The GF 45-100mm F4 R LM OIS WR is a sort of medium zoom for Fujifilm’s GFX cameras, giving users a 35mm-equivalent focal length of around 36-80mm. We’ve actually found it to be a really handy range for all types of subjects, and the lens looks to be more than sharp enough for the GFX 100’s one hundred Megapixels of resolution. Take a look through the gallery for views of everything from Pacific Northwest wilderness, to Seattle side-street Volkswagens.
The Tamron 17-70 F2.8 Di III-A VC RXD is a compact general-purpose lens for Sony’s APS-C, E-mount mirrorless cameras. So how does it perform? Read our review to find out.
Sony’s FE 35mm F1.4 GM is an impressively sharp and long-awaited pro-level 35mm optic for full-frame Sony E-mount cameras. It’s well-built and is pretty compact, but it’s still not quite perfect. Find out all the details in our field review.
The Sony a7S III is a 12MP full-frame camera primarily designed with video in mind. We take a look beyond the specs to see what it offers to filmmakers.
The GFX 100S fits most of the capabilities of the GFX 100 into a smaller and more affordable body. We look at what the camera offers and who it might make sense for.