Camera
Zeiss is back with two new F1.4 Otus ML prime lenses

Image: Zeiss |
Zeiss is returning to making lenses for stills cameras, introducing the Otus ML line with new 50mm and 85mm F1.4 lenses for E, RF, and Z mounts. The lenses are manual focus only, but are focused on providing “the highest optical performance and precision mechanics,” according to the company.
The lenses emphasize build quality, with an all-metal design that’s sealed against dust and moisture. They also feature engraved markings for the aperture ring and depth-of-field scale. The focus ring has a very long throw, giving you precise control over the focus point – essential when pairing a wide aperture with a high-resolution camera.
Given the amount of metal and glass that make up these lenses, it’s no surprise that they’re on the heavy side: the 50mm weighs 677g (1.5lb) and the 85mm is 1040g (2.3lb). For reference, Sony and Canon’s flagship 50mm F1.4 lenses weigh 516g and 580g, respectively, and those have autofocus motors.
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The focus ring? Metal. The lens hood? Also metal.
Image: Zeiss |
While the company hasn’t provided exact optical formulas, it has said that the lenses use aspherical elements and have coatings to reduce ghosting and flare. The 50mm has 14 elements in 11 groups, while the 85mm has 15 elements in 11 groups. The apertures have 10 blades, and the rings to control them can be de-clicked using a special tool.
It’s nice to see that Zeiss is bringing the Otus line to mirrorless cameras and that it’s supporting a wide variety of mounts. Given that the original Otus line had 28mm and 100mm options and some of the wording in the company’s press release, we wouldn’t be surprised if we see more lenses in the Otus ML line in the future. We got the chance to shoot with a pre-production sample of the 50mm F1.4, and you can see the results for yourself in the sample gallery below.
The 50mm F1.4 will be available in the spring at an MSRP of $2500, with the 85mm F1.4 coming at an unspecified point later this year at $2999. While those are still big sums for manual focus primes, they are a fair bit more affordable than the original 55mm and 85mm Otus lenses, which retailed for $4000 and $4500, respectively.
Zeiss 1.4/50 Otus ML pre-production sample gallery
ZEISS Unveils New Otus ML – Continues the Legendary Lens for Mirrorless Mounts
- Exceptional optical performance and precision with the highest
standards for professional photography and visual story creation,
optimized for the latest mirrorless mounts (E, RF, and Z). - Creative freedom through its exceptional optical performance and
ultimate precise focus. - New lens family starts with 1.4/50 and 1.4/85 in 2025
ZEISS has announced the introduction of a new Otus ML family, a series of lenses designed specifically for professional photographers and ambitious visual story creators who require the highest optical performance and precision mechanics for full creative control. For the start, the Otus ML is available in two focal lengths: a 1.4/50 lens suitable for versatile photography and a 1.4/85 lens optimized for portrait work. Inspired by the legendary ZEISS Otus family, these new lenses bring ZEISS’ renowned optical excellence to mirrorless cameras: Sony1 E, Canon2 RF- and Nikon3 Z-Mount.
Continuing the Legacy of the First Otus Generation
The Otus ML lenses are engineered to provide exceptional optical performance, revealing details that may not be discernible to the naked eye. These lenses embody the well-regarded ZEISS Look, characterized by sharpness, accurate color reproduction, and a three-dimensional quality. The apochromatic lens design ensures excellent color fidelity while minimizing chromatic aberrations. Additionally, the aspherical design contributes to virtually distortion-free images, enhancing overall image quality. The ZEISS T* anti-reflective coating further reduces reflections and flare, improving clarity and color accuracy.
From a mechanical standpoint, the Otus ML lenses offer precise manual focus, which enhance the creative and storytelling process. The lenses feature a smooth metal focus ring with a precision helicoid drive, facilitating accurate focusing. Manual aperture control, equipped with a de-click function for video, allows for seamless adjustments, which can be advantageous in various shooting scenarios.
Sebastian Döntgen, Head of ZEISS Mobile Imaging and Photography:
“We are pleased to announce the introduction of the Otus ML lens to the community of photographers. This lens reflects our ongoing commitment to quality and innovation. The Otus ML family combines classic features with modern advancements, showcasing our dedication to enhancing photographic technology while honoring traditional craftsmanship.”
Petra Visuri, Category Manager ZEISS Photography:
“Manual focusing is more than a method — it’s a way for photographers to connect deeply with their creative power and craftsmanship, enabling both unparalleled control and artistic freedom. It allows for precise focusing on the center of the image, the story, and emphasizes the exact details that bring the visual idea to life.”
The all-metal construction of the Otus ML lenses is designed to endure the demands of professional photography. The compact and portable design is optimized for the latest mirrorless mounts: Sony E, Canon RF, and Nikon Z-Mount, with the 1.4/50 weighing 677g and the 1.4/85 weighing 1,040g. Clear and precise scales on the lenses enable quick adjustments, ensuring that photographers maintain control over their settings.
Mo Xie, professional photographer and ZEISS ambassador:
“The unparalleled excellence of the ZEISS Otus ML lens makes it nearly impossible to find any flaws in the images it captures. Its remarkable sharpness and true-to-life colors are exactly what I need as a professional photographer – to preserve the essence of moments, people, and things as they truly are.”
Wolf-Peter Steinheisser, professional photographer and ZEISS ambassador:
“This new lens from ZEISS is simply stunning! Incredibly sharp and precise, with a wonderfully lightweight feel in hand. The fully metal focusing ring? An absolute tactile delight—it’s a joy to use!”
The Otus ML lenses are built to perform reliably in challenging conditions. A blue sealing ring protects the camera lens interface from dust and moisture, while additional seals provide protection against splashes. The lenses are temperature resistant, functioning effectively in environments ranging from -20°C to +55°C. They have also undergone rigorous testing for mechanical, vibration, and shock resistance.
Continuing the legacy of the Otus family, which has been recognized for its low sample variation and outstanding imaging performance since its introduction in 2013, the new Otus ML combines premium optical performance with precise mechanical engineering, optimized for the latest mirrorless mounts. This positions the Otus ML as a valuable tool for ambitious photographers seeking to combine full, precise control with creative freedom while focusing on the core of their imaging work.
Product Introduction Available on the Web
The ZEISS Otus ML lens family will be presented on February 26, 2025, at 11 am CET on YouTube (@ZEISSCameraLenses) by ZEISS experts. The new ZEISS Otus ML will be available from specialist retailers: 1.4/50mm from Spring 2025 at the RRP (incl. VAT) of €2,499 / $2,500, and the 1.4/85 later in 2025 at the RRP (incl. VAT) of €2,799 / $2,999
For more information about the ZEISS Otus ML and its specifications, please visit www.zeiss.com/otus-ml. Further product and application images can be downloaded here.
(https://mam.zeiss.com/Redirect.do?urlId=NeG83aO46UUzfuLZgX79S92tByjJGAUaYcQUc8DKrrg%3D)
1 Sony is a registered trademark of Sony Corporation.
2 Canon is a trademark or registered trademark of Canon Inc. and/or other members of the Canon Group.
3 Nikon is a registered trademark of the Nikon Corporation.
Camera
March Editors' photo challenge announced: Water

While visiting Dry Tortugas National Park, located 109km west of Key West, Florida, I looked down from the top of Fort Jefferson and saw this group of snorkelers just off Garden Key. Moments after this photo was taken, one of the snorkelers had the bad luck of being stung by a Portuguese man o’ war.
Photo: Dale Baskin |
The theme for our March Editors’ challenge is ‘Water’.
Show us the essence of water in its many forms, from the roaring power of the ocean to a gentle rain, reflections on a lake, smooth waterfalls, frozen ice, or even fine art. The possibilities are endless, so let your creativity flow and show us your best photos that revolve around water. Our favorites will be featured on the DPReview homepage later this month.
This challenge is open to photos taken at any time.
Photos can be submitted between Sunday, March 16, and Saturday, March 22 (GMT).
Important: Images MUST include a title and a caption of at least 25 words to be eligible. Viewers want to know the story behind your photo. We will consider both photos and captions when selecting our winners, so make sure to tell us that story!
Visit the challenge page to read the full rules and to submit your photos for consideration as soon as the challenge opens.
Visit the challenge page to see all the rules
Camera
Accessory Roundup: lights, iPads, bags and more

Images: Vanguard, Apple, Elinchrom |
CP+ may have ended last week, but that apparently hasn’t stopped the flood of accessory news. Today, we’ll look at a few lights, bags, computers and more, but first, let’s see what’s on sale.
Second-gen Goodness
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Photo: Richard Butler |
Canon’s Stacked sensor flagship, the EOS R5 II, is currently on sale for $300 off MSRP. We reviewed it late last year, and came away very impressed – it’s a camera that excels at nearly everything.
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Photo: Richard Butler |
Panasonic’s S5II isn’t quite as performant, but it’s still quite a good camera. It’s also substantially cheaper than the EOS R5 II, especially given the current sale that gets you $500 off.
Let there be lights
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Image: Godox |
Godox’s latest light for videographers and photographers is the Litemons C30. It’s a tiny LED panel weighing 248g that packs an internal battery capable of putting out 30W of light for up to 45 minutes. A USB-C port lets you recharge the battery or run the light for an extended period of time.
There are two versions of the light – a bicolor model, which costs $59, and an RGB model that will run you $89.
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Image: Elinchrom |
If you need something a little more powerful, there’s the recently released Elinchrom LED 100 C, a continuous RGB light with an integrated 72Wh battery that provides up to 40 minutes of power in the field. It comes with a diffusion dome and an adapter for Profoto light modifiers and can be charged via USB-C.
On the level
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Image: Vanguard |
Ball-head tripods are great if you want to easily level your tripod without messing around with leg length, but what if you already have a tripod that you like? Vanguard’s LVL accessory might be for you. It’s designed to sit between your sticks and your tripod’s head, adding a bit of height and letting you level your tripod head in a matter of seconds.
Vanguard makes several sizes, so it should be compatible with a wide range of tripods. The smallest, the LVL 42, has a 42mm base and can support up to 20kg (44lb), while the LVL 75 can support up to 40kg (88lb) – just make sure the rest of your tripod can handle that much weight too.
In the bag
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Image: Wandrd |
If you want to carry around some camera gear without using a massive backpack, Wandrd’s Stratus Photo 18L may be the bag for you. It’s relatively small and has built-in organization for your camera gear, as well as access hatches on both the right and left-hand side. It’s made of weather-resistant materials and has load-adjustment straps and a chest strap, which should let you carry it comfortably even if you’ve got it filled with gear.
New affordable iPads
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Image: Apple |
People don’t always think of the iPad as a photographic tool, but nowadays Apple’s tablets have a lot of processing power and can run many of the apps photographers use on their desktops. The company’s entry-level models – the iPad Air and the plainly-named iPad – have just gotten updates that make them better than ever. The Air gets the laptop-class M3 chip, as well as a new, optional keyboard with a bigger trackpad, function row and aluminum design. The M3 iPad Air starts at $599, and the new keyboard costs $269.
The cheaper iPad, meanwhile, gets the A16 chip from the iPhone 14 and 14 Pro. While it’s not as powerful as the M-class chips and doesn’t support Apple’s suite of AI features, it should still be plenty for light photo editing and organization. Its base storage has also been doubled from 64GB to 128GB. It starts at $349, which is what its predecessor sold for ever since Apple cut the price by $100 in 2024.
That wasn’t all Apple announced this week, though…
Get caught up
Some accessory news is so big that it gets its own article during the week, but we’d feel remiss not also mentioning those products here.
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Image: Apple |
As an example, Apple’s new computers. The company announced updates to its entry-level MacBook Air and top-of-the-line Mac Studio this week, adding its latest processors. The MacBook Air has enough processing power to handle the typical Photoshop and Lightroom tasks that most photographers need, all while being hyper-portable, while the Mac Studio can handle the highest-end photo and video editing tasks.
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Image: Peak Design |
Also announced this week: Peak Design’s Roller Pro, the company’s first piece of roller luggage. It’s a bit of a hybrid between a hardshell case and a softshell one, with plenty of padding and a front sleeve that can hold a laptop and other everyday carry items. You can read our full coverage of it here.
It’s currently being sold via Kickstarter for a discount over its $599 MSRP, but the usual disclaimer applies: Remember to do your research with any crowdfunding project. DPReview does its best to share only the projects that look legitimate and come from reliable creators, but as with any crowdfunded campaign, there’s always the risk of the product or service never coming to fruition.
Camera
Sony's content authenticity system isn't just for pro cameras anymore

Photo: Richard Butler |
Sony has released a firmware update that brings its Content Authenticity Solution to the a7 IV. The company announced a similar update for the a1 II, a1 and a9 III in January. However, this is the first time the tool to authenticate images will be available on something other than high-end, professional-grade cameras.
Software Ver. 5.00 for the Sony a7 IV adds support for the “Write Digital Signature” function for still images. This function allows photographers to add an electronic signature to their images to prove that they were taken with that camera. Authenticity tools such as this are becoming increasingly important with the growing prevalence of generative AI-created imagery and, as a result, the spread of fake images.
Of course, as with the update for the three pro-grade cameras in January, there are some caveats involved. The Digital Signature function requires a paid license and is only available for certain media outlets, not the general public. Unfortunately, Sony still hasn’t provided any additional information on if or when it will be available for general consumers. On the firmware update page, Sony simply says that the “timing for the provision of paid licenses to customers other than certain media outlets is yet to be determined.”
Even though the current usability is limited, Sony rolling this out to consumer models is a step in the right direction. The Content Authenticity information page also says that “more camera models will be supported in due course,” so it sounds like we should see additional cameras with the tool at some point. If Sony makes the feature more widely available beyond media outlets, the Digital Signature feature will already be on cameras and ready for use.
If you want to be prepared, or happen to work for one of the select media outlets, the Sony a7 IV firmware update Ver. 5.00 is now available for download.
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