Connect with us

Camera

Leica continues compacts with D-Lux 8 featuring four thirds type sensor

Published

on

Leica continues compacts with D-Lux 8 featuring four thirds type sensor


Image: Leica

Leica has announced that it will introduce the D-Lux8 premium compact camera on July 2nd, showing a continued commitment to compacts.

The company hasn’t issued full specs yet, but the D-Lux8 appears to be an updated D-Lux7 with both physical styling cues and an updated menu system that more closely resemble the Q3 fixed-lens full frame model.

Like its predecessors, the D-Lux8 shares most of its specifications with Panasonic’s LX series of cameras, but it’s notable that there isn’t (yet) an LX100 III to correspond to the new Leica model. Until we have full specs we won’t know how much has changed, compared with the D-Lux7 and LX100 II.

Image: Leica

Leica says the D-Lux8 will be its first D-Lux model to shoot DNG Raws and that it will come bundled with a flash.

The camera is still based around a 10.9-34mm (24-75mm equiv) F1.7-2.8 zoom and offers a series of crops from a four thirds-type (17.3 x 13mm) sensor. The lens doesn’t cover the entire sensor, so you can only get up to 17MP images from the 21MP chip, but the 3:2, 4:3 and 16:9 crops are designed to maintain the same diagonal angle-of-view, so they all maintain a true 24-75mm equivalent view. As before a switch on top of the lens encourages experimentation with these crops.

The D-Lux8 will be available from July 2nd with a list price of $1595.

Image: Leica
Press Release:

Leica announces the continuation of compact digital cameras with the upcoming launch of the Leica D-Lux 8 on 2nd July 2024

Teaneck, NJ, May 23rd 2024. Leica Camera AG will launch the new Leica D-Lux 8 on July 2nd 2024. In 2003, the German premium manufacturer introduced the first D-Lux. Eight generations and numerous special editions later, the D-Lux has solidified its position in the top-quality segment of Leica’s digital compact cameras.

The new D-Lux 8 brings the quintessential Leica experience into a more compact and accessible form. The overall user experience and iconic design are a testament to the excellence of the legendary Leica brand, recognized globally as a leader in the field. For enhanced user comfort, the controls have been simplified and ergonomically repositioned, while the user interface, inspired by the popular Leica Q-Cameras, has become even more user friendly. The D-Lux 8 features a 4/3” CMOS sensor offering 21MP (effective 17 MP), the fast Leica DC Vario-Summilux 10.9–34 mm f/1.7–2.8 ASPH. lens (35mm equivalent to 24-75 mm), intuitive design and seamless connectivity with the Leica FOTOS app. The flash included with the camera further expands the versatility of the D-Lux 8.

In addition to the camera, a new range of accessories will be introduced. These include a hand grip, carrying straps, wrist straps, and leather protectors available in multiple colors. Additional accessories such as an automatic lens cap, soft release buttons, and a selection of bags, including a hip bag, crossbody bag, and equipment bag, expand the camera’s portfolio.

The Leica D-Lux 8 will be available globally on July 2, 2024 at all Leica Stores, the Leica Online Store, and through authorized dealers. The US retail price will be $1,595.



Source link

Continue Reading
Click to comment

Leave a Reply

Camera

On this day: Hasselblad launches first medium format mirrorless

Published

on

By

On this day: Hasselblad launches first medium format mirrorless


We’d never before seen so much silicon wrapped up in such a small package

Photo: Samuel Spencer

The Hasselblad X1D beat Fujifilm to the market by three months in 2016 to become the first mirrorless medium format camera. It wasn’t the first “affordable” (or, at least, sub-$10,000) medium format option: that credit goes to Pentax and its 645D and Z, but it was the first larger-than-full-frame digital camera to be designed as a self-contained ILC with no mirror.

It was built around the same 50MP CMOS sensor as the 645Z, which also underpinned the Fujifilm GFX 50 models, producing some excellent image quality. Hasselblad’s modern minimalist design was eye-catching, and the operability improved significantly through a series of firmware updates (though it never offered the mass-market slickness of the GFX models).

One of the factors that allowed the Hasselblad to be so small was the decision to build leaf shutters into all the XCD lenses, rather than having a physical shutter in the camera body. This resulted in a camera that could sync with flashes all the way up to each lens’s maximum shutter speed. Though this came at the cost both of higher lens prices and of polygonal bokeh, as the shutter/aperture mechanisms had relatively few blades. This second issue was somewhat resolved by an update that allowed the aperture to be opened a fraction beyond the widest listed value, so that the blades don’t intrude on the image.

Click here to see the nearly 200 photos we’ve published from the X1D

Alongside the X1D came the first series of medium format lenses designed specifically for 44x33mm digital, giving some excellent results (to the point that moiré is a significant risk even when stopped-down to F5.6, given the lack of low-pass filter on the X1D’s sensor). It also led to the only instance we’ve seen of a manufacturer referring to equivalent f-numbers. It’s probably no surprise that it would be one of the only companies to solely produce larger than full-frame systems.

We were in the fortunate position to borrow a Hasselblad, Pentax 645Z and Fujifilm GFX 50S at the same time and use them alongside one another, and looked at their comparative strengths and weaknesses. We hope to do something similar with the more refined 100MP cameras from Hasselblad and Fujifilm in the coming months.



Source link

Continue Reading

Camera

On this day: Hasselblad launches first medium format mirrorless

Published

on

By

On this day: Hasselblad launches first medium format mirrorless


We’d never before seen so much silicon wrapped up in such a small package

Photo: Samuel Spencer

The Hasselblad X1D beat Fujifilm to the market by three months in 2016 to become the first mirrorless medium format camera. It wasn’t the first “affordable” (or, at least, sub-$10,000) medium format option: that credit goes to Pentax and its 645D and Z, but it was the first larger-than-full-frame digital camera to be designed as a self-contained ILC with no mirror.

It was built around the same 50MP CMOS sensor as the 645Z, which also underpinned the Fujifilm GFX 50 models, producing some excellent image quality. Hasselblad’s modern minimalist design was eye-catching, and the operability improved significantly through a series of firmware updates (though it never offered the mass-market slickness of the GFX models).

One of the factors that allowed the Hasselblad to be so small was the decision to build leaf shutters into all the XCD lenses, rather than having a physical shutter in the camera body. This resulted in a camera that could sync with flashes all the way up to each lens’s maximum shutter speed. Though this came at the cost both of higher lens prices and of polygonal bokeh, as the shutter/aperture mechanisms had relatively few blades. This second issue was somewhat resolved by an update that allowed the aperture to be opened a fraction beyond the widest listed value, so that the blades don’t intrude on the image.

Click here to see the nearly 200 photos we’ve published from the X1D

Alongside the X1D came the first series of medium format lenses designed specifically for 44x33mm digital, giving some excellent results (to the point that moiré is a significant risk even when stopped-down to F5.6, given the lack of low-pass filter on the X1D’s sensor). It also led to the only instance we’ve seen of a manufacturer referring to equivalent f-numbers. It’s probably no surprise that it would be one of the only companies to solely produce larger than full-frame systems.

We were in the fortunate position to borrow a Hasselblad, Pentax 645Z and Fujifilm GFX 50S at the same time and use them alongside one another, and looked at their comparative strengths and weaknesses. We hope to do something similar with the more refined 100MP cameras from Hasselblad and Fujifilm in the coming months.



Source link

Continue Reading

Camera

Our favorite ‘natural worlds’ pictures: DPReview Editors’ Challenge results

Published

on

By

Our favorite ‘natural worlds’ pictures: DPReview Editors’ Challenge results


June includes multiple days devoted to celebrating nature, including World Environment Day (June 5), World Oceans Day (June 8) and World Rainforest Day (June 22). In that spirit, we chose ‘Natural Worlds’ as the theme for our most recent Editors’ Choice photo challenge, with over 100 readers submitting entries.

We love seeing your work! Thanks to everyone who submitted. We couldn’t call out every image we liked, so we restrained ourselves to a baker’s dozen (in no particular order).

If you don’t see your work here today, don’t despair. We’ll soon announce a new Editors’ Choice challenge.

Also, a quick reminder to keep comments constructive and civil. These are images submitted by your fellow readers who took the time to share their work. Rule #1: Be nice. That’s it, there is no rule #2.



Source link

Continue Reading

Trending

Copyright © 2017 Zox News Theme. Theme by MVP Themes, powered by WordPress.