We’ve been shooting around more with our pre-production Fujifilm X-E4 and though its image quality is a known-quantity, we’re now getting a much better sense of of how it handles. In many ways, it feels like an interchangeable lens version of the X100V, especially in terms of size and shape.
That said, the X-E4 is not as robustly built and offers fewer control points and a lower-res EVF than its fixed-lens counterpart. But it’s just as capable and still plenty fun to shoot with!
View our updated Fujifilm X-E4 pre-production gallery
Note: Images in this gallery are from a pre-production camera. At Fujifilm’s request, we’ve included only JPEGs at this time.
The Tamron 17-70 F2.8 Di III-A VC RXD is a very compact general-purpose lens for Sony’s APS-C, E-mount mirrorless cameras. So how does it perform? Read our review to find out.
Sony’s FE 35mm F1.4 GM is an impressively sharp and long-awaited pro-level 35mm optic for full-frame Sony E-mount cameras. It’s well-built and is pretty compact, but it’s still not quite perfect. Find out all the details in our field review.
The Sony a7S III is a 12MP full-frame camera primarily designed with video in mind. We take a look beyond the specs to see what it offers to filmmakers.
The GFX 100S fits most of the capabilities of the GFX 100 into a smaller and more affordable body. We look at what the camera offers and who it might make sense for.
Sample gallery: The Fujifilm GF 45-100mm F4 on the GFX 100 -
[…] Fujifilm has issued firmware updates to the GFX 100 and GFX 50 models, with the 100MP camera gaining the most significant improvements. […]