Camera
Video: Recording bouncy bugs with a Phantom camera at 73,000 fps to see how they move
The correct maneuver to perform when you see someone in public you don’t want to talk to. |
Springtails are small organisms that move so quickly that the human eye can’t perceive their motion. They’re very common and easy to find but challenging to observe and even harder to understand. Cameras, at least typical ones, are unable to keep up with the small, speedy hexapods. Dr. Adrian Smith, head of the Evolutionary Biology and Behavior Research Lab at the North Carolina Museum of Natural Sciences and North Carolina State University, recorded springtails at 73,000 frames per second to better understand springtail locomotion, which has previously been shrouded in mystery.
Before digging into how Dr. Smith captured the video, it’s worth discussing springtails as their nature. Springtails are hexapods, meaning they have six legs, but they’re not insects. Springtails are wingless arthropods with internal mouthparts. The organism is in the collembola order, one of three in the class ‘entognatha.’ It’s not clear how closely related springtails are to the other two species in the same order, the Dirplura and Protura. Despite DNA sequencing, there remains some debate on the evolutionary history of springtails and how related the species’ history is to other arthropods.
Image courtesy of Dr. Adrian Smith |
To keep things simple, Dr. Smith refers to springtails as ‘bugs.’ That said, there’s not much that’s simple about understanding springtails. Limited research of the organism has turned up little concerning understanding how springtails get around. The organism is so small that it’s hard to see and so incredibly fast that it’s impossible to observe without the aid of very high-speed cameras.
Last year, Dr. Smith attempted to learn more about springtails by recording them at 6,000 frames per second. Even this high speed was too slow to deliver a full picture of the bugs in motion. He upped the frame rate to 10,000 fps, but even this wasn’t quite enough.
Image courtesy of Dr. Adrian Smith |
Using a newer Phantom camera, the VEO1310s, Dr. Smith recorded springtails at 73,000 fps. At this speed, the camera records black and white video that is 240 pixels high, but it’s enough to see the organism in a way nobody else ever has.
Smith says ‘I don’t think it’s hyperbole to say no one has seen a springtail like this before […] I feel like it’s not exactly right to say I’m filming these animals in slow motion. I’m not using the camera to exaggerate or prolong what they’re doing: I’m just trying to see it. I’m trying to meet these animals at the timescale at which they’re behaving, and that turns out to be really, really hard.’ As Dr. Smith says in the video below, ‘Pretty much any recording that captures a springtail jump in detail is capturing something new.’
As you can see in the video, springtails propel themselves forward from the surface of the water and perform ‘astonishingly fast’ backflips. In one example, a springtail rotates at a speed approaching 300 backflips per second.
This composite image shows a springtail jumping forward at about a 45° angle on the surface of water. Image courtesy of Dr. Adrian Smith. |
The semi-aquatic bug can walk on water and propel themselves forward at roughly a 45° angle using a water-resistant appendage tucked underneath their bodies called the furcula. The tail doesn’t break the surface tension, allowing springtails to use the indentation in the water as a sort of springboard. Springtails have hydrophilic appendages, meaning that their claws stick to the water, which provides traction. On dry land, however, their movement is less regular. Nonetheless, even at 10,000 fps, it’s impossible to get the full picture of the bug.
At 73,000 fps, Dr. Smith captured video of a springtail stuck on its back. What was unfortunate for the creature resulted in what Dr. Smith refers to as possibly the luckiest thing he’s caught on camera. The incident sheds new light on the furcula’s role in the springtail’s locomotion, and you can check it out near the end of the video above.
Springtails may be abundant, but there has been little research done to better understand them. A big reason for the lack of research is likely how difficult the organism is to observe. |
We had the chance to speak with Dr. Smith and ask him a bit more about his research and how he captures his amazing videos. He uses a Venus Optics Laowa 60mm f/2.8 Ultra-Macro lens to capture most of his slow-motion video. He also sometimes pairs the lens with extension tubes for even closer shots.
Dr. Smith has multiple macro lenses, but his go-to lens is the Laowa 60mm f/2.8 Ultra-Macro |
He tells us that of all the gear he uses, the most important is lighting. The shots in the video above are shot against an illuminated background, which is an LED shot through diffusion material. For the front lighting, an ultra-powerful LED array specially built for high-speed video is required. In this case, Dr. Smith uses lights from Visual Instrumentation Corporation.
There’s a lot of preparation and post-production work that goes into producing his videos. Smith locks down the camera, lights and set, and records as much as possible. The footage is then composited in post. During post-production, he also spends a lot of time removing noise grain from the high-speed footage. He adds, ‘And of course, bug wrangling. Endless hours of bug wrangling. These springtails are so tiny and fragile that the best thing to use is a small fine paintbrush to move them around onto the filming set.’ The set itself is a clear plastic party cup filled to the brim with water.
To see more incredible high-speed videos from Dr. Smith and his team, visit the Ant Lab YouTube channel. You can also follow Dr. Adrian Smith on Twitter and Instagram
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Camera
Our year in photos: Dale's most memorable shot of 2024
Pedestrians with umbrellas wander down a rainy alley in Yokohama’s Chinatown.
Panasonic S5IIX + Panasonic S 28-200mm F4-7.1 | F7 | 1/125 sec | ISO 1600 |
Japan is one of my favorite places to travel. I’m captivated by its culture, cuisine, and the warmth of its people. It’s also a photographer’s paradise, offering endless possibilities, from serene temples and bustling markets to breathtaking landscapes.
My favorite type of photography when traveling in Japan is street photography, especially at night. I never tire of exploring the vibrant cityscapes, from the iconic Shibuya Crossing in Tokyo to the atmospheric alleys of Yokohama’s Chinatown.
However, there’s a twist: I seek out rainy conditions. While most travelers might not embrace a downpour, I find that rain transforms nighttime street photography into something magical. The umbrellas emerge, the city lights reflect off the wet pavement, and colors take on a vibrant intensity.
I was fortunate to visit Japan twice this year, and it rained both times. What some might consider lousy weather, I welcome as luck. Both my camera and I were thoroughly drenched during several nights of shooting, underscoring the value of weather-sealed equipment. (For the record, despite being so wet they were dripping with water, neither camera nor lens ever missed a beat.)
“While most travelers might not embrace a downpour, I find that rain transforms nighttime street photography into something magical.”
Unsurprisingly, some of my most memorable photos of 2024 were captured during these rain-soaked adventures. It’s challenging to select just one favorite because, as many of you will surely understand, how we remember the value of an image is often intertwined with the experience of capturing it.
The photo at the top of this page is one of my favorites from these trips, captured in Yokohama’s Chinatown. Off the main street, the area is full of narrow alleys, many decorated with traditional lanterns, creating small, intimate spaces. I spied these two pedestrians with similar coats and umbrellas turn into one of these alleys and instantly knew there was a potential photo around the corner.
I managed to fire off two shots before the scene lost its magic, but that’s all I needed. I love that you can’t see the main subjects’ faces. They remain anonymous, allowing the viewer to focus on the place rather than the person.
Camera
Godox releases V100, a 100Ws fast rechargeable flash
Image: Godox |
Godox has announced the V100, a 100Ws version of its round-headed V1 on/off camera flashgun. The V100 can deliver up to 100 Watt Seconds of power in manual mode and can shoot over 70 consecutive bursts of light at full power. Recycle times of under 1 sec are possible when used with an external power source (1.7 sec with the internal battery).
Like the existing V1 and V1Pro, the V100 is available in versions compatible with the proprietary TTL flash metering systems of Canon, Nikon, Sony, Fujifilm or Olympus/OM System, each of which comes with a small secondary flash that can be used to provide a little ‘fill.’ It also has a 2W LED modeling lamp, to help you understand how its light is going to fall.
Godox says it’s able to sync with the global shutter of Sony’s a9 III, up to shutter speeds of 1/80,000, though the company also says the V100’s minimum flash duration is 1/20,000, so presumably 1/80,000 sec shutter speeds would only experience a fraction of that output.
Image: Godox |
The V100 is powered by a rechargeable Li-Ion battery that can be charged directly using a USB-C cable or in an optional multi-battery charger if you need to prepare multiple batteries before a shoot.
It’s compatible with the company’s 2.4Ghz radio frequency off-camera communication protocol either as a transmitter or receiver.
Buy now:
No details have been given about price or availability but it’s listed as “Coming Soon” on B&H Photo’s website with a price of $349. B&H is also listing a Pentax-compatible version, not listed on Godox’s website.
Godox V100 C/N/S/F/O
Power Beyond Limits, 100Ws at Hand
Introducing the epic 100Ws TTL Li-ion Round Head Camera Flash V100. The Godox V100 redefines the standards for flagship on-camera flashes, brining an era of 100Ws power to handheld lighting. This groundbreaking flash delivers global shutter sync, a vibrant 2.3-inch color touchscreen, an intuitive menu, and one-tap syn operations. It combine cutting-edge features and professional-grade performance to provide an ultimate solution for professional lighting.
100Ws, Beyond Limits
The V100 sets a new benchmark for on-camera flashes by offering an unprecedented 100Ws power at its maximum output (M mode). With adjustable power steps from 1/1 to 1/256 or from 2.0 to 10, it covers the spectrum from subtle fill light to robust lighting for diverse scenarios, pushing the boundaries of creativity in flash photography.
Intuitive Touchscreen, Effortless Control
Equipped with a 2.3” full-color, high-sensitivity touchscreen, the V100 offers a smooth and responsive interface. Paired with an intuitive menu design and logical control layout, it allows photographers to quickly adjust power levels, activate high-speed sync, switch between TTL/M modes, and pair devices with a single tap, significantly improving workflow efficiency.
Global Shutter Flash Sync
The V100 is seamlessly compatible with cameras featuring global shutter like Sony a9 III. Supporting shutter speeds up to 1/80,000 seconds and offering TTL functionality, it delivers outstanding high-speed continuous shooting with effortless precision. This makes it an ideal choice for sports photography, outdoor bright light, and other fast-paced shooting scenarios.
70 Full-Power Consecutive Flashes
Thanks to its advanced cooling system, the V100 delivers 70 to 100 consecutive flashes at 100Ws without compromising performance. This ensures enhanced shooting efficiency and flexibility, allowing you to handle complex scenarios with ease and capture every brilliant moment of your creative vision.
Zoom range (mm) | 28mm | 35mm | 50mm | 70mm | 80mm | 105mm |
---|---|---|---|---|---|---|
Continuous flashes (100Ws) |
75 | 75 | 80 | 90 | 100 | 100 |
Detachable Sub Flash
The V100 continues the highly praised detachable sub flash (SU-1) design from the V1 Pro. This versatile feature enables dual-light setups with a single flash, offering creative lighting solutions for portrait photography.
Wireless Sync, Streamlined Workflow
With the built-in Godox 2.4G Wireless X System, the V100 functions as both a master and receiver unit. Its one-tap pairing capability seamlessly integrates with the X3 trigger or other Godox wireless flash units, streamlining multi-flash setups and boosting productivity.
Powerful Battery, Convenient Charging
Powered by the same high-performance lithium battery as the V1 Pro, the V100 ensures uninterrupted shooting. The Type-C charging port and compatibility with the VC26T Multi-Battery Charger make recharging quick and convenient.
Enhanced Recycling with External Power
The V100 includes a port for the PB960 Lithium-Ion Flash Power Pack, reducing full-power recycling time to as fast as 0.8 seconds. This feature supports demanding, high-intensity shooting scenarios, ensuring peak performance.
Built-In LED Modeling Lamp
A 2W LED modeling lamp with 10 adjustable levels provides flexible options for previewing light effects or serving as a fill light. The lamp supports continuous or interrupt modes, catering to different creative needs.
Comprehensive Accessory Ecosystem
The V100 is compatible with a broad range of Godox accessories, including the AK-R1 Accessory Kit for Round Flash Heads, AK-R21 Projection Attachment, AK-R22 Collapsible Diffusion Dome, and the S2 Speedlite Bracket for Bowens, among others. Whether you’re fine-tuning light, exploring creative effects, or expanding functionality, the V100 is designed to meet every need.
Camera
Fujifilm's updating even more cameras with autofocus improvements
When Fujifilm announced that it was releasing a firmware update to help improve the X-H2 and GFX 100 II’s autofocus performance in October, the community’s response was near-unanimous: what about the X-T5? The camera’s autofocus performance has been a sore spot in recent months, with some users complaining that their cameras were noticeably less accurate after a previous firmware update.
This week, Fujifilm answered. It’s released firmware updates for its flagship APS-C camera, as well as the GFX 100S II, X-T50, X-S20 and X100VI, promising that its “AF algorithm has been partially revised to improve focusing accuracy and subject tracking performance.” According to the release notes, the updates, which you can download using the links above, are solely dedicated to the autofocus improvements.
This is far from the first X-T5 update that promises to improve its autofocusing capabilities, so we’ll likely have to wait for owners to chime in on whether it brings the performance up to a level that they’re happy with. For now, though, it appears that Fujifilm has at least heard the complaints, and is working on addressing them.
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