Camera
‘Vanishing Asia’ is a 3-book set of 9,000 photos documenting Asia’s disappearing traditions
Lead image: Men in Afghanistan playing the game buzkashi. Image credit: Kevin Kelly |
Kevin Kelly, one of the co-founders of Wired, has spent 40 years photographing vanishing cultures and traditions throughout Asia. He has spent the last year designing and producing a large photo book, ‘Vanishing Asia,’ which he has launched on Kickstarter. The photobook, which comes in three volumes, features disappearing traditions and designs from 35 countries.
Of his new book, Kelly writes, ‘There is no doubt Asia is the future. But its ancient cultures have much to teach us today. In a new world where everyone must think different, traditional ways can help us escape the ordinary. Alternative ways of doing things are the otherness that speeds innovation, diversity and wealth. This huge book of vanishing traditions in Asia is a sourcebook of ‘otherness’ for innovators, designers, makers, and anyone who needs to think different. Oh, and it is also a magical journey in a time machine to another planet, now long gone.”
Kelly has taken hundreds of trips to Asia during his 40 years of travels, logging tens of thousands of kilometers along the backroads of Asia. His travels have ranged from the far reaches of the Middle East to the Japanese archipelago. He has also traveled far into southern and southeastern Asia and north into Mongolia.
The red lines show Kelly’s surface routes during his travels throughout Asia |
Kelly feels confident in saying that few people have seen as much of Asia as he has and that nobody has photographed the same range as him. He has collected books and photo books about Asia throughout his life, and he can ‘safely say that there is no book in the world like this one.’ The three volumes comprise more than a thousand pages and 9,000 images. Each image has been captured and captioned by Kelly himself. ‘When you look at one of my photographs of an ancient tradition now rare and disappearing, remember that I was standing right there with a camera. I took all these photos. I also designed every page of the book…This was a passion project for 40 years.’ As Kelly writes on his website, ‘For 40 years I have been capturing the scenes of Asia that are disappearing. In some of the images taken many years ago, what I captured is now gone.’
Loose pages from an artist proof of ‘Vanishing Asia’ |
When Kevin Kelly was 20 years old, he dropped out of college to travel to Asia. He arrived in Taiwan in 1972, ‘deeply ignorant’ and ready to learn. He kept going to new places to learn more about the history and culture, and he never stopped traveling. He has written about travel, published books, co-founded Wired and more throughout his career. As he’s worked on ‘Vanishing Asia,’ Kelly has published images from the upcoming book on Instagram.
Each volume of ‘Vanishing Asia’ focuses on a specific region of Asia and includes 360 pages |
Each volume, which is dedicated a specific region of Asia, is 360 pages (11 x 16.5″ / 28 x 50cm) and printed on heavy glossy paper. The entire set, in slipcase, weighs 27 lbs. (12.2kg). There are currently backer options available for $235 USD, plus $20 shipping. The volume will be sold for $300 at retail. Due to the size and weight of the books, shipping outside of the United States is considerably more expensive. Additional shipping information can be found on Kickstarter. Delivery is expected by early November.
Camera
An antique camera find exposes a mystery about 70 year old pictures
Oliver Barnes and the No1 Pocket Kodak that contained the mystery negatives.
Photo: Oliver Barnes |
Here’s an interesting entry for Film Friday: Oliver Barnes, a 20-year-old antique camera fan, was in a Salisbury antique shop when he discovered a bag hiding in the corner. Inside the bag was a No1 Pocket Kodak, a camera that went into production in the 1920s. That would be an exciting enough find, but once he worked out how to open the camera, he discovered film inside, as the BBC reports.
“I was in complete shock; I was so worried I had exposed the film because they are very, very light sensitive,” he said.”It’s, like, 100 years old, so I wasn’t expecting the film to come out of it.”
Some of the photos show a crowd of people and television crew outside the Portcullis Hotel in Chipping Sodbury.
Photo: Unknown / Oliver Barnes |
The No. 1 Pocket Kodak used 6x9cm negatives, which resulted in a decent level of detail from simple contact prints for photographers at the time. Of course, developing such negatives today isn’t as straightforward as it used to be. Barnes brought the negatives to Fujifilm Salisbury Photo Centre, where Ian Scott helped narrow down some of the details related to the images. Scott knew the film inside the camera wasn’t produced until the late 1950s, providing a more precise timeline of when the images could have been taken.
Given the age of the negatives, it was surprising how well they turned out. “They’re really good quality for how old they are; I wasn’t really expecting anything,” said Barnes. The developed images revealed more mysteries, however. Some of the images show an event of some sort. Barnes did some sleuthing and figured out the photo was taken from the upper floor of a building overlooking the Portcullis Hotel and the war memorial in Chipping Sodbury. There appears to be a television crew on the edge of the frame.
The images have sparked lots of interest locally in an attempt to identify the event. “It’s caused quite a fuss on social media round here. It got shared literally everywhere,” said local photographer Richard McDonough. “We’ve had all sorts of people coming up with speculation and different ideas of what it might be.” Some have guessed a wedding, while others have proposed an event related to the American Army, which was posted nearby during WWII. “There are so many different scenarios,” said tourist center volunteer Barry Townsend.
This photo is believed to be of two students on the Swilcan Bridge at the University of St. Andrews, though the two men have not been identified.
Photo: Unknown / Oliver Barnes |
Another image shows two young men on a bridge who have not been identified yet. However, they are assumed to be two University of St. Andrews students. Barnes and others searching for answers hope that sharing the images may spark someone’s memory. Even if the details remain a mystery, it certainly is a fun find to stumble on. It’s also a good reminder to be careful with how you open thrifted film cameras; you never know what gems you may find inside.
Camera
Leica just released a surprising accessory for diehard mobile photography
Photo: Leica |
With its latest announcement, Leica is furthering its focus on mobile photography, adding a new accessory to its lineup. The company designed the Leica Lux Grip specifically for iPhones, following up on the June release of the Leica Lux iPhone app. The grip is strictly for Leica lovers, as it will only work with Leica’s iPhone app; controls will not transfer to the default iPhone camera app or any other third-party options.
Leica says the Lux Grip is “similar to a classic Leica camera in terms of its handling and feel.” It goes even further and explains that all of the grip’s “physical controls consistently express Leica’s design philosophy and conjure up the familiar experience of using a professional camera.” Any grip will make for a more camera-like experience and make taking photographs with a phone a bit more ergonomic, so users who focus on mobile photography could certainly benefit from it.
Photo: Leica |
The grip relies on a magnetic MagSafe connection rather than a case-like design, which is typical in other phone grips. The magnetic attachment makes switching between portrait and landscape orientations easy while maintaining a comfortable grip with easy controls. Plus, removing the grip when it’s not needed and returning to a traditional phone form factor is straightforward. That also means that when users purchase a new iPhone, there’s no need to buy an entirely new grip specific to that phone.
The Lux Grip uses Bluetooth Low Energy (BLE) connectivity to communicate with a phone’s camera, allowing users to control camera functionality without digging into phone menus. That includes a two-stage shutter release that, like cameras, uses light pressure to focus and a full press to take a photo. There’s also a button to switch between shooting modes, two customizable buttons and a dial for adjusting settings.
Photo: Leica |
For those who want to go all out, Leica also released a leather case designed just for the Lux Grip, which features an AirTag holder.
The Leica Lux Grip is available for $329 on Leica’s website and B&H. The purchase includes a year of the Leica LUX Pro subscription.
Buy now:
Leica Camera AG is launching the Leica LUX Grip for the iPhone today.
The camera grip impresses with its intuitive operation and high-quality manufacturing while, at the same time, setting new standards for photographic precision using a smartphone. The Leica LUX Grip is similar to a classic Leica camera in terms of its handling and feel. Its clear design, sophisticated operating concept and easy attachment – guaranteed by secure magnetic MagSafe technology – improve the ergonomics and functionality of smartphone photography, taking it to a new level. The LUX Grip and iPhone communicate via Bluetooth Low Energy (BLE) and are perfectly complemented by the Leica LUX app.
All of the LUX Grip’s physical controls consistently express Leica’s design philosophy and conjure up the familiar experience of using a professional camera. The 2-stage shutter release focusses with light pressure and starts shooting when fully pressed down. A button allows you to quickly switch between shooting modes. Two control elements can be individually assigned and customised via the Leica LUX app. While one button provides quick access to frequently used functions, the easy-to-grip control dial enables the precise selection of camera settings – such as zoom, aperture, shutter speed and exposure compensation. This means that photographers have all the essential aspects of image composition in their own hands, even when using a smartphone.
The Leica LUX app rounds off the photographic experience by adding the unmistakable image and colour aesthetics of legendary Leica lenses. The bokeh effect of the Summilux-M or Noctilux-M can be used to deliberately emphasise features while retaining full control over exposure, ISO and shutter speed. Unique Leica Looks – from Vivid to classic Black&White – expand the artistic palette, lending digital photography an analogue character. The Leica LUX app forms a perfect symbiosis with the LUX Grip. The full version of the app is included for one year with every Grip product registration.
The LUX Grip also sets the tone when it comes to sustainability. Thanks to its modular design, the Grip can be easily reused with all electronic components every time you change your iPhone. Only the MagSafe base plate has to be replaced. Weighing just 130 grams, the Leica LUX Grip is comfortable to hold and is equally suitable for left- and right-handed users. Its powerful battery lets you take up to 1,000 shots and will be ready for use again in a flash with a charging time of 2 hours via USB-C.
The Leica LUX Grip is now available in selected Leica Stores, in the Leica Online Store and from specialist retailers. The recommended retail price is EUR 300 incl. VAT.
Camera
Nikon Z 35mm F1.2 S pre-production sample gallery
Nikon Nikkor Z 35mm F1.2 pre-production | F1.2 | 1/125 sec | ISO 64 |
Earlier this week, Nikon announced the Nikkor Z 35mm F1.2 S, a wide-angle lens with a fast aperture. We were able to spend a few hours on the streets of Seattle with a pre-production model, and got some shots that should give you an idea of what this lens is about.
A few caveats to keep in mind – given that the photos were shot with a pre-production lens, they may not be exactly indicative of how a production model would perform. Our standard lens gallery procedure also involves processing the images through Capture One, giving us precise control over what corrections are and are not applied. However, the images in this sample gallery are straight out of camera JPEGs, and thus may have corrections that wouldn’t usually be applied to images in our sample galleries.
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