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Censorship into art: why Iranian director Jafar Panahi’s subversive stories are getting the world’s attention

Iranian director Jafar Panahi has spent his career turning barriers into creative inspiration. Working under travel bans, house arrests and periodic detention, he had made powerful films that show everyday life in Iran through quiet moments, daily struggles, and small talk on streets under surveillance. He shows people who are restricted by repressive rules, yet […]

Imax technology is a big part of Sinners’ success – what this tells you about the state of cinema

Sinners, a blues-soaked horror film set in 1930s Mississippi, was preemptively tagged by many film industry insiders as an inevitable flop. But it became a word-of-mouth sleeper hit that continues to draw huge audiences globally, weeks after its release. On its opening weekend, premium screening formats such as in Imax cinemas accounted for 45% of […]

‘Emilia Pérez’ was nominated for 13 Oscars. Why do so many people hate it?

French director Jacques Audiard’s “Emilia Pérez” first made waves among critics at the Cannes Film Festival in May 2024, when it won multiple awards. It went on to receive 10 Golden Globe nominations, winning four, including best musical or comedy. “It is so beautiful to see a movie that is cinema,” gushed Mexican director Guillermo […]

‘Reel justice’: a unique collaboration between university filmmakers and police

How can universities build better relationships with the communities around them? Academia is increasingly considering this question. And finding innovative ways to demonstrate value and connect with wider society. This was on my mind when I learnt about a fascinating collaboration between the police and aspiring, young filmmakers at the University of Sunderland, which shows […]

We’re in a golden age for body horror films – as Demi Moore’s The Substance proves

In the 1980s, film scholar Barbara Creed coined the term the “monstrous-feminine”. It refers to the way that female monsters are typically portrayed as threatening and disgusting for reasons connected to their bodies and their sexuality. New film The Substance takes a leaf out of Creed’s book by proposing a feminist critique of female experience […]