Camera
DxO Nik Collection 4 review: Viveza and Silver Efex rebooted
Every year around the start of June, French software company DxO releases a new version of Nik Collection, a suite of eight image processing tools that can be used either as standalone apps or plug-ins for third-party software like Adobe Photoshop and Lightroom Classic. And 2021 is no different, with Nik Collection 4 now making its debut.
The Nik Collection first appeared over a decade ago, and some of its component plug-ins can be traced back as far as late 1999, when the first version of Nik Color Efex was released.
Initially developed by Nik Software and later purchased by Google, the Nik Collection was acquired by DxO in late 2017. Since then, the French software company has been steadily adding new features and some its own algorithms to the Nik Collection toolbox.
Available immediately, Nik Collection 4 is priced at $149 for new customers, with upgrades available to existing customers for $79. You can save some money if you order soon, though – through June 30, 2021, DxO is offering discounted pricing of $99.99 for new customers, and $59.99 for upgrades.
Correcting the color of an overexposed reflector lens using grouped control points in Viveza 3. The image is split vertically for comparison against the original, unedited image. |
What’s new and included in Nik Collection 4?
With the introduction of Perspective Efex in the previous release, the Nik Collection has a total of eight plug-ins. Silver Efex Pro 3 and Viveza 3 are both updated with modernized UI’s and some new tools; suite-wide, ‘U-Point’ controls are more versatile (more on this later) and ‘Meta presets’ in the selective tool allow for multiple plug-ins to run sequentially with one click.
In full, the list of plug-ins is as follows:
- Analog Efex Pro 2 – replicates the look of images shot using analog film cameras
- Color Efex Pro 4 – a wide range of color image presets in architecture, film, nature, portrait, travel and wedding categories
- Dfine 2 – reduces noise levels in high-sensitivity and/or small-sensor images
- HDR Efex Pro 2 – combines multiple identically-framed images for higher dynamic range, or simulates an HDR look from a single image
- Sharpener Pro 3 – pre-sharpens raw data and applies secondary sharpening immediately prior to output
- Silver Efex Pro 3 (updated) – converts images to black and white, with a healthy selection of presets, haze reduction, color filtering, film simulation and more
- Viveza 3 (updated) – tools for adjusting color, light and tonality, along with a small number of presets
- Perspective Efex – corrects for lens and perspective-based distortions, and allows for a tilt/shift-like miniature effect plus cropping
Last year’s iteration of the suite, Nik Collection 3, debuted a new Perspective Efex tool, improved the Selective Tool menu from which plug-ins can be launched, and added support for non-destructive multipage TIFF editing in Lightroom Classic. This year, it’s Silver Efex Pro and Viveza which have received most of the love, with major version increments and a brand-new user interface for both.
DxO has also made it possible for Lightroom Classic users to copy and paste Nik processing settings between images without reopening a plug-in, or to quickly recall the last-used settings if you forgot to save them as a preset and want to tweak them further. And a new Meta Presets function has been added to the Selective Tool which can combine the actions of multiple plug-ins in a single click.
A modern UI for some tools, but others still feel dated
The most obvious change from Nik Collection 3 is in the Silver Efex Pro 3 and Viveza 3 plug-ins, both of which sport an updated UI. The change is significant for both apps, as neither had been visually tweaked in more than a decade, but it’s most noticeable for Viveza, which until now couldn’t even be resized to fit your screen.
The Viveza and Silver Efex Pro plug-ins both sport shiny new, modernized user interfaces. The new Silver Efex Pro 3 and the prior version 2 can compared above.
Unfortunately, while these two plug-ins now look much better, some others still feel very dated, and there are inconsistencies even among the more recently-updated plug-ins. Dfine 2 and Sharpener Pro 3 still have a geriatric, non-resizable UI like that just replaced in Viveza 3, while Perspective Efex’s various sliders, buttons and controls seem to have been lifted straight from DxO ViewPoint 3, and don’t visually match any of the other plug-ins in the suite.
Analog Efex Pro 2, Color Efex Pro 4 and HDR Efex Pro 2, meanwhile, sit somewhere between the rest, with a resizable UI but a noticeably different aesthetic to Silver Efex Pro, Viveza and especially Perspective Efex. As a result the overall suite feels less coherent than it should be, and is something we’d like to see DxO address.
U-Point gives more control with less clutter
DxO has also updated the popular U-Point technology underlying both Silver Efex Pro and Viveza, simultaneously making it more powerful and easily-targeted, and yet also less visually cluttered.
Previously, U-Point’s array of control sliders appeared adjacent to the control point over your image when it was selected. Now, almost all of them are instead located in the right-hand adjustment panel, and only the control point area is adjusted directly on the image itself. (You can either drag a slider or the outer periphery of the selection circle.)
You can now also tune the luminance and chrominance values for each control point, making it easier to adjust its coverage area appropriately, and likely reducing the number of control points you’ll need to use in the first place. Alternatively, you can zero out both of these new sliders, and get a graduated radial filter around a given control point, instead.
If you find yourself needing to use a significant number of control points, you can now individually rename them so they’re easier to keep tabs on. You can also still group them, just as in the past. And helpfully, the control points and their locations can now be saved in your presets.
Even more new features for Silver Efex and Viveza
As well as their overhauled UI and U-Point tech, Silver Efex and Viveza have both received some other new features. For Viveza, there are ten new preset looks to choose from, and you can also save and share your own presets. And Silver Efex now boasts both the haze-busting ClearView slider from DxO PhotoLab, as well as the ability to add one of 39 B&W film grain types from DxO FilmPack.
Better integration with Lightroom Classic
DxO has also improved Nik Collection 4’s integration with Adobe Photoshop Lightroom Classic. You can now access a new Copy and Apply Parameters dialog as an export preset, and from there you can copy and paste settings for each plug-in between images without needing to reopen the plug-in itself.
And for the Dfine, Viveza, Silver Efex and Sharpener plug-ins, you can also recall the last edits made after reopening the plug-in, making it simple to recover your settings if you want to further adjust them or save them as a preset.
Nik Collection now better integrates with Lightroom Classic, allowing you to copy settings between images and quickly restore your last-used settings. |
Meta-Presets combine plug-ins, but with limitations
Speaking of presets, there’s one more change of note in this regard, and it can be found in the floating Selective Tool panel from which the individual plug-ins can be launched. As well as the eight existing plug-ins, it now includes an additional option: Meta-presets.
As the name would suggest, these are presets which combine the results from multiple plug-ins in one click, making them extremely quick and easy to apply. The downside is that other than a brief text description which comes up if you click the question mark icon next to the Meta-preset name, you have no way to preview results of the preset. Nor can you alter it, or make your own presets to match your workflow.
Preview performance remains a weak spot
In most other respects, Nik Collection 4 is similar to the previous version. The Analog Efex, Color Efex, HDR Efex and Perspective Efex plug-ins are all functionally identical to their predecessors.
A handful of Nik Collection 4’s Meta-presets, clockwise from top left: Adoxical, Dry Plate, False-color Infrared and Expired Film. |
And that’s true of performance, too. Like its predecessor, Nik Collection 4’s previews tend to lag behind your adjustments by a good second or so. We’d like to see DxO work on that in a future release, as not only does greater performance mean less time spent editing, it also helps to make it easier and more intuitive to fine-tune the adjustments you’re making.
Final thoughts
What we like | What we don’t |
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The Nik Collection has long been a fan favorite that can deliver impressive results, and not just in the hands of experienced photographers, but thanks to a wide selection of presets, less experienced ones as well. It still suffers from a fairly inconsistent UI that varies widely from app to app, but the individual apps themselves are reasonably intuitive to use, if perhaps not quite as fast as we’d like.
That said, it’s encouraging to be getting regular yearly updates from DxO, and we’re hopeful that further UI and performance enhancements are on the way.
Camera
Our year in photos: Dale's most memorable shot of 2024
Pedestrians with umbrellas wander down a rainy alley in Yokohama’s Chinatown.
Panasonic S5IIX + Panasonic S 28-200mm F4-7.1 | F7 | 1/125 sec | ISO 1600 |
Japan is one of my favorite places to travel. I’m captivated by its culture, cuisine, and the warmth of its people. It’s also a photographer’s paradise, offering endless possibilities, from serene temples and bustling markets to breathtaking landscapes.
My favorite type of photography when traveling in Japan is street photography, especially at night. I never tire of exploring the vibrant cityscapes, from the iconic Shibuya Crossing in Tokyo to the atmospheric alleys of Yokohama’s Chinatown.
However, there’s a twist: I seek out rainy conditions. While most travelers might not embrace a downpour, I find that rain transforms nighttime street photography into something magical. The umbrellas emerge, the city lights reflect off the wet pavement, and colors take on a vibrant intensity.
I was fortunate to visit Japan twice this year, and it rained both times. What some might consider lousy weather, I welcome as luck. Both my camera and I were thoroughly drenched during several nights of shooting, underscoring the value of weather-sealed equipment. (For the record, despite being so wet they were dripping with water, neither camera nor lens ever missed a beat.)
“While most travelers might not embrace a downpour, I find that rain transforms nighttime street photography into something magical.”
Unsurprisingly, some of my most memorable photos of 2024 were captured during these rain-soaked adventures. It’s challenging to select just one favorite because, as many of you will surely understand, how we remember the value of an image is often intertwined with the experience of capturing it.
The photo at the top of this page is one of my favorites from these trips, captured in Yokohama’s Chinatown. Off the main street, the area is full of narrow alleys, many decorated with traditional lanterns, creating small, intimate spaces. I spied these two pedestrians with similar coats and umbrellas turn into one of these alleys and instantly knew there was a potential photo around the corner.
I managed to fire off two shots before the scene lost its magic, but that’s all I needed. I love that you can’t see the main subjects’ faces. They remain anonymous, allowing the viewer to focus on the place rather than the person.
Camera
Our year in photos: Dale's most memorable shot of 2024
Pedestrians with umbrellas wander down a rainy alley in Yokohama’s Chinatown.
Panasonic S5IIX + Panasonic S 28-200mm F4-7.1 | F7 | 1/125 sec | ISO 1600 |
Japan is one of my favorite places to travel. I’m captivated by its culture, cuisine, and the warmth of its people. It’s also a photographer’s paradise, offering endless possibilities, from serene temples and bustling markets to breathtaking landscapes.
My favorite type of photography when traveling in Japan is street photography, especially at night. I never tire of exploring the vibrant cityscapes, from the iconic Shibuya Crossing in Tokyo to the atmospheric alleys of Yokohama’s Chinatown.
However, there’s a twist: I seek out rainy conditions. While most travelers might not embrace a downpour, I find that rain transforms nighttime street photography into something magical. The umbrellas emerge, the city lights reflect off the wet pavement, and colors take on a vibrant intensity.
I was fortunate to visit Japan twice this year, and it rained both times. What some might consider lousy weather, I welcome as luck. Both my camera and I were thoroughly drenched during several nights of shooting, underscoring the value of weather-sealed equipment. (For the record, despite being so wet they were dripping with water, neither camera nor lens ever missed a beat.)
“While most travelers might not embrace a downpour, I find that rain transforms nighttime street photography into something magical.”
Unsurprisingly, some of my most memorable photos of 2024 were captured during these rain-soaked adventures. It’s challenging to select just one favorite because, as many of you will surely understand, how we remember the value of an image is often intertwined with the experience of capturing it.
The photo at the top of this page is one of my favorites from these trips, captured in Yokohama’s Chinatown. Off the main street, the area is full of narrow alleys, many decorated with traditional lanterns, creating small, intimate spaces. I spied these two pedestrians with similar coats and umbrellas turn into one of these alleys and instantly knew there was a potential photo around the corner.
I managed to fire off two shots before the scene lost its magic, but that’s all I needed. I love that you can’t see the main subjects’ faces. They remain anonymous, allowing the viewer to focus on the place rather than the person.
Camera
Godox releases V100, a 100Ws fast rechargeable flash
Image: Godox |
Godox has announced the V100, a 100Ws version of its round-headed V1 on/off camera flashgun. The V100 can deliver up to 100 Watt Seconds of power in manual mode and can shoot over 70 consecutive bursts of light at full power. Recycle times of under 1 sec are possible when used with an external power source (1.7 sec with the internal battery).
Like the existing V1 and V1Pro, the V100 is available in versions compatible with the proprietary TTL flash metering systems of Canon, Nikon, Sony, Fujifilm or Olympus/OM System, each of which comes with a small secondary flash that can be used to provide a little ‘fill.’ It also has a 2W LED modeling lamp, to help you understand how its light is going to fall.
Godox says it’s able to sync with the global shutter of Sony’s a9 III, up to shutter speeds of 1/80,000, though the company also says the V100’s minimum flash duration is 1/20,000, so presumably 1/80,000 sec shutter speeds would only experience a fraction of that output.
Image: Godox |
The V100 is powered by a rechargeable Li-Ion battery that can be charged directly using a USB-C cable or in an optional multi-battery charger if you need to prepare multiple batteries before a shoot.
It’s compatible with the company’s 2.4Ghz radio frequency off-camera communication protocol either as a transmitter or receiver.
Buy now:
No details have been given about price or availability but it’s listed as “Coming Soon” on B&H Photo’s website with a price of $349. B&H is also listing a Pentax-compatible version, not listed on Godox’s website.
Godox V100 C/N/S/F/O
Power Beyond Limits, 100Ws at Hand
Introducing the epic 100Ws TTL Li-ion Round Head Camera Flash V100. The Godox V100 redefines the standards for flagship on-camera flashes, brining an era of 100Ws power to handheld lighting. This groundbreaking flash delivers global shutter sync, a vibrant 2.3-inch color touchscreen, an intuitive menu, and one-tap syn operations. It combine cutting-edge features and professional-grade performance to provide an ultimate solution for professional lighting.
100Ws, Beyond Limits
The V100 sets a new benchmark for on-camera flashes by offering an unprecedented 100Ws power at its maximum output (M mode). With adjustable power steps from 1/1 to 1/256 or from 2.0 to 10, it covers the spectrum from subtle fill light to robust lighting for diverse scenarios, pushing the boundaries of creativity in flash photography.
Intuitive Touchscreen, Effortless Control
Equipped with a 2.3” full-color, high-sensitivity touchscreen, the V100 offers a smooth and responsive interface. Paired with an intuitive menu design and logical control layout, it allows photographers to quickly adjust power levels, activate high-speed sync, switch between TTL/M modes, and pair devices with a single tap, significantly improving workflow efficiency.
Global Shutter Flash Sync
The V100 is seamlessly compatible with cameras featuring global shutter like Sony a9 III. Supporting shutter speeds up to 1/80,000 seconds and offering TTL functionality, it delivers outstanding high-speed continuous shooting with effortless precision. This makes it an ideal choice for sports photography, outdoor bright light, and other fast-paced shooting scenarios.
70 Full-Power Consecutive Flashes
Thanks to its advanced cooling system, the V100 delivers 70 to 100 consecutive flashes at 100Ws without compromising performance. This ensures enhanced shooting efficiency and flexibility, allowing you to handle complex scenarios with ease and capture every brilliant moment of your creative vision.
Zoom range (mm) | 28mm | 35mm | 50mm | 70mm | 80mm | 105mm |
---|---|---|---|---|---|---|
Continuous flashes (100Ws) |
75 | 75 | 80 | 90 | 100 | 100 |
Detachable Sub Flash
The V100 continues the highly praised detachable sub flash (SU-1) design from the V1 Pro. This versatile feature enables dual-light setups with a single flash, offering creative lighting solutions for portrait photography.
Wireless Sync, Streamlined Workflow
With the built-in Godox 2.4G Wireless X System, the V100 functions as both a master and receiver unit. Its one-tap pairing capability seamlessly integrates with the X3 trigger or other Godox wireless flash units, streamlining multi-flash setups and boosting productivity.
Powerful Battery, Convenient Charging
Powered by the same high-performance lithium battery as the V1 Pro, the V100 ensures uninterrupted shooting. The Type-C charging port and compatibility with the VC26T Multi-Battery Charger make recharging quick and convenient.
Enhanced Recycling with External Power
The V100 includes a port for the PB960 Lithium-Ion Flash Power Pack, reducing full-power recycling time to as fast as 0.8 seconds. This feature supports demanding, high-intensity shooting scenarios, ensuring peak performance.
Built-In LED Modeling Lamp
A 2W LED modeling lamp with 10 adjustable levels provides flexible options for previewing light effects or serving as a fill light. The lamp supports continuous or interrupt modes, catering to different creative needs.
Comprehensive Accessory Ecosystem
The V100 is compatible with a broad range of Godox accessories, including the AK-R1 Accessory Kit for Round Flash Heads, AK-R21 Projection Attachment, AK-R22 Collapsible Diffusion Dome, and the S2 Speedlite Bracket for Bowens, among others. Whether you’re fine-tuning light, exploring creative effects, or expanding functionality, the V100 is designed to meet every need.
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