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Panasonic announces Lumix S 70-300mm F4.5-5.6 Macro for L-mount

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Panasonic announces Lumix S 70-300mm F4.5-5.6 Macro for L-mount

Panasonic has announced the Lumix S 70-300mm F4.5-5.6 Macro OIS for full-frame (and APS-C) L-mount bodies. The onboard image stabilizer reduces shake by up to 5.5 stops when used with a Dual IS-equipped body. The lens has 17 elements, including ultra extra low-dispersion, extra low-dispersion and ultra high-refractive index glass. Its focus group is driven by a linear motor, and the company claims that focus breathing is minimal.

The 70-300 has a minimum focus distance of 54cm (21″) at wide-angle and can capture half life-size macro images at 300mm.

The lens is sealed against dust and moisture, and Panasonic says that it will function down to -10°C/+14°F. It weighs in at 790g (1.8 lbs) and accepts 77mm screw-in filters.

The 70-300mm F4.5-5.6 Macro OIS will ship in April with an MSRP of $1249, though it will be offered at a $999 promotional price at launch.

Press release:

Panasonic Introduces New Telephoto Zoom Lens for the LUMIX S Series with Macro Capability

LUMIX S 70-300mm F4.5-5.6 MACRO O.I.S. (S-R70300)

Newark, NJ (February 17, 2021) – Panasonic is proud to introduce a new interchangeable telephoto zoom lens, the LUMIX S 70-300mm F4.5-5.6 MACRO O.I.S. (S-R70300), based on the L-Mount system, for the LUMIX S Series Full-frame Digital Single Lens Mirrorless Camera. Built with professional photographers in mind, the LUMIX S Series pursues uncompromising photographic expression with its high-quality cameras and lenses.

The new LUMIX S 70-300mm boasts high descriptive performance and beautiful bokeh throughout the entire zoom range, which create exceptionally impressive photo and video. It also provides high-speed, high-precision AF and Dual Image Stabilizer (IS) for use in a wide-range of situations including sports, animals, portraits and vehicles.

Adopting the state-of-the-art optical technology, the optimum alignment of the 17 lens elements in 11 groups, including one ultra extra-low dispersion (UED) lens, two extra-low dispersion (ED) lenses and one ultra-high refractive index (UHR) lens, effectively suppresses axial chromatic aberration at tele-end, and chromatic aberration of magnification at wide-end. Specifically, the UHR lens achieves uniform image quality from the center to the edges of the image, while contributing to an overall smaller configuration of the lens unit.

With an outstanding minimum focusing distance of 0.54m*1, the LUMIX S 70-300mm achieves maximum magnification of 0.5x (at 300mm) realizing half life-size macro photography and videography. Circular aperture with an 11-bladed iris diaphragm provides beautifully rounded bokeh for unfocused lights.

Combining the Optical Image Stabilizer (OIS) in the lens and the Body IS in the LUMIX S Series camera, the Dual IS system powerfully compensates for the handshake in telephoto shooting, making it possible to use a 5.5-stop slower shutter speed*2. The focus control with a maximum 480 fps high-speed sensor drive realizes fast, high-precision AF.

Despite being a telephoto zoom lens with macro capability, the LUMIX S 70-300mm F4.5-5.6 MACRO O.I.S. is compact and light weight for stunning mobility. The rugged, dust/splash-resistant*3 design withstands use under harsh conditions even at 14°F / -10°C.
In addition, the fluorine coating on the front element repels water and oil. The filter diameter is 77mm.

The LUMIX S 70-300mm, like all LUMIX S Series lenses, excels in video recording performance with a mechanism that minimizes focus breathing, a fatal problem in all interchangeable lenses designed for still image photography. Furthermore, focus shift is suppressed during zooming with an exceptional zoom tracking performance, with the subject always in sharp focus. As a result, the new lens meets the exceptionally high standards required to achieve professional-grade video footage.

Newer L-Mount lenses including three more F1.8 large-aperture lenses are under development to further enhance the LUMIX S Series lens lineup and fulfill the needs of our customers.

The LUMIX S 70-300mm F4.5-5.6 MACRO O.I.S. (S-R70300) will be available at valued channel partners in April for $1249.99 MSRP.

*1 At wide-end.
*2 Based on the CIPA standard [Yaw/Pitch direction: focusing distance f=300mm, when LUMIX S5 is used.]
*3 Dust and Splash Resistant does not guarantee that damage will not occur if this lens is subjected to direct contact with dust and water.
Design and specifications are subject to change without notice.

Panasonic Lumix S 70-300mm F4.5-5.6 Macro OIS specifications

Principal specifications
Lens type Zoom lens
Max Format size 35mm FF
Focal length 70–300 mm
Image stabilization Yes
CIPA Image stabilization rating 5.5 stop(s)
Lens mount L-Mount
Aperture
Maximum aperture F4.5–5.6
Minimum aperture F22
Aperture ring No
Number of diaphragm blades 11
Optics
Elements 17
Groups 11
Special elements / coatings 1 UED + 1 UHR + 2 ED elements
Focus
Minimum focus 0.54 m (21.26)
Maximum magnification 0.5×
Autofocus Yes
Motor type Linear Motor
Full time manual Yes
Focus method Internal
Distance scale No
DoF scale No
Focus distance limiter Yes
Physical
Weight 790 g (1.74 lb)
Diameter 84 mm (3.31)
Length 148 mm (5.83)
Materials Magnesium alloy
Sealing Yes
Colour Black
Zoom method Rotary (extending)
Zoom lock Yes
Filter thread 77 mm
Hood supplied Yes

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  1. Pingback: Panasonic S 70-300mm F4.5-5.6 Macro OIS sample gallery |

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Question of the week: What’s your advice to your younger self?

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Question of the week: What’s your advice to your younger self?


Every week, we ask newsletter subscribers a question about gear, creativity or life. We recently asked readers: If you could go back to your 20-year-old self, what camera-related advice would you give yourself?

Subsequently, the DPReview editors also got in on the act:

1. Shaminder Dulai

Start organizing your photo and video archive and making it searchable. Make sure to save local versions of client work; websites will disappear and take your work with them. A good archival system makes it possible to earn a passive income from these photos and videos in the future and curate your work for grant applications and shows.

Don’t get caught up in the gear; there will always be something better that comes along. Make things. Whatever you can get your hands on, just use it and make stuff. The more you practice and embrace the failures, the more you’ll learn and improve.

There will be people who will try to discourage you; they’ll tell you you don’t have the right gear, the right skills, or the right name, and some will even steal your ideas and pass them off as their own. These will be hard lessons, and you’ll need to learn to put yourself before others. It won’t be easy.

Also, buy as much Apple stock as you can afford and spend more time with your parents. Ask them the questions you always were too afraid to ask.


2. Dale Baskin

I’d probably give the same advice I would give a 20-year-old today: Don’t obsess about having fancy gear or the newest camera. Buy something used in good condition and save some money, then spend the money you save on fun experiences that allow you to focus on learning the art of photography.


3. Richard Butler

Focus on the lenses you’ll actually use. Look at the photos you’ve taken to see what you’re trying to capture. Consider whether the discipline (and compactness) of a prime would be better than the seemingly obvious F2.8 zoom.


What’s your take? Let us know in the comments.

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And we don’t just stop at the news. Newsletter subscriber benefits include behind-the-scenes articles, letters to the editor, exclusive contests, sneak peeks on what we’re working on, ways to share feedback directly with DPReview editors to help us shape future stories and more! There is no AI here, only real people writing the newsletters and reading your feedback (me!)



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Fujifilm X-T50 first-look video and preview samples

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Fujifilm X-T50 first-look video and preview samples


We had a chance to shoot with the Fujifilm X-T50 for quite a while, so we put together a first-look video, outlining what it can offer, as well as shooting a sample gallery using a variety of Film Simulations.

As always, all the Raw files are available to download if you wish to see how your preferred software handles them.

Please do not reproduce any of these images on a website or any newsletter/magazine without prior permission (see our copyright page). We make the originals available for private users to download to their own machines for personal examination or printing (in conjunction with this review); we do so in good faith, so please don’t abuse it.



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Camera

Fujifilm X-T50 first-look video and preview samples

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Fujifilm X-T50 first-look video and preview samples


We had a chance to shoot with the Fujifilm X-T50 for quite a while, so we put together a first-look video, outlining what it can offer, as well as shooting a sample gallery using a variety of Film Simulations.

As always, all the Raw files are available to download if you wish to see how your preferred software handles them.

Please do not reproduce any of these images on a website or any newsletter/magazine without prior permission (see our copyright page). We make the originals available for private users to download to their own machines for personal examination or printing (in conjunction with this review); we do so in good faith, so please don’t abuse it.



Gear in this story





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