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Panasonic to bring Blackmagic Raw recording and more to the S1H, S1 in forthcoming firmware updates

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Panasonic to bring Blackmagic Raw recording and more to the S1H, S1 in forthcoming firmware updates

Panasonic has announced the release of new firmware updates for three of its Lumix S Series full-frame mirrorless cameras as well as its BGH1 box-style camera, bringing 5.9K Blackmagic RAW recording and more.

Since each camera will be receiving slightly different features with each of the updates, we’ve broken down the improvements, updates and fixes by camera model.

Panasonic Lumix S1H

Firmware version 2.4 for the Panasonic S1H will be released, for free, on March 31. The new firmware update will add 5.9K Blackmagic RAW recording capabilities when the S1H is connected via HDMI to a Blackmagic Video Assist 12G HDR. This is an addition to the Apple ProRes RAW recording capabilities of the S1H when connected to an Atomos Ninja V monitor/recorder.

Below is a full chart of the Blackmagic RAW recording modes:

Area Resolution Frame Rate Aspect HDMI Output
Full-frame 5.9K (5888 x 3312) 29.97p/25p/23.98p 16:9 12-bit
Super 35mm 4K (4128 x 2176) 59.94p/50p/29.97p/25p/23.98p 17:9 12-bit
Super 35mm Anamorphic 3.5K (3536 x 2656) 50p/29/97p/25p/23.98p 4:3 12-bit

Other changes in firmware version 2.4 include the ability to choose whether or not you want to include camera orientation information into the file and a new ‘Power Save Mode’ has been added for when the camera is plugged in via an optional AC adapter.

Panasonic Lumix S1

First and foremost, it’s worth noting firmware version 2.0 for the S1, due on out April 6, will offer exclusive features for S1 owners who have purchased the Filmmaker Upgrade Software Key (DMW-SFU2) for their camera bodies. But before we discuss the exclusive features, let’s cover what all S1 users will receive with the 2.0 firmware update.

In addition to adding the same ‘Power Save Mode’ function and camera orientation setting it included in the S1H update, Panasonic has also added a ‘Dual Native ISO Setting’ to the S1.

If you have the Filmmaker Upgrade, the update will include a number of new and improved shooting modes, including 6K / 24p 4:2:0 10-bit recording at 200Mbps in the MOV format (with a maximum record time of 15 minutes). If dropped to 5.9K, you can get the same footage at 30 frames per second (fps). Below is a chart of the supported recording modes:

Resolution Frame rate Bit-depth Chroma Bitrate Format
6K
(5952 x 3968)
24p 10-bit 4:2:0 200Mbps Long GOP
.MOV
Linear PCM Audio
5.9K
(5888 x 3312)
30/25/24p
5.4K
(5376 x 3584)
30/25p
DCI 4K
(4096 x 2160)
60/50p
60/50p 8-bit 150Mbps
30/25/24p 10-bit 4:2:2
UHD 4K
(3840 x 2160)
60/50p 4:2:0 200Mbps
Anamorph. 4K
(3328 x 2496)
50p
50p 8-bit 150Mbps
30/25/24p 10-bit 4:2:2

Panasonic Lumix S1R and S5

Firmware version 1.8 for the S1R and firmware version 2.2 for the S5 are both minor updates, with the only changes being the inclusion of the new camera orientation function and ‘Power Save Mode’ function added to both the S1H and S1. Both of these updates should be out by April 6.

Panasonic Lumix BGH1

Firmware version 2.0 for the box-style Panasonic LUMIX BGH1 will be released on March 24 and include a number of new IP streaming options and the addition of Apple ProRes RAW recording.

Specifically, Panasonic says IP streaming with the PC port can now be done at a maximum 4K / 60p (3840 x 2160 pixels) in the H.265 codec at 25MBps, with additional options for 4K / 30p, FHD / 60p and FHD / 30p. Panasonic has also enabled Apple ProRes RAW recording over HDMI when paired with Atomos’ Ninja V monitor/recorder. ProRes RAW capture modes include 4K (4096 x 2160 pixels) 12-bit recording at up to 59.94 fps at a 17:9 aspect ratio and a 3.7K (3680 x 2760 pixels) 12-bit recording at up to 59.94 fps at a 4:3 aspect ratio.

Other improvements in firmware version 2.0 include V-Log or Rec.709 selection options on the Live View monitor during Raw video output, new shooting assist functions and a LUT designed exclusively for BGH1 footage recorded on Atomos Ninja V monitor/recorder units that will match the color grading to V-Log/V-Gamut. It’s now also possible to show the Genlocking status display and format SD memory cards over the PC connection.

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Question of the week: What’s your advice to your younger self?

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Question of the week: What’s your advice to your younger self?


Every week, we ask newsletter subscribers a question about gear, creativity or life. We recently asked readers: If you could go back to your 20-year-old self, what camera-related advice would you give yourself?

Subsequently, the DPReview editors also got in on the act:

1. Shaminder Dulai

Start organizing your photo and video archive and making it searchable. Make sure to save local versions of client work; websites will disappear and take your work with them. A good archival system makes it possible to earn a passive income from these photos and videos in the future and curate your work for grant applications and shows.

Don’t get caught up in the gear; there will always be something better that comes along. Make things. Whatever you can get your hands on, just use it and make stuff. The more you practice and embrace the failures, the more you’ll learn and improve.

There will be people who will try to discourage you; they’ll tell you you don’t have the right gear, the right skills, or the right name, and some will even steal your ideas and pass them off as their own. These will be hard lessons, and you’ll need to learn to put yourself before others. It won’t be easy.

Also, buy as much Apple stock as you can afford and spend more time with your parents. Ask them the questions you always were too afraid to ask.


2. Dale Baskin

I’d probably give the same advice I would give a 20-year-old today: Don’t obsess about having fancy gear or the newest camera. Buy something used in good condition and save some money, then spend the money you save on fun experiences that allow you to focus on learning the art of photography.


3. Richard Butler

Focus on the lenses you’ll actually use. Look at the photos you’ve taken to see what you’re trying to capture. Consider whether the discipline (and compactness) of a prime would be better than the seemingly obvious F2.8 zoom.


What’s your take? Let us know in the comments.

If you want to participate in the next question, sign up for the newsletter. It’s the best photography, camera and gear news, delivered right to your inbox.

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And we don’t just stop at the news. Newsletter subscriber benefits include behind-the-scenes articles, letters to the editor, exclusive contests, sneak peeks on what we’re working on, ways to share feedback directly with DPReview editors to help us shape future stories and more! There is no AI here, only real people writing the newsletters and reading your feedback (me!)



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Fujifilm X-T50 first-look video and preview samples

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Fujifilm X-T50 first-look video and preview samples


We had a chance to shoot with the Fujifilm X-T50 for quite a while, so we put together a first-look video, outlining what it can offer, as well as shooting a sample gallery using a variety of Film Simulations.

As always, all the Raw files are available to download if you wish to see how your preferred software handles them.

Please do not reproduce any of these images on a website or any newsletter/magazine without prior permission (see our copyright page). We make the originals available for private users to download to their own machines for personal examination or printing (in conjunction with this review); we do so in good faith, so please don’t abuse it.



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Fujifilm X-T50 first-look video and preview samples

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Fujifilm X-T50 first-look video and preview samples


We had a chance to shoot with the Fujifilm X-T50 for quite a while, so we put together a first-look video, outlining what it can offer, as well as shooting a sample gallery using a variety of Film Simulations.

As always, all the Raw files are available to download if you wish to see how your preferred software handles them.

Please do not reproduce any of these images on a website or any newsletter/magazine without prior permission (see our copyright page). We make the originals available for private users to download to their own machines for personal examination or printing (in conjunction with this review); we do so in good faith, so please don’t abuse it.



Gear in this story





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