at up to 1080/60p and 42GB of built-in storage. A new Off-state Quick Transfer feature allows files to be transferred from the drone to a smartphone or a computer even when powered off.

Finally, for the privacy-conscious, a new Local Data mode completely disconnects the drone from the internet, ensuring that all data stays only on the device. DJI likens this mode to airplane mode on a smartphone.

The Air 3S is available in several packages. The Fly More combo shown above includes the RC 2 controller, ND filter set, two additional batteries (for a total of three), a charging hub, extra props and a shoulder bag, will retail for $1599.

Image: DJI

The charging hub that ships with the Air 3S supports PD fast charging and features a power accumulation function. It allows users to transfer the remaining power from several depleted batteries into the battery with the most remaining power – something anyone who has had to use drones in remote locations without a charging station is likely to appreciate.

Price and availability

The DJI Air 3S is available for purchase in several configurations: the drone with the RC-N3 controller, which requires a smartphone to monitor the camera feed and flight status, will retail for $1099. A Fly More combo with the RC-N3 controller, ND filter set, two additional batteries, a battery charging hub and shoulder back will retail for $1399. Finally, a Fly More combo with DJI’s RC 2 controller, which includes a built-in 700-nit 5.5″ 1080p screen, ND filter set, two additional batteries, charging hub and shoulder pack, will retail for $1599.



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