Camera
Comparison Review: Can VueScan or SilverFast archive your film better?

Introduction
A difficult 2020 that has blended into a difficult 2021 has made it harder for many of us to get outside and shoot, but that doesn’t mean you have to neglect your photography. If you’re like me, you probably still have years’ worth of unscanned slides and negatives waiting to be tended to some rainy day, and a COVID lockdown gives you a golden opportunity.
But are you better off using the software that came with your scanner, or should you shell out for a third-party alternative to get the best results? Before I rolled up my sleeves and started scanning, I wanted to answer this question for myself.
To do so, I compared Epson Scan 3.9.3.4 – which comes bundled with the company’s Perfection-series photo scanners and seems nicely representative of manufacturer-supplied software – with two of the most popular third-party alternatives, LaserSoft Imaging’s SilverFast SE Plus 8.8.0r22 and Hamrick Software’s VueScan Professional Edition 9.7.35.
All three applications were tested with Windows 10 version 1909 on a 2018 Dell XPS 15 9570 alongside an Epson Perfection V850 Pro scanner.
Since I’m looking at this from the perspective of film scanning, I’m limiting my comparisons solely to scanning of positive and negative strip film and slides, and won’t be considering features like document or photo print scanning, copying, OCR, and the like.
Let’s start off by looking at interfaces.
Epson Scan feels a bit dated and lacks some features
![]() |
Epson Scan shown in Professional mode with all windows open except the configuration dialog. As you can see, there’s not much space for your photos. |
As is often the case with software from hardware manufacturers, Epson Scan’s Professional Mode user interface feels quite dated and somewhat unintuitive. It’s split across five floating control panels that, together, don’t leave much room to preview your slides, yet still offers fewer controls than its third-party rivals.
![]() |
No matter how I set Windows 10’s resolution and scaling, I couldn’t access the reset button on this non-resizable configuration dialog. |
Optional Full Auto and Home modes simplify things, but also hide many features altogether. And it’s also sometimes a little buggy. For example, no matter how I configured Windows’ resolution and scaling, its un-resizable configuration dialog overflowed its borders, preventing me from being able to do things like reset app defaults.
Overall, it’s reasonably usable but not great.
SilverFast is powerful, but overly dense and confusing
SilverFast has only two operating modes: WorkflowPilot or Manual. WorkFlowPilot only allows single-photo scanning, and takes you through the process step by step. Some choices feel odd, though: For example it won’t allow you to simply scan a standard JPEG.
![]() |
SilverFast’s user interface is packed with buttons and controls, not all of them intuitively named or labeled. (And quite a few are duplicates, increasing the clutter.) |
Manual mode gives access to everything at once, but is very busy and unnecessarily confusing. Button colors vary for no logical reason, and active functions are indicated only with a tiny red dot. Help is provided throughout, but the many (and often redundant) buttons linking to abbreviated PDF manuals and numerous lengthy tutorial videos make its interface even more cluttered.
I also found it prone to making me wait for preview scans more than its rivals, and cancelling a batch scan can be extremely tedious as it makes you separately cancel every remaining frame, one by one. This was my least-favorite interface of the bunch.
VueScan’s interface is faster and cleaner
![]() |
VueScan’s user interface largely revolves around intuitively named and well-categorized dropdown menus. It’s the cleanest and most responsive of the bunch. |
VueScan’s UI has Basic, Standard or Professional modes, all three mostly using drop-down lists very logically arranged in two to five tabs. It’s cleaner, faster and more modern than its rivals, and leaves more room to preview your images. Its single PDF user manual is also unusually detailed and helpful.
This is hands-down my favorite of the trio.
Epson is fastest, but there’s a catch
Performance will, obviously, vary depending both on the speed of your scanner, and what hardware features it offers. With that proviso, I found Epson Scan had a slight edge in scanning speed, but with a significant catch.
Epson Scan took just under 59 minutes to scan 18 negatives at 6400 dpi with dust reduction and sharpening active, while VueScan took 67 minutes, and SilverFast trailed the pack at 84 minutes. But Epson Scan’s fixed crop for batch scanning threw away a significant amount of image data.
Epson Scan is just fractionally ahead of VueScan performance-wise. SilverFast trails both its rivals by some distance.
Calculating backwards from the image dimensions as scanned, Epson Scan managed around 14.8 Megapixels/minute, just fractionally faster than VueScan’s 14.5 Megapixels/minute. SilverFast managed only 11.5 Megapixels/minute, making it by far the slowest.
All three apps could use more accurate cropping
While Epson Scan’s auto-cropping was by far the least accurate of the bunch, routinely discarding 10-15% of the frame height, I was surprised to find both SilverFast and VueScan also struggled to accurately detect frame sizes, as well.
Both apps mostly got the frame height in the ballpark, but had some issues detecting the gaps between frames. SilverFast sometimes incorrectly rotated frames, too. Significant manual tweaking is needed for all three programs if you want accurate cropping.
![]() |
Although I found its cropping setup the best overall, I still thought VueScan could use improvement both in its frame detection and its somewhat confusing default UI. |
VueScan’s much more responsive interface made those adjustments easier than its rivals, though. And Epson Scan was the least flexible, preventing you from batch-scanning unless you’re willing to live with its automatically-selected cropping.
I did find VueScan’s enabled-by-default “multi outline” option a bit confusing, though. To look at the wildly flickering borders below you’d think the cropping was wildly off, but the actual framing is indicated for only one frame at a time by the smaller border seen on the top-rightmost thumbnail in the picture above.
But enough of the user interface. How did they perform in terms of image quality? We’ll start out with detail levels.
Similar levels of detail, but SilverFast has higher default sharpening
![]() |
One of my first attempts at a still life as a teenager now makes for a rather nice gauge of detail. In the 100% crops below, note the pale horizontal lines are fine water droplets misted from a garden hose just out of frame right. |
Perhaps not surprisingly, given they’re all constrained by the same scanner hardware, all three programs turn in a very similar result in terms of their rendering of fine detail. In all three cases, sharpening and IR dust reduction were enabled.
SilverFast definitely defaults to significantly higher levels of sharpening than its rivals, though, giving the impression of more detail. But VueScan and Epson Scan’s images can easily be unsharp-masked post capture or the default sharpening levels tweaked similarly.
![]() |
||
Epson Scan | SilverFast | VueScan |
Epson and VueScan give the best color
All three programs can give good color with some work, but I found SilverFast needed tweaking more often than its rivals, tending to yield results that were too warm and with purplish casts, even with its color-cast reduction and orange mask expansion enabled. Unlike Epson Scan, it allows the film type to be selected for better results, but has a shorter list of film types than does VueScan.
Epson Scan’s automatic tools tended to yield the best color, but were perhaps a bit overly-saturated and warm for my liking, especially in skin tones, and manual adjustments were significantly trickier.
VueScan’s defaults were a bit cool and less saturated, although switching to auto levels or white balance modes gave better results. Like SilverFast, it can correct for the film’s orange mask, but the multi-step process is a little confusing, and it frequently lost the correction values, which then had to be reset.
Find out more on how image quality compares, and my final verdict on which program is best, on the next page.
Camera
Slideshow: Remembering Wildlife reveals winning images for its 10th Anniversary book

Remembering Wildlife reveals winning images for its 10th Anniversary book
Copyright: © Tristan Dicks/Remembering Wildlife |
Remembering Wildlife, a book series focused on conservation, has revealed the 20 winning photos that will be featured in its forthcoming 10th anniversary edition, 10 Years of Remembering Wildlife. The new book, set for release on October 6th, will be the series’ most ambitious project yet. It’ll bring together images spanning a decade of photographers’ work to raise awareness for endangered species.
For the first time, the project will spotlight multiple species rather than focusing on one. This book will showcase not only the winning competition entries but also standout images from the previous nine titles. It will also feature a dedicated section highlighting the plight of the world’s most trafficked mammal, the pangolin. The cover image of a pangolin was captured by Tristan Dicks.
All profits from the sale of the book will fund pangolin conservation efforts. Since launching in 2016 with Remembering Elephants, the entire series has sold over 55,000 copies and donated over $1.5 million to 79 conservation projects across 34 countries. This competition drew over 4,500 entries from photographers worldwide, with winners representing Australia, Brazil, the United States, Kenya and Namibia, to name a few.
Founded by British wildlife photographer Margot Raggett MBE, Remembering Wildlife was founded in response to a personal encounter with a poached elephant in North Kenya. For more information and to browse books and prints, check out the Remembering Wildlife website.
“Clash of the Titans” by Alessandro Marena (Italy)
![]() |
Copyright: © Alessandro Marena/Remembering Wildlife |
Subject: Rhino, Solio Game Reserve, Laikipia, Kenya
About the image: Illegal poaching of rhinos for their horns means they remain
under huge threat. Remembering Wildlife has donated funds to several rhino
protection units and conservation projects, helping to provide smartphones fitted with
cameras and GPS systems, fuel for patrol vehicles and clothing for rangers.
“A touching moment” by Jagdeep Rajput (India)
![]() |
Copyright: © Jagdeep Rajput/Remembering Wildlife |
Subject: Elephant, Corbett National Park, India
About the image: “A young Asian Elephant calf asking for a drink, as mother
drinks water from Ramganga river, during hot summer afternoon.”
“Age of Innocence” by Julie Oldroyd (UK)
![]() |
Copyright: © Julie Oldroyd/Remembering Wildlife |
Subject: Polar bears, Baffin Island, Canada
About the image: “Baffin Island is one of the most majestic and pristine environments
in the world to see polar bears, especially in March and April when the sea ice has
frozen. However, with temperatures between -30 to -40 it is also one of the most
challenging to ensure you keep your hands warm to press the shutter. We had spent
most of the morning and part of the afternoon with this mother and her COYS (Cubs of
the year) which were likely a week or so out of their den.
However, just as they were settled the mother got spooked and she and the cubs ran off towards a nearby iceberg. We set off to see if we could spot them and when we got to this iceberg I couldn’t believe my eyes. The mother and cubs were huddled together on top of the iceberg. To witness such intimate moments, such as this one, between the cubs whilst their mother sleeps is something that is a once in a lifetime sighting.”
“Monkey business” by Pedro Amaral (Portugal)
![]() |
Copyright: © Pedro Amaral/Remembering Wildlife |
Subject: Gorillas, Bwindi Impenetrable Forest, Uganda
About the Image: “High in the canopy of Bwindi Impenetrable Forest, two young
mountain gorillas dangle from the branches, locked in a playful game of chase. Their
world is one of curiosity and mischief—tugging, teasing, and tumbling through the
treetops as they learn the skills they’ll need to navigate life in the wild. But this
lighthearted moment is also a testament to a serious conservation success.
Once critically endangered, mountain gorillas are now the only great ape species whose
population is increasing, thanks to anti-poaching efforts, habitat protection, and
responsible eco-tourism in Uganda, Rwanda, and the Democratic Republic of Congo.
In a world where every life counts, these two remind us that the future of their
species isn’t just about survival—it’s about thriving, playing, and living wild and free.”
“Bengal Tiger reflection” by Bircan Harper (UK)
![]() |
Copyright: © Bircan Harper/Remembering Wildlife |
Subject: Tiger, Bandhavgarh National Park, India
About the image: Weighing up to 260kg and measuring up to 3 metres in
length, the tiger is the largest of the big cats. It is found in Asia, from India – where
two-thirds of all wild tigers live – through to the Russian Far East and into China.
“African Black Bellied Pangolin” by Alessandra Sikand (USA)
![]() |
Copyright: © Alessandra Sikand/Remembering Wildlife |
Subject: Black bellied pangolin, Sangha Lodge, Dzanga-Sangha
About the image: National Park, Central African Republic. The landmark book 10 Years of Remembering Wildlife has a special focus on pangolins – also called scaly anteaters because of their preferred diet.
“5 at blue hour” by Johann du Toit (Kenya)
![]() |
Copyright: © Johann du Toit/Remembering Wildlife |
Subject: Cheetahs, Shompole Hide, Kenya
About the image: “Five cheetahs at the Shompole Hide at blue hour.”
“Carried away” by Vicki Jauron (USA)
![]() |
Copyright: © Vicki Jauron/Remembering Wildlife |
Subject: Lioness and her cub, Maasai Mara, Kenya
About the image: “A lioness carries one of her two little ones to a new hiding spot in
early morning. Taken in 2021 when vehicle traffic was light and we were able to
follow without impacting her movements.”
“Leopard enjoying morning sun break” by Ifham Raji (Sri Lanka)
![]() |
Copyright: © Ifham Raji/Remembering Wildlife |
Subject: Leopard, Wilpattu National Park, Sri Lanka
About the image: “After three days of heavy downpour this leopard took the opportunity to enjoy the first morning sun break.”
“Puppy love” by Marcus Westberg (Portugal)
![]() |
Copyright: © Marcus Westberg/Remembering Wildlife |
Subject: African Wild Dog puppies, Tswalu Kalahari Nature Reserve, South Africa
About the image: Projects that Remembering Wildlife supports include vaccinating
domestic dogs to help prevent the spread of rabies to African wild dogs; GPS collars
to track their movements and even helped facilitate the translocation of 14 African
wild dogs from South Africa and Mozambique to Liwonde National Park and Majete
Wildlife Reserve, in a historic project to reintroduce this endangered species to
Malawi. Since the successful translocation, pups have been born.
“Enjoying the sunrise” by Mark Meth-Cohn (UK)
![]() |
Copyright: © Mark Meth-Cohn/Remembering Wildlife |
Subject: Tigers, Ranthambore Tiger Reserve, India
About the image: “Two sub-adult tiger brothers enjoying the early morning
sunrise” Margot Raggett MBE, founder and producer of Remembering Wildlife, said: “It’s an
oft-quoted fact that there are more tigers in captivity in the U.S. than there are left in
the world, a stark reminder of how the future of tigers might end if conservationists do
not continue their focus and their fight. Tigers are a bellwether for the health of an
ecosystem. For every tiger protected in the forest, there are plants, trees, insects,
birds and other mammals who thrive.”
“In the arms of eternity” by Kim Paffen (Netherlands)
![]() |
Copyright: © Kim Paffen/Remembering Wildlife |
Subject: Mountain Gorilla and her baby, Volcanoes National Park, Rwanda
About the image: “A mountain gorilla mother cradles her infant – a portrait of
tenderness etched in shadows and light. Here, where Dian Fossey’s legacy still
whispers through the bamboo, every touch is a lesson, every gaze a vow. Her quiet
strength shields not just her child, but the fragile future of species reborn from the
brink.”
“Cold callers welcome” by Mark Meth-Cohn (UK)
![]() |
Copyright: © Mark Meth-Cohn/Remembering Wildlife |
Subject: Sloth bear, Ranthambore Tiger Reserve, India
About the image: “Sloth Bear making use of an abandoned building.”
“Sunset scales” by Armand Grobler (South Africa)
![]() |
Copyright: © Armand Grobler/Remembering Wildlife |
Subject: Pangolin, Manyeleti Game Reserve, Greater Kruger, South Africa
About the image: “The vibrant colours of a winter dusk highlight the gentle spark of life
in our planet’s most trafficked mammal.”
“Mbili bora in the rain’ by Xavier Ortega (Spain)
![]() |
Copyright: © Xavier Ortega/Remembering Wildlife |
Subject: Cheetahs, Masai Mara, Kenya
About the image: “The famous coalition of 5 cheetahs that ruled the Masai Mara,
during a storm.”
Camera
Remembering Wildlife reveals winning images for its 10th Anniversary book

Remembering Wildlife reveals winning images for its 10th Anniversary book
Copyright: © Tristan Dicks/Remembering Wildlife |
Remembering Wildlife, a book series focused on conservation, has revealed the 20 winning photos that will be featured in its forthcoming 10th anniversary edition, 10 Years of Remembering Wildlife. The new book, set for release on October 6th, will be the series’ most ambitious project yet. It’ll bring together images spanning a decade of photographers’ work to raise awareness for endangered species.
For the first time, the project will spotlight multiple species rather than focusing on one. This book will showcase not only the winning competition entries but also standout images from the previous nine titles. It will also feature a dedicated section highlighting the plight of the world’s most trafficked mammal, the pangolin. The cover image of a pangolin was captured by Tristan Dicks.
All profits from the sale of the book will fund pangolin conservation efforts. Since launching in 2016 with Remembering Elephants, the entire series has sold over 55,000 copies and donated over $1.5 million to 79 conservation projects across 34 countries. This competition drew over 4,500 entries from photographers worldwide, with winners representing Australia, Brazil, the United States, Kenya and Namibia, to name a few.
Founded by British wildlife photographer Margot Raggett MBE, Remembering Wildlife was founded in response to a personal encounter with a poached elephant in North Kenya. For more information and to browse books and prints, check out the organization’s website.
“Clash of the Titans” by Alessandro Marena (Italy)
![]() |
Copyright: © Alessandro Marena/Remembering Wildlife |
Subject: Rhino, Solio Game Reserve, Laikipia, Kenya
About the image: Illegal poaching of rhinos for their horns means they remain under huge threat. Remembering Wildlife has donated funds to several rhino protection units and conservation projects, helping to provide smartphones fitted with cameras and GPS systems, fuel for patrol vehicles and clothing for rangers.
“A touching moment” by Jagdeep Rajput (India)
![]() |
Copyright: © Jagdeep Rajput/Remembering Wildlife |
Subject: Elephant, Corbett National Park, India
About the image: “A young Asian Elephant calf asking for a drink, as mother drinks water from Ramganga river, during hot summer afternoon.”
“Age of Innocence” by Julie Oldroyd (UK)
![]() |
Copyright: © Julie Oldroyd/Remembering Wildlife |
Subject: Polar bears, Baffin Island, Canada
About the image: “Baffin Island is one of the most majestic and pristine environments in the world to see polar bears, especially in March and April when the sea ice has frozen. However, with temperatures between -30 to -40 it is also one of the most challenging to ensure you keep your hands warm to press the shutter. We had spent most of the morning and part of the afternoon with this mother and her COYS (Cubs of the year) which were likely a week or so out of their den.
However, just as they were settled the mother got spooked and she and the cubs ran off towards a nearby iceberg. We set off to see if we could spot them and when we got to this iceberg I couldn’t believe my eyes. The mother and cubs were huddled together on top of the iceberg. To witness such intimate moments, such as this one, between the cubs whilst their mother sleeps is something that is a once in a lifetime sighting.”
“Monkey business” by Pedro Amaral (Portugal)
![]() |
Copyright: © Pedro Amaral/Remembering Wildlife |
Subject: Gorillas, Bwindi Impenetrable Forest, Uganda
About the Image: “High in the canopy of Bwindi Impenetrable Forest, two young mountain gorillas dangle from the branches, locked in a playful game of chase. Their world is one of curiosity and mischief—tugging, teasing, and tumbling through the treetops as they learn the skills they’ll need to navigate life in the wild. But this lighthearted moment is also a testament to a serious conservation success.
Once critically endangered, mountain gorillas are now the only great ape species whose population is increasing, thanks to anti-poaching efforts, habitat protection, and responsible eco-tourism in Uganda, Rwanda, and the Democratic Republic of Congo. In a world where every life counts, these two remind us that the future of their species isn’t just about survival—it’s about thriving, playing, and living wild and free.”
“Bengal Tiger reflection” by Bircan Harper (UK)
![]() |
Copyright: © Bircan Harper/Remembering Wildlife |
Subject: Tiger, Bandhavgarh National Park, India
About the image: Weighing up to 260kg and measuring up to 3 metres in length, the tiger is the largest of the big cats. It is found in Asia, from India – where two-thirds of all wild tigers live – through to the Russian Far East and into China.
“African Black Bellied Pangolin” by Alessandra Sikand (USA)
![]() |
Copyright: © Alessandra Sikand/Remembering Wildlife |
Subject: Black bellied pangolin, Sangha Lodge, Dzanga-Sangha
About the image: National Park, Central African Republic. The landmark book 10 Years of Remembering Wildlife has a special focus on pangolins – also called scaly anteaters because of their preferred diet.
“5 at blue hour” by Johann du Toit (Kenya)
![]() |
Copyright: © Johann du Toit/Remembering Wildlife |
Subject: Cheetahs, Shompole Hide, Kenya
About the image: “Five cheetahs at the Shompole Hide at blue hour.”
“Carried away” by Vicki Jauron (USA)
![]() |
Copyright: © Vicki Jauron/Remembering Wildlife |
Subject: Lioness and her cub, Maasai Mara, Kenya
About the image: “A lioness carries one of her two little ones to a new hiding spot in early morning. Taken in 2021 when vehicle traffic was light and we were able to follow without impacting her movements.”
“Leopard enjoying morning sun break” by Ifham Raji (Sri Lanka)
![]() |
Copyright: © Ifham Raji/Remembering Wildlife |
Subject: Leopard, Wilpattu National Park, Sri Lanka
About the image: “After three days of heavy downpour this leopard took the opportunity to enjoy the first morning sun break.”
“Puppy love” by Marcus Westberg (Portugal)
![]() |
Copyright: © Marcus Westberg/Remembering Wildlife |
Subject: African Wild Dog puppies, Tswalu Kalahari Nature Reserve, South Africa
About the image: Projects that Remembering Wildlife supports include vaccinating domestic dogs to help prevent the spread of rabies to African wild dogs; GPS collars to track their movements and even helped facilitate the translocation of 14 African wild dogs from South Africa and Mozambique to Liwonde National Park and Majete Wildlife Reserve, in a historic project to reintroduce this endangered species to Malawi. Since the successful translocation, pups have been born.
“Enjoying the sunrise” by Mark Meth-Cohn (UK)
![]() |
Copyright: © Mark Meth-Cohn/Remembering Wildlife |
Subject: Tigers, Ranthambore Tiger Reserve, India
About the image: “Two sub-adult tiger brothers enjoying the early morning sunrise” Margot Raggett MBE, founder and producer of Remembering Wildlife, said: “It’s an oft-quoted fact that there are more tigers in captivity in the U.S. than there are left in the world, a stark reminder of how the future of tigers might end if conservationists do not continue their focus and their fight. Tigers are a bellwether for the health of an ecosystem. For every tiger protected in the forest, there are plants, trees, insects, birds and other mammals who thrive.”
“In the arms of eternity” by Kim Paffen (Netherlands)
![]() |
Copyright: © Kim Paffen/Remembering Wildlife |
Subject: Mountain Gorilla and her baby, Volcanoes National Park, Rwanda
About the image: “A mountain gorilla mother cradles her infant – a portrait of tenderness etched in shadows and light. Here, where Dian Fossey’s legacy still whispers through the bamboo, every touch is a lesson, every gaze a vow. Her quiet strength shields not just her child, but the fragile future of species reborn from the brink.”
“Cold callers welcome” by Mark Meth-Cohn (UK)
![]() |
Copyright: © Mark Meth-Cohn/Remembering Wildlife |
Subject: Sloth bear, Ranthambore Tiger Reserve, India
About the image: “Sloth Bear making use of an abandoned building.”
“Sunset scales” by Armand Grobler (South Africa)
![]() |
Copyright: © Armand Grobler/Remembering Wildlife |
Subject: Pangolin, Manyeleti Game Reserve, Greater Kruger, South Africa
About the image: “The vibrant colours of a winter dusk highlight the gentle spark of life in our planet’s most trafficked mammal.”
“Mbili bora in the rain’ by Xavier Ortega (Spain)
![]() |
Copyright: © Xavier Ortega/Remembering Wildlife |
Subject: Cheetahs, Masai Mara, Kenya
About the image: “The famous coalition of 5 cheetahs that ruled the Masai Mara, during a storm.”
Camera
Firmware Friday: Nikon gets a 'cool' update, Sony and the Artisans get refreshed

It’s firmware Friday. Once again, Sony and Nikon lead the charge with firmware updates. Nikon even surprised us with an update to a discontinued model. The Coolpix P1000, which has become a meme in photography circles for its insane zooming capabilities, may have been discontinued in March 2024, but that doesn’t mean it’s been forgotten.
We’ve rounded up the latest firmware changes for Sony’s a7CR, a7S III and a7C II, along with updates for Nikon’s Z50 and Zfc cameras. Lenses from Chinese manufacturers TTArtisan and 7Artisans also received improvements. Here’s what came out this week.
Sony
a7CR Ver. 2.00 and a7S III Ver. 4.00 firmware updates are identical
You can download the software update using the Creators’ App, which is available for iOS and Google Play.
Benefits and improvements
Shooting & Playback functions:
- Allows you to set Recognition Target to Auto, enabling the camera to automatically select subjects such as humans and animals.
- Introduces support for the Framing Stabilizer feature, which automatically adjusts the composition to keep the tracked subject in the same frame position during movie recording mode.
- Adds Dynamic Active mode to SteadyShot for movie recording.
- Allows you to add OK/NG/KEEP flags to clips during or after movie recording.
- Adds a function that automatically creates still images with Shot Marks from movie frames after recordings.
- You can add a Shot Mark while shooting or playing a movie and use it as a mark for selecting, transferring, or editing the movie.
- Improves image quality when applying user LUTs.
- Allows the use of Focus Magnifier and Auto Magnifier in MF while using the Bright Monitoring feature.
- Adds a function that allows you to narrow down played-back images using multiple filters (e.g. Rating).
- Adds the Golden Ratio Grid option to the Grid Line Type setting menu.
- Adds support for the Custom Grid Line feature.
- The Custom Grid Line feature is available as a paid license. Availability depends on country and region.
- Increases the maximum number of images that can be recorded in one folder to 9,999.
- Adds support for importing/switching multiple IPTC Presets.
FTP Transfer & Network functions:
- Allows scheduling of FTP transfers while writing data to the camera’s storage media.
- You can now automatically schedule FTP transfer of protected movies and still images.
- Movies/still images transferred via FTP transfer can now be automatically protected.
- You can now continue shooting while transferring captured photos and videos to a smartphone or tablet.
- Transfer to smartphones and tablets can now be resumed even if interrupted in the middle of a transfer.
- You can now transfer only the differences that have not yet been transferred to your smartphone or tablet, or add videos to be transferred during the transfer process.
- Adds support for the Network Streaming function.
- Allows you to upload camera images directly to the Creators’ Cloud.
- Displays the Wi-Fi signal strength when the Wi-Fi function is On.
Please note that Ver. 2.9.0 or later of the Creators’ App is necessary for some of the above FTP Transfer & Network functions. The Creators’ App may not be available in some countries or regions. For more information, visit the Creators’ Cloud support website.
Others:
- Allows notifications to be displayed when the latest software is available for your camera.
- WPA and WEP functionalities are no longer supported.
- You will no longer be able to select WPA or WEP when connecting to Wi-Fi.
- Please use the more secure WPA2 or WPA3 moving forward.
- Fixes an issue where the camera operation may become unstable when Pixel Mapping is performed.
- Improves the operational stability of the camera.
The a7C II also got a Ver 2.00 update, with a difference in the benefits and improvements.
Shooting & Playback functions:
- Allows you to set Recognition Target to Auto, enabling the camera to automatically select subjects such as humans and animals.
- Introduces support for the Framing Stabilizer feature, which automatically adjusts the composition to keep the tracked subject in the same frame position during movie recording mode.
- Adds Dynamic Active mode to SteadyShot for movie recording.
- Allows you to add OK/NG/KEEP flags to clips during or after movie recording.
- Adds a function that automatically creates still images with Shot Marks from movie frames after recordings.
- You can add a Shot Mark while shooting or playing a movie and use it as a mark for selecting, transferring, or editing the movie.
- Improves image quality when applying user LUTs.
- Allows the use of Focus Magnifier and Auto Magnifier in MF while using the Bright Monitoring feature.
- Adds a function that allows you to narrow down played-back images using multiple filters (e.g. Rating).
- Adds the Golden Ratio Grid option to the Grid Line Type setting menu.
- Adds support for the Custom Grid Line feature.
- The Custom Grid Line feature is available as a paid license. Availability depends on country and region.
- Increases the maximum number of images that can be recorded in one folder to 9,999.
- Adds support for importing/switching multiple IPTC Presets.
Nikon
![]() |
Image: Nikon |
Z 50 updates for Version 2.60 (Mac) and (Windows)
- Fixed an issue where browsing other pictures would not function as expected after using a stretch gesture to zoom in on a picture taken in portrait orientation.
Z fc updates for Version 1.80 (Mac) and (Windows)
Fixed the following issues:
- The values on the control panel would remain on even after the camera was turned off and the lens was removed if [On] was selected for [Connect to smart device] > [Upload while off] in the [SETUP MENU] while the camera was connected to SnapBridge via Wi-Fi.
- The viewfinder display would sometimes be disrupted if the shutter-release button was pressed halfway right before entering playback mode by pressing the playback button while looking through the viewfinder with the monitor closed.
- The viewfinder display would sometimes be disrupted when Picture Control settings were displayed in the i menu.
Coolpix P1000 updates for Version 1.8 (Mac) and (Windows)
- Fixed an issue where the camera would in rare circumstances stop responding after burst shooting.
Lens firmware updates
TTArtisan FUJI-X AF 35mm F1.8 Mark II V1.0.2 update
![]() |
Image: TTArtisan |
- Improved corner vignetting performance.
- Fixed firmware version display errors and focus reset issues on some cameras.
- Improved slow or abnormal autofocus performance on some cameras.
- Must be upgraded with Windows system.
- Do not update this firmware on the AF 35mm F1.8 Mark I.
7Artisans AF50mm f1.8 Z V1.01 update
- Added a feature where switching to full-time AF (AF-F) allows direct transition to manual focus (MF) by rotating the focus ring.
- Reduced power consumption and minimized heat generation.
- Enhanced system stability.
That’s all for this week. Make sure you check in every Friday for the latest news on firmware updates for cameras and lenses. Happy updating!
Read last week’s firmware roundup
-
TOP SCEINCE8 months ago
Searching old stem cells that stay young forever
-
Solar Energy4 years ago
DLR testing the use of molten salt in a solar power plant in Portugal
-
Indian Defense4 years ago
Configuration For 5th-Generation Advanced Medium Combat Aircraft (AMCA) Completed; TEJAS MK-2 Steel-Cutting Soon
-
world news6 months ago
Sirens trigger across central Israel following rocket barrage targeting Tel Aviv Iron Dome battery
-
world news6 months ago
Hezbollah’s gold mine catches fire: Nasrallah’s bunker under hospital held half billion dollars
-
Camera1 year ago
DJI Air 3 vs. Mini 4 Pro: which compact drone is best?
-
Indian Defense4 years ago
Israeli Radar Company Signs MoU To Cooperate With India’s Alpha Design Technologies
-
Gadgets4 years ago
Apple Accused of Slowing Down iPhones After Recent iOS Updates