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Review: DJI’s FPV drone combines DJI features with the fun of a racing drone

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Review: DJI’s FPV drone combines DJI features with the fun of a racing drone

DJI has officially entered the FPV (first-person-view) drone market. Typically, remote pilots interested in the type of immersive flight experience FPV drones provide, including the ability to maneuver through tight spaces and in close proximity to objects, all while performing aerobatics such as flips and rolls, had to also master an entirely different set of skills.

Soldering, understanding how to configure an RC controller specifically for a drone, learning how frequencies work, and installing the right motors are just a few disciplines a would-be FPV pilot must undertake to create a safe and effective FPV flight system.

Some people who delight in these challenges will always enjoy the process of building, but DJI is betting many more people will want to cross over to FPV with an intuitive solution, and its FPV drone is ready to fly right out of the box for $1299. As an added bonus, the system is equipped with GPS, obstacle avoidance sensors, and a Return To Home feature – ensuring that beginners will be less likely to crash or lose their drone.

DJI tells us it set out to create a cinematic FPV drone and combined elements of its Mavic series with the features and functionalities of traditional FPV drones. Is this a product that will appeal to a broader audience, especially beginners? Or, are there downsides that would make some users look at more traditional drone models?

We had the opportunity to test DJI’s new FPV drone, so read on to discover if this is your ideal introduction to the world of FPV.

  • 795g (1.75 lbs.) total weight
  • 255×312×127mm (with propellers)
  • 1/ 2.3” 12MP CMOS image sensor
  • 35mm equivalent lens (150º FOV)
  • Ability to capture photo and video on the same flight
  • 4k/60p and 1080/240p video at 120Mbps
  • H.264 and H.265 codecs
  • Emergency brake and hover
  • Obstacle avoidance sensors on front and bottom of aircraft
  • OcuSync 3.0 (O3) transmission system for 10km range, dual frequencies, 50 Mbps bitrate
  • 20-minute max flight time
  • 140 kph (87 mph) max speed
  • Memory card holder in goggles in case drone is lost

Here is a basic comparison chart to get an idea of the difference between a traditional FPV drone and what DJI offers.

Traditional FPV drones DJI FPV
Flight modes Angle, Horizon, Acro Normal, Sport, Manual
GPS No Yes
Obstacle avoidance None 4 stereoscopic sensors + an auxiliary light
Camera Customizable Built-in 4K/60p with 150º FOV and RockSteady EIS
Assembly Requires in-depth knowledge of parts, radio frequencies, ESCs, motors, assembly, soldering Already assembled and ready to fly right out of the box
Flight assistance None Return To Home, Emergency Brake and Hover
Auto-stabilization None Available for ‘N’ and ‘S’ modes
Flight time 3 – 10 minutes Up to 20 minutes
Battery type Lithium Polymer (LiPo) Intelligent Flight
Transmission Analog, short-range, lower quality Live digital video feed at 810/120p, low-latency

The hardware

I tested the DJI Standard FPV Combo ($1,299), which includes the drone, FPV Goggles V2, and the remote controller 2. As usual, DJI offers an additional ‘Fly More’ combo that includes two extra batteries and a 3-battery charging hub for $299.

The goggles, which are 202x126x110mm with all four antennas attached, activate with the help of an 1800 mAh 9V battery that’s connected by a USB-C power cable. Lasting an estimated 110 minutes between charges, it’s light enough that it can hang down by your side while in operation. Still, I typically put the battery in the pocket of a coat I was wearing as an extra measure to ensure the battery didn’t get disconnected.

DJI’s FPV drone features a new OcuSync 3.0 transmission system. It boasts a 10 km (6.2 mile) range, dual-frequencies, a 50 Mbps bitrate, and three options for first-person-viewing – a Low-latency HD mode for near-real-time feed and clear image, Smooth mode for higher frame rates and decreased latency, and Audience mode. The latter option allows others wearing V2 goggles to join in and view your real-time feed.

4K/60p footage with the camera facing upward. FPV mode through the goggles is very smooth, thanks to OcuSync 3.0 transmission.

The FPV drone will also operate on DJI’s Fly app, introduced in 2019 for the Mavic Mini. It’s cleaner and more pared down for a superior user experience. The app is still in beta and wasn’t available for testing with the FPV drone. Nevertheless, I activated all of the drone’s features through drop-down menu items in the goggles.

The joystick-type button on the top lower-right-hand corner will guide the pilot through numerous settings and features for both the remote and camera. The goggles receive up to 810/60p video transmission in high-quality mode and less than 28 milliseconds of latency, or 120 fps in low-latency mode.

V2 of DJI’s remote controller is ergonomically friendly and gives you immediate access to features you’ll need including Return to Home, a gimbal wheel that can pitch the camera upwards and downwards at 90-degree angles, the ability to switch back and forth between flight modes, plus a button to stop the drone and put it in a stable hover if control of the drone is suddenly lost. You can also lock the gimbal at an upward or downward angle.

One note: I did not receive the hand motion controller due to shipping delays. This review will be updated once I’ve tested it out.


Photos and Video

The camera uses a 12MP, 1/2.3” sensor, providing a 150º FOV, and is mounted on a 1-axis gimbal. Capable of capturing stills and video up to either 4K/60p, or 1080p/120p for 4X slow motion, at 120 Mbps, the camera uses an electronic roll axis and RockSteady image stabilization. While it provides smoother imagery than most FPV drones, it’s not comparable to the 3-axis mechanical image stabilization offered up in DJI’s other series of photography drones, including the Mavic.

DJI’s FPV drone takes decent photos at times. If you’re serious about aerial photography, though, the Mavic 2 Pro is a better investment.

Remote pilots can capture .JPG and images or .MP4 and .MOV clips all in the same flight. It’s easy to toggle back and forth between these modes. While the photos I captured are decent enough, there were times when the drone was tilted, resulting in photos with crooked horizons. Also, photo resolution is limited to 3840×2160, the same as 4K video. Anyone serious about drone photography will probably want to look at a more-photo-centric model; the FPV drone is fun to fly but is not a replacement for traditional photography drones.

There’s a fair amount of fisheye distortion from the FPV drone’s wide lens, though a distortion correction function in the camera menu can be applied.

I typically enjoy recording aerial videos with the gimbal tilted down. With the wide FOV on the FPV drone, it is likely parts of the propellers will become visible. I also noticed some fisheye effect in some of my clips. To prevent this, you can either tilt the gimbal up as the aircraft moves forward or adjust settings through the goggles. To do this, access Advanced Camera Settings in the Camera menu and select Distortion Correction.


In-flight

Obstacle avoidance and flight modes

There are four obstacle avoidance sensors on the FPV drone – two in the front of the aircraft and two on the bottom with an auxiliary light that helps with precision movement in low-light environments. Obstacle avoidance sensors only work when the drone is flown in ‘N’ or Normal mode. This mode is suitable for beginners and highly recommended for those flying an FPV drone for the first time.

An auxiliary light helps with precision in low-light conditions.

You’ll also be limited to flying to 50 km/h (31 mph) in normal mode. The drone is stabilized the entire time and will slow down if it approaches a forward or downward-facing obstacle. ‘S’ or sport mode disables obstacle avoidance sensors and ups the excitement factor. The drone can travel up to 97 km/h (60 mph) and can perform pitches and rolls at limited angles, all while maintaining altitude and stabilization for the entire flight.

In normal mode, you can’t fly quite as aggressively, but obstacle avoidance sensors are active. This is a good setting for first-time FPV fliers.

‘M’ or manual mode is reserved for the experts. One may believe, at first, that manual mode can be triggered through the remote with the press of a button. It’s a bit more complicated. Operating a drone in Acro mode is challenging, to say the least. While flipping and rolling a drone looks fun, in reality, it’s easy to get disoriented. DJI anticipated the potential hazard of a first-time user accidentally activating manual mode from the remote controller.

You can crank the speed up to 97 km/h (60 mph) in Sport mode, though that still falls short of the 140 km/hr (87 mph) you can achieve in Manual mode.

As a result, users can only activate manual mode with a series of steps from the menu options through the goggles. Add in the fact that you can fly up to 140 km/hr (87 mph) in this mode, and it’s easy enough to lose control, even when Emergency Brake and Hover can still be activated.

DJI’s Virtual Flight app simulator was created so pilots could practice FPV maneuvers without a crash risk. Nevertheless, without a lot of flight experience, an accident is still a strong possibility. Practicing in an open space such as a field or park cannot be recommended enough.

Odds and Ends

Looking at DJI’s FPV drone, the battery is noticeably massive in scale and helps balance out the aircraft. At 2000 mAh, DJI’s Intelligent Flight batteries offer up to 20 minutes of flight time – a huge improvement over typical FPV drones. As a bonus, they’re not the typical LiPos that can catch fire if overcharged or not stored properly.

DJI’s Intelligent Flight batteries offer up to 20 minutes of flight time – a huge improvement over typical FPV drones.

A flap under the camera houses ports for a MicroSD card and USB cable should you want to make updates to your drone through your computer. There is also a MicroSD slot located on the goggles. If you lose your FPV drone, you’ll still retain a memory card. This is an incredible new feature for those concerned about losing their imagery in the event of an accident. I hope DJI implements this concept in some way on future models.

What’s it like to fly?

In both ‘N’ and ‘S’ modes, DJI’s FPV drone is a great deal of fun to fly. It’s also an incredibly reassuring experience. Besides the Return to Home button, there is a bright white ‘H’ that pops up in the goggle’s viewfinder. It marks where you are relative to your launch point at all times. The system is also equipped with ADS-B technology. During a recent flight, I was immediately notified when a helicopter was nearby and was given ample time to adjust my flight path and altitude.

One downside is that even though this FPV drone is relatively compact, it is quite noisy. It emits a high-pitched squeal that can be heard from several hundred feet away. Flying discreetly is out of the question. During one of my first flights, my daughter joked if it was the drone or ‘the ice fishers on the frozen lake screaming.’ DJI has worked tirelessly on improving ESCs and designing more aerodynamic propellers. Curiously, these updates weren’t applied to the FPV drone.


Conclusion

Anyone hesitating to enter into the world of FPV because they didn’t have the time or patience to learn about all the factors that go into building a capable system will naturally want to try out DJI’s latest release. As mentioned at the beginning of this review, it’s an out-of-the-box product that can be activated almost immediately. When you add in fail-safe features, including GPS, Return to Home, Emergency Brake and Hover, it makes it that much more enticing to dive in.

That being said, there are a few concerns that come to mind. Traditional FPV drones are known for being resilient. Lightweight and constructed out of flexible materials made of carbon fiber, for example, they can crash into objects and require a motor replacement or a bit of soldering. DJI’s FPV drone consists of a tough plastic shell that will break with a high enough impact.

DJI’s ‘Fly More’ combo for the FPV drone includes two extra batteries and a 3-battery charging hub for $299.

The ability to truly freestyle, fly close to objects, and through narrow spaces is part of what makes FPV flight exhilarating. If you feel like you’re going to significantly damage your drone and ship it off for repair every time it collides with an object, the true joy of flying FPV will be stifled to a degree.

I had the unfortunate experience of crashing my DJI FPV loaner in manual mode, and it needed to be sent back to DJI for repairs. Even if I possessed the skills required to build and repair FPV units, it wouldn’t have been possible for me to do it myself. People who like to customize their builds and tinker likely won’t want to be at the mercy of one manufacturer when it comes to repairs or parts replacement.

Another issue that will bug some purists is the inability to replace or use more than the camera built into DJI’s FPV drone. It isn’t designed to carry an additional payload. Pilots won’t be able to attach a GoPro or OSMO Action camera, for example. The lack of flexibility in the camera is limiting and will be a turn-off for some FPV filmmakers.

I had the unfortunate experience of crashing my DJI FPV loaner in manual mode and it needed to be sent back to DJI for repairs.

Geofencing is another longstanding feature of DJI’s that rubs some people the wrong way. While all pilots need to be safe and compliant, some have switched to other drone brands to avoid and restrictions it brings up altogether. Even if you remain low to the ground, the drone will not take off if the airspace is considered restricted.

What will appeal to almost anyone is the long-range flight this drone offers. FPV is traditionally associated with close range and choppy analog feeds. If you stray too far from your home base, you run the risk of losing connection completely – which is a potential hazard. With DJI’s FPV drone, you can fly much longer distances so long as you remain within visual line of sight.

DJI’s FPV drone is certainly going to appeal to those who want to get into this style of flying. Purists who’ve already built advanced FPV drones that are resilient and carry their preferred camera will likely pass on this one. My main concern is that most remote pilots new to FPV won’t truly be prepared to operate in manual mode. While flips and rolls look exciting, it takes a lot of practice and perseverance to get the right feel for it. DJI Care Refresh is available in any event.

What we like

  • GPS, Emergency Brake feature, Return to Home, Hover
  • OcuSync 3.0 for clear transmission and long-range
  • 4K/60p video
  • Modes to suit beginner and advanced pilots
  • Activates and is ready to fly right out of the box

What we don’t

  • Lack of ability to switch out cameras
  • Extremely loud
  • Will likely need to be sent to DJI for repair if crashed

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Announcing the December Editors' Photo Challenge: 'Happy Holidays'

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Announcing the December Editors' Photo Challenge: 'Happy Holidays'


Canon EOS 20D and 17-40mm F4 L lens | ISO 100 | 3.2 sec | F4

Photo: Dale Baskin

The theme for our December Editors’ photo challenge is ‘Happy Holidays’.

Show us what the holiday season looks like through your lens. Whether it’s colorful lights, dazzling decorations, festive gatherings, or just a cozy moment, we want to see your best holiday-inspired photos.

For this challenge, submit one or more photos that embody this month’s theme. Each person can enter up to two photos.

How it works

DPReview editors will review every photo you submit to an Editors’ Challenge. We’ll publish our favorites in a gallery on the DPReview homepage at the end of the month.

Submissions will open on Sunday, December 1st, and you have until Saturday, December 7 (GMT) to submit entries. User voting will begin once submissions close and will help inform DPReview Editors’ picks, but will not select them. They are one factor in our evaluation. Visit the December Editors’ Challenge page to see the full details.

While you’re at it, don’t forget to check out some of the other open and upcoming challenges hosted by members of the DPReview community. Or, see some of the great photos from recently completed photo challenges.

Open challenges:

Upcoming challenges:

Click here to see the December challenge details



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Accessory Roundup: outdoor camera bags, beautiful card readers, and more

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Accessory Roundup: outdoor camera bags, beautiful card readers, and more


Images: Angelbird, 3 Legged Thing, Peak Design

Happy weekend, everyone! It’s been a busy week here at DPReview, covering the launch of the Sony a1 II, but we’ve still found some accessories worth taking a look at. But first, as always, let’s check out the deals.

It’s almost time

Next week, the US is celebrating Thanksgiving, which is shortly followed by the traditional shopping days of Black Friday and Cyber Monday. Many brands have already started their sales, so there’s plenty of discounts to be had. Next week we’ll be putting out an article rounding up some of the best prices on our favorite gear, so stay tuned for that.

Nikon Z6-3-floating-on-yellow-background
Photo: Richard Butler

In the meantime, Nikon’s at it with the sales again. The company’s latest full-frame camera, the Z6III, can be had for $200 off. When we reviewed it earlier this year, we were impressed by its versatility and capability for shooting both stills and videos.

$2,296 at B&H

$2,296 at Adorama

$2,296 at Amazon

Nikon-Z7ii
Photo: Dan Bracaglia

What’s that? You’re not impressed by a mere $200 off? Fair enough. You can still get the Nikon Z8 for $500 off list, but the real jaw-dropper is the Nikon Z7 II, which is available for a full $1,000 off MSRP. It’s a decidedly last-gen camera at this point and doesn’t feature the company’s latest autofocus tech that impressed us so much in the Z8 and Z6III, but if you’re looking for a high-res full-frame camera to shoot landscapes with, it’s hard to imagine that you’ll find something better for $2,000.

$1,996 at B&H

$1,996 at Amazon

$1,996 at Adorama

Get outdoors

Peak-Design-Outdoor-Packs-16x9
Image: Peak Design

A few months ago, Peak Design announced a new lineup of outdoor-focused camera bags, made of durable, weather-resistant materials and designed to be comfortable to wear on long excursions through varied terrain while carrying the gear you need to get the perfect landscape shot.

Previously, the bags – two backpacks and two slings – were available to preorder on Kickstarter, but they’re now available to buy via normal retail channels. If you want to learn more about the bags, be sure to check out our full article on them here.

Peak Design Outdoor Pack

25L $250 at Amazon

45L $330 at Amazon

Buy at B&H

Peak Design Outdoor Sling

2L $59 at Amazon

7L $89 at Amazon

Buy at B&H

Beautiful card readers

Angelbird-card-reader-pkt
Red is CFexpress type A, blue is SD, and yellow is CFexpress type B.

Image: Angelbird

Angelbird, a company best known for its SSDs and memory cards, has released a new lineup of card readers called the PKT series. As the “pocket” name implies, they’re meant to be carried around; the USB-C port on them is recessed to reduce wear and tear, the card slot has a cover to prevent dust or lint from building up in them and they have a write protection switch that can help prevent accidental data deletion or formating.

There are three models: one for SD cards, which can transfer data at 5 Gbps, and CFexpress type A and B models, which both run at 20Gbps through a USB-C 3.2 Gen 2×2 connection.

The PKT readers certainly aren’t cheap – each one costs around $100 – but they sure do look nice. They’re made out of aluminum, which you can get engraved with custom text for no extra cost, and each one features a distinctive splash of color so you can tell which reader you’re grabbing at a glance. They also include a three-year warranty and a 32 cm (12.6″) USB 4 cable.

SD reader

$99 at Amazon

$99 at B&H

CFexpress type A reader

$99 at Amazon

$99 at B&H

CFexpress type B reader

$99 at Amazon

$99 at B&H

Rig out your iPhone 16

PolarPro-Litechaser-16
PolarPro’s iPhone case lets you add accessories without having to use an entire cage

Image: PolarPro

Filter and camera accessory company PolarPro has updated its ‘LiteChaser’ iPhone case lineup to support Apple’s latest phones and add even more attachment options, including a set of effects lenses that can be used with your phone’s main camera.

There are a few case options; the base one lets you attach filters and lenses and comes with a removable grip with two 1/4-20 threads and a cover that can flip down to protect your phone’s cameras, while the ‘ProCase’ includes all that plus a cold-shoe mount that you can use to add even more mounting points to your phone. For those who like using their phone without a case, there’s an easily removable ‘EXO’ backplate that attaches via MagSafe and gives you a slot to add filters and lenses.

The company sells a variety of specially made filters for the system, including a 2-5 variable ND, a black mist filter, and a circular polarizer, as well as an adapter that lets you use standard 67mm screw-on filters. The filters it made for the iPhone 15 version of the case are also forward-compatible, so you can still use them if you’ve upgraded your phone.

3 Legged Microphone

str3amcase-case
Image: 3 Legged Thing

3 Legged Thing’s latest product isn’t a tripod or other apparatus to mount a camera; instead, it’s a set of clip-on lavalier microphones that you can use to record – you guessed it – three people at once. The company pitches the system, called the ‘Str3amcase’ towards content creators and videographers doing interviews, livestreams, or vlogs.

The kit comes with two transmission modules and one receiver module, which can also pull double-duty as a microphone, though given the lack of onboard recording you’ll have to find a way to discretely run a cable off it. If you don’t need to record a third person, you can clip it to a camera’s shoe mount instead of a collar and use its 3.5mm jack to output audio. You can also connect it to a phone via USB-C.

The transmission modules have their own clips, but can also be magnetically attached to things as well. If you’d rather not use the built-in microphones, you can also attach a lavalier to them via a 3.5mm jack.

The two transmitter modules and receiver module nestle into a charging case that’s powered via USB-C.

$130 at 3 Legged Thing

Click to read last week’s accessory roundup



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Landscape Photographer of the Year winners reveal a beautiful Earth

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Landscape Photographer of the Year winners reveal a beautiful Earth


Wildlife Photographer of the Year winners

The 11th annual International Landscape Photographer of the Year competition has announced the winners of its 2024 awards, showcasing stunning imagery from around the world. Photographers competed in various categories, including the coveted Landscape Photographer of the Year, requiring a portfolio of at least four images, and Landscape Photograph of the Year, recognizing the power of a single captivating shot.

This year’s competition saw Canadian photographer Andrew Mielzynski, an amateur with a deep connection to the natural environment, claim the top prize for his portfolio of stark images with simple color palettes. Ryohei Irie from Japan captured the Landscape Photograph of the Year award with a mesmerizing image of fireflies illuminating a forest.

Beyond the overall winners, the competition presented awards in specific categories, including Black and White, Aerial, Snow and Ice, and Forest, along with at-large winners. In addition to the overall and category winners, we’ve included several of our favorite photos from the 202 photographs recognized this year. You can visit the competition’s website to see all the winning images or to download its 2024 eBook.

Landscape Photographer of the Year: 1st place

POY 1ST B ANDREW MIELZYNSKI SunriseAtacamaDesert

Photographer: Andrew Mielzynski, Canada

Subject and location: Cono de Arita in the Salar de Arizaro, Atacama Desert in Argentina

Description: The Cono is a perfectly cone-shaped volcano at 3,690 meters above sea level. It’s very graphic due to the contrast between the dark, perfectly formed cone and the bed of white salt that is found at its base.

Copyright Andrew Mielzynski / The International Landscape Photographer of the Year

Landscape Photographer of the Year: 1st place

POY 1ST A ANDREW MIELZYNSKI WinterCottonwoods

Photographer: Andrew Mielzynski, Canada

Subject and location: Winter Cottonwoods, Toronto, Ontario, Canada

Description: During the pandemic, I went out for a walk at a local park during a fierce winter storm. I ran across this scene. It seemed very chaotic, with many layers of trees. I loved how the snow, driven by high winds, was embedded into the bark of the trunks. The snow on the bark created a textural contrast that adds detail and interest to the trees. I took a few frames, trying to simplify the scene in front of me and settled on this one, loving the tones, the depth, the order and the minimalism. Even in a chaotic scene, there seems to be a sense of balance that feels orderly and pleasing.

Copyright Andrew Mielzynski / The International Landscape Photographer of the Year

Landscape Photographer of the Year: 1st place

POY 1ST D ANDREW MIELZYNSKI ThinDitchIceAlongCountryRoad

Photographer: Andrew Mielzynski, Canada

Subject and location: Found in a roadside ditch near Heathcote, Ontario, Canada

Description: After a melt, we had a flash freeze with extremely cold temperatures and a clear blue sky. I was driving by a ditch on the side of a road that had been filled with water and had to stop and look (as we photographers do, can’t pass a ditch without investigating). This is what I found. Great textures and patterns, tones and flow, with lovely graphic lines creating a dynamic, abstract designs. I love this type of work – it’s so much fun, yet challenging to find just the right composition.

Copyright Andrew Mielzynski / The International Landscape Photographer of the Year

Landscape Photographer of the Year: 2nd place

POY 2ND C IGNACIO PALACIOS PumiceField

Photographer: Ignacio Palacios, Australia

Subject and location: Pumice Field, La Puna, Argentina

Copyright Ignacio Palacios / The International Landscape Photographer of the Year

Landscape Photographer of the Year: 2nd place

POY 2ND B IGNACIO PALACIOS 7ColorMountain

Photographer: Ignacio Palacios, Australia

Subject and location: Seven Colors Mountain, Siloli Desert, Bolivian Altiplano

Copyright Ignacio Palacios / The International Landscape Photographer of the Year

Landscape Photographer of the Year: 2nd place

POY 2ND A IGNACIO PALACIOS AritaCone

Photographer: Ignacio Palacios, Australia

Subject and location: Arita Cone, La Puna, Argentina

Copyright Ignacio Palacios / The International Landscape Photographer of the Year

Landscape Photographer of the Year: 3rd place

POY 3RD B GHEORGHE POPA EarlyAutumn

Photographer: Gheorghe Popa, Romania

Subject and location: Early Autumn, Vânători Neamț Natural Park, Romania

Copyright Gheorghe Popa / The International Landscape Photographer of the Year

Landscape Photographer of the Year: 3rd place

POY 3RD C GHEORGHE POPA PoisonedBeauty

Photographer: Gheorghe Popa, Romania

Subject and location: Poisoned Beauty, Geamăna, Apuseni Mountains, Romania

Copyright Gheorghe Popa / The International Landscape Photographer of the Year

Landscape Photographer of the Year: 3rd place

POY 3RD D GHEORGHE POPA WhisperOfTheSunkenTrees

Photographer: Gheorghe Popa, Romania

Subject and location: Whispers of the Sunken Trees Cuejdel Lake, Romania

Copyright Gheorghe Popa / The International Landscape Photographer of the Year

Landscape Photograph of the Year: 1st place

PHOTO 1ST Ryohei Irie Traces Of Light

Photographer: Ryohei Irie, Japan

Subject and location: Traces of Light, Ichinomata, Yamaguchi Prefecture, Japan

Description: The Landscape Photograph of the Year Award went to Ryohei Irie of Japan. He likes the mysterious atmosphere created by the standing dead trees and firefly light. “I have been visiting this Subject and location for several years during the firefly season, and it is an interesting place because the intensity and length of the firefly light and the Subject and location where the fireflies fly vary greatly, depending on the year and time of day, resulting in completely different works, even when photographed in the same way.”

Copyright Ryohei Irie / The International Landscape Photographer of the Year

Landscape Photograph of the Year: 2nd place

PHOTO 2ND JUSTINUS SUKOTJO MotherCareFraming

Photographer: Justinus Sukotjo, Indonesia

Subject and location: Mother Care Framing, Walakiri Beach, Sumba Island, Indonesia

Copyright Justinus Sukotjo / The International Landscape Photographer of the Year

Landscape Photograph of the Year: 3rd place

PHOTO 3RD Himadri Bhuyan The Flow

Photographer: Himadri Bhuyan, India

Subject and location: The Flow, Sohra, Meghalaya, India

Copyright Himadri Bhuyan / The International Landscape Photographer of the Year

The Black and White Award

B W J. Fritz Rumpf White Tie Affair

Photographer: J. Fritz Rumpf, United States

Award: The Black and White Award 2024

Subject and location: White Tie Affair. Death Valley National Park, California, USA

Copyright J. Fritz Rumpf / The International Landscape Photographer of the Year

The Aerial Award

AERIAL Benjamin Barakat The Final Dune

Photographer: Benjamin Barakat, Switzerland

Award: The Aerial Award 2024

Subject and location: The Final Dune, Namibia

Copyright Benjamin Barakat / The International Landscape Photographer of the Year

The Snow and Ice Award

SNOW Jeroen Van Nieuwenhove IsþyrluIceSwirl

Photographer: Jeroen van Nieuwenhove, Iceland

Award: The Snow and Ice Award 2024

Subject and location: Isþyrlu – Ice Swirl, Scoresbysund, Greenland

Copyright Jeroen van Nieuwenhove / The International Landscape Photographer of the Year

The Forest Award

FOREST Shirley Wung Fireflies Flying In

Photographer: Shirley Wung, Taiwan

Award: The Forest Award 2024

Subject and location: Fireflies flying in the Misty Mountains, Wufeng Township, Hsinchu, Taiwan

Copyright Shirley Wung / The International Landscape Photographer of the Year

The Exciting Sky Award

SKY Federico Delucchi Aurora  Meteor Showe

Photographer: Federico Delucchi, Italy

Award: The Exciting Sky Award 2024

Subject and location: Aurora, meteor shower and other cool stuff, Rocca la Meja, Italy

Copyright Federico Delucchi / The International Landscape Photographer of the Year

Other top entries

53317 Laura Bennett Dancing Trees

Photographer: Laura Bennet, United States

Subject and location: Sumba Island, Indonesia

Copyright Laura Bennet / The International Landscape Photographer of the Year

Other top entries

56536 William Preite Chasing Fall

Photographer: William Preite, Italy

Subject and location: Pale di San Martino, Falcade, Dolomites, Italy

Copyright William Preite / The International Landscape Photographer of the Year

Other top entries

53414 Siegfried Makedanz Glacier Lagoon Islan

Photographer: Siegfried Makedanz, Germany

Subject and location: Sandfellsjökull Glacier Lagoon, Southern Iceland

Copyright Siegfried Makedanz / The International Landscape Photographer of the Year

Other top entries

56123 Sabine Weise Desert´S Crevasse

Photographer: Sabine Weise, Germany

Subject and location: Moonscape Overlook, Utah Badlands, USA

Copyright Sabine Weise / The International Landscape Photographer of the Year

Other top entries

53909 Yuri Vantowski Sunrise Over Mount B

Photographer: Yuriy Vantowski, United States

Subject and location: Mount Bromo, East Java, Indonesia

Copyright Yuriy Vantowski / The International Landscape Photographer of the Year

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53307 Tanay Das Into The Night Sky

Photographer: Tanay Das, India

Subject and location: Kistwa, Himalaya, Jammu and Kashmir, India

Copyright Tanay Das / The International Landscape Photographer of the Year

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53759 Rajesh Jyothiswaran Pandora S Box

Photographer: Rajesh Jyothiswaran, United States

Subject and location: Texas, United States

Copyright Rajesh Jyothiswaran / The International Landscape Photographer of the Year





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