Camera
Sony’s Xperia 1 and 5 Mark III introduce first ever variable optical zoom (but that’s not what we’re excited about)
Sony has just announced the Xperia 1 Mark III, its flagship smartphone with camera technologies borrowed from its Alpha line of cameras, as well as display, cinema and audio capabilities built from the know-how of the broad divisions within Sony Electronics. While companies have teased the development of such actual optical zoom modules, with optics containing moving elements to shift the focal length from a wider to a more telephoto one, Sony is the first to incorporate such a design into a shipping product. It allows the Xperia 1 and 5 Mark III smartphones to optically achieve both 70 and 105mm equivalent focal lengths with its single telephoto module (with F2.3 and F2.8 apertures, respectively). The main (24mm) and wide (16mm) modules remain the same as that seen in the Xperia Pro and Xperia 1 Mark II.
Like the Xperia 1 Mark II and Xperia Pro, the Mark III smartphones can both shoot at 20 frames-per-second (fps), but the Xperia 1 Mark III takes things further: not only can it shoot at 20 fps with 60 fps AF/AE calculations per second with real-time (eye) AF tracking, but, in a first not just for smartphones but for all cameras, the Xperia 1 Mark III can shoot at 20 fps while performing temporal noise reduction on each one of those frames. In an exclusive interview with DPReview, engineers from Sony’s Xperia team confirmed that, in low light conditions, up to 4 frames are aligned and averaged to decrease noise for each frame shot at 20 fps, something no camera to date we know of can do in high speed burst mode. Granted, the smaller sensor camera in these smartphones benefit more from such stack-and-merge temporal noise reduction approaches than dedicated interchangeable lens cameras, but, nevertheless, to do so at 20 fps is quite an achievement.
The biggest news is the folded optics that allow for the world’s first variable telephoto lens. It’s not quite a zoom lens in that it offers only two optical focal lengths: 70 and 105mm equivalent. Anything in between 70mm and 105mm equiv. is achieved digitally. But to go from 70mm to 105mm equivalent, an individual optical element is moved, and that is unique, as up until now smartphones have only offered separate camera modules with fixed focal lengths whose only movable parts were the full optical assemblies which were moved solely for focus purposes. To move a single element to vary the focal length, Sony tells us it had to work hard to maintain strict accuracy of actuator accuracy and element placement. And while Sony tells us it could theoretically have offered optical zoom for all focal lengths in between 70mm and 105mm equivalent, it’s chosen this time not to.
More impressive is the fact that Sony has upgraded all camera module sensors to stacked CMOS (Exmor RS) sensors, with faster sensor readout rates. Like the Xperia Pro, the main 24mm camera module sports sensor readout rates faster than 10ms, while the 16mm and 70/105mm telephoto modules now also have fast readout rates, albeit slightly longer than 10ms. Sony has also now paired the telephoto module with a dual PD (phase-detect) sensor. That means that the entire telephoto image sensor can be used for phase-detect autofocus, as opposed to having AF points sparsely scattered about. This should help significantly in terms of autofocus performance, which tends to be more problematic for telephoto modules, particularly ones with smaller physical apertures that tend to falter in autofocus performance due to the decreased light levels reaching the sensor. In comparison, previously only the wide and main camera modules had dual PD AF, in the Xperia Pro and the Xperia 1 Mark II.
Foremost amongst other improvements include an upgrade to the already industry-leading 4K HDR OLED display, which can now be run at 120Hz for smoother motion. 240Hz motion blur reduction processing reduces motion blur further for a smooth gaming experience. Each unit is now calibrated at the factory for an accurate white point, making the ability to use the Xperia 1 Mark III as an external OLED monitor for your camera that much more useful. While the Xperia 1 Mark III cannot connect to your camera as an external monitor over HDMI (like the Xperia Pro), it can do so over USB using the UVC standard (USB Video Class). This is limited to YUV 4:2:2, MJPEG HD, 60 fps, SDR, though, which severely limits its usefulness.
The Xperia 1 Mark III uses the latest Qualcomm Snapdragon 888 5G mobile platform, and includes wireless charging capabilities, and can serve as a wireless charging pad for other devices. It has a 4500 mAh battery, with special thermal management technologies that can drop the battery out of the circuit to prevent heat buildup when using any USB-C connection that can itself provide power. It has an IP 65/68 dust/water-resistance rating, and extremely durable Corning Gorilla Glass Victus for shatterproof durability.
Sony has also announced the Xperia 5 Mark III, a pared down version of the Xperia 1 Mark III. Sony has tried to pack as much of the performance of the Xperia 1 Mark III into the Xperia 5 Mark III, but in a smaller, more compact body. To do so, a number of key features are missing, including:
We’ll be updating this story and providing more in-depth content on the Xperia 1 Mark III and the Xperia 5 Mark III over the next couple of days, so stay tuned. In the meantime, have a look at the press release below.
Sony Electronics New Xperia 1 III and Xperia 5 III Smartphones Deliver an Elevated Photo, Video and Entertainment Experience for Creators
New 5G Capable Models Feature World’s First Variable Smartphone Telephoto Lens with a Dual PD Sensor[i], World’s First 4K HDR OLED 120Hz Refresh Rate Display[ii] and more
- World´s first smartphone with a Variable telephoto lens paired with a Dual PD sensor
- Real-time Eye AF for humans and animals, newly equipped Real-time Tracking[iii] and fast, accurate continuous AF across all lenses
- 20fps Burst Mode with low light noise reduction powered by BIONZ X™
- Brand new AI (artificial intelligence) super resolution zoom technology
- Updated Photography Pro feature – now equipped with ‘Basic Mode’
- World’s first smartphone with a 4K HDR 120Hz Refresh rate display[iv] crafted from Gorilla® Glass Victus™[v]
- Evolved Full-stage stereo speakers, 40 percent louder than previous model[vi]
- Qualcomm®Snapdragon™ 888 5G Mobile Platform
- Improved battery life (4500mAh) and the ability to charge up to 50% of capacity in 30 minutes with the kitted 30W charger – in addition to a newly extended battery life of up to three years[viii]
SAN DIEGO, CA – April 14, 2021 – Sony Electronics Inc. today announced two new additions to its Xperia 1 and 5 flagships series line-ups – Xperia 1 III and Xperia 5 III. Both devices provide a rich collection of integrated features that connect Xperia community with some of the most advanced technologies across Sony’s entire suite of consumer electronics products. Whether they are photographers, audiophiles, cinephiles, gamers or cinematographers, the next generation of Xperia 1 and 5 flagships series will deliver a user experience that is unlike any other smartphone in market today.
“Today we’re introducing two new Xperia models that are significant for both Sony and the industry as a whole,” commented Neal Manowitz, President and COO, Sony Electronics Inc. “Drawing on our leadership in imaging, display and audio technology, we’re proud to debut the world’s first smartphone with a 4K 120Hz display and the world’s first smartphone with a variable telephoto lens. We continue to break new ground and provide passionate consumers with a more powerful creative device and an immersive entertainment experience like they’ve never had before—all in the palm of their hand.”
Professional Technology from Alpha Brand Cameras
Co-developed with the engineers behind the Sony Alpha brand cameras that are renowned for their industry-leading autofocus technology, the Xperia 1 III and Xperia 5 III feature fast, accurate continuous AF plus Real-time Eye AF in all lenses. With Xperia 5 III and its advanced object tracking technology, photographers can capture accurate shots of moving subjects in a wide variety of scenarios with a simple tap on the screen.
Xperia 1 III presents an even more sophisticated feature set for photographers that strive for picture-perfect results. Object tracking is upgraded with Real-time Tracking, allowing users to shoot the most challenging moving subjects with precise focus. Using AI-based algorithms and the 3D iToF sensor to measure distance, Real-time Tracking can accurately detect and focus on a subject even if the subject temporarily moves out of sight[ix] so they can capture even the most difficult images with ease.
When speed is a necessity, both models offer continuous AF that performs AF / AE calculations at up to 60 times per second – enabling users to shoot and store up to 20 shots (20fps) with high precision, accurate focus and optimized exposure[x]. This level of performance is comparable to that used in professional sports cameras such as the Alpha 9 series. The BIONZ X™ processor enables users to shoot in low-light scenarios in Burst Mode for the first time, producing results with noise reduction that have never previously been possible in predecessor models.
Reach Beyond Expectation with a Variable Telephoto Lens
The variable telephoto lens on each of the new Xperia models allows for focus to acquire instantly when users are switching between the 70mm and 105mm lenses. Pairing this unique lens setup with a dual PD sensor and a dual PDAF capabilities ensures that all of the beauty and detail in each image is captured in full, across the entire focal range. These new models represent the first time ever that a variable telephoto lens has been paired with a Dual PD sensor in any smartphone.
Xperia 1 III and Xperia 5 III offer a total of four focal lengths in photo and video recording – 16mm, 24mm, 70mm and 105mm focal lengths[xi], giving creators the freedom to capture a variety of settings from landscapes to wildlife in stunning clarity. Both models continue to feature ZEISSTM optics calibrated specifically for the Xperia smartphone. The ZEISSTM T* coating contributes to exquisite rendering and contrast by reducing reflections.
A Wealth of Creative Opportunities
The next generation of Xperia both incorporate new AI super resolution zoom. This technology uses Sony’s AI processing to restore detail and definition to images, ensuring precision is not compromised.
Additionally, like their older siblings, Xperia 1 III and Xperia 5 III feature the Photography Pro function, making it a breeze to capture professional-level photography in a palm-sized device. Both models were developed in collaboration with professional photographers to mirror many of the manual controls available in Alpha series cameras including ISO, shutter speed, EV Indicator, RAW support plus a dedicated shutter button (with embossed finishing exclusively on the Xperia 1 III). New for this year’s smartphones is the ‘Basic Mode’ feature in Photography Pro which enables fast access to a range of easy-to-use photography features including a touch shutter button, portrait orientation, artistic bokeh effect, panorama and more.
Transporting Cinephiles to the Big Screen
The new Xperia models are a true cinephile’s dream. Xperia 1 III features a larger than life 6.5” 21:9 CinemaWideTM 4K HDR OLED display with a 120Hz Refresh rateiv while Xperia 5 III offers a stunning 6.1″ 21:9 CinemaWide™ HDR OLED display with a 120Hz Refresh rate. Whether on the go or in the comfort of home, both models transport users into a uniquely immersive viewing experience, allowing them to lose themselves in their favorite movies or TV shows.
Users can now enjoy their favorite entertainment as the producers intended with the Creator Mode. “Powered by CineAlta,” it now features a factory-calibrated OLED display to mirror the color reproduction of Sony’s professional color monitors used in leading Hollywood studio productions. Additionally, both models feature 10-bit equivalent displays (8-bit with 2-bit smoothing) that can display a myriad of colors without banding and support BT.2020 color space.
Xperia 1 III and Xperia 5 III capture the senses and offer an audio-visual experience like no other. Streaming content is more lifelike than ever with more contrast, color and clarity. Consistent with their predecessors, they benefit from the X1™ for mobile engine which brings BRAVIA HDR remastering technology for a beautifully expressive viewing experience. Similarly, thanks to the continued incorporation of Dolby Atmos® sound tuned in collaboration with Sony Pictures Entertainment, users can experience a fully immersive, multi-dimensional performance with headphones or the smartphone’s built-in Full-stage stereo speakers.
Play to Win
Gamers can gain a key advantage with the superior upgrades in Xperia 1 III and Xperia 5 III. The familiar 21:9 display transports players into the thick of the action[xiii].Thanks to a new and improved 120Hz Refresh rate display[xiv], now incorporated in the 1 series and 5 series, fasting-moving objects are rendered clearly for seriously smooth gameplay. The addition of 240Hz Motion blur reduction[xv] also means the display updates at an incredible 240 times per second for blur-free with crystal clear performance. 240Hz Touch scanning rate also ensures that the action happens exactly as intended, and is a crucial advantage over the competition.
Another new feature in both models is the ability to adjust white balance – reducing strain on the eyes and allowing for longer durations of mobile gameplay. The new L-y raiser (low gamma raiser) also makes it easier to see opponents in the dark by adjusting image details in dark areas and highlighting enemies without overexposing bright areas of the screen.
Combining visual excellence with an immersive audio experience is key for both Xperia 1 III and Xperia 5 III. Gamers can plug-in their favorite headset via a 3.5mm headphone jack for impressive audio with minimal latency. The new Audio equalizer lets users control, heighten and minimize sounds such as footsteps and surrounding noises, allowing them to hear their opponents approaching and react ahead of them[xvi]. And for those playing in teams, the new optimized V.C. microphone allows for clear communication by reducing background noise based on the users chosen headset type[xvii].
Avid gamers can now relive winning moments in all their glory thanks to high frame rate recording at up to 120fps[xviii]. Whatever they are playing, R.T. record (Rewind time record) automatically pre-records up to 30 seconds of game footage so gamers can easily rewind and capture key moments like match-winning plays and share them online with friends and fellow competitors.
Lastly, thanks to incorporated Heat Suppression power control (H. S. power control), gaming performance remains uncompromised. By powering the phone systems directly, rather than charging the battery, thermal stress on the handsets is reduced.
Create Movies like the Professionals
Cinematography Pro “powered by CineAlta” enables more creative choices for engaging storytelling such as dramatic 5x slow-motion in 4K HDR 120fps[xix].It also records in 21:9 ratio at 24/25/30/60fps, enhancing cinematic expression. Eight different Look color management pre-sets allow the user to completely change the mood of their scenes by utilizing different cinema styles, a vital tool in advanced storytelling. Sony’s unique Intelligent wind filter technology uses award-winning audio separation technology to reduce wind interference for clearer audio recording, making it easier for the user to focus on their creative vision.
New features within both models include a range of UI improvements designed specifically with movie makers in mind. For instance, to help users control their workflow, they can easily check how much free memory is remaining and how much recording time is still available. Users can also easily check which parameters they used on a specific clip to apply them to other projects. Each clip’s parameter details now include resolution, FPS, look, lens, stabilizer, WB, ISO, shutter angle/ speed, focus and audio level. This is further complemented with the ability to review and organize footage with clip playback, allowing users to play back clips with a simple swipe on the phone’s display.
Audio Playback as the Recording Artist Intended
Xperia 1 III and Xperia 5 III allow listeners to immerse themselves in sound that is so authentic, it can feel like they are at a live concert or with the artist recording in a studio. Much like the immersive experience for cinephiles, the new Xperia models utilize sound tuned in collaboration with Sony Music Entertainment. In addition to unique hardware decoding, a newly developed speaker virtualizer enables Xperia 1 III and Xperia 5 III to be the world’s first smartphones to reproduce 360 Reality Audio in the speakersvii. To top it off, new TIDAL subscribers will get three months of TIDAL Hi-Fi free when they buy either model, including the 360 Reality Audio experience.
If the music source being listened to is 2-channel stereo, the new 360 Spatial Sound comes into play. It enables the Xperia 1 III and Xperia 5 III to upmix stereo tracks and virtualize to an immersive sound experience, in real time. The technology works with local audio files and streaming services to further enhance the listening experience.
High-quality music can be further enjoyed through the Full-stage stereo speakers or when listening with headphones either wirelessly or with the 3.5mm audio jack. The Full-stage stereo speakers are placed at the front of the phone to effectively reproduce the sound field. And as an exclusive update for Xperia 1 III, are now up to 40 percent more powerful[xx] than its predecessor[xxi]. This is thanks to a new speaker box structure, which has been designed both to improve sound pressure and eliminate vibration. The audio volume through audio-out (via the 3.5mm audio jack) has also been improved by approximately 40 percent, while sound quality has improved with less distortion near the maximum output level.
As well as High-Resolution and High-Resolution Wireless Audio, both Xperia 1 III and Xperia 5 III continue to offer DSEE Ultimate[xxii] which enhances the quality of digital music using Sony AI technology, including audio and video streaming services. It automatically improves audio frequency and dynamic range in real-time, taking each track close to high-resolution audio.
All the Speed you Need
Combining 5G and Wi-Fi connectivity with the latest Qualcomm® Snapdragon™ 888 5G Mobile Platform, the next generation of Xperia raises the bar for smartphone performance thanks to the Qualcomm® Kryo™ 680 CPU enabling up to 25 percent higher performance and Qualcomm® Adreno™ 660 GPU delivering 35 percent faster graphic rendering than the previous generation.
Smart connectivity takes Xperia smartphones’ deep learning technology that utilizes Sony’s Neural Network Libraries and analyses Wi-Fi signals to predict near-future connectivity issues. The Xperia 1 III and Xperia 5 III assesses the quality of available Wi-Fi before connecting so there’s no more grabbing Wi-Fi that doesn’t work. If it predicts any compromise in Wi-Fi connection quality, it uses mobile data instead[xxiii].
With a 4,500mAh battery, both models offer plenty of power to keep users going through the day while a range of charging features helps maximize convenience and prolong battery lifeviii. When the battery needs a boost, it can be charged up to 50 percent in just 30 minutes with the included charger XZQ-UC1. Furthermore, Xperia Adaptive Charging allows the battery life to be extended up to three years (up from two in previous models) in both models. Xperia Adaptive Charging works by monitoring the phone as it charges, to make sure the battery isn’t overworked.
Finally, Xperia 1 III offers a wireless charging and Battery share function, allowing the device to be connected to a wireless charger to conveniently top off the battery. Thanks to the Battery share function, it can double as a charging pad for other devices too.
Sleek Design with Functionality in Mind
Both Xperia 1 III and Xperia 5 III are crafted to be robust. The Xperia 1 III combines high-quality materials with a bold and distinctive design. From the frosted glass on the back to the blasted metal frame, it’s an irresistible blend of form and function. It also features Corning® Gorilla® Glass Victus™ on the display, the toughest Gorilla Glass yet – boasting improvement in both drop and scratch performance. Meanwhile, the Xperia 5 III is its compact cousin featuring Corning Gorilla Glass 6™ on the rear and the display with a sleek mirror-glass finish and a robust metal frame. For further peace of mind, both models also feature IP65/68[xxiv] water resistance and protection against dust.
For the busy multi-taskers, both models feature upgrades to the multi-window functionality. With the pop-up window feature, users can easily handle a new task, then get right back to what they were doing.
Last but not least, when paired with compatible Sony headphones[xxv], users can easily access the Sony | Headphones Connect app using the new Side Sense menu for swift connectivity.
Accessories
Both models are available with a new and improved Antibacterial Style Cover. Designed with durability in mind, the covers feature a built-in stand to support horizontal placement and provide a comfortable viewing experience. They are also coated with anti-bacterial material that has a protection rate of up to 99.9 percent[xxvi] – preventing cell growth.
A 30W compact charger is also available and features USB-C power delivery. Designed for overheat protection, this new charger is certified with PPS support (Programmable Power Supply) to reduce heat impact.
Pricing and Availability
Xperia 1 III will be available in Frosted Black and Frosted Purple and shipped with Android™ 11. Xperia 5 III will be available in Black and Green and shipped with Android™ 11 as well[xxvii]. Pricing for both models will be announced at a later date. The products will ship to U.S. customers this summer.
[i] Xperia 1 III / Xperia 5 III feature 70mm and 105mm focal length in the same periscope camera paired with a Dual Pixel Diode sensor. Verified by Strategy Analytics’ SpecTRAX Service against the published camera specifications for over 18,500 smartphones. Correct as of the 14th April 2021.
[ii] Verified by Strategy Analytics’ SpecTRAX Service against the published display specifications for over 18,500 smartphones. Correct as of the 14th April 2021.
[iii] Real-time Tracking is only available on Xperia 1 III. The subject may not be detected depending on the shooting environment
[v] Xperia 1 III features Corning® Gorilla® Glass Victus™ on the display only. The rear is crafted from Corning® Gorilla® Glass 6. Xperia 5 III features Corning® Gorilla® Glass 6 on the display and rear
[vi] 40 percent more powerful speakers only available in Xperia 1 III – compared to Xperia 1 II
[vii] This feature is currently available with TIDAL. Third party terms, conditions, account and fees may apply. Service availability may vary by market. Verified by Strategy Analytics’ SpecTRAX Service against the current audio specifications for over 18,500 smartphones. Correct as of the 14th April 2021.
[viii] Result tested by Sony Corporation – based on usage profile using the same type of battery and USB charging. The life span of the battery varies on usage situation.
[ix] Accuracy may vary according to environmental circumstances. Some performance restrictions may apply.
[x] Maximum calculations will depend on shooting environment. Up to x60 calculations per second AF/AE is available for 24mm, 16mm, 70mm and the 105mm lens can calculate up to 30fps AF/AE
[xi] 35mm equivalent format
[xiii] Depending on the specification of the game, it may not be display in the 21:9 ratio
[xvi] The feature may vary by content, game availability and compatibility.
[xviii] Effective when the setting of the Game Enhancer Refresh rate is more than 120Hz, or the setting is “Performance First”. High frame rate recording up to 120fps is available at 720p resolution.
[xix] Functions with the 24mm lens only and when set at 24fps
[xx] The effect of feature may vary depending on environment and contents. Some performance restrictions may apply
[xxi] Compared to the Xperia 1 II
[xxii] High-resolution compatible headphones (sold separately) are required to enjoy high-resolution sound sources equivalent to high-resolution audio
[xxiii] Smart connectivity availability may vary depending on country, carrier and user environment.
[xxiv] This device is water resistant and protected against dust. All ports and attached covers should be firmly closed. Do not put the device completely underwater or expose it to seawater, salt water, chlorinated water or liquids such as drinks. Abuse and improper use of device will invalidate warranty. The device has been tested under Ingress Protection rating IP65/68. Sony devices that are tested for their water resistant abilities are placed gently inside a container filled with tap water and lowered to a depth of 1.5 meters. After 30 minutes in the container, the device is gently taken out and its functions and features are tested. Note this model has a capless USB port to connect and charge. The USB port needs to be completely dry before charging
[xxv] Headphones must be compatible with the smartphone app “Sony | Headphones Connect”.
[xxvi] Protection rate may vary depending on long-term usage
[xxvii] Pricing for both models will be announced at a later date. The products will ship to U.S. customers this summer.
| Image: Nikon |
Nikon has announced the Nikkor Z 50mm F1.4, a fast, normal prime lens for Z-mount cameras that covers the classic 50mm focal length.
The new lens is a virtual twin to the Nikkor Z 35mm F1.4 prime that Nikon announced just three months ago in June. The two lenses share the exact same dimensions, at 87mm (3.4″) long by 75mm (3″) diameter, and the new lens weighs in at 420g (14.8oz.), just 1% heavier than its 35mm sibling.
Notably, the new lens is slightly less expensive than Nikon’s own 50mm F1.8 S prime, which is part of Nikon’s premium ‘S’ series of lenses. It was suggested to us that the non-S lens prioritizes character over clinical sharpness.
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The Nikkor Z 50mm F1.4 mounted on a Nikon Z6 III
Image: Nikon |
Optically, the lens comprises 10 elements in 7 groups, including one aspherical element, and has a 9-bladed aperture. This makes it optically simpler than the F1.8 S lens and it lacks that Nano Crystal Coatings of the premium model. It has a minimum focus distance of 0.37m (14.5″) and a maximum magnification ratio of 0.17x.
Other features include a manual focus ring and a customizable control ring, which the ‘S’ model lacks. According to Nikon, the lens should be well-suited to video work thanks to a smooth, twin STM motors, suppressed focus breathing and the clickless control ring. Nikon describes the lens as designed to be drip and dust-resistant.
The Nikkor Z 50mm F1.4 has a suggested retail price of $499 and will be available beginning in late September.
The Nikkor Z 50mm F1.4 is Nikon’s Latest Affordable and Fast Prime Lens for the Nikon Z System
Classically Captivating Focal Length and Large f/1.4 Aperture is the Simple Formula for Breathtaking Creativity
MELVILLE, NY (September 10, 2024) Today, Nikon Inc. announced the NIKKOR Z 50mm f/1.4, a lightweight prime lens with a wide and bright f/1.4 aperture. This affordable lens is compact enough to take anywhere, while offering a versatile and classic focal length that’s ideal for portraits, landscapes, street snaps, travel, still life and more.
“The NIKKOR Z 50mm f/1.4 is a modern take on a classic lens design, giving creators the benefits of the latest imaging technology and optical innovations at a very appealing price,” said Fumiko Kawabata, Sr. Vice President, Nikon Inc. “With the recently released NIKKOR Z 35mm f/1.4, photographers and videographers now have access to a great pair of fast, affordable primes that will help them to take their creativity further.”
The large f/1.4 aperture of this lens affords users the ability to create images and video with three-dimensional emphasis and naturally soft backgrounds that draw the viewers’ attention to a subject.
The NIKKOR Z 50mm f/1.4 lens features a compact, comfortable and lightweight design, measuring approximately 2.9 in x 3.4 in (74.5 × 86.5 mm) and weighing only 14.8 oz (420 g). The lens is engineered with a premium feel and superb handling, featuring a dedicated focus ring and customizable control ring.
Additional Features of the NIKKOR Z 50mm f/1.4
- Close minimum focus distance lets users get as near as 14.5 in (0.37 m) from the subject, which is great for flowers, still life and food photography.
- Nine-blade diaphragm helps to create a natural, circular bokeh for a pleasing out of focus area.
- Focus breathing is effectively suppressed to minimize the shift of the angle of view when adjusting the focus.
- Near Silent operation for video production, with a click-less control ring and near silent lens drive thanks to the use of STM motors.
- Weather Sealed and designed with careful consideration for dust- and drip-resistant performance*.
Price and Availability
The new NIKKOR Z 50mm f/1.4 will be available in late September 2024 for a suggested retail price of $499.95** For more information about the latest Nikon products, including the extensive lineup of NIKKOR Z lenses and the entire range of Z series cameras, please visit Nikonusa.com.
Specifications, equipment, and release dates are subject to change without any notice or obligation on the part of the manufacturer.
*Thorough dust and moisture-resistance is not guaranteed in all situations.
**SRP (Suggested Retail Price) listed only as a suggestion. Actual prices are set by dealers and are subject to change at any time.
Nikon Nikkor Z 50mm F1.4 specifications
| Principal specifications | |
|---|---|
| Lens type | Prime lens |
| Max Format size | 35mm FF |
| Focal length | 50 mm |
| Image stabilization | No |
| Lens mount | Nikon Z |
| Aperture | |
| Maximum aperture | F1.4 |
| Minimum aperture | F16 |
| Aperture ring | No |
| Number of diaphragm blades | 9 |
| Aperture notes | Rounded diaphragm opening |
| Optics | |
| Elements | 10 |
| Groups | 7 |
| Special elements / coatings | 1 Aspherical Element |
| Focus | |
| Minimum focus | 0.37 m (14.57″) |
| Maximum magnification | 0.17× |
| Autofocus | Yes |
| Motor type | Stepper motor |
| Focus method | Internal |
| Distance scale | No |
| DoF scale | No |
| Physical | |
| Weight | 420 g (0.93 lb) |
| Diameter | 75 mm (2.95″) |
| Length | 87 mm (3.43″) |
| Filter thread | 62 mm |
| Hood supplied | Yes |
| Tripod collar | No |
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The iPhone 16’s camera bump is smaller than the previous generation’s.
Image: Apple |
Apple has announced the 6.1-inch iPhone 16 and 6.7-inch iPhone 16 Plus. The new phones now include a dedicated ‘Camera Control’ button, as well as the ‘Action’ button that was exclusive to the iPhone 15 Pro in the previous generation. The phones also feature a new A18 processor, which the company says has a 30% faster CPU and 40% faster GPU than the chip found in the regular iPhone 15.
The phone’s ultrawide camera has been upgraded, and now includes autofocus. The company says it can capture ‘2.6x’ more light. It also now allows users to capture ‘Macro’ photos using the ultrawide camera, a feature that was previously limited to the Pro models.
Apple says the iPhone 16 can now capture spatial videos and photos, using both cameras.
The company says the ‘Camera Control’ button allows you to control various features in the camera app. Pressing it will open the camera, and pressing it again will take a picture. You can also press and hold it while in the app to take a video. The button is touch sensitive, letting you slide your finger across it to change zoom level, depth of field, and more.
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Lightly double-tapping the Camera Control will let you choose which variable to adjust.
Image: Apple |
The button also has haptic feedback, which the company says will give you a more tactile feel while taking pictures.
Apple says the button will also provide ‘instant access’ to Apple Intelligence features. According to Apple, pressing and holding the ‘Camera Control’ will bring up an interface that lets you perform a visual search using ‘Visual Intelligence.’ You can point it at an object, and the phone will bring up information about what’s in frame. It can also be connected to third parties, getting information about what the camera is pointed at from services like ChatGPT.
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The new design also features what appears to be a smaller camera bump than the previous generation, as the wide and ultra-wide cameras are in line vertically, rather than being at a diagonal.
Earlier in the presentation, Apple CEO Tim Cook called the phones “the first iPhones designed from the ground up for Apple Intelligence and its breakthrough capabilities.”
This story is developing… please refresh to see more details.
| Image: Canon |
Canon has announced the EOS C80, a dedicated cinema camera in a mirrorless-style body. It’s built around a 26MP full-frame stacked CMOS sensor and uses the RF lens mount. According to Canon, the C80’s internals closely resemble the Cinema EOS C400, its newest professional cinema camera, including an almost identical sensor, though it lacks some features found on the C400.
The C80 replaces the EOS C70, a camera that proved very popular with independent video producers and small production houses but which used a smaller Super 35mm sensor and included an EF-to-RF 0.71x optical adapter that essentially worked as a speed booster.
The EOS C80’s stacked CMOS sensor can capture video up to 6K resolution and features a triple-base ISO design, with bases at ISO 800, 3200, and 12,800. Dual gain systems work by switching between two different readout paths with different levels of capacitance, giving a tradeoff between a mode that can accommodate a large signal (higher peak dynamic range) and one with less tolerance for light but lower readout noise, better suited to shooting in low light. The implication is that Canon has a third readout option that takes this trade-off further. We’ve contacted Canon for further technical details and will follow up as we learn more.
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| Image: Canon |
In addition to triple-base ISO, the updated sensor supports the newest version of Canon’s dual-pixel autofocus, Dual Pixel AF II. It significantly enlarges the area of the sensor that can be used for autofocus and includes the same AF zones found on the Cinema EOS C400. The new system supports people and animal tracking, and the faster readout speed of the sensor allows the AF system to be quicker and more responsive.
The AF system also introduces a new feature intended to make it easier to rack between subjects. If the AF system is tracking a person, using the manual focus ring on the lens will take over focus control; when the AF system detects that it’s close to focusing on a different subject, it will identify and take over focus tracking on that new subject once the focus ring is released.
Other new features include 12G-SDI terminals to allow for output of uncompressed video signals, Canon’s multi-function shoe, a new lightweight handle accessory for attaching multi-function accessories, a third 1/4″-20 tripod thread on the base of the camera and another on top, and an ethernet terminal. Connections include full-sized HDMI-out, two mini XLR audio inputs, a 3.5mm microphone jack, 4-channel audio support, and a Time Code terminal. There are 13 custom buttons.
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| Image: Canon |
The camera includes the same ND filter system as the EOS C400, with five settings ranging from ND2 to ND10, and there’s a helpful tape measure hook on the top of the camera for planning focus and focus pulls.
The C80 supports three sets of video codecs, notably, the same ones found on the Cinema EOS C400 and the recently announced EOS R1 and EOS R5 II. This common use of codecs across all EOS models, including mirrorless and cinema products, suggests Canon is trying to better align video capabilities across the entire EOS line.
The C80 can capture up to 6K/30p video using the width of its sensor or up to 4K/60p using a Super 35mm crop when using Canon’s Cinema RAW LT (‘light’) codec. It doesn’t support Canon’s higher bit rate Cinema RAW formats, HQ and ST, which require write speeds beyond the ability of the C80’s dual-SD (UHS-II) memory cards.
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| Image: Canon |
The camera also supports compressed codecs, including Canon’s XF-AVC, XF-HEVC S, and XF-AVC S codecs, all of which support video capture up to 4K/60p (downsampled from 6K) in 4:2:2 10-bit color, using either All-I or Long-GOP formats. There’s also slow motion support for frame rates up to 4K/120p and 2K/180p, with autofocus support up to 120p. The camera includes both C-Log2 and C-Log3 gamma curves and supports proxy files.
In addition to standard video, the EOS C80 provides anamorphic lens support with 2.0x, 1.8x and 1.3x de-squeeze. A new vertical interface is available when shooting vertical video.
The C80 also supports two new batteries: the BP-A30N, which ships with the camera and provides up to 170 minutes of continuous recording, and the BP-A60N, which Canon says will provide up to 335 minutes of continuous recording. According to Canon, the previous non-N versions of these batteries will continue to work without any feature limitations but will provide shorter operating times.
Price and availability
The Canon EOS C80 has a suggested retail price of $5499. It will be available in November 2024.
Canon Introduces the EOS C80 6K Full-Frame Cinema Camera
New EOS C80 RF-Mount Camera Features a 6K Full-Frame, Back-Illuminated Stacked CMOS
Sensor, Triple-Base ISO, Dual Pixel CMOS AF II and 12G-SDI
MELVILLE, N.Y., September 9, 2024 – Canon U.S.A. Inc., a leader in digital imaging solutions, is pleased to announce the new EOS C80 cinema camera, with a native RF-mount and full-frame, back- illuminated stacked CMOS sensor, designed for filmmakers that require a full-featured camera in a compact body.
6K Full-Frame Back-Illuminated Stacked CMOS Sensor
The Canon EOS C80 camera features a 6K full-frame, back-illuminated CMOS sensor, with triple-base ISO, allowing the camera to deliver stunning imagery in a wide range of lighting conditions. The base ISOs of 800, 3200, and 12,800 maximize the full dynamic range of the camera. The EOS C80 camera also features Canon’s latest Dual Pixel CMOS Autofocus, Dual Pixel AF II. The back-illuminated stacked sensor’s positioning offers superb light-capturing efficiency, which widens the area of the sensor that can be used for autofocusing. The sensor also empowers fast readout speed, as well as amazing 4K image quality from 6K oversampling.
12-G SDI and a Variety of Interfaces
In addition to moving to a full-frame sensor, the EOS C80 camera has also stepped up from its predecessor by adding 12G-SDI output, which enables uncompressed transfer of your video signal with a secure cable connection. The camera’s design includes a variety of other interfaces including HDMI, mini-XLR audio inputs, time code, built-in Wi-Fi® connectivity, and Ethernet. This internet connectivity enables the camera to be controlled remotely via our IP-based XC Protocol using Canon’s Remote Camera Control Application (available for free on the Canon USA Website), or our Multi-Camera Control App for iPhone (available for free on the App Store).
Compact Design
The compact and lightweight EOS C80 camera is suitable on a drone, gimbal, tripod, or in any configuration where compact size and light weight are important. The camera is ergonomically designed with a new, lightweight handle assembly. The Multi-function Shoe is located just above the LCD screen and the joystick controller provides easy control and menu navigation.
Recording Options
The EOS C80 camera can record up to 6K 30P in Cinema RAW Light. Other recording options include our standard XF-AVC codec which can record in 10-bit 4:2:2 with oversampling from the 6K sensor, creating rich detail and smooth imagery without the need for cropping the image from the sensor.Furthermore, autofocus is enabled when recording in slow or fast motion at up to 4K 120P. Additionally, the EOS C80 camera has two more recording codecs, XF-AVC S and XF-HEVC S. These formats were first introduced with the EOS C400 camera and feature an easy-to-manage naming system and folder structure, while recording in the familiar MP4 format and preserving metadata.
Pricing and Availability
The Canon Cinema EOS C80 Full-Frame camera is scheduled to be available in November 2024 for an estimated retail price of $5,499.00. For more information, please visit www.usa.canon.com.
| Price | |
|---|---|
| MSRP | 5,499 |
| Body type | |
| Body type | SLR-style mirrorless |
| Sensor | |
| Max resolution | 6008 x 3170 |
| Effective pixels | 19 megapixels |
| Sensor photo detectors | 27 megapixels |
| Sensor size | Full frame (36 x 24 mm) |
| Sensor type | Stacked CMOS |
| Color space | Rec.709, BT.709 wide DR, HLG, PQ |
| Image | |
| Boosted ISO (minimum) | 1600 |
| Boosted ISO (maximum) | 102400 |
| White balance presets | 2 |
| Image stabilization | Digital only |
| File format |
|
| Optics & Focus | |
| Autofocus |
|
| Lens mount | Canon RF |
| Screen / viewfinder | |
| Screen size | 3.5″ |
| Screen dots | 2,760,000 |
| Touch screen | Yes |
| Live view | Yes |
| Viewfinder type | None |
| Photography features | |
| Exposure modes |
|
| Built-in flash | No |
| External flash | No |
| Metering modes |
|
| Exposure compensation | ±2 (at 1/4 EV steps) |
| Videography features | |
| Format | XF-AVC, H.264, H.265 |
| Microphone | Mono |
| Storage | |
| Storage types | Dual SD card slots (UHS-II/V90) |
| Connectivity | |
| USB | USB 3.2 Gen 1 (5 GBit/sec) |
| HDMI | Yes (Full-size) |
| Microphone port | Yes |
| Headphone port | Yes |
| Wireless | Built-In |
| Wireless notes | 802.11a/b/g/n/ac |
| Remote control | Yes |
| Physical | |
| Battery | Battery Pack |
| Battery description | BP-A30N (included), BP-A60N, BP-A60, BP-A30 |
| Weight (inc. batteries) | 1310 g (2.89 lb / 46.21 oz) |
| Dimensions | 160 x 138 x 116 mm (6.3 x 5.43 x 4.57″) |
| Other features | |
| Orientation sensor | Yes |
| Timelapse recording | Yes |
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