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Tamron announces 50-300mm F4.5-6.3 Di III VC VXD tele zoom

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Tamron announces 50-300mm F4.5-6.3 Di III VC VXD tele zoom


Tamron has released the 50-300mm F4.5-6.3 Di III VC VXD, a mid-priced, stabilized telephoto zoom for full-frame Sony E-mount mirrorless cameras.

The 50-300mm is designed to be more flexible than the traditional 70-300mm tele zoom, while remaining reasonably lightweight and compact. The new lens is 150mm (5.9″) long and 665g (23.5oz), making it 22% heavier than the company’s existing (unstabilized) 70-300mm lens but only 1mm longer. It’s almost half the weight of Tamron’s more ambitious and expensive 50-400mm lens.

The 50-300mm’s design utilizes 19 elements arranged in 14 groups, with two XLD extremely low dispersion elements and two LD low dispersion elements to help control chromatic aberration. The lens uses an internal focus design driven by a voice coil linear motor and offers Tamron’s VC image stabilization, though no figure is specified for its effectiveness.

The lens can also be used as a 75-450mm equivalent lens (with consequent increase in depth-of-field and reduction in image-level light capture) on APS-C cameras.

The 50-300mm can focus down to 22cm (8.7″) at the wide end of the zoom and 90cm (35.4″) at the long end, meaning a reproduction ratio that rises from 1:2 to 1:3.1 as you zoom in.

Price and availability

The 50-700mm is available from June 27th at a recommended price of $799.

TAMRON announces a unique tele lens that zooms from 50mm

June 6, 2024, Commack, NY – Tamron announces the launch of the 50-300mm F/4.5-6.3 Di III VC VXD (Model A069), a unique 6x telephoto zoom lens, starting at 50mm on the wide end for added versatility, for Sony E-mount full-frame mirrorless cameras on June 27, 2024, at $799 USD / $1099 CAD.

TAMRON’s new 50-300mm F4.5-6.3 VC zoom provides a wide 50mm starting option in response to user feedback that “the angle of view is somewhat lacking at the wide end” when using a 70-300mm zoom. Although it extends to 300mm at the telephoto end, the 50-300mm F4.5-6.3 VC features an extremely compact size with a length of just 5.9” (150mm) and a class-leading light weight1 of 23.5 oz (665g). In addition, the expert arrangement of special lens elements effectively controls aberrations and produces high image quality throughout the entire 50-300mm zoom range. The lens is equipped with the VXD (Voice-coil eXtreme-torque Drive) linear motor focus mechanism that delivers excellent quietness and agile autofocus performance, while the VC (Vibration Compensation) image stabilization mechanism provides powerful support for every aspect of shooting. At the 50mm wide end, the lens attains an MOD (Minimum Object Distance) of 8.7” (0.22m) for a remarkable maximum magnification ratio of 1:2. This provides excellent close-range shooting performance that allows users to fully enjoy the world of half-macro shooting. The 67mm filter size is common to many TAMRON lenses for mirrorless cameras for greater enjoyment and convenience when carrying multiple lenses — or even just one during everyday excursions. The 50-300mm F4.5-6.3 VC is packed with features that support an enriched shooting experience, such as Moisture-Resistant Construction, Fluorine Coating, and the connector port for the dedicated TAMRON Lens UtilityTM software developed in-house by TAMRON. Turn ordinary, everyday events into memorable shots. This Ultra Multi-Focal Length zoom lens empowers users to enjoy serious photography in a user-friendly package and expands the potential for creative expression.

Product features:

1. Unique telephoto lens with 50mm at the wide end

The 50-300mm F4.5-6.3 VC surpasses the conventional wisdom of 300mm-class telephoto zoom lenses in the 70-300mm focal range by expanding the wide end to 50mm. Catering to this focal length expansion at the wide end instantly opens greater possibilities of photographic expression for users needing a wider focal length. Unlike the conventional 70-300mm lens, this lens starts at 50mm at the wide end and is equipped with the VC mechanism, obtains a truly high image quality within its class and maintains the widely appreciated compactness of earlier products achieving a class-leading compact size with a length of just 5.9” (150mm) and weight of 23.5 oz (665g). The compact size also produces outstanding balance when paired with an APS-C camera2, providing exceptional mobility that allows the user to concentrate on shooting.

2. Uncompromised optical performance throughout the entire 50-300mm zoom range

The optical construction of the 50-300mm F4.5-6.3 VC includes 19 elements in 14 groups and is optimized for high image quality across the entire zoom range. The generous and expert arrangement of special lens elements, including two XLD (eXtra Low Dispersion) and two LD (Low Dispersion) lens elements, efficiently controls chromatic and other aberrations. TAMRON’s BBAR-G2 (Broad-Band Anti-Reflection Generation 2) Coating has been applied to suppress ghosting and flare, allowing the capture of fine details even in backlit situations. The combination delivers stunning clarity and contrast. Creative expression comes to life with uncompromising high resolution from the center to the corner of every image, while beautifully soft bokeh isolates the subject from the background for a greater dramatic effect.

3. High-speed and high-precision AF with superb subject-tracking performance

The autofocus drive is equipped with TAMRON’s VXD linear motor focus mechanism. Users can easily lock in accurate focus from the MOD to infinity thanks to the high-speed and high precision autofocus system. Additionally, focus tracking is extremely precise, allowing users to accurately capture sudden subject movements. The linear motor also suppresses drive noise and vibrations during focusing, making it ideal shooting for both still photos and video in environments that demand quietness.

4. Amazing half-macro shooting with an MOD of 0.22m (8.7”) at the 50mm wide end and a magnification ratio of 1:2

TAMRON’s 50-300mm F4.5-6.3 VC is capable of excellent close-range shooting performance. The MOD is 8.7” (0.22m) and the maximum magnification ratio is 1:2 at the 50mm wide end, meaning users can get exceptionally close to a subject to enjoy half-macro shooting. Even at the 300mm wide end, this new zoom attains an MOD of 35.4” (0.9m) with a maximum magnification ratio of 1:3.1. The extraordinary level of versatility lets users highlight the charm of subjects and capture unique compositions only possible with this lens.

5. Equipped with TAMRON’s proprietary VC mechanism

The multitalented new 50-300mm F4.5-6.3 VC is equipped with TAMRON’s proprietary VC mechanism. This effectively suppresses camera shake that tends to occur when shooting in the telephoto range, when capturing moving objects, or during close focusing, enabling stable results overall. When shooting with an APS-C camera, the full-frame equivalent focal length ranges from 75 to 450mm, and the VC mechanism is especially useful when shooting at the telephoto end. The VC also reduces the degradation of picture quality when shooting in conditions prone to camera shake, such as dimly lit interiors or low-light landscapes. Moreover, at focal lengths up to 100mm, AI (Artificial Intelligence) technologies provide additional compensation with videography in mind.

6. Proprietary software tool TAMRON Lens Utility for lens function customization and firmware updates

7. High convenience and operability

  • 67mm filter size, same as most other TAMRON lenses for mirrorless cameras
  • Focus Set Button for assigning camera function and TAMRON Lens Utility function
  • Enhanced overall lens design for user-friendly operation
  • Zoom Lock mechanism

8. Protective features (Moisture-Resistant Construction and Fluorine Coating)

9. Compatible with many camera-onboard features and functions, including Fast Hybrid AF and Eye AF

1 Among full-frame mirrorless compatible 300mm telephoto zoom lenses equipped with vibration compensation (As of May 2024: TAMRON)
2 Zoom range when shooting with an APS-C camera: a full-frame equivalent of 75-450mm

Tamron 50-300mm F4.5-6.3 Di III VC VXD specifications

Principal specifications
Lens type Zoom lens
Max Format size 35mm FF
Focal length 50–300 mm
Lens mount Sony E, Sony FE
Aperture
Maximum aperture F3.5–6.3
Minimum aperture F22–32
Aperture ring No
Number of diaphragm blades 9
Aperture notes Rounded diaphragm
Optics
Elements 19
Groups 14
Special elements / coatings 2 XLD, 2 LD
Focus
Minimum focus 0.22 m (8.66)
Maximum magnification 0.5×
Autofocus Yes
Motor type Linear Motor
Focus method Internal
Distance scale No
DoF scale No
Physical
Weight 665 g (1.47 lb)
Diameter 78 mm (3.07)
Length 150 mm (5.91)
Sealing Yes
Zoom method Rotary (extending)
Power zoom No
Filter thread 67 mm
Hood supplied Yes



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The GoPro Hero 13 Black is now white

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The GoPro Hero 13 Black is now white


Image: GoPro

While the word “Black” in GoPro camera names signifies it is the top-of-the-line model, it has, for some time, also referenced the color of the action cams. While there were silver and white GoPros at one point, the last six generations have all exclusively featured an all-black design. Now, the white color is back for a time, since the action camera giant has announced a limited edition white version of the GoPro Hero13 Black.

While some may simply prefer white for aesthetic reasons, it also has some practical use. If your GoPro falls somewhere, white is generally more noticeable than black, making it easier to locate. Of course, the opposite is true for snow sports, but against grass, rock and other surfaces, white will stand out.

The GoPro Hero13 Black in Polar White is exactly the same as the black version but with a white exterior. The durable action camera offers 5.3K60 video, HyperSmooth 6.0 stabilization and a Type 1/1.9 (6.3 x 5.5mm) CMOS sensor. It uses GoPro’s long-lasting Enduro battery, providing 1.5 hours of continuous recording in 5K 30p or 4K 30p.

GoPro News HERO13 Black Polar White 2
Photo: GoPro

Like the black color, the Hero13 Black in Polar White is compatible with the new interchangeable HB-Series Lenses. These lens mods use auto detection, so you don’t have to change settings when attaching a new lens. Options include an Ultra Wide Lens Mod, Macro Lens Mod and a set of four ND filters. Additionally, the Anamorphic Lens Mod, which results in cinematic-looking 21:9 ultra-wide footage, is also available for purchase as of today. It’s been a bit of a wait for that lens, as it was initially announced in September last year.

The limited edition Polar White model is available for purchase today on GoPro’s website for $400, the same price as the original version of the GoPro Hero13 Black. If you already own the Hero13 Black but like the idea of having a white camera, you can purchase a white silicon sleeve with a lanyard to reskin your camera. That sleeve is also available in blue and black.


Buy now:

Buy at GoPro

Pre-order at B&H


Press release:

Introducing the Limited Edition Polar White Color of the Award-Winning GoPro HERO13 Black

Best-In-Class 5.3K Video, HyperSmooth 6.0 Video Stabilization and Interchangeable HB-
Series Lenses Compatibility in a Crisp New Color

SAN MATEO, Calif., March 24, 2025 /PRNewswire/ — Today, GoPro (NASDAQ: GPRO) announced its flagship HERO13 Black camera is available in a limited edition Polar White colorway. Available today for $399.99.

Now customers can elevate their adventures and capture every moment in style. The striking new color brings a fresh look to GoPro’s flagship camera, which features best-in-class 5.3K60 video, HyperSmooth 6.0 video stabilization, legendary GoPro durability, magnetic mounting and the powerful Enduro battery.

The camera is compatible with the all-new, interchangeable HB-Series Lenses with Auto Detection. These lenses make it easy to expand the range of creative shots you can capture with HERO13 Black:

Combining HERO13 Black in Polar White with a GoPro Premium ($24.99 first year for new subscribers and $49.99/year thereafter) or Premium+ ($99.99/year) Subscription adds the ability to auto-upload your footage to the cloud, receive automatic highlight videos via the GoPro Quik App, save up to 30% on accessory purchases at GoPro.com, no-questions-asked damaged camera replacements and more.

HERO13 Black in Polar White is available now at retailers globally and at GoPro.com.



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View the winners of our March Editors' photo challenge

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View the winners of our March Editors' photo challenge


March Editors’ photo challenge: Water

The theme for our March Editors’ photo challenge was ‘Water’. We asked you to show us the essence of water in its many forms.

DPReview photographers rose to the occasion as usual, flooding us with stunning submissions. We were awash in incredible photos – many more than we can present here. Our top picks on the following pages are presented in random order.

Want to participate in some other photo challenges? Visit our Challenges page to see currently open or upcoming challenges or to vote in a recently closed challenge.

The underside of water

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Photographer: Thorgnyr

Photographer’s description: Often during winter, Lake Thingvallarvatn freezes. The view of the ice from below can be spectacular, especially during the thaw period; the ice has broken into flakes and then froze again. This was the case when this picture was taken. I started taking pictures without the diver but felt the scale was missing. So I got my buddy to pose for me.

Equipment: Canon EOS 5D Mark III

Frost

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Photographer: JTF MKE

Photographer’s description: On a cold winter day, there was frost on a bathroom window. Taken using a tripod in the morning with angled early sunlight. Patterns were entirely random, created by lots of humidity and the hand of Mother Nature.

Equipment: Olympus E-510 (EVOLT E-510) + Olympus Zuiko Digital ED 50mm 1:2.0 Macro

Surf paddle out for life, and a good friend

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Photographer: sundot

Photographer’s description: Surf Paddle out as we do in Hawaii when someone passes with a connection to the ocean. Friends gather for one last shout-out to send a farewell. The skies cleared, and the ocean lit up for the sendoff.

Equipment: DJI Mavic

Throwing up walls

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Photographer: owenleve

Photographer’s description: Former Olympian/US Ski Team athlete Daron Rahlves waterskiing on Bocca Reservoir in Truckee, California. “Throwing Up Walls” refers to the “wall” of water produced from each turn.

Equipment: DJI Mavic

Only four drops

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Photographer: froggy42

Photographer’s description: This picture of a water sculpture consists of only four drops of water falling in specific fractions of a second, one after the other, onto a water surface. They generate this sculpture that exists only for a fraction of a second. Our eyes are not fast enough to see the sculpture. To take this picture, a flash had to be used to achieve a very short exposure time. To achieve the correct time intervals, I used a Miops Waterdrop Kit.

Equipment: Fujifilm X-T2 + Fujifilm XF 18-135mm F3.5-5.6 R LM OIS WR

Water fields

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Photographer: 75RobinH

Photographer’s description: Red seaweed cultivation on the east coast of Zanzibar. During low tide, the “seaweed women” with their multi-colored dresses (kanga) enter these water fields similar to small gardens to tend their plantations. The seaweed is fixed to sticks connected by strings. About every two weeks, they harvest it and spread it out to dry. The seaweed is used in the production of cosmetics (soaps, creams, oils etc.), partly produced locally; most is exported. This demanding work is not only a source of income but is also very important for the social life, dignity and development of the women of Zanzibar. The warming of the ocean is seriously endangering these crops.

Equipment: Sony SLT-A58 + Sony DT 18-55mm F3.5-5.6 SAM II

Steam to water to ice: In a millisecond

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Photographer: joemellor

Photographer’s description: I’d been thinking about this fun stunt throughout our ski holiday in Norway. It needed a low sun and a very low temperature. Most of the week was cloudy and too warm. The perfect opportunity arose, but the sunny location was a several-minute walk (run) from a source of hot water. With a single vacuum flask of boiling water, there was only one opportunity to get this right. I begged my subject to stand absolutely still in front of the sun as he threw the water as I didn’t want the sun directly on the lens. Fortunately, my camera takes 20 frames per second, and I was able to select the best from around eight shots showing the development of this arc of steam/water/ice. We then returned to our cabin’s warmth and were delighted with our first-time success!

Equipment: Sony Cyber-shot DSC-RX100 VII

Strangers

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Photographer: 3rkaer

Photographer’s description: We all come from the water. We are mostly made of it, but at the same time, we are all strangers to each other in this crazy world.

Equipment: Leica SL2-S

Misty morning in Grand Teton

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Photographer: Stan Petersen

Photographer’s description: This was shot in Grand Teton National Park in early October 2006. The crowds were gone for the season, and this place along String Lake was quiet, except for the bugling of bull elk on both sides. Mists were moving along the lake, and Mount Moran started to show through as the pre-dawn magenta light hit the top.

Equipment: Canon EOS 350D (EOS Digital Rebel XT / EOS Kiss Digital N) + Canon EF-S 18-55mm F3.5-5.6

Under

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Photographer: Cliff Connell

Photographer’s description: On one of the last hot days in autumn 2011, just before our southern Australian Easter swell kicked in, I had just finished a long session of surfing some pretty big, clean waves when I decided to get back in to capture some in-water shots of the rest of the crew. Most of the shots I got that morning were pretty average, except for this one of a young guy duck diving under the closed-out section of a 5-6 foot wave. It made my day!

Equipment: Canon EOS 20D + Tamron SP AF 17-50mm F/2.8 XR Di II VC LD

Iceland highlands

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Photographer: GreenFirePhotography

Photographer’s description: Photographing Iceland felt like being inside a fairy tale at times. This image always draws a critical eyebrow or two. People throw around A.I. However, that’s just how amazing Iceland looks.

Equipment: Hasselblad L2D-20c

Waterbrella!

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Photographer: Maureeneo

Photographer’s description: I took this photograph of a moment of pure joy – one of those instances where laughter and spontaneity take over. The sun was bright, the summer air thick with warmth, and cool water was the perfect antidote. But the community swimming pool wouldn’t be open for another hour, and my granddaughter couldn’t wait that long. So, she improvised a mini water park for herself, using an umbrella exactly the opposite way an umbrella should be used! I love the contrast between the black umbrella and the cascade of sparkling water. The way the droplets catch the light. The way her hair clings to her face. Here she is, soaked but carefree, reveling in the cascade she created. I think I captured that feeling: the giddy, unstoppable energy of being a kid, where even the simplest things can bring so much joy.

Equipment: Sony Cyber-shot DSC-RX10 III

Calm summer evening

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Photographer: Lars Wara

Photographer’s description: Being on a lake when the water is dead calm, all quiet except a few birds and an occasional trout breaking the surface… Well, that’s pure therapy!

Equipment: Sony a6700 + Yonguo 11mm F1.8

Powerful wedge wave

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Photographer: vbuhay

Photographer’s description: The powerful waters of the “wedge” can be frightening for the average surfer. But for some of the strongest surfers, it is a challenge…

Equipment: Nikon D850 + Nikon AF-S Nikkor 70-200mm f/2.8G ED VR II

Atlantic sunset

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Photographer: bravoricardo

Photographer’s description: It was a beautiful afternoon at Praia das Milícias in São Miguel, Azores, so I decided to go for a swim with my water housing. After a couple of hours on the shore break trying different water angles, I managed to position myself inside this perfectly lit barreling wave, facing the sun setting behind São Roque church.

Equipment: Canon EOS-1D X

Window frost

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Photographer: Bram Floria

Photographer’s description: Waiting for the defroster to kick in, Spokane, WA, on January 26, 2025. On a bright, cold morning following a night of ice storms, the water came out to play as leaves of crystal.

Equipment: Google Pixel 6a

Divining rod

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Photographer: morelens

Photographer’s description: This is a lovely stream in upstate NY. Believe it or not, this location is on the far end of a cemetery. I was standing in the water to take this photo, and the water and the breeze cooled me off on this hot day – one of the many advantages of photography.

Equipment: Canon EOS R + Canon EF 17-40mm F4.0L USM

A gentle touch

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Photographer: wfoto

Photographer’s description: High-speed pictures of moving water will amaze you with the small details we cannot see in real life: every bubble in the foam, tiny sprinklets coming out of each crest, and the contact of the water with sand.

Equipment: Canon EOS 6D Mark II

Frisco Pier

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Photographer: Keith Hudspeth

Photographer’s description: The goal of this photo was to show the raw, destructive power of water. Frisco Pier was built in 1962 and stood strong until Hurricanes Isabel and Earl struck the Outer Banks in the early 2000s. I took this photo in 2016 before it was finally dismantled in late 2017.

Equipment: Nikon D750 + Nikon AF-S Nikkor 24mm F1.8G ED

Shower cap

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Photographer: Anne25

Photographer’s description: The subject burst a balloon full of water above his head. The balloon was hung from a support and burst using a spike on a stick. I wish I had taken a later shot capturing the look on his face due to the cold shock.

Equipment: Canon EOS-1D Mark IV + Canon EF 400mm F5.6 L



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Fujifilm GFX100RF pre-production sample gallery: more photos of the world at 28mm

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Fujifilm GFX100RF pre-production sample gallery: more photos of the world at 28mm


When you use DPReview links to buy products, the site may earn a commission.
Out-of-camera JPEG. 50mm equiv. crop.

F4 | 1/450 | ISO 80
Photo: Mitchell Clark

This week, Fujifilm announced the GFX100RF, a 102MP medium format camera with a fixed 28mm equiv. F4 lens. The sensor will be familiar to those who’ve seen samples from the GFX100 S II or GFX100 II, but the lens is an interesting factor – the company says it put a lot of engineering work into it in order to make it as compact as it is.

You can get a feel for what kind of results it produces from the samples we took with our pre-production unit. We were lucky enough to get to test the camera out in a variety of locals; many of the pictures are from Prague, as Fujifilm flew us out for its X Summit and Fujikina event, but there are also images from London, Paris and, of course, Washington.

We’ve added some new photos taken since our initial review went up, including ones taken using a tripod to remove hand shake as a limiting factor on resolution.

See the sample gallery

Please do not reproduce any of these images on a website or any newsletter/magazine without prior permission (see our copyright page). We make the originals available for private users to download to their own machines for personal examination or printing; we do so in good faith, so please don’t abuse it.

Sample gallery
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