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Comparison Review: Can VueScan or SilverFast archive your film better?

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Comparison Review: Can VueScan or SilverFast archive your film better?

Introduction

A difficult 2020 that has blended into a difficult 2021 has made it harder for many of us to get outside and shoot, but that doesn’t mean you have to neglect your photography. If you’re like me, you probably still have years’ worth of unscanned slides and negatives waiting to be tended to some rainy day, and a COVID lockdown gives you a golden opportunity.

But are you better off using the software that came with your scanner, or should you shell out for a third-party alternative to get the best results? Before I rolled up my sleeves and started scanning, I wanted to answer this question for myself.

To do so, I compared Epson Scan 3.9.3.4 – which comes bundled with the company’s Perfection-series photo scanners and seems nicely representative of manufacturer-supplied software – with two of the most popular third-party alternatives, LaserSoft Imaging’s SilverFast SE Plus 8.8.0r22 and Hamrick Software’s VueScan Professional Edition 9.7.35.

All three applications were tested with Windows 10 version 1909 on a 2018 Dell XPS 15 9570 alongside an Epson Perfection V850 Pro scanner.

Since I’m looking at this from the perspective of film scanning, I’m limiting my comparisons solely to scanning of positive and negative strip film and slides, and won’t be considering features like document or photo print scanning, copying, OCR, and the like.

Let’s start off by looking at interfaces.

Epson Scan feels a bit dated and lacks some features

Epson Scan shown in Professional mode with all windows open except the configuration dialog. As you can see, there’s not much space for your photos.

As is often the case with software from hardware manufacturers, Epson Scan’s Professional Mode user interface feels quite dated and somewhat unintuitive. It’s split across five floating control panels that, together, don’t leave much room to preview your slides, yet still offers fewer controls than its third-party rivals.

No matter how I set Windows 10’s resolution and scaling, I couldn’t access the reset button on this non-resizable configuration dialog.

Optional Full Auto and Home modes simplify things, but also hide many features altogether. And it’s also sometimes a little buggy. For example, no matter how I configured Windows’ resolution and scaling, its un-resizable configuration dialog overflowed its borders, preventing me from being able to do things like reset app defaults.

Overall, it’s reasonably usable but not great.

SilverFast is powerful, but overly dense and confusing

SilverFast has only two operating modes: WorkflowPilot or Manual. WorkFlowPilot only allows single-photo scanning, and takes you through the process step by step. Some choices feel odd, though: For example it won’t allow you to simply scan a standard JPEG.

SilverFast’s user interface is packed with buttons and controls, not all of them intuitively named or labeled. (And quite a few are duplicates, increasing the clutter.)

Manual mode gives access to everything at once, but is very busy and unnecessarily confusing. Button colors vary for no logical reason, and active functions are indicated only with a tiny red dot. Help is provided throughout, but the many (and often redundant) buttons linking to abbreviated PDF manuals and numerous lengthy tutorial videos make its interface even more cluttered.

I also found it prone to making me wait for preview scans more than its rivals, and cancelling a batch scan can be extremely tedious as it makes you separately cancel every remaining frame, one by one. This was my least-favorite interface of the bunch.

VueScan’s interface is faster and cleaner

VueScan’s user interface largely revolves around intuitively named and well-categorized dropdown menus. It’s the cleanest and most responsive of the bunch.

VueScan’s UI has Basic, Standard or Professional modes, all three mostly using drop-down lists very logically arranged in two to five tabs. It’s cleaner, faster and more modern than its rivals, and leaves more room to preview your images. Its single PDF user manual is also unusually detailed and helpful.

This is hands-down my favorite of the trio.

Epson is fastest, but there’s a catch

Performance will, obviously, vary depending both on the speed of your scanner, and what hardware features it offers. With that proviso, I found Epson Scan had a slight edge in scanning speed, but with a significant catch.

Epson Scan took just under 59 minutes to scan 18 negatives at 6400 dpi with dust reduction and sharpening active, while VueScan took 67 minutes, and SilverFast trailed the pack at 84 minutes. But Epson Scan’s fixed crop for batch scanning threw away a significant amount of image data.

Epson Scan is just fractionally ahead of VueScan performance-wise. SilverFast trails both its rivals by some distance.

Calculating backwards from the image dimensions as scanned, Epson Scan managed around 14.8 Megapixels/minute, just fractionally faster than VueScan’s 14.5 Megapixels/minute. SilverFast managed only 11.5 Megapixels/minute, making it by far the slowest.

All three apps could use more accurate cropping

While Epson Scan’s auto-cropping was by far the least accurate of the bunch, routinely discarding 10-15% of the frame height, I was surprised to find both SilverFast and VueScan also struggled to accurately detect frame sizes, as well.

Both apps mostly got the frame height in the ballpark, but had some issues detecting the gaps between frames. SilverFast sometimes incorrectly rotated frames, too. Significant manual tweaking is needed for all three programs if you want accurate cropping.

Although I found its cropping setup the best overall, I still thought VueScan could use improvement both in its frame detection and its somewhat confusing default UI.

VueScan’s much more responsive interface made those adjustments easier than its rivals, though. And Epson Scan was the least flexible, preventing you from batch-scanning unless you’re willing to live with its automatically-selected cropping.

I did find VueScan’s enabled-by-default “multi outline” option a bit confusing, though. To look at the wildly flickering borders below you’d think the cropping was wildly off, but the actual framing is indicated for only one frame at a time by the smaller border seen on the top-rightmost thumbnail in the picture above.

But enough of the user interface. How did they perform in terms of image quality? We’ll start out with detail levels.

Similar levels of detail, but SilverFast has higher default sharpening

One of my first attempts at a still life as a teenager now makes for a rather nice gauge of detail. In the 100% crops below, note the pale horizontal lines are fine water droplets misted from a garden hose just out of frame right.

Perhaps not surprisingly, given they’re all constrained by the same scanner hardware, all three programs turn in a very similar result in terms of their rendering of fine detail. In all three cases, sharpening and IR dust reduction were enabled.

SilverFast definitely defaults to significantly higher levels of sharpening than its rivals, though, giving the impression of more detail. But VueScan and Epson Scan’s images can easily be unsharp-masked post capture or the default sharpening levels tweaked similarly.

Epson Scan SilverFast VueScan

Epson and VueScan give the best color

All three programs can give good color with some work, but I found SilverFast needed tweaking more often than its rivals, tending to yield results that were too warm and with purplish casts, even with its color-cast reduction and orange mask expansion enabled. Unlike Epson Scan, it allows the film type to be selected for better results, but has a shorter list of film types than does VueScan.

Epson Scan’s automatic tools tended to yield the best color, but were perhaps a bit overly-saturated and warm for my liking, especially in skin tones, and manual adjustments were significantly trickier.

VueScan’s defaults were a bit cool and less saturated, although switching to auto levels or white balance modes gave better results. Like SilverFast, it can correct for the film’s orange mask, but the multi-step process is a little confusing, and it frequently lost the correction values, which then had to be reset.

Find out more on how image quality compares, and my final verdict on which program is best, on the next page.

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Our year in photos: Dale's most memorable shot of 2024

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Our year in photos: Dale's most memorable shot of 2024


When you use DPReview links to buy products, the site may earn a commission.
Pedestrians with umbrellas wander down a rainy alley in Yokohama’s Chinatown.

Panasonic S5IIX + Panasonic S 28-200mm F4-7.1 | F7 | 1/125 sec | ISO 1600
Photo: Dale Baskin

Japan is one of my favorite places to travel. I’m captivated by its culture, cuisine, and the warmth of its people. It’s also a photographer’s paradise, offering endless possibilities, from serene temples and bustling markets to breathtaking landscapes.

My favorite type of photography when traveling in Japan is street photography, especially at night. I never tire of exploring the vibrant cityscapes, from the iconic Shibuya Crossing in Tokyo to the atmospheric alleys of Yokohama’s Chinatown.

However, there’s a twist: I seek out rainy conditions. While most travelers might not embrace a downpour, I find that rain transforms nighttime street photography into something magical. The umbrellas emerge, the city lights reflect off the wet pavement, and colors take on a vibrant intensity.

I was fortunate to visit Japan twice this year, and it rained both times. What some might consider lousy weather, I welcome as luck. Both my camera and I were thoroughly drenched during several nights of shooting, underscoring the value of weather-sealed equipment. (For the record, despite being so wet they were dripping with water, neither camera nor lens ever missed a beat.)

“While most travelers might not embrace a downpour, I find that rain transforms nighttime street photography into something magical.”

Unsurprisingly, some of my most memorable photos of 2024 were captured during these rain-soaked adventures. It’s challenging to select just one favorite because, as many of you will surely understand, how we remember the value of an image is often intertwined with the experience of capturing it.

The photo at the top of this page is one of my favorites from these trips, captured in Yokohama’s Chinatown. Off the main street, the area is full of narrow alleys, many decorated with traditional lanterns, creating small, intimate spaces. I spied these two pedestrians with similar coats and umbrellas turn into one of these alleys and instantly knew there was a potential photo around the corner.

I managed to fire off two shots before the scene lost its magic, but that’s all I needed. I love that you can’t see the main subjects’ faces. They remain anonymous, allowing the viewer to focus on the place rather than the person.



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Our year in photos: Dale's most memorable shot of 2024

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Our year in photos: Dale's most memorable shot of 2024


When you use DPReview links to buy products, the site may earn a commission.
Pedestrians with umbrellas wander down a rainy alley in Yokohama’s Chinatown.

Panasonic S5IIX + Panasonic S 28-200mm F4-7.1 | F7 | 1/125 sec | ISO 1600
Photo: Dale Baskin

Japan is one of my favorite places to travel. I’m captivated by its culture, cuisine, and the warmth of its people. It’s also a photographer’s paradise, offering endless possibilities, from serene temples and bustling markets to breathtaking landscapes.

My favorite type of photography when traveling in Japan is street photography, especially at night. I never tire of exploring the vibrant cityscapes, from the iconic Shibuya Crossing in Tokyo to the atmospheric alleys of Yokohama’s Chinatown.

However, there’s a twist: I seek out rainy conditions. While most travelers might not embrace a downpour, I find that rain transforms nighttime street photography into something magical. The umbrellas emerge, the city lights reflect off the wet pavement, and colors take on a vibrant intensity.

I was fortunate to visit Japan twice this year, and it rained both times. What some might consider lousy weather, I welcome as luck. Both my camera and I were thoroughly drenched during several nights of shooting, underscoring the value of weather-sealed equipment. (For the record, despite being so wet they were dripping with water, neither camera nor lens ever missed a beat.)

“While most travelers might not embrace a downpour, I find that rain transforms nighttime street photography into something magical.”

Unsurprisingly, some of my most memorable photos of 2024 were captured during these rain-soaked adventures. It’s challenging to select just one favorite because, as many of you will surely understand, how we remember the value of an image is often intertwined with the experience of capturing it.

The photo at the top of this page is one of my favorites from these trips, captured in Yokohama’s Chinatown. Off the main street, the area is full of narrow alleys, many decorated with traditional lanterns, creating small, intimate spaces. I spied these two pedestrians with similar coats and umbrellas turn into one of these alleys and instantly knew there was a potential photo around the corner.

I managed to fire off two shots before the scene lost its magic, but that’s all I needed. I love that you can’t see the main subjects’ faces. They remain anonymous, allowing the viewer to focus on the place rather than the person.



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Godox releases V100, a 100Ws fast rechargeable flash

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Godox releases V100, a 100Ws fast rechargeable flash


Image: Godox

Godox has announced the V100, a 100Ws version of its round-headed V1 on/off camera flashgun. The V100 can deliver up to 100 Watt Seconds of power in manual mode and can shoot over 70 consecutive bursts of light at full power. Recycle times of under 1 sec are possible when used with an external power source (1.7 sec with the internal battery).

Like the existing V1 and V1Pro, the V100 is available in versions compatible with the proprietary TTL flash metering systems of Canon, Nikon, Sony, Fujifilm or Olympus/OM System, each of which comes with a small secondary flash that can be used to provide a little ‘fill.’ It also has a 2W LED modeling lamp, to help you understand how its light is going to fall.

Godox says it’s able to sync with the global shutter of Sony’s a9 III, up to shutter speeds of 1/80,000, though the company also says the V100’s minimum flash duration is 1/20,000, so presumably 1/80,000 sec shutter speeds would only experience a fraction of that output.

Godox V100 round head flash branding image with 100Ws in large letters
Image: Godox

The V100 is powered by a rechargeable Li-Ion battery that can be charged directly using a USB-C cable or in an optional multi-battery charger if you need to prepare multiple batteries before a shoot.

It’s compatible with the company’s 2.4Ghz radio frequency off-camera communication protocol either as a transmitter or receiver.


Buy now:


No details have been given about price or availability but it’s listed as “Coming Soon” on B&H Photo’s website with a price of $349. B&H is also listing a Pentax-compatible version, not listed on Godox’s website.


Godox V100 C/N/S/F/O

Introducing the epic 100Ws TTL Li-ion Round Head Camera Flash V100. The Godox V100 redefines the standards for flagship on-camera flashes, brining an era of 100Ws power to handheld lighting. This groundbreaking flash delivers global shutter sync, a vibrant 2.3-inch color touchscreen, an intuitive menu, and one-tap syn operations. It combine cutting-edge features and professional-grade performance to provide an ultimate solution for professional lighting.

100Ws, Beyond Limits

The V100 sets a new benchmark for on-camera flashes by offering an unprecedented 100Ws power at its maximum output (M mode). With adjustable power steps from 1/1 to 1/256 or from 2.0 to 10, it covers the spectrum from subtle fill light to robust lighting for diverse scenarios, pushing the boundaries of creativity in flash photography.

Intuitive Touchscreen, Effortless Control

Equipped with a 2.3” full-color, high-sensitivity touchscreen, the V100 offers a smooth and responsive interface. Paired with an intuitive menu design and logical control layout, it allows photographers to quickly adjust power levels, activate high-speed sync, switch between TTL/M modes, and pair devices with a single tap, significantly improving workflow efficiency.

Global Shutter Flash Sync

The V100 is seamlessly compatible with cameras featuring global shutter like Sony a9 III. Supporting shutter speeds up to 1/80,000 seconds and offering TTL functionality, it delivers outstanding high-speed continuous shooting with effortless precision. This makes it an ideal choice for sports photography, outdoor bright light, and other fast-paced shooting scenarios.

70 Full-Power Consecutive Flashes

Thanks to its advanced cooling system, the V100 delivers 70 to 100 consecutive flashes at 100Ws without compromising performance. This ensures enhanced shooting efficiency and flexibility, allowing you to handle complex scenarios with ease and capture every brilliant moment of your creative vision.

Zoom range (mm) 28mm 35mm 50mm 70mm 80mm 105mm
Continuous flashes
(100Ws)
75 75 80 90 100 100

Detachable Sub Flash

The V100 continues the highly praised detachable sub flash (SU-1) design from the V1 Pro. This versatile feature enables dual-light setups with a single flash, offering creative lighting solutions for portrait photography.

Wireless Sync, Streamlined Workflow

With the built-in Godox 2.4G Wireless X System, the V100 functions as both a master and receiver unit. Its one-tap pairing capability seamlessly integrates with the X3 trigger or other Godox wireless flash units, streamlining multi-flash setups and boosting productivity.

Powerful Battery, Convenient Charging

Powered by the same high-performance lithium battery as the V1 Pro, the V100 ensures uninterrupted shooting. The Type-C charging port and compatibility with the VC26T Multi-Battery Charger make recharging quick and convenient.

Enhanced Recycling with External Power

The V100 includes a port for the PB960 Lithium-Ion Flash Power Pack, reducing full-power recycling time to as fast as 0.8 seconds. This feature supports demanding, high-intensity shooting scenarios, ensuring peak performance.

Built-In LED Modeling Lamp

A 2W LED modeling lamp with 10 adjustable levels provides flexible options for previewing light effects or serving as a fill light. The lamp supports continuous or interrupt modes, catering to different creative needs.

Comprehensive Accessory Ecosystem

The V100 is compatible with a broad range of Godox accessories, including the AK-R1 Accessory Kit for Round Flash Heads, AK-R21 Projection Attachment, AK-R22 Collapsible Diffusion Dome, and the S2 Speedlite Bracket for Bowens, among others. Whether you’re fine-tuning light, exploring creative effects, or expanding functionality, the V100 is designed to meet every need.



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