Camera
Super-bright, kinda wide: Nikon adds 35mm F1.2 to its Z-mount lineup

Image: Nikon |
Nikon has announced the Nikkor Z 35mm F1.2 S, the latest in its lineup of full-frame fast primes. It’s an interesting option for photographers who want shallow depth of field, but still want to capture the environment around a subject – something that’s not as easy with the company’s 50mm and 85mm F1.2 options.
The 35mm F1.2 is made up of 17 elements in 15 groups, with three ED elements, three aspherical elements, and one aspherical ED element. The lens also has a variety of coatings to prevent ghosting and flares, but while its body does have dust and moisture sealing, there’s no fluorine coating on the front element to repel moisture or oils.
Nikon says that such a wide, fast prime would not have been possible for F-mount
The lens uses stepping motors for its autofocus system, and has a minimum focusing distance of 0.3m (11.8″). For controls, it has a clickless control ring and a matched pair of function buttons meaning they can be reached whether portrait or landscape shooting. As is expected for a fast full-frame lens, it’s relatively large, weighing 1060g and using an 82mm filter.
The company is pitching the lens at people who shoot weddings, events and fashion, as well as video, but we won’t be surprised if it finds an audience with enthusiasts as well. Wide-angle lenses with apertures this fast are relatively uncommon, which lets you get distinctive-looking photos with them. You can see a few examples in the sample gallery we shot using a pre-production lens.
Nikon says that such a wide, fast prime would not have been possible with its longer, narrower F-mount.
The Nikkor Z 35mm F1.2 S will be available later this month and will retail at $2,799.
REDEFINE THE ART OF STORYTELLING: NIKON RELEASES THE NIKKOR ® Z 35MM F/1.2 S, A FAST WIDE-ANGLE PRIME LENS FOR NIKON Z MOUNT MIRRORLESS CAMERAS
Environmental Portrait Lens Provides Outstanding Optical Performance and Smooth, Beautiful Bokeh
MELVILLE, NY (February 4, 2025) – Today, Nikon Inc. announced the highly anticipated release of the NIKKOR Z 35mm f/1.2 S, a medium wide-angle prime lens with an impressively fast f/1.2 maximum aperture for professional photographers and filmmakers.
The NIKKOR Z 35mm f/1.2 S is Nikon’s latest S-Line lens, a series synonymous with outstanding optical performance and handling. The lens emphasizes the main subjects with soft and beautiful bokeh, a dramatic shallow depth-of-field, and the realistic expression of textures. This classic wide-angle prime lens allows for a creative use of the environment to tell a deeper story that meaningfully connects with the viewer.
“Our latest f/1.2 lens truly demonstrates the power of Nikon’s optical expertise, creating a lens that helps the user to portray more of the environment within a single, beautiful frame,” said Fumiko Kawabata, Sr. Vice President of Marketing and Planning, Nikon Inc. “The NIKKOR Z line of lenses continues to expand as we now offer more than 40 impressive optical solutions for Nikon Z Series users.”
The optical characteristics of the NIKKOR Z 35mm f/1.2 S are finely tuned to create the perfect combination of sharpness and atmosphere. Soft, delicate organic textures, such as skin and hair, are rendered with a natural authenticity, while reflective objects like jewelry are sharp and free of distracting color aberrations. The NIKKOR Z 35mm f/1.2 S is a must-have lens for those shooting events, weddings, fashion, as well as for cinematography.
Sharing a similar design concept to the NIKKOR Z 50mm f/1.2 S and the NIKKOR Z 85mm f/1.2 S, the new lens offers superior rendering capabilities as well as depiction of the scene with a sense of depth, even with its wide angle of view. The optical design includes three ED glass elements and one aspherical ED element, enabling effective reduction of false color aberrations. In addition, the application of Nikon’s proprietary Meso Amorphous Coat, Nano Crystal Coat, and ARNEO Coat minimize ghosting and flare and provide outstanding optical performance.
Primary Features of the NIKKOR Z 35mm f/1.2 S
- Enables unique imaging styles through the combination of high resolving power achieved by superior optical performance, smooth and beautiful bokeh that takes full advantage of the shallow depth-of-field at f/1.2, and 35mm angle of view.
- Achieves a sense of depth with smooth bokeh that transitions gently as it moves away from the focal plane.
- A lens structure with symmetry in front of and behind the aperture realizes outstanding optical performance.
- Three ED glass elements and one aspherical ED glass elements enable effective correction of various lens aberrations.
- Adoption of Meso Amorphous Coat, Nano Crystal Coat and ARNEO Coat effectively reduces ghosting and flares for clear rendering even in tough lighting conditions.
- Adoption of a multi-focusing system1 that uses stepping motors (STMs) realizes fast and accurate AF drive for both still images and video.
- Features a design optimized for video, including a clickless control ring, silent focusing and stable exposure, and suppressed focus breathing to effectively reduces shifts to the angle of view when focusing.
- Two convenient L-Fn buttons, to which a wide variety of functions can be assigned, enable smooth adjustment of settings, even during vertical shooting.
- Superior dust and drip-resistant performance2 is ensured by sealing various parts of the lens, including movable parts of the lens barrel.
Price and Availability
The new Nikon NIKKOR Z 35mm f/1.2 S lens will be available in late February 2025 for a suggested retail price of $2,799.95*3. For more information about the latest Nikon products, including the vast collection of NIKKOR Z lenses and the entire line of Z series cameras, please visit nikonusa.com.
*1 Multiple AF drive units work together to control the position of multiple focus lens groups with great precision for superior image formation performance regardless of shooting distance.
*2 Thorough dust and drip resistance is not guaranteed in all situations or under all conditions.
*3 SRP (Suggested Retail Price) listed only as a suggestion. Actual prices are set by dealers and are subject to change at any time.
Nikon Nikkor Z 35mm F1.2 S Specifications
Principal specifications | |
---|---|
Lens type | Prime lens |
Max Format size | 35mm FF |
Focal length | 35 mm |
Image stabilization | No |
Lens mount | Nikon Z |
Aperture | |
Maximum aperture | F1.2 |
Minimum aperture | F16 |
Aperture ring | No |
Number of diaphragm blades | 11 |
Optics | |
Elements | 17 |
Groups | 15 |
Special elements / coatings | 3 ED, 3 aspherical, 1 aspherical ED, meso-amorphous coating, areno coating, nano crystal coating |
Focus | |
Minimum focus | 0.30 m (11.81″) |
Maximum magnification | 0.2× |
Autofocus | Yes |
Motor type | Stepper motor |
Focus method | Internal |
Distance scale | No |
DoF scale | No |
Physical | |
Weight | 1060 g (2.34 lb) |
Diameter | 90 mm (3.54″) |
Length | 150 mm (5.91″) |
Sealing | Yes |
Filter thread | 82 mm |
Hood supplied | Yes |
Camera
March Editors' photo challenge announced: Water

While visiting Dry Tortugas National Park, located 109km west of Key West, Florida, I looked down from the top of Fort Jefferson and saw this group of snorkelers just off Garden Key. Moments after this photo was taken, one of the snorkelers had the bad luck of being stung by a Portuguese man o’ war.
Photo: Dale Baskin |
The theme for our March Editors’ challenge is ‘Water’.
Show us the essence of water in its many forms, from the roaring power of the ocean to a gentle rain, reflections on a lake, smooth waterfalls, frozen ice, or even fine art. The possibilities are endless, so let your creativity flow and show us your best photos that revolve around water. Our favorites will be featured on the DPReview homepage later this month.
This challenge is open to photos taken at any time.
Photos can be submitted between Sunday, March 16, and Saturday, March 22 (GMT).
Important: Images MUST include a title and a caption of at least 25 words to be eligible. Viewers want to know the story behind your photo. We will consider both photos and captions when selecting our winners, so make sure to tell us that story!
Visit the challenge page to read the full rules and to submit your photos for consideration as soon as the challenge opens.
Visit the challenge page to see all the rules
Camera
Accessory Roundup: lights, iPads, bags and more

Images: Vanguard, Apple, Elinchrom |
CP+ may have ended last week, but that apparently hasn’t stopped the flood of accessory news. Today, we’ll look at a few lights, bags, computers and more, but first, let’s see what’s on sale.
Second-gen Goodness
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Photo: Richard Butler |
Canon’s Stacked sensor flagship, the EOS R5 II, is currently on sale for $300 off MSRP. We reviewed it late last year, and came away very impressed – it’s a camera that excels at nearly everything.
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Photo: Richard Butler |
Panasonic’s S5II isn’t quite as performant, but it’s still quite a good camera. It’s also substantially cheaper than the EOS R5 II, especially given the current sale that gets you $500 off.
Let there be lights
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Image: Godox |
Godox’s latest light for videographers and photographers is the Litemons C30. It’s a tiny LED panel weighing 248g that packs an internal battery capable of putting out 30W of light for up to 45 minutes. A USB-C port lets you recharge the battery or run the light for an extended period of time.
There are two versions of the light – a bicolor model, which costs $59, and an RGB model that will run you $89.
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Image: Elinchrom |
If you need something a little more powerful, there’s the recently released Elinchrom LED 100 C, a continuous RGB light with an integrated 72Wh battery that provides up to 40 minutes of power in the field. It comes with a diffusion dome and an adapter for Profoto light modifiers and can be charged via USB-C.
On the level
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Image: Vanguard |
Ball-head tripods are great if you want to easily level your tripod without messing around with leg length, but what if you already have a tripod that you like? Vanguard’s LVL accessory might be for you. It’s designed to sit between your sticks and your tripod’s head, adding a bit of height and letting you level your tripod head in a matter of seconds.
Vanguard makes several sizes, so it should be compatible with a wide range of tripods. The smallest, the LVL 42, has a 42mm base and can support up to 20kg (44lb), while the LVL 75 can support up to 40kg (88lb) – just make sure the rest of your tripod can handle that much weight too.
In the bag
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Image: Wandrd |
If you want to carry around some camera gear without using a massive backpack, Wandrd’s Stratus Photo 18L may be the bag for you. It’s relatively small and has built-in organization for your camera gear, as well as access hatches on both the right and left-hand side. It’s made of weather-resistant materials and has load-adjustment straps and a chest strap, which should let you carry it comfortably even if you’ve got it filled with gear.
New affordable iPads
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Image: Apple |
People don’t always think of the iPad as a photographic tool, but nowadays Apple’s tablets have a lot of processing power and can run many of the apps photographers use on their desktops. The company’s entry-level models – the iPad Air and the plainly-named iPad – have just gotten updates that make them better than ever. The Air gets the laptop-class M3 chip, as well as a new, optional keyboard with a bigger trackpad, function row and aluminum design. The M3 iPad Air starts at $599, and the new keyboard costs $269.
The cheaper iPad, meanwhile, gets the A16 chip from the iPhone 14 and 14 Pro. While it’s not as powerful as the M-class chips and doesn’t support Apple’s suite of AI features, it should still be plenty for light photo editing and organization. Its base storage has also been doubled from 64GB to 128GB. It starts at $349, which is what its predecessor sold for ever since Apple cut the price by $100 in 2024.
That wasn’t all Apple announced this week, though…
Get caught up
Some accessory news is so big that it gets its own article during the week, but we’d feel remiss not also mentioning those products here.
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Image: Apple |
As an example, Apple’s new computers. The company announced updates to its entry-level MacBook Air and top-of-the-line Mac Studio this week, adding its latest processors. The MacBook Air has enough processing power to handle the typical Photoshop and Lightroom tasks that most photographers need, all while being hyper-portable, while the Mac Studio can handle the highest-end photo and video editing tasks.
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Image: Peak Design |
Also announced this week: Peak Design’s Roller Pro, the company’s first piece of roller luggage. It’s a bit of a hybrid between a hardshell case and a softshell one, with plenty of padding and a front sleeve that can hold a laptop and other everyday carry items. You can read our full coverage of it here.
It’s currently being sold via Kickstarter for a discount over its $599 MSRP, but the usual disclaimer applies: Remember to do your research with any crowdfunding project. DPReview does its best to share only the projects that look legitimate and come from reliable creators, but as with any crowdfunded campaign, there’s always the risk of the product or service never coming to fruition.
Camera
Sony's content authenticity system isn't just for pro cameras anymore

Photo: Richard Butler |
Sony has released a firmware update that brings its Content Authenticity Solution to the a7 IV. The company announced a similar update for the a1 II, a1 and a9 III in January. However, this is the first time the tool to authenticate images will be available on something other than high-end, professional-grade cameras.
Software Ver. 5.00 for the Sony a7 IV adds support for the “Write Digital Signature” function for still images. This function allows photographers to add an electronic signature to their images to prove that they were taken with that camera. Authenticity tools such as this are becoming increasingly important with the growing prevalence of generative AI-created imagery and, as a result, the spread of fake images.
Of course, as with the update for the three pro-grade cameras in January, there are some caveats involved. The Digital Signature function requires a paid license and is only available for certain media outlets, not the general public. Unfortunately, Sony still hasn’t provided any additional information on if or when it will be available for general consumers. On the firmware update page, Sony simply says that the “timing for the provision of paid licenses to customers other than certain media outlets is yet to be determined.”
Even though the current usability is limited, Sony rolling this out to consumer models is a step in the right direction. The Content Authenticity information page also says that “more camera models will be supported in due course,” so it sounds like we should see additional cameras with the tool at some point. If Sony makes the feature more widely available beyond media outlets, the Digital Signature feature will already be on cameras and ready for use.
If you want to be prepared, or happen to work for one of the select media outlets, the Sony a7 IV firmware update Ver. 5.00 is now available for download.
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