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Review: DJI’s FPV drone combines DJI features with the fun of a racing drone

DJI has officially entered the FPV (first-person-view) drone market. Typically, remote pilots interested in the type of immersive flight experience FPV drones provide, including the ability to maneuver through tight spaces and in close proximity to objects, all while performing aerobatics such as flips and rolls, had to also master an entirely different set of skills.
Soldering, understanding how to configure an RC controller specifically for a drone, learning how frequencies work, and installing the right motors are just a few disciplines a would-be FPV pilot must undertake to create a safe and effective FPV flight system.
Some people who delight in these challenges will always enjoy the process of building, but DJI is betting many more people will want to cross over to FPV with an intuitive solution, and its FPV drone is ready to fly right out of the box for $1299. As an added bonus, the system is equipped with GPS, obstacle avoidance sensors, and a Return To Home feature – ensuring that beginners will be less likely to crash or lose their drone.
DJI tells us it set out to create a cinematic FPV drone and combined elements of its Mavic series with the features and functionalities of traditional FPV drones. Is this a product that will appeal to a broader audience, especially beginners? Or, are there downsides that would make some users look at more traditional drone models?
We had the opportunity to test DJI’s new FPV drone, so read on to discover if this is your ideal introduction to the world of FPV.
JKey specifications
- 795g (1.75 lbs.) total weight
- 255×312×127mm (with propellers)
- 1/ 2.3” 12MP CMOS image sensor
- 35mm equivalent lens (150º FOV)
- Ability to capture photo and video on the same flight
- 4k/60p and 1080/240p video at 120Mbps
- H.264 and H.265 codecs
- Emergency brake and hover
- Obstacle avoidance sensors on front and bottom of aircraft
- OcuSync 3.0 (O3) transmission system for 10km range, dual frequencies, 50 Mbps bitrate
- 20-minute max flight time
- 140 kph (87 mph) max speed
- Memory card holder in goggles in case drone is lost
Here is a basic comparison chart to get an idea of the difference between a traditional FPV drone and what DJI offers.
Traditional FPV drones | DJI FPV | |
---|---|---|
Flight modes | Angle, Horizon, Acro | Normal, Sport, Manual |
GPS | No | Yes |
Obstacle avoidance | None | 4 stereoscopic sensors + an auxiliary light |
Camera | Customizable | Built-in 4K/60p with 150º FOV and RockSteady EIS |
Assembly | Requires in-depth knowledge of parts, radio frequencies, ESCs, motors, assembly, soldering | Already assembled and ready to fly right out of the box |
Flight assistance | None | Return To Home, Emergency Brake and Hover |
Auto-stabilization | None | Available for ‘N’ and ‘S’ modes |
Flight time | 3 – 10 minutes | Up to 20 minutes |
Battery type | Lithium Polymer (LiPo) | Intelligent Flight |
Transmission | Analog, short-range, lower quality | Live digital video feed at 810/120p, low-latency |
The hardware
I tested the DJI Standard FPV Combo ($1,299), which includes the drone, FPV Goggles V2, and the remote controller 2. As usual, DJI offers an additional ‘Fly More’ combo that includes two extra batteries and a 3-battery charging hub for $299.
The goggles, which are 202x126x110mm with all four antennas attached, activate with the help of an 1800 mAh 9V battery that’s connected by a USB-C power cable. Lasting an estimated 110 minutes between charges, it’s light enough that it can hang down by your side while in operation. Still, I typically put the battery in the pocket of a coat I was wearing as an extra measure to ensure the battery didn’t get disconnected.
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DJI’s FPV drone features a new OcuSync 3.0 transmission system. It boasts a 10 km (6.2 mile) range, dual-frequencies, a 50 Mbps bitrate, and three options for first-person-viewing – a Low-latency HD mode for near-real-time feed and clear image, Smooth mode for higher frame rates and decreased latency, and Audience mode. The latter option allows others wearing V2 goggles to join in and view your real-time feed.
4K/60p footage with the camera facing upward. FPV mode through the goggles is very smooth, thanks to OcuSync 3.0 transmission.
The FPV drone will also operate on DJI’s Fly app, introduced in 2019 for the Mavic Mini. It’s cleaner and more pared down for a superior user experience. The app is still in beta and wasn’t available for testing with the FPV drone. Nevertheless, I activated all of the drone’s features through drop-down menu items in the goggles.
The joystick-type button on the top lower-right-hand corner will guide the pilot through numerous settings and features for both the remote and camera. The goggles receive up to 810/60p video transmission in high-quality mode and less than 28 milliseconds of latency, or 120 fps in low-latency mode.
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V2 of DJI’s remote controller is ergonomically friendly and gives you immediate access to features you’ll need including Return to Home, a gimbal wheel that can pitch the camera upwards and downwards at 90-degree angles, the ability to switch back and forth between flight modes, plus a button to stop the drone and put it in a stable hover if control of the drone is suddenly lost. You can also lock the gimbal at an upward or downward angle.
One note: I did not receive the hand motion controller due to shipping delays. This review will be updated once I’ve tested it out.
Photos and Video
The camera uses a 12MP, 1/2.3” sensor, providing a 150º FOV, and is mounted on a 1-axis gimbal. Capable of capturing stills and video up to either 4K/60p, or 1080p/120p for 4X slow motion, at 120 Mbps, the camera uses an electronic roll axis and RockSteady image stabilization. While it provides smoother imagery than most FPV drones, it’s not comparable to the 3-axis mechanical image stabilization offered up in DJI’s other series of photography drones, including the Mavic.
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DJI’s FPV drone takes decent photos at times. If you’re serious about aerial photography, though, the Mavic 2 Pro is a better investment. |
Remote pilots can capture .JPG and images or .MP4 and .MOV clips all in the same flight. It’s easy to toggle back and forth between these modes. While the photos I captured are decent enough, there were times when the drone was tilted, resulting in photos with crooked horizons. Also, photo resolution is limited to 3840×2160, the same as 4K video. Anyone serious about drone photography will probably want to look at a more-photo-centric model; the FPV drone is fun to fly but is not a replacement for traditional photography drones.
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There’s a fair amount of fisheye distortion from the FPV drone’s wide lens, though a distortion correction function in the camera menu can be applied. |
I typically enjoy recording aerial videos with the gimbal tilted down. With the wide FOV on the FPV drone, it is likely parts of the propellers will become visible. I also noticed some fisheye effect in some of my clips. To prevent this, you can either tilt the gimbal up as the aircraft moves forward or adjust settings through the goggles. To do this, access Advanced Camera Settings in the Camera menu and select Distortion Correction.
In-flight
Obstacle avoidance and flight modes
There are four obstacle avoidance sensors on the FPV drone – two in the front of the aircraft and two on the bottom with an auxiliary light that helps with precision movement in low-light environments. Obstacle avoidance sensors only work when the drone is flown in ‘N’ or Normal mode. This mode is suitable for beginners and highly recommended for those flying an FPV drone for the first time.
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An auxiliary light helps with precision in low-light conditions. |
You’ll also be limited to flying to 50 km/h (31 mph) in normal mode. The drone is stabilized the entire time and will slow down if it approaches a forward or downward-facing obstacle. ‘S’ or sport mode disables obstacle avoidance sensors and ups the excitement factor. The drone can travel up to 97 km/h (60 mph) and can perform pitches and rolls at limited angles, all while maintaining altitude and stabilization for the entire flight.
In normal mode, you can’t fly quite as aggressively, but obstacle avoidance sensors are active. This is a good setting for first-time FPV fliers.
‘M’ or manual mode is reserved for the experts. One may believe, at first, that manual mode can be triggered through the remote with the press of a button. It’s a bit more complicated. Operating a drone in Acro mode is challenging, to say the least. While flipping and rolling a drone looks fun, in reality, it’s easy to get disoriented. DJI anticipated the potential hazard of a first-time user accidentally activating manual mode from the remote controller.
You can crank the speed up to 97 km/h (60 mph) in Sport mode, though that still falls short of the 140 km/hr (87 mph) you can achieve in Manual mode.
As a result, users can only activate manual mode with a series of steps from the menu options through the goggles. Add in the fact that you can fly up to 140 km/hr (87 mph) in this mode, and it’s easy enough to lose control, even when Emergency Brake and Hover can still be activated.
DJI’s Virtual Flight app simulator was created so pilots could practice FPV maneuvers without a crash risk. Nevertheless, without a lot of flight experience, an accident is still a strong possibility. Practicing in an open space such as a field or park cannot be recommended enough.
Odds and Ends
Looking at DJI’s FPV drone, the battery is noticeably massive in scale and helps balance out the aircraft. At 2000 mAh, DJI’s Intelligent Flight batteries offer up to 20 minutes of flight time – a huge improvement over typical FPV drones. As a bonus, they’re not the typical LiPos that can catch fire if overcharged or not stored properly.
DJI’s Intelligent Flight batteries offer up to 20 minutes of flight time – a huge improvement over typical FPV drones.
A flap under the camera houses ports for a MicroSD card and USB cable should you want to make updates to your drone through your computer. There is also a MicroSD slot located on the goggles. If you lose your FPV drone, you’ll still retain a memory card. This is an incredible new feature for those concerned about losing their imagery in the event of an accident. I hope DJI implements this concept in some way on future models.
What’s it like to fly?
In both ‘N’ and ‘S’ modes, DJI’s FPV drone is a great deal of fun to fly. It’s also an incredibly reassuring experience. Besides the Return to Home button, there is a bright white ‘H’ that pops up in the goggle’s viewfinder. It marks where you are relative to your launch point at all times. The system is also equipped with ADS-B technology. During a recent flight, I was immediately notified when a helicopter was nearby and was given ample time to adjust my flight path and altitude.
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One downside is that even though this FPV drone is relatively compact, it is quite noisy. It emits a high-pitched squeal that can be heard from several hundred feet away. Flying discreetly is out of the question. During one of my first flights, my daughter joked if it was the drone or ‘the ice fishers on the frozen lake screaming.’ DJI has worked tirelessly on improving ESCs and designing more aerodynamic propellers. Curiously, these updates weren’t applied to the FPV drone.
Conclusion
Anyone hesitating to enter into the world of FPV because they didn’t have the time or patience to learn about all the factors that go into building a capable system will naturally want to try out DJI’s latest release. As mentioned at the beginning of this review, it’s an out-of-the-box product that can be activated almost immediately. When you add in fail-safe features, including GPS, Return to Home, Emergency Brake and Hover, it makes it that much more enticing to dive in.
That being said, there are a few concerns that come to mind. Traditional FPV drones are known for being resilient. Lightweight and constructed out of flexible materials made of carbon fiber, for example, they can crash into objects and require a motor replacement or a bit of soldering. DJI’s FPV drone consists of a tough plastic shell that will break with a high enough impact.
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DJI’s ‘Fly More’ combo for the FPV drone includes two extra batteries and a 3-battery charging hub for $299. |
The ability to truly freestyle, fly close to objects, and through narrow spaces is part of what makes FPV flight exhilarating. If you feel like you’re going to significantly damage your drone and ship it off for repair every time it collides with an object, the true joy of flying FPV will be stifled to a degree.
I had the unfortunate experience of crashing my DJI FPV loaner in manual mode, and it needed to be sent back to DJI for repairs. Even if I possessed the skills required to build and repair FPV units, it wouldn’t have been possible for me to do it myself. People who like to customize their builds and tinker likely won’t want to be at the mercy of one manufacturer when it comes to repairs or parts replacement.
Another issue that will bug some purists is the inability to replace or use more than the camera built into DJI’s FPV drone. It isn’t designed to carry an additional payload. Pilots won’t be able to attach a GoPro or OSMO Action camera, for example. The lack of flexibility in the camera is limiting and will be a turn-off for some FPV filmmakers.
I had the unfortunate experience of crashing my DJI FPV loaner in manual mode and it needed to be sent back to DJI for repairs.
Geofencing is another longstanding feature of DJI’s that rubs some people the wrong way. While all pilots need to be safe and compliant, some have switched to other drone brands to avoid and restrictions it brings up altogether. Even if you remain low to the ground, the drone will not take off if the airspace is considered restricted.
What will appeal to almost anyone is the long-range flight this drone offers. FPV is traditionally associated with close range and choppy analog feeds. If you stray too far from your home base, you run the risk of losing connection completely – which is a potential hazard. With DJI’s FPV drone, you can fly much longer distances so long as you remain within visual line of sight.
DJI’s FPV drone is certainly going to appeal to those who want to get into this style of flying. Purists who’ve already built advanced FPV drones that are resilient and carry their preferred camera will likely pass on this one. My main concern is that most remote pilots new to FPV won’t truly be prepared to operate in manual mode. While flips and rolls look exciting, it takes a lot of practice and perseverance to get the right feel for it. DJI Care Refresh is available in any event.
What we like
- GPS, Emergency Brake feature, Return to Home, Hover
- OcuSync 3.0 for clear transmission and long-range
- 4K/60p video
- Modes to suit beginner and advanced pilots
- Activates and is ready to fly right out of the box
What we don’t
- Lack of ability to switch out cameras
- Extremely loud
- Will likely need to be sent to DJI for repair if crashed
Camera
The GoPro Hero 13 Black is now white

Image: GoPro |
While the word “Black” in GoPro camera names signifies it is the top-of-the-line model, it has, for some time, also referenced the color of the action cams. While there were silver and white GoPros at one point, the last six generations have all exclusively featured an all-black design. Now, the white color is back for a time, since the action camera giant has announced a limited edition white version of the GoPro Hero13 Black.
While some may simply prefer white for aesthetic reasons, it also has some practical use. If your GoPro falls somewhere, white is generally more noticeable than black, making it easier to locate. Of course, the opposite is true for snow sports, but against grass, rock and other surfaces, white will stand out.
The GoPro Hero13 Black in Polar White is exactly the same as the black version but with a white exterior. The durable action camera offers 5.3K60 video, HyperSmooth 6.0 stabilization and a Type 1/1.9 (6.3 x 5.5mm) CMOS sensor. It uses GoPro’s long-lasting Enduro battery, providing 1.5 hours of continuous recording in 5K 30p or 4K 30p.
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Photo: GoPro |
Like the black color, the Hero13 Black in Polar White is compatible with the new interchangeable HB-Series Lenses. These lens mods use auto detection, so you don’t have to change settings when attaching a new lens. Options include an Ultra Wide Lens Mod, Macro Lens Mod and a set of four ND filters. Additionally, the Anamorphic Lens Mod, which results in cinematic-looking 21:9 ultra-wide footage, is also available for purchase as of today. It’s been a bit of a wait for that lens, as it was initially announced in September last year.
The limited edition Polar White model is available for purchase today on GoPro’s website for $400, the same price as the original version of the GoPro Hero13 Black. If you already own the Hero13 Black but like the idea of having a white camera, you can purchase a white silicon sleeve with a lanyard to reskin your camera. That sleeve is also available in blue and black.
Buy now:
Press release:
Introducing the Limited Edition Polar White Color of the Award-Winning GoPro HERO13 Black
Best-In-Class 5.3K Video, HyperSmooth 6.0 Video Stabilization and Interchangeable HB-
Series Lenses Compatibility in a Crisp New Color
SAN MATEO, Calif., March 24, 2025 /PRNewswire/ — Today, GoPro (NASDAQ: GPRO) announced its flagship HERO13 Black camera is available in a limited edition Polar White colorway. Available today for $399.99.
Now customers can elevate their adventures and capture every moment in style. The striking new color brings a fresh look to GoPro’s flagship camera, which features best-in-class 5.3K60 video, HyperSmooth 6.0 video stabilization, legendary GoPro durability, magnetic mounting and the powerful Enduro battery.
The camera is compatible with the all-new, interchangeable HB-Series Lenses with Auto Detection. These lenses make it easy to expand the range of creative shots you can capture with HERO13 Black:
- The industry’s widest-angle, most stable, immersive POV shots with the $99.99 MSRP Ultra Wide Lens Mod
- Close-focus shots with the $129.99 MSRP Macro Lens Mod
- Easy-to-achieve motion blur using the $69.99 MSRP ND Filter 4-Pack
- Hollywood-looking cinematic 21:9 ultra wide-angle shots using the $129.99 MSRP Anamorphic Lens Mod
Combining HERO13 Black in Polar White with a GoPro Premium ($24.99 first year for new subscribers and $49.99/year thereafter) or Premium+ ($99.99/year) Subscription adds the ability to auto-upload your footage to the cloud, receive automatic highlight videos via the GoPro Quik App, save up to 30% on accessory purchases at GoPro.com, no-questions-asked damaged camera replacements and more.
HERO13 Black in Polar White is available now at retailers globally and at GoPro.com.
Camera
View the winners of our March Editors' photo challenge

March Editors’ photo challenge: Water
The theme for our March Editors’ photo challenge was ‘Water’. We asked you to show us the essence of water in its many forms.
DPReview photographers rose to the occasion as usual, flooding us with stunning submissions. We were awash in incredible photos – many more than we can present here. Our top picks on the following pages are presented in random order.
Want to participate in some other photo challenges? Visit our Challenges page to see currently open or upcoming challenges or to vote in a recently closed challenge.
The underside of water
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Photographer: Thorgnyr
Photographer’s description: Often during winter, Lake Thingvallarvatn freezes. The view of the ice from below can be spectacular, especially during the thaw period; the ice has broken into flakes and then froze again. This was the case when this picture was taken. I started taking pictures without the diver but felt the scale was missing. So I got my buddy to pose for me.
Equipment: Canon EOS 5D Mark III
Frost
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Photographer: JTF MKE
Photographer’s description: On a cold winter day, there was frost on a bathroom window. Taken using a tripod in the morning with angled early sunlight. Patterns were entirely random, created by lots of humidity and the hand of Mother Nature.
Equipment: Olympus E-510 (EVOLT E-510) + Olympus Zuiko Digital ED 50mm 1:2.0 Macro
Surf paddle out for life, and a good friend
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Photographer: sundot
Photographer’s description: Surf Paddle out as we do in Hawaii when someone passes with a connection to the ocean. Friends gather for one last shout-out to send a farewell. The skies cleared, and the ocean lit up for the sendoff.
Equipment: DJI Mavic
Throwing up walls
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Photographer: owenleve
Photographer’s description: Former Olympian/US Ski Team athlete Daron Rahlves waterskiing on Bocca Reservoir in Truckee, California. “Throwing Up Walls” refers to the “wall” of water produced from each turn.
Equipment: DJI Mavic
Only four drops
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Photographer: froggy42
Photographer’s description: This picture of a water sculpture consists of only four drops of water falling in specific fractions of a second, one after the other, onto a water surface. They generate this sculpture that exists only for a fraction of a second. Our eyes are not fast enough to see the sculpture. To take this picture, a flash had to be used to achieve a very short exposure time. To achieve the correct time intervals, I used a Miops Waterdrop Kit.
Equipment: Fujifilm X-T2 + Fujifilm XF 18-135mm F3.5-5.6 R LM OIS WR
Water fields
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Photographer: 75RobinH
Photographer’s description: Red seaweed cultivation on the east coast of Zanzibar. During low tide, the “seaweed women” with their multi-colored dresses (kanga) enter these water fields similar to small gardens to tend their plantations. The seaweed is fixed to sticks connected by strings. About every two weeks, they harvest it and spread it out to dry. The seaweed is used in the production of cosmetics (soaps, creams, oils etc.), partly produced locally; most is exported. This demanding work is not only a source of income but is also very important for the social life, dignity and development of the women of Zanzibar. The warming of the ocean is seriously endangering these crops.
Equipment: Sony SLT-A58 + Sony DT 18-55mm F3.5-5.6 SAM II
Steam to water to ice: In a millisecond
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Photographer: joemellor
Photographer’s description: I’d been thinking about this fun stunt throughout our ski holiday in Norway. It needed a low sun and a very low temperature. Most of the week was cloudy and too warm. The perfect opportunity arose, but the sunny location was a several-minute walk (run) from a source of hot water. With a single vacuum flask of boiling water, there was only one opportunity to get this right. I begged my subject to stand absolutely still in front of the sun as he threw the water as I didn’t want the sun directly on the lens. Fortunately, my camera takes 20 frames per second, and I was able to select the best from around eight shots showing the development of this arc of steam/water/ice. We then returned to our cabin’s warmth and were delighted with our first-time success!
Equipment: Sony Cyber-shot DSC-RX100 VII
Strangers
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Photographer: 3rkaer
Photographer’s description: We all come from the water. We are mostly made of it, but at the same time, we are all strangers to each other in this crazy world.
Equipment: Leica SL2-S
Misty morning in Grand Teton
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Photographer: Stan Petersen
Photographer’s description: This was shot in Grand Teton National Park in early October 2006. The crowds were gone for the season, and this place along String Lake was quiet, except for the bugling of bull elk on both sides. Mists were moving along the lake, and Mount Moran started to show through as the pre-dawn magenta light hit the top.
Equipment: Canon EOS 350D (EOS Digital Rebel XT / EOS Kiss Digital N) + Canon EF-S 18-55mm F3.5-5.6
Under
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Photographer: Cliff Connell
Photographer’s description: On one of the last hot days in autumn 2011, just before our southern Australian Easter swell kicked in, I had just finished a long session of surfing some pretty big, clean waves when I decided to get back in to capture some in-water shots of the rest of the crew. Most of the shots I got that morning were pretty average, except for this one of a young guy duck diving under the closed-out section of a 5-6 foot wave. It made my day!
Equipment: Canon EOS 20D + Tamron SP AF 17-50mm F/2.8 XR Di II VC LD
Iceland highlands
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Photographer: GreenFirePhotography
Photographer’s description: Photographing Iceland felt like being inside a fairy tale at times. This image always draws a critical eyebrow or two. People throw around A.I. However, that’s just how amazing Iceland looks.
Equipment: Hasselblad L2D-20c
Waterbrella!
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Photographer: Maureeneo
Photographer’s description: I took this photograph of a moment of pure joy – one of those instances where laughter and spontaneity take over. The sun was bright, the summer air thick with warmth, and cool water was the perfect antidote. But the community swimming pool wouldn’t be open for another hour, and my granddaughter couldn’t wait that long. So, she improvised a mini water park for herself, using an umbrella exactly the opposite way an umbrella should be used! I love the contrast between the black umbrella and the cascade of sparkling water. The way the droplets catch the light. The way her hair clings to her face. Here she is, soaked but carefree, reveling in the cascade she created. I think I captured that feeling: the giddy, unstoppable energy of being a kid, where even the simplest things can bring so much joy.
Equipment: Sony Cyber-shot DSC-RX10 III
Calm summer evening
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Photographer: Lars Wara
Photographer’s description: Being on a lake when the water is dead calm, all quiet except a few birds and an occasional trout breaking the surface… Well, that’s pure therapy!
Equipment: Sony a6700 + Yonguo 11mm F1.8
Powerful wedge wave
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Photographer: vbuhay
Photographer’s description: The powerful waters of the “wedge” can be frightening for the average surfer. But for some of the strongest surfers, it is a challenge…
Equipment: Nikon D850 + Nikon AF-S Nikkor 70-200mm f/2.8G ED VR II
Atlantic sunset
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Photographer: bravoricardo
Photographer’s description: It was a beautiful afternoon at Praia das Milícias in São Miguel, Azores, so I decided to go for a swim with my water housing. After a couple of hours on the shore break trying different water angles, I managed to position myself inside this perfectly lit barreling wave, facing the sun setting behind São Roque church.
Equipment: Canon EOS-1D X
Window frost
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Photographer: Bram Floria
Photographer’s description: Waiting for the defroster to kick in, Spokane, WA, on January 26, 2025. On a bright, cold morning following a night of ice storms, the water came out to play as leaves of crystal.
Equipment: Google Pixel 6a
Divining rod
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Photographer: morelens
Photographer’s description: This is a lovely stream in upstate NY. Believe it or not, this location is on the far end of a cemetery. I was standing in the water to take this photo, and the water and the breeze cooled me off on this hot day – one of the many advantages of photography.
Equipment: Canon EOS R + Canon EF 17-40mm F4.0L USM
A gentle touch
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Photographer: wfoto
Photographer’s description: High-speed pictures of moving water will amaze you with the small details we cannot see in real life: every bubble in the foam, tiny sprinklets coming out of each crest, and the contact of the water with sand.
Equipment: Canon EOS 6D Mark II
Frisco Pier
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Photographer: Keith Hudspeth
Photographer’s description: The goal of this photo was to show the raw, destructive power of water. Frisco Pier was built in 1962 and stood strong until Hurricanes Isabel and Earl struck the Outer Banks in the early 2000s. I took this photo in 2016 before it was finally dismantled in late 2017.
Equipment: Nikon D750 + Nikon AF-S Nikkor 24mm F1.8G ED
Shower cap
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Photographer: Anne25
Photographer’s description: The subject burst a balloon full of water above his head. The balloon was hung from a support and burst using a spike on a stick. I wish I had taken a later shot capturing the look on his face due to the cold shock.
Equipment: Canon EOS-1D Mark IV + Canon EF 400mm F5.6 L
Camera
Fujifilm GFX100RF pre-production sample gallery: more photos of the world at 28mm

Out-of-camera JPEG. 50mm equiv. crop.
F4 | 1/450 | ISO 80 |
This week, Fujifilm announced the GFX100RF, a 102MP medium format camera with a fixed 28mm equiv. F4 lens. The sensor will be familiar to those who’ve seen samples from the GFX100 S II or GFX100 II, but the lens is an interesting factor – the company says it put a lot of engineering work into it in order to make it as compact as it is.
You can get a feel for what kind of results it produces from the samples we took with our pre-production unit. We were lucky enough to get to test the camera out in a variety of locals; many of the pictures are from Prague, as Fujifilm flew us out for its X Summit and Fujikina event, but there are also images from London, Paris and, of course, Washington.
We’ve added some new photos taken since our initial review went up, including ones taken using a tripod to remove hand shake as a limiting factor on resolution.
Please do not reproduce any of these images on a website or any newsletter/magazine without prior permission (see our copyright page). We make the originals available for private users to download to their own machines for personal examination or printing; we do so in good faith, so please don’t abuse it.
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