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OnePlus teams up with Hasselblad to launch OnePlus 9 and 9 Pro smartphones

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OnePlus teams up with Hasselblad to launch OnePlus 9 and 9 Pro smartphones

OnePlus has announced a pair of new smartphones co-developed with Hasselblad. The OnePlus 9 and OnePlus 9 Pro smartphones incorporate Hasselblad Camera for Mobile, promising significantly improved photographic capabilities.

The OnePlus 9 Pro is the company’s new flagship smartphone, and its new camera specs are accordingly impressive. Thanks to Natural Color Calibration, the exclusive Hasselblad Camera for Mobile promises strong performance, especially when considering color, thanks to Natural Color Calibration. OnePlus writes, ‘The ultra-flagship camera blends the technological excellence of OnePlus and the legacy of Hasselblad. With the OnePlus 9 Pro, taking your best shot is now effortless.”

Hasselblad, its ambassadors, and OnePlus worked together to create what OnePlus promises is industry-leading color performance in the smartphone category. OnePlus states that users can expect true-to-life color and natural skin tones. It’s an ambitious promise, to be sure.

Hasselblad’s involvement includes more than significantly improved color rendering. The included pro photo mode includes a new user interface based on Hasselblad’s Phocus software. There are accompanying editing tools included in the new camera mode.

In terms of camera specs, the OnePlus 9 Pro has a 48MP primary camera. The camera uses a Sony IMX789 image sensor, which is 1/1.43″”. The F1.8 lens, which includes optical image stabilization, delivers a field of view equivalent to a 23mm lens on a full-frame camera. The main camera is joined by a 50MP Ultra-wide camera and an 8MP telephoto camera. The Ultra-wide camera uses a 1/1.56″ Sony IMX766 image sensor. The 14mm lens has a maximum aperture of F2.2. The telephoto camera has a 77mm equivalent focal length, F2.4 aperture and optical image stabilization.

The OnePlus 9 Pro has four cameras, including a 48MP main camera and 50MP ultra-wide camera.

The ultra-wide camera uses what OnePlus calls a ‘Freeform’ lens. The lens uses precise curves to reduce distortion, allowing OnePlus to refer to the ultra-wide lens is rectilinear. The lens can focus as close as 4cm, allowing for macro capabilities.

There’s a fourth (or third, in the case of the OnePlus 9) camera, too, a 2MP monochrome camera. This camera adds additional detail to black and white images captured with other cameras on the phone.

The OnePlus 9 Pro can capture 12-bit RAW images, shoot with dual native ISO, record HDR images, and the camera system promises fast and accurate autofocus. In terms of video features, the OnePlus 9 Pro can shoot 8K video, plus 4K video at up to 120 frames per second.

While OnePlus itself is placing significant focus on the OnePlus 9 Pro’s photographic capabilities, there’s more to discuss. The 5G-capable OnePlus 9 Pro has a 6.7″ display with a 120Hz refresh rate. The display, unlike the OnePlus 9’s display, has a variable refresh rate. The smartphone also supports wireless charging, something the OnePlus 9 doesn’t do, and unlike the OnePlus 9, the OnePlus 9 Pro has an IP68 water resistance rating.

However, the OnePlus 9 and 9 Pro share some features as well. The 5G smartphones use the same Qualcomm Snapdragon processors. Each device also includes the same storage and RAM specs, with 128GB or 256GB storage and 8GB or 12GB of RAM. Each device also includes the same 16MP Sony IMX471 front-facing camera.

In terms of camera specs, the OnePlus 9 lacks the rear telephoto camera of its larger sibling. The OnePlus 9’s primary rear camera, while offering the same 23mm equivalent focal length and F1.8 aperture, uses an older 48MP IMX689 image sensor. In terms of its ultra-wide camera, the OnePlus 9 and 9 Pro use the same sensor and lens.

The OnePlus 9 has three cameras, including a slightly different 48MP main camera than the OnePlus 9 Pro and the same 50MP ultra-wide camera.

The One Plus 9 is slightly smaller as well, given its 6.55″ display. The resulting difference in weight between the OnePlus 9 and 9 Pro is a mere 5 grams. And in terms of overall size, there’s very little separating the devices. The OnePlus 9 is 160mm tall and 74.2mm wide. The OnePlus 9 Pro is slightly taller at 163.2mm but slightly narrower at 73.6mm. Each phone, built using an aluminum frame, is only 8.7mm thick.

The OnePlus 9 Pro is available in two colors, Morning Mist and Pine Green. The OnePlus 9 comes in Astral Black and Winter Mist. The OnePlus 9 Pro with 8GB of RAM and 128GB storage costs $969 USD. The 256GB model comes with 12GB RAM and costs $1,069. The OnePlus 9 comes in the same configurations for $729 and $829, respectively. For additional information and to see the full specifications for each device, head to OnePlus.

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Pentax K-1 and K-1 II firmware updates include astrophotography features (depending on where you live)

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Pentax K-1 and K-1 II firmware updates include astrophotography features (depending on where you live)


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Yesterday, Ricoh quietly released firmware 2.50 for its Pentax K-1 and K-1 II DSLRs. However, the features you can expect to gain from this update may depend on your geography.

Ricoh’s English-language firmware pages for the K-1 and K-1 II state that firmware 2.50 delivers “Improved stability for general performance.”

However, astute Pentax users noted that Ricoh’s Japanese-language firmware pages (translation) indicate that the update also includes a limited feature called “Astronomical Photo Assist,” a collection of three new features designed for astrophotography: Star AF, remote control focus fine adjustment, and astronomical image processing.

Star AF is intended to automate focusing on stars when using autofocus lenses. Rather than manually focusing on a bright star and changing your composition, it promises to let you compose your shot and let the camera focus.

Remote control fine adjustment allows users to adjust focus without touching the lens and requires Pentax’s optional O-RC1 remote. Astronomical image processing will enable users to make in-camera adjustments to astrophotography images, including shading correction, fogging correction, background darkness, star brightness, celestial clarity, and fringe correction.

Astronomical image processing on the K-1 and K-1 II will enable users to make in-camera adjustments to astrophotography images, including shading correction, fogging correction, background darkness, star brightness, celestial clarity, and fringe correction.

According to Ricoh, Astronomical Photo Assist is a premium feature that must be purchased and costs ¥11,000 for an activation key (about $70 at current exchange rates).

Although these astrophotography features appear to be Japan-only for now, a Ricoh representative tells us, “Ricoh Imaging Americas confirmed that the premium firmware features for the PENTAX K-1 and PENTAX K-1 Mark II will eventually be available to US customers.”

Firmware update 2.50 for both the K-1 and K-1 II is available for download from Ricoh’s website.



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On this day 2017: Nikon launches D850

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On this day 2017: Nikon launches D850


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As part of our twenty fifth anniversary, we’re looking back at some of the most significant cameras launched and reviewed during that period. Today’s pick was launched seven years ago today* and yet we’re only quite recently stepping out of its shadow.

The Nikon D850 is likely to be remembered as the high watermark of DSLR technology. We may yet still see impressive developments from Ricoh in the future (we’d love to see a significantly upgraded Pentax K-1 III), but the D850 was perhaps the green flash as the sun set on the DSLR as the dominant technology in the market.

Click here to read our Nikon D850 review

Why do we think it was such a big deal? Because it got just about everything right. Its 45MP sensor brought dual conversion gain to high pixel count sensors, meaning excellent dynamic range at base ISO and lower noise at high ISOs. Its autofocus system was one of the best we’ve ever seen on a DSLR: easy to use and highly dependable, with a good level of coverage. And then there was a body and user interface honed by years of iterative refinement, that made it easy to get the most out of the camera.

None of this is meant as a slight towards the other late-period DSLRs but the likes of Canon’s EOS 5DS and 5DSR didn’t present quite such a complete package of AF tracking, daylight DR and low-light quality as the Nikon did. With its ability to shoot at up to 9fps (if you used the optional battery grip), the D850 started to chip away at the idea that high megapixel cameras were specialized landscape and studio tools that would struggle with movement or less-than-perfect lighting. And that’s without even considering its 4K video capabilities.

In the seven years since the D850 was launched, mirrorless cameras have eclipsed most areas in which DSLRs once held the advantage. For example, the Z8 can shoot faster, autofocus more with more accuracy and precision, across a wider area of the frame and do so while shooting at much faster rates.

But, even though it outshines the D850 in most regards, the Z8 is still based around what we believe is a (significant) evolution of the same sensor, and its reputation still looms large enough for Nikon to explicitly market the Z8 as its “true successor.”

Nikon D850 sample gallery

Sample gallery
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*Actually seven years ago yesterday: we had to delay this article for a day to focus on the publishing the Z6III studio scene: the latest cameras taking precedence over our anniversary content.



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Nikon Z6III added to studio scene, making image quality clear

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Nikon Z6III added to studio scene, making image quality clear


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Photo: Richard Butler

We’ve just received a production Nikon Z6III and took it into our studio immediately to get a sense for how the sensor really performs.

Dynamic range tests have already been conducted, but these only give a limited insight into the image quality as a whole. As expected, our Exposure Latitude test – which mimics the effect of reducing exposure to capture a bright sunrise or sunset, then making use of the deep shadows – shows a difference if you use the very deepest shadows, just as the numerical DR tests imply.

Likewise, our ISO Invariance test shows there’s more of a benefit to be had from applying more amplification by raising the ISO setting to overcome the read noise, than there was in the Z6 II. This means there’s a bigger improvement when you move up to the higher gain step of the dual conversion gain sensor but, as with the Z6 II, little more to be gained beyond that.

These are pushing at the extreme of the sensor’s performance though. For most everyday photography, you don’t use the deepest shadows of the Raw files, so differences in read noise between sensors don’t play much of a role. In most of the tones of an image, sensor size plays a huge role, along with any (pretty rare) differences in light capturing efficiency.

Image Comparison
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As expected, the standard exposures look identical to those of the Z6 II. There are similar (or better) levels of detail at low ISO, in both JPEG and Raw. At higher ISO, the Z6III still looks essentially the same as the Z6II. Its fractionally higher level of read noise finally comes back to have an impact at very, very high ISO settings.

Overall, then, there is a read noise price to be paid for the camera’s faster sensor, in a way that slightly blunts the ultimate flexibility of the Raw files at low ISO and that results in fractionally more noise at ultra-high ISOs. But we suspect most people will more than happily pay this small price in return for a big boost in performance.



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