Community member Mikael Aguirre, known as Orioto in the forums, finds the motion of excitement among the youth in Paris, France, a great opportunity for some interesting photography.
Meet Mikael Aguirre
Home base: Paris, France
Community member Mikael Aguirre, known as Orioto in the forums, loves hanging out among the crowds in his local area of Paris, France. The streets are where his photography comes alive. In the following chat we had with Mikael, it quickly became clear that the excitement and unpredictable nature of a crowd brings up some great opportunities for unplanned but unique photography.
“I studied cinema at university, and as I had bought a Canon EOS 550D for that filming need, I figured I would try photography one day out of curiosity. Love at first sight. I then started documenting my experiences, and soon after, fell in love with French humanist photographers and street photography. I also experiment a lot with video too.”
Our ‘What’s in your bag?’ community spotlight series features readers sharing their favorite gear and photography, including from past DPReview collaborators. See below for what Andrew has to share.
How did you get started as a street photographer?
Sony α7 III | Sony FE 35mm F1.8 @ 35mm | F7.1 | 1/640 sec | ISO 8000
“I love to shoot in Paris, as there is a special sort of photography history there. Now I love to shoot young people being alive and messy. Seeing the motion and excitement is rejuvenating. To me, the mixed kids playing with cardboard in Robert Doisneau’s 50’s-era photography are teens and young adults being crazy in the street nowadays.
To illustrate the point, the above photo shows teens running in the middle of the road after PSG won the Champions League. I have others where teens are diving in the Canal St Martin (which is against the law).”
What’s in Mikael’s bag
Favorite cameras(s): Sony A7III with a Sony FE 35mm F1.8 lens
Preferred camera bag: “I carry with me the simplest Caselogic bag available on the market. It has just enough space for the camera and barely anything more.”
Must-have accessories: “An umbrella sometimes, because the rain always seems to surprise. And of course any snacks that I can get my hands on.”
For these spotlights, we often receive long lists of cameras, lenses and all sorts of accessories. But sometimes we’re surprised by the simplicity of a photographer’s setup, reminding us that great photography doesn’t necessarily require fancy equipment.
How has your photography changed since University?
Sony α7 III | Sony FE 35mm F1.8 @ 35mm | F9 | 1/500 sec | ISO 8000
“I love to shoot events where people get wild, and whenever Paris gets different, unique. It can be heavy rain, snow, pride or anything.
“At first, I was mimicking old black and white photos, trying to find humanist type stuff, such as cute and melancholic. I needed years and years to discover and appreciate modern street photography.
I started wanting to get closer, wider, with less blur and more colors in my photos. It isn’t just for aesthetics, but cause I realized that’s what humanism should be nowadays. Nothing artificial or dated, it should be raw and make you feel like you’re there in the scene. So, I went from a 70-300mm to an 85mm, and several other sizes. I found that 28mm is too wide for how I want to fill the frame.”
How do you optimize for a great shot?
Sony α7 III | Sony FE 35mm F1.8 @ 35mm | F10 | 1/800 sec | ISO 500
“I’m not yet an expert in the Webb-type multilayered approach, and my photography is subject-centered rather than visually driven. By that, I mean I’m not necessarily looking for visuals; I’m looking for interesting subjects or moments. Then I try to create the best visual I can with them, depending on the subject.”
The goal is to make things like figure-to-ground relationships, the rule of thirds and the golden ratio automatic enough that they appear naturally in your mind without requiring too much conscious thought.
Mikael Aguirre
“I rely quite a bit on intuition. I’ll try to frame my subject in a way that allows the surroundings to contribute to the overall effect I intend, but most of the time I shoot very quickly, so I can’t really focus on everything unless I’m in a slower situation. It’s more about optimizing on the fly and relying on quick intuition.
Also, I tend to move very quickly to find a better angle. The goal is to make things like figure-to-ground relationships, the rule of thirds and the golden ratio automatic enough that they appear naturally in your mind without requiring too much conscious thought.”
Why street photography?
Sony α7 III | Sony FE 35mm F1.8 @ 35mm | F2.5 | 1/400 sec | ISO 8000
“I think street photography was born from literally documenting the streets, and it feels a little narrow when some intellectuals want to turn it into something more abstract. You can’t remove the core idea from something and then say that’s what it is now.
Street photography has become a niche bubble, but photographs that stand the test of time generally show us something. They aren’t just the product of an aesthetic challenge. As for me, I’m going to keep documenting life in Paris!”
Mikael enjoyed participating in this spotlight article and would love to hear what you think of his photography. He’s happy to answer any of your questions in the comments below.
You can check out Mikael’s other work on Instagram @oriotophotography.
Editor’s note: This article continues a series, ‘What’s in your bag?’, highlighting DPReview community members, their photography and the gear they depend on. Would you like your photography to be featured in a future installment? Tell us a bit about yourself by filling out this form.
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