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Capture One 21 (14.1.0) released, includes Style Brushes, improved importing and more

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Capture One 21 (14.1.0) released, includes Style Brushes, improved importing and more

Capture One 21 was released this past December and its first major update is now available. Capture One 21 (14.1.0) is a feature release that contains new functionality, new camera and lens support and bug fixes.

New features added to Capture One 21 include new Style Brushes, an improved Import Viewer, additional ProStandard profiles and improvements to Live-View when shooting tethered with supported Leica cameras.

Style Brushes are a new way to work with brushes and layers. Style Brushes are designed to be more accessible and make powerful editing tools instantly available to users. Essentially, the new tool is a streamlined, easy way to make local adjustments to your images.

There are many Style Brushes (seen in the list to the left in this screenshot) in the new version of Capture One 21. You can use Style Brushes to quickly and easily make localized adjustments to your photos. You can also create your own Style Brushes and share them with other photographers.

In Capture One 21 (14.1.0), there are numerous style brushes included to adjust color, light and contrast, and make enhancements. For example, there are built-in Style Brushes for enhancing a subject’s iris in a portrait and for whitening teeth. There are Style Brushes for adjusting brightness, contrast, highlights, shadows and haze. There are also brushes for adding cooling or warmth and tweaking color saturation. You can also create your own custom Style Brushes, and users can share them with other photographers.

The Import Viewer is faster and more useful in Capture One 21 (14.1.0). In the prior version of Capture One, there isn’t a great way to evaluate the images you’re considering importing into your Capture One catalog when importing images. You can’t view an image at large enough magnification to evaluate something like focus. There is a small button at the top of the Import Viewer in the new version, which looks like a large rectangle with three smaller rectangles to its right. When you click this button, you enable a new way to view importable images. This allows you to view a selected image larger, with additional images now relegated to a scrolling area to the right. Further, you can decide which images for import using keyboard shortcuts (S to pick an image, A to unpick an image, spacebar to toggle pick/unpick). You can also deselect all images, as select all is the default setting.

With Capture One 21, ProStandard profiles were introduced. This is a new type of camera profile that renders colors more naturally. Primarily, ProStandard profiles, when compared to older profiles, retain more consistent color tones across levels of saturation and brightness. In Capture One 21 (14.1.0), many new models now include ProStandard profiles, including popular DSLR and mirrorless cameras from Canon, Nikon Olympus and Sony (including the brand-new Alpha 1). For the full list of newly-supported camera models, click here. Among the lengthy list of newly supported cameras, there are some popular older cameras included, such as the Canon 5DS, 6D II, EOS-R, Nikon D5, D800(E), and Sony A7 II, which is great news, as the ProStandard profiles represent a significant improvement in rendering.

New camera support has been added to Capture One 21, including support for Sony’s new flagship full-frame mirrorless camera, the Alpha 1.

There are also some new cameras supported in general inside Capture One 21 (14.1.0). In addition to the Sony A1, support has been added for the Fujifilm GFX 100S, Fujifilm X-E4, Canon SX70 HS, Panasonic GX800, GX850, GX880, GF10, GF90 and GF9.

While not necessarily highlight-worthy new features, Capture One has added some nice improvements with the latest update to various functions and features. The maximum zoom level in the Viewer is increased from 400% to 1600%, which should work well for users on high-resolution monitors. The Keystone Tool has an upgraded user interface. It’s easier to link Brush Settings in the latest version, and you can link Brush with Layer and Eraser with Brush.

In addition to the new Import Viewer, seen here, Capture One 21 (14.1.0) adds numerous other improvements.

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Leica just released a surprising accessory for diehard mobile photography

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Leica just released a surprising accessory for diehard mobile photography


Photo: Leica

With its latest announcement, Leica is furthering its focus on mobile photography, adding a new accessory to its lineup. The company designed the Leica Lux Grip specifically for iPhones, following up on the June release of the Leica Lux iPhone app. The grip is strictly for Leica lovers, as it will only work with Leica’s iPhone app; controls will not transfer to the default iPhone camera app or any other third-party options.

Leica says the Lux Grip is “similar to a classic Leica camera in terms of its handling and feel.” It goes even further and explains that all of the grip’s “physical controls consistently express Leica’s design philosophy and conjure up the familiar experience of using a professional camera.” Any grip will make for a more camera-like experience and make taking photographs with a phone a bit more ergonomic, so users who focus on mobile photography could certainly benefit from it.

leica-LUX-Grip-on-blue
Photo: Leica

The grip relies on a magnetic MagSafe connection rather than a case-like design, which is typical in other phone grips. The magnetic attachment makes switching between portrait and landscape orientations easy while maintaining a comfortable grip with easy controls. Plus, removing the grip when it’s not needed and returning to a traditional phone form factor is straightforward. That also means that when users purchase a new iPhone, there’s no need to buy an entirely new grip specific to that phone.

The Lux Grip uses Bluetooth Low Energy (BLE) connectivity to communicate with a phone’s camera, allowing users to control camera functionality without digging into phone menus. That includes a two-stage shutter release that, like cameras, uses light pressure to focus and a full press to take a photo. There’s also a button to switch between shooting modes, two customizable buttons and a dial for adjusting settings.

leica-LUX-Grip-in-case
Photo: Leica

For those who want to go all out, Leica also released a leather case designed just for the Lux Grip, which features an AirTag holder.

The Leica Lux Grip is available for $329 on Leica’s website and B&H. The purchase includes a year of the Leica LUX Pro subscription.


Buy now:

$329 at B&H

$329 at Leica


Press release:

Leica Camera AG is launching the Leica LUX Grip for the iPhone today.

The camera grip impresses with its intuitive operation and high-quality manufacturing while, at the same time, setting new standards for photographic precision using a smartphone. The Leica LUX Grip is similar to a classic Leica camera in terms of its handling and feel. Its clear design, sophisticated operating concept and easy attachment – guaranteed by secure magnetic MagSafe technology – improve the ergonomics and functionality of smartphone photography, taking it to a new level. The LUX Grip and iPhone communicate via Bluetooth Low Energy (BLE) and are perfectly complemented by the Leica LUX app.

All of the LUX Grip’s physical controls consistently express Leica’s design philosophy and conjure up the familiar experience of using a professional camera. The 2-stage shutter release focusses with light pressure and starts shooting when fully pressed down. A button allows you to quickly switch between shooting modes. Two control elements can be individually assigned and customised via the Leica LUX app. While one button provides quick access to frequently used functions, the easy-to-grip control dial enables the precise selection of camera settings – such as zoom, aperture, shutter speed and exposure compensation. This means that photographers have all the essential aspects of image composition in their own hands, even when using a smartphone.

The Leica LUX app rounds off the photographic experience by adding the unmistakable image and colour aesthetics of legendary Leica lenses. The bokeh effect of the Summilux-M or Noctilux-M can be used to deliberately emphasise features while retaining full control over exposure, ISO and shutter speed. Unique Leica Looks – from Vivid to classic Black&White – expand the artistic palette, lending digital photography an analogue character. The Leica LUX app forms a perfect symbiosis with the LUX Grip. The full version of the app is included for one year with every Grip product registration.

The LUX Grip also sets the tone when it comes to sustainability. Thanks to its modular design, the Grip can be easily reused with all electronic components every time you change your iPhone. Only the MagSafe base plate has to be replaced. Weighing just 130 grams, the Leica LUX Grip is comfortable to hold and is equally suitable for left- and right-handed users. Its powerful battery lets you take up to 1,000 shots and will be ready for use again in a flash with a charging time of 2 hours via USB-C.

The Leica LUX Grip is now available in selected Leica Stores, in the Leica Online Store and from specialist retailers. The recommended retail price is EUR 300 incl. VAT.



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Nikon Z 35mm F1.2 S pre-production sample gallery

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Nikon Z 35mm F1.2 S pre-production sample gallery


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Nikon Nikkor Z 35mm F1.2 pre-production | F1.2 | 1/125 sec | ISO 64

Earlier this week, Nikon announced the Nikkor Z 35mm F1.2 S, a wide-angle lens with a fast aperture. We were able to spend a few hours on the streets of Seattle with a pre-production model, and got some shots that should give you an idea of what this lens is about.

A few caveats to keep in mind – given that the photos were shot with a pre-production lens, they may not be exactly indicative of how a production model would perform. Our standard lens gallery procedure also involves processing the images through Capture One, giving us precise control over what corrections are and are not applied. However, the images in this sample gallery are straight out of camera JPEGs, and thus may have corrections that wouldn’t usually be applied to images in our sample galleries.

Sample gallery
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The tiny Viltrox 28mm "chip" lens is coming to Fujifilm X-mount

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The tiny Viltrox 28mm "chip" lens is coming to Fujifilm X-mount


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This image depicts the Sony E-mount version of the AF 28mm F4.5 lens, though the size is nearly identical.

Photo: Viltrox

After a playful bit of marketing, Viltrox announced a new flavor of its ultra-thin AF 28mm F4.5 lens. It first made the lens available for Sony E-mount cameras last fall, and now it will also be available for X-mount cameras.

Viltrox calls this teeny offering a chip lens. That nickname is in reference to how thin it is, drawing similarities with potato chips, and does not pertain to any sort of technology inside the lens. To stay on theme, the company’s teaser for the announcement featured a bag of chips with AF 28mm F4.5 XF above it, much like the Lays potato chip flavor announcements.

voiltrox-28mm-f4p5-chip-lens-graphic
Image: Viltrox

The Viltrox AF 28mm F4.5 is a unique lens because of its diminutive size. It weighs a measly 60g (2.1oz) and is only 15.3mm (0.6in) thick. To keep the size so minuscule, there are some compromises. Most notably, it uses a constant F4.5 aperture. That means no adjusting the aperture based on lighting conditions. Additionally, it lacks a manual focus ring, so you’ll be stuck entirely with autofocus. It also isn’t compatible with filters.

The optical design is made up of six elements in six groups, including two ED and two aspherical elements. Voltrox says it will deliver “sharp images, vibrant colors, and stunning starburst effects.” It uses a VCM for autofocus, which Viltrox promises will be “fast, precise, and silent.” Additionally, the lens features an integrated lens cap with a slide for opening and closing the cover and a USB-C port for firmware updates.

The AF 28mm F4.5 XF is available in black and white colorways for $99.



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