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Nikon Z5II vs Z5IIC: what are you giving up to save some money?


Despite some obvious cuts, Nikon’s latest full-frame camera is a lesson in being inexpensive without feeling cheap.

This month, Nikon released the Z5IIC, which is essentially a version of its Z5II mirrorless camera, but with the viewfinder removed and a lower price point. And while that top-line summary is closer to the whole story than usual, there are a few nuances that are worth looking at if you’re trying to decide between the two models.

No EVF

A silver Nikon Z5IIC on a gray background, with its articulating display flipped out.
With the Z5IIC, you’re entirely reliant on the LCD for composing your pictures and videos.
Richard Butler / Mitchell Clark

The most obvious difference between the two cameras is that the Z5II has a (particularly nice) electronic viewfinder that you can use in sunny conditions, or when you’d prefer not to look at a rear screen, and the Z5IIC does not. How much that will bother you comes down to personal preference; are you willing to give up an EVF to save some money, and do you value you the camera being a bit smaller and easier to get into and out of a camera bag?

While both the Z5IIC and the Z5II have 3.2″ fully-articulating displays, the one on the more expensive, full-size model is a bit higher-resolution at 2.1 million dots, versus the Z5IIC’s 1.04M. That’s not as big a difference as those numbers may seem – they equate to 1024 x 682px and 720 x 480px, respectively – but while we found the screen to be quite usable, it is undoubtedly not quite as nice. Neither comes all that close to a display you’d find on a smartphone, though.

Storage

The Nikon Z5IIC's card slot, with an SD card inserted.Richard Butler / Mitchell Clark

This is another relatively simple arena: the Z5II has two UHS-II card slots, while the Z5IIC has one. This could be a slight annoyance when shooting video, where it can be nice to have your recording automatically roll over to a second card once you’ve filled one up, and can bring some peace of mind if you’re a photographer worried about the possibility of your card dying before you can offload it (something that can happen, but very rarely). That assurance is also nice if you’re capturing a once-in-a-lifetime event or trip.

Most shooters, however, will be perfectly well-served by a single card-slot camera. And in cases where you absolutely must have backups, Nikon’s app lets you automatically transfer 8MP JPEGs from your camera to your phone as you take them. (Unfortunately, there’s no option for full-size JPEGs or Raws, unless you have the camera directly connected to Wi-Fi and set to automatically upload to Nikon’s Imaging Cloud service).

Controls and handling

The back of a Nikon Z5IIC.Richard Butler / Mitchell Clark

The Z5IIC and Z5II have, once again, very similar controls, with essentially the exact same mix of programmable buttons on the top, rear and front plates. (The one difference: by default, the button to the right of the mode switch on the Z5II is set to AF On, while on the Z5IIC it’s focus and exposure lock, though either can be customized to behave like the other). Likewise, both cameras have twin top-plate control dials.

The one control omitted on the Z5IIC is a joystick, leaving you to control your AF point using the touchscreen or the multi-directional controller. When we were using it, we frequently found ourselves reaching for the nonexistent joystick, since it can be more convenient than using the touchscreen, especially if you’re shooting at odd angles. But at least we never had to worry about how to control the focus point when we had the camera’s EVF up to our eye…

There is one other difference between the two: the Z5II has three user-defined settings on its mode dial, while the Z5IIC only has two, replacing the third with a “Scene” setting.

Scene modes

The top plate of a silver Nikon Z5IIC.Richard Butler / Mitchell Clark

Choosing the Scene setting lets you select what you’re trying to take a picture of and have the camera automatically optimize some of its settings for it. For instance, if you set it to sports, the camera will do its best to choose a fast shutter speed. If you instead tell it you’re trying to capture a dusk or dawn scene, it’ll set the white balance to preserve the colors as your eye sees them.

This isn’t a feature Nikon has included on its full-frame cameras before, so it’s absent on the Z5II. This may make the Z5IIC seem more attractive if you’re looking for your first camera and aren’t accustomed to having full control over the wide variety of settings mirrorless cameras offer. (However, we believe you’ll be better served by learning to make those decisions yourself, rather than using a somewhat clunky mode that can restrict your creative freedom).

Size and weight

A three-quarter view of a black Nikon Z5IIC with a 26mm F2.8 pancake lens attached, against a gray background.
Even with a pancake lens, the Z5IIC isn’t tiny by any measure.
Richard Butler / Mitchell Clark

Despite the Z5IIC’s lack of an EVF, it isn’t substantially lighter than the Z5II. It comes in at 620g (22oz), versus 700g (25oz), a mere 11% reduction.

Likewise, it’s only marginally shorter at 81mm (3.2″) tall, rather than 101mm (4.0″). We did find the lack of an EVF hump meant it was easier to slip in and out of a camera bag, but it being the same thickness and width as the Z5II means you’ll probably need to have a dedicated bag to carry it around in. Once you have a lens mounted, it’s a bit big for all but the roomiest of purses, and would struggle to fit in even the most generous of jacket pockets.

Autofocus

A Nikon Z5IIC, in-hand, seen from the front.Richard Butler / Mitchell Clark

Both cameras have very similar autofocus systems, with all the features we’d want from a modern mirrorless option, including the ability to recognize and track various subjects. And while we haven’t done our in-depth testing on the Z5IIC yet, the experience we’ve had with it gives us no reason to suspect that it won’t perform the same as the Z5II.

The one other autofocus difference: the Z5II has an AF assist lamp, which the camera can use to add a little extra illumination when it’s trying to focus in an extremely dark scene. The Z5IIC trades this for a tally light to indicate when the camera is recording video.

Pricing, now and in the future

The silver Nikon Z5IIC from the front, with its sensor visible.Richard Butler / Mitchell Clark

Many people have been quick to point out that, at the moment of the Z5IIC’s launch, you can buy a standard Z5II for around the same money, or even less. And if that’s the still the case as you’re reading this, our advice is straightforward: you should buy the Z5II.

However, it’s worth keeping in mind that MSRP is always an opening bid. This is likely the most expensive the Z5IIC will ever be (at a price that still makes it the joint second least expensive full frame camera ever), and, based on past pricing trends, we expect it will be sold for remarkably cheap after a few months on the market. That is, after all, what it seems to be designed to do. If and when you can buy it for as much cheaper than the Z5II as the delta between the cameras’ MSRPs suggests, it’ll be a much easier recommendation if you’re trying to save some money while starting a new hobby.

Summary

The Z5IIC and Z5II are much more alike than they are different. Beyond what we’ve covered in this article, they’re essentially the same, spec-for-spec, with the same stabilized sensor, mechanical shutter, burst rates, ports, video modes and more. It’s remarkable how inexpensive Nikon has managed to make the Z5IIC without making it feel cheap, both in terms of features and build.

Deciding between the two will largely depend on your budget and how much you value an EVF and the other features the Z5II offers.

Nikon Z5II

Nikon Z5IIC

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